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The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
ALPHABETICAL LIST of Dvds and Vts 9/6/2011 DVD a Mighty Heart
ALPHABETICAL LIST OF DVDs AND VTs 9/6/2011 DVD A Mighty Heart: Story of Daniel Pearl A Nurse I am – Documentary and educational film about nurses A Single Man –with Colin Firth and Julianne Moore (R) Abe and the Amazing Promise: a lesson in Patience (VeggieTales) Akeelah and the Bee August Rush - with Freddie Highmore, Keri Russell, Jonathan Rhys Meyers, Terrence Howard, Robin Williams Australia - with Hugh Jackman, Nicole Kidman Aviator (story of Howard Hughes - with Leonardo DiCaprio Because of Winn-Dixie Beethoven - with Charles Grodin, Bonnie Hunt Big Red Black Beauty Cats & Dogs Changeling - with Angelina Jolie Charlie and the Chocolate Factory - with Johnny Depp Charlie Wilson’s War - with Tom Hanks, Julie Roerts, Phil Seymour Hoffman Charlotte’s Web Chicago Chocolat - with Juliette Binoche, Judi Dench, Alfred Molina, Lena Olin & Johnny Depp Christmas Blessing - with Neal Patrick Harris Close Encounters of the Third Kind – with Richard Dreyfuss Date Night – with Steve Carell and Tina Fey (PG-13) Dear John – with Channing Tatum and Amanda Seyfried (PG-13) Doctor Zhivago Dune Duplicity - with Julia Roberts and Clive Owen Enchanted Evita Finding Nemo Finding Neverland Fireproof – with Kirk Cameron on Erin Bethea (PG) Five People You Meet in Heaven Fluke Girl With a Pearl Earring – with Colin Firth, Scarlett Johannson, Tom Wilkinson Grand Torino (with Clint Eastwood) Green Zone – with Matt Damon (R) Happy Feet Harry Potter and the Half-Blood Prince Hildalgo with Viggo Mortensen (PG13) Holiday, The – with Cameron Diaz, Kate Winslet, -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Israeli Character Depictions in Hollywood Films (1948-2008)
American University in Cairo AUC Knowledge Fountain Theses and Dissertations 6-1-2016 Israeli character depictions in Hollywood films (1948-2008) Hanan Omary Follow this and additional works at: https://fount.aucegypt.edu/etds Recommended Citation APA Citation Omary, H. (2016).Israeli character depictions in Hollywood films (1948-2008) [Master’s thesis, the American University in Cairo]. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/290 MLA Citation Omary, Hanan. Israeli character depictions in Hollywood films (1948-2008). 2016. American University in Cairo, Master's thesis. AUC Knowledge Fountain. https://fount.aucegypt.edu/etds/290 This Thesis is brought to you for free and open access by AUC Knowledge Fountain. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of AUC Knowledge Fountain. For more information, please contact [email protected]. The American University in Cairo School of Global Affairs and Public Policy ISRAELI CHARACTER DEPICTIONS IN HOLLYWOOD FILMS (1948 - 2008) A Thesis Submitted to Department of Journalism and Mass Communications in partial fulfillment of the requirements for the degree of Master of Arts by Hanan H Omary (Under the supervision of Dr Ronnie Close) April 2016 The American University in Cairo School of Global Affairs and Public Policy Israeli Character Depictions in Hollywood Films (1948 – 2008) A Thesis Submitted by Hanan Omary to the Department of Journalism and Mass Communication (May 2016) in partial fulfillment of the requirements for the degree of Master of Arts in Journalism and Mass Communications has been approved by Name _______________________________ Thesis Adviser Affiliation ____________________________________________ Date ____________________ Name _______________________________ Thesis Second Reader Affiliation ____________________________________________ Date ____________________ Name _______________________________________________ Thesis Third Reader Affiliation ___________________________________________ Date ___________________ Dr. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
The Secret Scripture
