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Flowers for Algernon.Pdf
SHORT STORY FFlowerslowers fforor AAlgernonlgernon by Daniel Keyes When is knowledge power? When is ignorance bliss? QuickWrite Why might a person hesitate to tell a friend something upsetting? Write down your thoughts. 52 Unit 1 • Collection 1 SKILLS FOCUS Literary Skills Understand subplots and Reader/Writer parallel episodes. Reading Skills Track story events. Notebook Use your RWN to complete the activities for this selection. Vocabulary Subplots and Parallel Episodes A long short story, like the misled (mihs LEHD) v.: fooled; led to believe one that follows, sometimes has a complex plot, a plot that con- something wrong. Joe and Frank misled sists of intertwined stories. A complex plot may include Charlie into believing they were his friends. • subplots—less important plots that are part of the larger story regression (rih GREHSH uhn) n.: return to an earlier or less advanced condition. • parallel episodes—deliberately repeated plot events After its regression, the mouse could no As you read “Flowers for Algernon,” watch for new settings, charac- longer fi nd its way through a maze. ters, or confl icts that are introduced into the story. These may sig- obscure (uhb SKYOOR) v.: hide. He wanted nal that a subplot is beginning. To identify parallel episodes, take to obscure the fact that he was losing his note of similar situations or events that occur in the story. intelligence. Literary Perspectives Apply the literary perspective described deterioration (dih tihr ee uh RAY shuhn) on page 55 as you read this story. n. used as an adj: worsening; declining. Charlie could predict mental deterioration syndromes by using his formula. -
Johan Östman CV 2020.Pdf
Johan Östman — CV — 2020 Current: • Norbergfestival, Anrikningsverket; Stockholm, 2011-present —Artistic director since 2018, program director of Norbergfestival contemporary music festival since 2012 • Up Node; Nordic festival network, Copenhagen, 2017-present —Co-founder, co-director Prior: • Ableton Loop; summit for music makers, Ableton AG, Berlin, 2017-2020 —Creative producer; event strategy, curation and production • Surefire Agency; music booking agency, Berlin, 2015-2016 —Account assistant, booking assistant • Voltfestivalen; electronic music festival, Uppsala Concert & Congress, Uppsala, 2010-2015 —Co-curator, creative producer • Samlingen; club & DJ collective, Stockholm & Uppsala, 2008-2014 —Founder, curator Freelance + curatorial: • Night clubs & festivals in Sweden and Europe; 2008-present —DJ • Up Node nights; MeetFactory, Prague, 2019 —Co-curator, showcase nights for Nordic contemporary music • Sound of Stockholm 2019; contemporary music festival, Stockholm —Co-producer • Norbergfestival x Proton; Mayhem, Copenhagen, 2019 —Guest curator, festival showcase night • CTM Festival 2019; contemporary music festival, Berlin —Co-curator, showcase for Nordic contemporary music, by Up Node • Intonal x Norbergfestival x Up Node; Inkonst, Malmö, 2018 —Curator, showcase festival for Nordic contemporary music • Resonans; Moderna Museet & ArkDes, Stockholm, 2018 —Event series for contemporary music & performing arts, curated by Anrikningsverket • Under Bron & Trädgården nightclubs; Stockholm, 2013-2017 —Guest curator, resident DJ • Sound -
The Psytrance Party
THE PSYTRANCE PARTY C. DE LEDESMA M.Phil. 2011 THE PSYTRANCE PARTY CHARLES DE LEDESMA A thesis submitted in partial fulfilment of the requirements of the School of Humanities and Social Sciences, University of East London for the degree of Master of Philosophy August 2011 Abstract In my study, I explore a specific kind of Electronic Dance Music (EDM) event - the psytrance party to highlight the importance of social connectivity and the generation of a modern form of communitas (Turner, 1969, 1982). Since the early 90s psytrance, and a related earlier style, Goa trance, have been understood as hedonist music cultures where participants seek to get into a trance-like state through all night