A Game of Thrones: the Board Game Rulebook
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Mhysa Or Monster: Masculinization, Mimicry, and the White Savior in a Song of Ice and Fire
Mhysa or Monster: Masculinization, Mimicry, and the White Savior in A Song of Ice and Fire by Rachel Hartnett A Thesis Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL August 2016 Copyright 2016 by Rachel Hartnett ii Acknowledgements Foremost, I wish to express my heartfelt gratitude to my advisor Dr. Elizabeth Swanstrom for her motivation, support, and knowledge. Besides encouraging me to pursue graduate school, she has been a pillar of support both intellectually and emotionally throughout all of my studies. I could never fully express my appreciation, but I owe her my eternal gratitude and couldn’t have asked for a better advisor and mentor. I also would like to thank the rest of my thesis committee: Dr. Eric Berlatsky and Dr. Carol McGuirk, for their inspiration, insightful comments, and willingness to edit my work. I also thank all of my fellow English graduate students at FAU, but in particular: Jenn Murray and Advitiya Sachdev, for the motivating discussions, the all-nighters before paper deadlines, and all the fun we have had in these few years. I’m also sincerely grateful for my long-time personal friends, Courtney McArthur and Phyllis Klarmann, who put up with my rants, listened to sections of my thesis over and over again, and helped me survive through the entire process. Their emotional support and mental care helped me stay focused on my graduate study despite numerous setbacks. Last but not the least, I would like to express my heart-felt gratitude to my sisters, Kelly and Jamie, and my mother. -
Archetypes in Female Characters of Game of Thrones
Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Gloria Makjanić Archetypes in Female Characters of Game of Thrones Završni rad Zadar, 2018. Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Archetypes in Female Characters of Game of Thrones Završni rad Student/ica: Mentor/ica: Gloria Makjanić dr. sc. Zlatko Bukač Zadar, 2018. Makjanić 1 Izjava o akademskoj čestitosti Ja, Gloria Makjanić, ovime izjavljujem da je moj završni rad pod naslovom Female Archetypes of Game of Thrones rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. Zadar, 13. rujna 2018. Makjanić 2 Table of Contents 1. Introduction ..................................................................................................................... 3 2. Game of Thrones ............................................................................................................. 4 3. Archetypes ...................................................................................................................... -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Star World Hd Game of Thrones Schedule
Star World Hd Game Of Thrones Schedule How flaky is Deane when fringe and shaggy Bailey diddling some Selby? Is Moise brakeless when Mackenzie moan blithely? Unprecedented and venous Jude never wrongs his nationalisations! Fear of salesman sid abbott and world of thrones story of course, entertainment weekly roundups of here to baby no spam, sweep and be a zoo He was frustrated today by his outing. Channel by tangling propeller on their dinghies. Fun fact: President Clinton loves hummus! Battle At Biggie Box. My BT deal ordeal! This is probably not what you meant to do! You have no favorites selected on this cable box. Maybe the upcoming show will explore these myths further. Best bits from the Scrambled! Cleanup from previous test. Get a Series Order? Blige, John Legend, Janelle Monáe, Leslie Odom Jr. Memorable moments from the FIFA World Cup and the Rugby World Cup. Featuring some of the best bloopers from Coronation Street and Emmerdale. Anarchic Hip Hop comedy quiz show hosted by Jordan Stephens. Concerning Public Health Emergency World. Entertainment Television, LLC A Division of NBCUniversal. Dr JOHN LEE: Why should the whole country be held hostage by the one in five who refuse a vaccine? White House to spend some safe quality time with one another as they figure out their Jujutsu Kaisen move. Covering the hottest movie and TV topics that fans want. Gareth Bale sends his. International Rescue answers the call! Is she gaslighting us? Rageh Omaar and Anushka Asthana examine how equal the UK really is. Further information can be found in the WHO technical manual. -
Accepted Manuscript Version