Presents THE SECRET SCRIPTURE Directed by JIM SHERIDAN/ In cinemas 7 December 2017 Starring ROONEY MARA, VANESSA REDGRAVE, JACK REYNOR, THEO JAMES and ERIC BANA PUBLICITY REQUESTS: Transmission Films / Amy Burgess / +61 2 8333 9000 / [email protected] IMAGES High res images and poster available to download via the DOWNLOAD MEDIA tab at: http://www.transmissionfilms.com.au/films/the-secret-scripture Distributed in Australia by Transmission Films Ingenious Senior Film Fund Voltage Pictures and Ferndale Films present with the participation of Bord Scannán na hÉireann/ the Irish Film Board A Noel Pearson production A Jim Sheridan film Rooney Mara Vanessa Redgrave Jack Reynor Theo James and Eric Bana THE SECRET SCRIPTURE Six-time Academy Award© nominee and acclaimed writer-director Jim Sheridan returns to Irish themes and settings with The Secret Scripture, a feature film based on Sebastian Barry’s Man Booker Prize-winning novel and featuring a stellar international cast featuring Rooney Mara, Vanessa Redgrave, Jack Reynor, Theo James and Eric Bana. Centering on the reminiscences of Rose McNulty, a woman who has spent over fifty years in state institutions, The Secret Scripture is a deeply moving story of love lost and redeemed, against the backdrop of an emerging Irish state in which female sexuality and independence unsettles the colluding patriarchies of church and nationalist politics. Demonstrating Sheridan’s trademark skill with actors, his profound sense of story, and depth of feeling for Irish social history, The Secret Scripture marks a return to personal themes for the writer-director as well as a reunion with producer Noel Pearson, almost a quarter of a century after their breakout success with My Left Foot. -
Journal of Religion & Film Munich
Journal of Religion & Film Volume 10 Issue 1 April 2006 Article 14 April 2006 Munich Jason Flato University of Denver, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Flato, Jason (2006) "Munich," Journal of Religion & Film: Vol. 10 : Iss. 1 , Article 14. Available at: https://digitalcommons.unomaha.edu/jrf/vol10/iss1/14 This Film Review is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. Munich Abstract This is a review of Munich (2005). This film er view is available in Journal of Religion & Film: https://digitalcommons.unomaha.edu/jrf/vol10/iss1/14 Flato: Munich Steven Spielberg's latest film Munich begins with the kidnapping and murder of eleven athletes and coaches from the Israeli Olympic team by a group of Palestinians in 1972. Spielberg interlaces archival video from the live coverage of the crisis into the movie, culminating in anchorman Jim McKay's disconsolate observation, "They're all gone." This sequence establishes the recruitment of Avner (Eric Bana), a Mossad agent and former bodyguard for Prime Minister Golda Meir, to a covert assassination team that crisscrosses Europe over the span of several years. Avner leads a squad of four, including the hesitant Carl (Ciaran Hines), the callous Steve (Daniel Craig), and the befuddled Robert (Mathieu Kassovitz). This allows Spielberg to explore a variety of responses to the moral issues tied to revenge. Echoing the language we heard from the White House post-9/11, Meir ominously declares that the killing of the Israeli athletes "changes everything,” and throughout Munich there are resonances between the past and present-day. -
Drama Report 2013/2014
Drama Report Production of feature films and TV drama in Australia 2013/14 Highlights $837 million total production expenditure Up 11 per cent on last year 35 Australian features $297 million Up 18 per cent on last year 49 Australian TV dramas $343 million Down 8 per cent on last year 26 foreign projects $197 million Up 50 per cent on last year Producer Offset total value $137 million © Screen Australia 2014 ISBN: 978-1-920998-29-5 The text in this report is released subject to a Creative Commons BY licence (Licence). This means, in summary, that you may reproduce, transmit and distribute the text, provided that you do not do so for commercial purposes, and provided that you attribute