dancing and psychedelic drugs consumption. Authors (Cole and Hannan, 1997; D’Andrea, 2007; Partridge, 2004; St John 2010a and 2010b; Saldanha, 2007) conflate this electronic dance music with spirituality and indigene rituals. In addition, they locate psytrance in a neo-psychedelic countercultural continuum with roots stretching back to the 1960s. Others locate the trance party events, driven by fast, hypnotic, beat-driven, largely instrumental music, as post sub cultural and neo-tribal, representing symbolic resistance to capitalism and neo liberalism. My study is in partial agreement with these readings when applied to genre history, but questions their validity for contemporary practice. The data I collected at and around the 2008 Offworld festival demonstrates that participants found the psytrance experience enjoyable and enriching, despite an apparent lack of overt euphoria, spectacular transgression, or sustained hedonism. I suggest that my work adds to an existing body of literature on psytrance in its exploration of a dance music event as a liminal space, redolent with communitas, but one too which foregrounds mundane features, such as socialising and pleasure. -
John O'callaghan / Interactive Biography
JOHN O’CALLAGHAN / INTERACTIVE BIOGRAPHY Ireland is known for many things: Guinness, shamrocks, and now - John O’Callaghan. regularly in their sets, it has also reached a monumental 1.3million views on Youtube Firmly established in the A-list trance elite, John O’Callaghan is set to continue his to date. John also produces through a number of pseudonyms, including Joint journey further up the ladder of electronic dance superstardom. Operations Centre and J.O.C. Under the latter he displays his affinity of techno-fringed productions, supported by a who’s who of techno and progressive jocks. John’s high- energy trance mix coupled with a highly refined precision mixing style has seen him surge up through the DJ ranks. Spinning his first Radio 1 Essential Mix ‘Never Fade Away’ & ‘Subculture’ in the summer of 2008, the gifted 28 year old was one of only 4 trance DJs to do In the latter half of 2009 John again reached into the heartland of electronic dance so during the year. Immediately following that he made his debut in DJ Magazine’s with both his second artist album and the first edition of his new compilation series. Top 100 DJs rundown, arriving at No.60. In the 2009 chart he became one of the Containing the hit singles ‘Find Yourself’ (which in March of ’10 passed the 1 million year’s highest climbers, leaping 36 places into the world’s top 25 (at number 24) and view count on YouTube), ‘Never Fade Away’, ‘Out of Nowhere’ and his Giuseppe cemented his place as Ireland’s foremost DJ & producer. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pace, I. ORCID: 0000-0002-0047-9379 (2021). New Music: Performance Institutions and Practices. In: McPherson, G and Davidson, J (Eds.), The Oxford Handbook of Music Performance. Oxford, UK: Oxford University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25924/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] New Music: Performance Institutions and Practices Ian Pace For publication in Gary McPherson and Jane Davidson (eds.), The Oxford Handbook of Music Performance (New York: Oxford University Press, 2021), chapter 17. Introduction At the beginning of the twentieth century concert programming had transitioned away from the mid-eighteenth century norm of varied repertoire by (mostly) living composers to become weighted more heavily towards a historical and canonical repertoire of (mostly) dead composers (Weber, 2008). -
Cyberarts 2021 Since Its Inception in 1987, the Prix Ars Electronica Has Been Honoring Creativity and Inno- Vativeness in the Use of Digital Media