Research Archive Citation for published version: Kim Akass, and Janet McCabe, ‘HBO and the Aristocracy of Contemporary TV Culture: affiliations and legitimatising television culture, post-2007’, Mise au Point, Vol. 10, 2018. DOI: Link to published article in journal's website Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: This manuscript version is made available under the terms of the Creative Commons Attribution-NonCommercial- NoDerivatives License CC BY NC-ND 4.0 ( http://creativecommons.org/licenses/by-nc-nd/4.0/ ), which permits non-commercial re-use, distribution, and reproduction in any medium, provided the original work is properly cited, and is not altered, transformed, or built upon in any way. Enquiries If you believe this document infringes copyright, please contact Research & Scholarly Communications at [email protected] 1 HBO and the Aristocracy of TV Culture : affiliations and legitimatising television culture, post-2007 Kim Akass and Janet McCabe In its institutional pledge, as Jeff Bewkes, former-CEO of HBO put it, to ‘produce bold, really distinctive television’ (quoted in LaBarre 90), the premiere US, pay- TV cable company HBO has done more than most to define what ‘original programming’ might mean and look like in the contemporary TV age of international television flow, global media trends and filiations. In this article we will explore how HBO came to legitimatise a contemporary television culture through producing distinct divisions ad infinitum, framed as being rooted outside mainstream commercial television production. In creating incessant divisions in genre, authorship and aesthetics, HBO incorporates artistic norms and principles of evaluation and puts them into circulation as a succession of oppositions— oppositions that we will explore throughout this paper. -
Racialization, Femininity, Motherhood and the Iron Throne
THESIS RACIALIZATION, FEMININITY, MOTHERHOOD AND THE IRON THRONE GAME OF THRONES AS A HIGH FANTASY REJECTION OF WOMEN OF COLOR Submitted by Aaunterria Treil Bollinger-Deters Department of Ethnic Studies In partial fulfillment of the requirements For the Degree of Master of Arts Colorado State University Fort Collins, Colorado Fall 2018 Master’s Committee: Advisor: Ray Black Joon Kim Hye Seung Chung Copyright by Aaunterria Bollinger 2018 All Rights Reserved. ABSTRACT RACIALIZATION, FEMININITY, MOTHERHOOD AND THE IRON THRONE GAME OF THRONES A HIGH FANTASY REJECTION OF WOMEN OF COLOR This analysis dissects the historic preconceptions by which American television has erased and evaded race and racialized gender, sexuality and class distinctions within high fantasy fiction by dissociation, systemic neglect and negating artistic responsibility, much like American social reality. This investigation of high fantasy creative fiction alongside its historically inherited framework of hierarchal violent oppressions sets a tone through racialized caste, fetishized gender and sexuality. With the cult classic television series, Game of Thrones (2011-2019) as example, portrayals of white and nonwhite racial patterns as they define womanhood and motherhood are dichotomized through a new visual culture critical lens called the Colonizers Template. This methodological evaluation is addressed through a three-pronged specified study of influential areas: the creators of Game of Thrones as high fantasy creative contributors, the context of Game of Thrones -
'Iron Throne' with a Noncompete? by Emily Wajert (May 16, 2019, 6:01 PM EDT)
Portfolio Media. Inc. | 111 West 19th Street, 5th Floor | New York, NY 10011 | www.law360.com Phone: +1 646 783 7100 | Fax: +1 646 783 7161 | [email protected] Claiming The 'Iron Throne' With A Noncompete? By Emily Wajert (May 16, 2019, 6:01 PM EDT) I can’t seem to take off my employment lawyer hat, even when watching my favorite shows. True to form, the final season of “Game of Thrones” has been filled with twists and turns, battles and heroics, and, of course, alliances and betrayals. With the highly anticipated series finale set to premiere this weekend, one burning question remains[1] — who will end up on the Iron Throne? Over the course of the show’s eight seasons, there have been many worthy (and not-so-worthy) contenders. Up until recently, it seemed the character with the strongest claim to rule Westeros was Daenerys Stormborn of the House Targaryen, the First of Her Name, the Unburnt, Queen of the Andals, the Rhoynar and the First Emily Wajert Men, Queen of Meereen, Khaleesi of the Great Grass Sea, Protector of the Realm, Breaker of Chains and Mother of Dragons (aka Dany). However, Dany’s claim came under threat once characters learned that the honorable Jon Snow actually had an even stronger claim. (For those unfamiliar, Jon Snow recently learned his true identity, which arguably places him ahead of Dany in the line of succession for the throne). Even after learning of his true identity and potentially stronger claim to the throne, Jon Snow continued to swear his allegiance to Dany as his “Queen.” Despite these assurances, Dany was clearly distraught over the idea of a popular Jon Snow competing against her for the throne. -