the text as extracted from Screen Australia’s Drama Report 2013/14. You must not alter, transform or build upon the text in this report. Your rights under the Licence are in addition to any fair dealing rights which you have under the Copyright Act 1968 (Cwlth). For further terms of the Licence, please see http://creativecommons.org/ licenses/by-nc-nd/3.0/ Screen Australia is grateful to all those who contributed data to the compilation of this report. The data provided has been drawn from a number of sources. While Screen Australia has undertaken all reasonable measures to ensure its accuracy, we cannot accept responsibility for inaccuracies and omissions. Cover image: The Code Contents Key terms 4 OVERVIEW 5 ALL DRAMA PRODUCTION 6 AUSTRALIAN FEATURE SLATE – DOMESTIC AND CO-PRODUCTION TITLES 8 Feature budget ranges 8 Sources of finance for Australian features 9 AUSTRALIAN TV DRAMA SLATE – DOMESTIC AND CO-PRODUCTION TITLES 10 Programs for adults 12 Programs for children 13 Sources of finance for Australian TV drama 14 FOREIGN PRODUCTION 15 Features 15 TV drama 15 DRAMA PRODUCTION BY LOCATION 16 Expenditure by state 16 Location of production company 17 TITLES IN THE 2013/14 SLATE 18 PDV SERVICES – FOR FEATURES AND TV DRAMA PRODUCTION 21 METHODOLOGY 25 ABOUT THE REPORT activity in Australia and the Offset’s Australia. -
Gabrielle Mckinlay
GABRIELLE MCKINLAY ( (04)19 675 006 * [email protected] PRODUCER/DIRECTOR/WRITER With a proven track record in the Film and TV industry, I exhibit an "up for anything” attitude, an excellent eye for detail and a great ability to work well under pressure. I possess the knowledge and skills that is gained through experience and provide new and creative solutions to any problems or issues that a production may face. I am conscientious, hard working and have a sunny disposition. Forever passionate about the journey that is Film and TV Production, I am always eager to find challenging roles that utilize my talents and skill set. KEY SKILLS ASSESSMENT Production 4 Controlling budget and allocating resources. 4 Building and developing a network of contacts. 4 Shooter/Producer & Producer/Director 4 Location sourcing/scouting/permits as required. 4 Talent sourcing & casting. 4 Troubleshooting as required. 4 Fantastic eye for detail 4 Excellent Communication Skills 4 Great Creative Vision Communication 4 Utilises the computer programs Microsoft Word, Excel and MYOB. PROFESSIONAL EXPERIENCE Producer Credits ITV 2017 ‘Keeping Australia Safe’• Observational Documentary • Story - Self-Defence • Executive Producer - Elle Gibbons • Training in Post-Producing ITV 2017 (TBA Working Title) • Pilot for Observational Documentary Series • Producer/Director of Sizzle Reel-Teaser BAY FILMS 2015 ‘The Closet’ Pilot for Reality Television Series • Producer/Co-Director RUBY SNOW FILMS ‘All Or Nothing’ Pilot for Comedy Television Series • Producer/Director 2015 AMVI 2012 ‘Share A Lunch’ TVC • Salvation Army • Directed by Lucy Hayes • Producer JDTV Worked with ‘Jewellery Direct Television’ (on Channel 9’s Shopping Channel & TVSN) • Producer/Director • Vision Switcher Roles. -
Mongrel Media Presents a Film by Adam Elliot
Mongrel Media Presents A Film by Adam Elliot (92 min., Australia, 2009) Distribution Publicity Bonne Smith 1028 Queen Street West Star PR Toronto, Ontario, Canada, M6J 1H6 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Fax: 416-488-8438 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/press.html Synopsis The opening night selection of the 2009 Sundance Film Festival and in competition at the 2009 Berlin Generation 14plus, MARY AND MAX is a clayography feature film from Academy Award® winning writer/director Adam Elliot and producer Melanie Coombs, featuring the voice talents of Toni Collette, Phillip Seymour Hoffman, Barry Humphries and Eric Bana. Spanning 20 years and 2 continents, MARY AND MAX tells of a pen-pal relationship between two very different people: Mary Dinkle (Collette), a chubby, lonely 8-year-old living in the