Documentation of the Prix Ars Electronica 2021 Lavishly illustrated and containing texts by the prize-winning artists and statements by the juries that singled them out for recognition, this catalog showcases the works honored by the Prix Ars Electronica 2021. The Prix Ars Electronica is the world’s most time-honored media arts competition. Winners are awarded the coveted Golden Nica statuette. Ever CyberArts 2021 since its inception in 1987, the Prix Ars Electronica has been honoring creativity and inno- vativeness in the use of digital media. This year, experts from all over the world evaluated Prix Ars Electronica S+T+ARTS 3,158 submissions from 86 countries in four categories: Computer Animation, Artificial Intelligence & Life Art, Digital Musics & Sound Art, and the u19–create your world com - Prize ’21 petition for young people. The volume also provides insights into the achievements of the winners of the Isao Tomita Special Prize and the Ars Electronica Award for Digital Humanity. ars.electronica.art/prix STARTS Prize ’21 STARTS (= Science + Technology + Arts) is an initiative of the European Commission to foster alliances of technology and artistic practice. As part of this initiative, the STARTS Prize awards the most pioneering collaborations and results in the field of creativity 21 ’ and innovation at the intersection of science and technology with the arts. The STARTS Prize ‘21 of the European Commission was launched by Ars Electronica, BOZAR, Waag, INOVA+, T6 Ecosystems, French Tech Grande Provence, and the Frankfurt Book Fair. This Prize catalog presents the winners of the European Commission’s two Grand Prizes, which honor Innovation in Technology, Industry and Society stimulated by the Arts, and more of the STARTS Prize ‘21 highlights. -
Radiocorriere 1977 09
Il cinema riscopre ' il filone della guerra * £ * 'I* Pino Caruso con le “vedettes” del suo cabaret televisivo ”Uova fatali”: uno sceneggiato di Gregoretti sulla Rete 1 I mostri della burocrazia ! In copertina >i /hobby della poesia, è un tulio nel passato, quando già bravo e ancora scono¬ sciuto trovò lavoro e successo come - cabaretiere •; per i telespettatori è SETTIMANALE DELLA RADIO E DELLA TELEVISIONE l'occasione per conoscere il Baga- anno 54 - n. 9 - dal 27 febbraio al 5 marzo 1977 qlmo e la sua storia Nella nostra copertina Pino Caruso con le f rime- donne di Caruso al cabaret. Evelyn Hanack, Laura Troschel e Marma Direttore responsabile: CORRADO GUERZONI Martoglia (Foto di Glauco Cortinì). ALLA TV - UOVA FATALI - DI BULGAKOV domenica 33-39 giovedì 65-71 Una satira sui mostri generati dalla Guida 41-47 venerdì 73-79 burocrazia di Donata Gianeri 12-15 giornaliera lunedi 81-87 Quel senso di farsa culturale martedì 49-55 sabato di Francesca Sanvitale 14-15 radio e TV mercoledì 57-63 Di eroina si continua a morire 16-17 94-95 di Lina Agostini Lettere al direttore 2-4 C'è disco e disco Rubriche 97 L’ITALIA DEGLI ANNI '30 Dalla parte dei piccoli 5 Le nostre pratiche Fu allora che l'italiano diventò conformista Qui il tecnico 98 di Lelio Basso 18-19 Dischi classici 6 Immagini anche inedite di m. a 18 Ottava nota Mondonotizie 99 Piante e fiori Anche la verità storica è un affare Padre Cremona 7 20-22 di Giuseppe Bocconetti 102 Leggiamo insieme 9 Il naturalista Prima di dire si o no di Luciano Arancio 23-24 104 Linea diretta it Dimmi come scrivi UN NUOVO SPETTACOLO CON PINO CARUSO La TV dei ragazzi 31 L’oroscopo 105 Il cabaret dai sotterranei ai riflettori della TV In poltrona 106 e 111 di Gianni De Chiara 2 Come e perché 91 Un comico serissimo con l’hobby della poesia Il medico 92 Moda 108 Affiliato editore: ERI - EDIZIONI RAI RADIOTELEVISIONE ITALIANA alla Federazione direzione e amministrazione: v. -
Neotrance and the Psychedelic Festival DC