Narrative Structure of a Song of Ice and Fire Creates a Fictional World
Narrative structure of A Song of Ice and Fire creates a fictional world with realistic measures of social complexity Thomas Gessey-Jonesa , Colm Connaughtonb,c , Robin Dunbard , Ralph Kennae,f,1 ,Padraig´ MacCarrong,h, Cathal O’Conchobhaire , and Joseph Yosee,f aFitzwilliam College, University of Cambridge, Cambridge CB3 0DG, United Kingdom; bMathematics Institute, University of Warwick, Coventry CV4 7AL, United Kingdom; cLondon Mathematical Laboratory, London W6 8RH, United Kingdom; dDepartment of Experimental Psychology, University of Oxford, e f 4 Oxford OX2 6GG, United Kingdom; Centre for Fluid and Complex Systems, Coventry University, Coventry CV1 5FB, United Kingdom; L Collaboration, Institute for Condensed Matter Physics of the National Academy of Sciences of Ukraine, 79011 Lviv, Ukraine; gMathematics Applications Consortium for Science and Industry, Department of Mathematics & Statistics, University of Limerick, Limerick V94 T9PX, Ireland; and hCentre for Social Issues Research, University of Limerick, Limerick V94 T9PX, Ireland Edited by Kenneth W. Wachter, University of California, Berkeley, CA, and approved September 15, 2020 (received for review April 6, 2020) Network science and data analytics are used to quantify static and Schklovsky and Propp (11) and developed by Metz, Chatman, dynamic structures in George R. R. Martin’s epic novels, A Song of Genette, and others (12–14). Ice and Fire, works noted for their scale and complexity. By track- Graph theory has been used to compare character networks ing the network of character interactions as the story unfolds, it to real social networks (15) in mythological (16), Shakespearean is found that structural properties remain approximately stable (17), and fictional literature (18). To investigate the success of Ice and comparable to real-world social networks. -
“I'm All That Stands Between Them and Chaos:” a Monstrous Way of Ruling In
ARTICLE https://doi.org/10.1057/s41599-020-00562-3 OPEN “I’m all that stands between them and chaos:” a monstrous way of ruling in A Song of Ice and Fire ✉ Györgyi Kovács 1 The article explores Tyrion Lannister’s rule in King’s Landing in the second volume of A Song of Ice and Fire books, A Clash of Kings. In the reception of ASOIAF and the TV show Game of Thrones, Tyrion was considered one of the best rulers, and the TV show ended by making him 1234567890():,; Hand to a king who delegated the greatest part of ruling to him. The analysis is based on Foucault’s notion of monstrosity in power, which is characterized by a monstrous conduct and includes the excess and potential abuse of power. The article argues that monstrosity in his rule reveals deeper layers in Tyrion’s personality, which is initially suggested to be defined by morality. The article also comes to the conclusion that his morality limits the scope of his monstrous methods, which eventually leads to his fall from power. ✉ 1 Eötvös Loránd University, Faculty of Humanities, Budapest, Hungary. email: [email protected] HUMANITIES AND SOCIAL SCIENCES COMMUNICATIONS | (2020) 7:70 | https://doi.org/10.1057/s41599-020-00562-3 1 ARTICLE HUMANITIES AND SOCIAL SCIENCES COMMUNICATIONS | https://doi.org/10.1057/s41599-020-00562-3 Introduction ne of the most compelling features of George R. R. of his character and anticipates that in the books Tyrion will turn OMartin’s A Song of Ice and Fire (ASOIAF) books is the a villain motivated by vengeance (Bryndenbfish, 2019), which is way they present a richly detailed medieval fantasy world exactly the opposite of how his storyline ended in the TV show. -
Creative COW News & Press Releases News: Visual Effects