suburbs of Melbourne, Australia; and Max Horovitz (Hoffman), a severely obese, 44-year-old Jewish man with Asperger’s Syndrome living in the chaos of New York City. As MARY AND MAX chronicles Mary’s trip from adolescence to adulthood, and Max’s passage from middle to old age, it explores a bond that survives much more than the average friendship’s ups-and-downs. Like Elliot and Coombs’ Oscar® winning animated short HARVIE KRUMPET, MARY AND MAX is both hilarious and poignant as it takes us on a journey that explores friendship, autism, taxidermy, psychiatry, alcoholism, where babies come from, obesity, kleptomania, sexual differences, trust, copulating dogs, religious differences, agoraphobia and many more of life’s surprises. -
Film Victoria Australia Disclosure of Payments 2015/16
DISCLOSURE OF PAYMENTS The following is a list of payments made in the 2015/16 financial year and may in some cases represent only a portion of the full amount committed to projects, businesses or people through our funding programs. PROJECT PAYEE PAYMENTS 2015/16 SCREEN INDUSTRY PROGRAMS PROJECT INVESTMENT Assigned Production Investment 8MMM Aboriginal Radio 8MMM Productions Pty Ltd 5,250 After the Wave Supernova Productions Pty Ltd 1,275 Ali’s Wedding Ali’s Wedding Productions Pty Ltd 232,000 Berlin Syndrome Aquarius Films Pty Ltd and Berlin Syndrome Productions Pty Ltd 350,000 Conviction DD & B Productions Pty Ltd 39,381 Dance Academy The Comeback Dance Academy The Comeback Productions Pty Ltd and 75,000 Open Channel Co-operative Ltd* Deception By Design Jonnie & Kate Films Pty Ltd 25,000 Digilante Check Point Media Pty Ltd 12,800 DNA Nation DNA Films Pty Ltd 37,500 Dogstar Christmas In Space Media World Pictures (D3) Pty Ltd 60,000 Downriver Downriver Productions Pty Ltd 44,000 Earth Story ES Productions PTY LTD 75,000 Ecco Homo Ghost Pictures Pty Ltd 14,000 Emo (The Musical) Emo Productions Pty Ltd and Open Channel Co-operative Ltd* 147,200 Fancy Boy FBTV Productions Pty Ltd and Open Channel Co-operative Ltd* 120,000 First Contact Season Two First Contact Productions Pty Ltd 50,000 Gurrumul Elcho Dreaming 6 Seasons Productions Pty Ltd 25,000 Holding The Man HTM Film Holdings Pty Ltd 3,000 House Husbands Season Five Playmaker HH5 SPV Pty Ltd and Open Channel 175,000 Co-operative Ltd* House Husbands Series Four Playmaker HH4 SPV Pty -
Damon Gameau
Damon Gameau Actor, Director, Presenter & Keynote Speaker Damon Gameau has enjoyed an extensive and varied career as an award winning Australian actor on stage and screen, and an award winning film director with two high profile films – The Sugar Film and 2040 – to his name. With an international following, he is in demand as a keynote speaker and presenter. More about Damon Gameau: Damon has starred in several features including two by Rolf De Heer, Charlie’s Country, which had its premiere at the 2013 Adelaide Film Festival, and the critically acclaimed The Tracker, Mark Hartley’s Patrick, Darren Ashton’s Thunderstruck and Razzle Dazzle, Boyd Hicklin’s Save Your Legs!, and Robert Connolly’s Balibo opposite Anthony LaPaglia. His performance in Balibo earned him an AFI Award nomination for Best Supporting Actor. Damon’s television credits include Foxtel’s Logie Award winning The Kettering Incident, Childhood’s End, and Barracuda. He has also appeared in the ABC’s Miss Fisher’s Murder Mysteries, Nine Network’s Gallipolli, Wentworth, Mr & Mrs Murder, the British series Raw, The Micallef Program, Slide, White Collar Blue, the ground breaking SBS drama Going Home, Foxtel’s award-winning Love My Way, Underbelly: A tale of Two Cities, and Spirited and Puberty Blues opposite Claudia Karvan. Damon starred as Greg Chappell in the Nine Network miniseries, Howzat! Kerry Packer’s War, and in Network Ten’s crime drama, Secrets and Lies: the Track. Damon has appeared in numerous short films including the award winning Tropfest short, Being Carl Williams directed by Abe Forsythe, Damian Walshe-Howling’s Suspended, and Cockroach directed by Luke Eve.