Neotrance and the Psychedelic Festival GRAHAM ST JOHN UNIVERSITY OF REGINA, UNIVERSITY OF QUEENSLAND Abstract !is article explores the religio-spiritual characteristics of psytrance (psychedelic trance), attending speci"cally to the characteristics of what I call neotrance apparent within the contemporary trance event, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ultimate concerns” within the festival framework. An exploration of the psychedelic festival offers insights on ecstatic (self- transcendent), performative (self-expressive) and re!exive (conscious alternative) trajectories within psytrance music culture. I address this dynamic with reference to Portugal’s Boom Festival. Keywords psytrance, neotrance, psychedelic festival, trance states, religion, new spirituality, liminality, neotribe Figure 1: Main Floor, Boom Festival 2008, Portugal – Photo by jakob kolar www.jacomedia.net As electronic dance music cultures (EDMCs) flourish in the global present, their relig- ious and/or spiritual character have become common subjects of exploration for scholars of religion, music and culture.1 This article addresses the religio-spiritual Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 35-64 + Dancecult ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DC Journal of Electronic Dance Music Culture – DOI 10.12801/1947-5403.2009.01.01.03 + D DC –C 36 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 characteristics of psytrance (psychedelic trance), attending specifically to the charac- teristics of the contemporary trance event which I call neotrance, the countercultural inheritance of the “tribal” psytrance festival, and the dramatizing of participants’ “ul- timate concerns” within the framework of the “visionary” music festival. -
Privacy Statement Id&T Id&T
PRIVACY STATEMENT ID&T ID&T (also referred to as: “we”, “our” and “us”) takes your privacy very seriously and treats all your personal information with great care. This document sets out the types of data that ID&T collects and for which purposes these data are processed. By using our websites or registering for an account with us, you accept the terms of this Privacy Statement. ID&T therefore recommends you to read this Privacy Statement carefully. 1. Who is ID&T? ID&T consists of a number of separate entities that fall within the ID&T network. The following entities fall within the ID&T network: • ID&T e-Commerce B.V. • ID&T Merchandise B.V. • ID&T Travel B.V. • ID&T Club B.V. • ID&T Trance Energy B.V. • ID&T Management B.V. • ID&T Enterprise B.V. • ID&T Participations Holding B.V. • ID&T Events B.V. • Sensation Holding B.V. • Sensation Netherlands B.V. • Sensation International B.V. • Sensation North America B.V. • Mysteryland Holding B.V. • Mysteryland Netherlands B.V. • Mysteryland International B.V. • Welcome to the Future B.V. • Thunderdome B.V. • Air Festival Holding B.V. • Amsterdam Open Air B.V. Personal data processed by one of these entities are also processed on behalf of the other entities within the ID&T network. The entities within the ID&T network may provide their services through different websites. This Privacy Statement applies to the following websites within the ID&T network: • ID&T.com; • Welcometothefuture.nl • Mysteryland.com • Mysteryland.nl • Sensation.com • Thunderdome.com • Amsterdamopenair.nl • Buitenwesten.am • Valhallafestival.nl • Milkshakefestival.com • Campmoonrise.nl • Festivalmacumba.nl (hereinafter together also referred to as: “Website”). -
In Kepler's Gardens
A global journey mapping the ‘new’ world In Kepler’s Gardens AUTONOMY Helsinki Jerusalem Cairo Bangkok Esch Tallinn Nicosia Grenoble Melbourne Linz UNCERTAINTY Paris London ECOLOGY Oslo Moscow Auckland Vilnius Amsterdam Tokyo Johannesburg Munich Bucharest Belgrade San Sebastian Riga DEMOCRACY Dublin Daejeon Utrecht Vienna Los Angeles Ljubljana Buenos Aires Barcelona Montréal Chicago TECHNOLOGY Seoul Prague Hong Kong Athens Bergen Berlin Leiden Milan New York Brussels HUMANITY Taipei Jakarta ARS ELECTRONICA 2020 Festival for Art, Technology & Society In Kepler’s Gardens A global journey mapping the ‘new’ world Edited by Gerfried Stocker / Christine Schöpf / Hannes Leopoldseder Ars Electronica 2020 Festival for Art, Technology, and Society September 9 — 13, 2020 Ars Electronica, Linz Editors: Hannes Leopoldseder, Christine Schöpf, Gerfried Stocker Editing: Veronika Liebl, Anna Grubauer, Maria Koller, Alexander Wöran Translations: German — English: Douglas Deitemyer, Daniel Benedek Copyediting: Laura Freeburn, Mónica Belevan Graphic design and production: Main layout: Cornelia Prokop, Lunart Werbeagentur Cover: Gerhard Kirchschläger Minion Typeface: IBM Plex Sans PEFC Certified This product is from Printed by: Gutenberg-Werbering Gesellschaft m.b.H., Linz sustainably managed forests and controlled sources Paper: MagnoEN Bulk 1,1 Vol., 115 g/m², 300 g/m² www.pefc.org PEFC Certified © 2020 Ars Electronica PEFC Certified PEFC Certified This product is This product is This product is PEFC Certified © 2020 for the reproduced works by the artists, -