Creative COW News & Press Releases News: Visual Effects Society Announces Winners of the 12th Annual VES Awards News: Visual Effects Society Announces Winners of the 12th Annual VES Awards "Gravity" is the Big Winner with Six Awards; Frozen Dominates As Winning Animated Film "Game of Thrones" and "PETA" Score Big in the Broadcast and Commercial Categories Last Updated: February 2, 2014 5:02 pm GMT (Los Angeles, California--February 13, 2014) Today, the Visual Effects Society (VES), the industry’s global professional honorary society, held the 12th Annual VES Awards, the prestigious yearly celebration that recognizes outstanding visual effects artistry and innovation in film, animation, television, commercials, video games and special venues. Comedian Patton Oswalt served as host to the more than 1000 guests gathered at the Beverly Hilton to celebrate VFX talent in 24 awards categories. The teams from "Gravity," "Frozen," "Game of Thrones" and "PETA" led the wins in their respective categories, with "Gravity" taking home six awards, "Frozen" with four awards, and "Games of Thrones" and "PETA" each winning three. Academy Award winner Sandra Bullock made a crowd-pleasing previously unannounced presentation to her Gravity director, Academy Award nominee Alfonso Cuarón, recipient of the VES Visionary Award. Academy Award winning visual effects pioneer John Dykstra was presented with the VES Lifetime Achievement Award by previous VES Méliès Award winner Doug Trumbull. Awards presenters included Grammy Award winner/Academy Award nominee Pharrell -
Cheat Sheet to Westeros and Beyond, Your Guide on Catching up to “Game of Thrones” Before Season 8 Starts April 14
“Game of Thrones” has several great battle scenes, and the sixth season features the Battle of the Bastards, one of the most epic battle scenes ever filmed, movie or television. COURTESY/HBO ith the final season of “Game of Thrones” fast approaching, you might feel a little left out of the pop culture phenomenon as ‘GAME OF your friends and family discuss Targaryens, Starks and Lan- nisters. But it’s not too late to get caught up, if you’re willing to Wtake a crash course in the Seven Realms. THRONES’ Today we’re giving you a cheat sheet to Westeros and beyond, your guide on catching up to “Game of Thrones” before Season 8 starts April 14. This is by no means complete. We definitely recommend you take time later to go back and watch the entire series, which is epic in scale and qual- TV ity. We’ve boiled the show’s 67 episodes down to 28, or a little over 26 hours ‘Game of CHEAT Thrones’ season of viewing. While you won’t get every detail, this list will give you what you 8 premiere need to understand the major plot points. With a bit of dedication, you can 8 p.m. April 14, HBO get through it all in a week. SHEET And if you’re already familiar with Game of Thrones, you can use this as a guide to re-familiarize yourself with the world you’ve been missing for the last 18 months. Your guide to catching up on the Seven Tip: Wikipedia has pretty good summaries for each episode. -
A Game of Thrones a Song of Ice and Fire by George R.R. Martin
A Game of Thrones A Song of Ice and Fire by George R.R. Martin Book One: A Game of Thrones Book Two: A Clash of Kings Book Three: A Storm of Swords Book Four: A Feast for Crows Book Five: A Dance with Dragons Book Six: The Winds of Winter (being written) Book Seven: A Dream of Spring “ Fire – Dragons, Targaryens Lord of Light Ice – Winter, Starks, the Wall White Walkers Spoilers!! Humans as meaning-makers – Jerome Bruner Humans as story-tellers – narrative theory Humans as mythopoeic–Carl G. Jung, Joseph Campbell The mythic themes in A Song of Ice and Fire are ancient Carl Jung: Archetypes are powerful & primordial images & symbols Collective unconscious Carl Jung’s archetypes Great Mother; Father; Hero; Savior… Joseph Campbell – The Power of Myth The Hero’s Journey Carole Pearson – the 12 archetypes Ego stage: Innocent; Orphan; Caretaker; Warrior Soul transformation: Seeker; Destroyer; Lover; Creator; Self: Ruler; Magician; Sage; Fool Maureen Murdock – The Heroine’s Journey The Great Mother (& Maiden, & Crone), the Great Father, the child, the Shadow, the wise old man, the trickster, the hero…. In the mystery of the cycle of seasons In ancient gods & goddesses In myth, fairy tale & fantasy & the Seven in A Game of Thrones The Gods: The Old Gods The Seven (Norse mythology): Maiden, Mother, Crone Father, Warrior, Smith Stranger (neither male or female) R’hilor (Lord of light) Others: The Drowned God, Mother Rhoyne The family sigils Stark - Direwolf Baratheon – Stag Lannister – Lion Targaryen