Digital Music Distribution
#149 Feb/Mar 08 www.mushroom-online.com Digital Music Distribution Skazi • Space Buddha • SCM • Materia • Doof psychedelic trance guide Universo Paralello • World Psychedelic Forum mushroom2008-02.indd 1 01.02.2008 15:13:33 Uhr mushroom2008-02.indd 2 01.02.2008 15:13:36 Uhr WELCOME 3 Impressum New Model Army to the Galaxy ... Verlagsanschrift / Address Willkommen im neuen Jahr zu unse- Welcome to the new year, and our Feb- FORMAT Promotion GmbH rer Februar/März-Doppelausgabe und ruary/March double issue. First off a big Arnoldstraße 47 ein ganz großes SORRY, dass wir die- apology for the magazine appearing so 22763 Hamburg sen Monat erst so spät erschienen sind. late this month. The reason for this was Germany Grund dafür war der Trancers Guide To that due to a few delays the Trancers HRB 98417 Hamburg The Galaxy 2008, der aufgrund einiger Guide To The Galaxy 2008 had to be pro- fon: +49 40 398417-0 Verspätungen letztendlich gleichzeitig duced at the same time as mushroom fax: +49 40 398417-50 mit dem mushroom produziert werden magazine. An interesting fact: the TTG [email protected] musste. Der wird übrigens im Laufe des will be translated into Portuguese in www.mushroom-media.com Monats ins Portugiesische übersetzt und the coming month, and 20.000 of it will Herausgeber / Publisher im Frühjahr in einer Zusatzauflage von be distributed n spring in Brazil as an Matthias van den Nieuwendijk (V.i.S.d.P.) 20.000 Heften in Brasilien verteilt. extra edition. Redaktionsleitung / Chief Editor Liese Neue Projekte schießen sowieso wie Lately new projects have been popping Redaktion / Editorial Team Pilze aus dem Boden. -
Council Reconsiders Dual School
*m*^*m Volume 18 Number 71 Monday, February 28,1983 Westland, Michigan 28 Pages Twenty-five cents «" IMJ <U£orb«3 Comsomk-ttka Cc/pcr«Ucs AH Rljlu Rtitnti Council reconsiders dual school tax t- By Sandra Armbruster in the account to pay all taxes as they However, Geake said that the attor on escrow accounting methods was in editor For related story, see come due." ney general felt it would be a conflict, troduced last year but hasn't been rein Page 2A. According to Tuttle, the companies for him to Issue an opinion at this time troduced into the current session of the City council will discuss in a 7 p.m. that residents complained about in since be is involved In litigation against Legislature. special meeting Monday night whether TWO YEARS AGO, the Wayne- clude Manufacturer's Hanover, Mid mortgage companies in Ingham County He said that his department last year to collect summer school taxes in the Westland school district and the city land Mortgage, Capital Mortgage, De Circuit Court. had completed a study on the matter Westland portions of the Inkster and cooperated In a dual tax collection. An troit Mortgage Realty and Universal "It's (separate Item accrual) a way of and made recommendations to then Livonia school districts, gry residents stormed city hall after Mortgage. getting more money from homeowners. Governor William Milliken. Brown said JThey^have-requested that the city private mortgage companies raised Tuttle said that most banks and sav It gives them more money to loan and he didn't know what the department's collect half the school taxes during the their monthly escrow payments, and ings "and loan companies don't have es that's how they make a profit," said position would be under the adminis YOU SAY you missed your summer.-The council delayed a deci the pilot program was dropped.