Dorset Buttons Enewsletter April 2014

Total Page:16

File Type:pdf, Size:1020Kb

Dorset Buttons Enewsletter April 2014 Dorset Buttons eNewsletter April 2014 In praise of the humble Singleton - a Dorset Button Challenge for 2014 At the start of this Project abroad. The deadline for Dorset Archival I set out to bring the your buttons is Friday information on Dorset Dorset Singleton Button to 25th July after which they Buttons and is even the notice of Dorset will be mounted and looking at the possibility buttoners. I didn’t framed ready to display at of an audio project to expect to generate capture such interest with memories of enquiries from all Dorset over the world. Buttoners. I know from From the emails I talking to some have received, of you that you and in discussions were taught by with buttoners, These two Singletion Buttons were sent to me from Australia. On grandmothers this challenge has the left is Barbara Schey’s contribution and the lovely silk blue who learnt the achieved what I skill from set out to do and brought the Dorset Record Office original buttoners. An the Singleton Button to and subsequently audio project could be a the notice of buttoners. In auctioned off to raise way to capture your a note I received from one funds for much needed memories about this contributor, a very skilled archival material. heritage craft and save buttoner, she has decided them for future to offer a range of Like many traditional generations to learn and Singleton buttons for sale crafts little or nothing was enjoy. at her regular stalls. I put in writing. Dorset I look forward to receiving have also received Archivist, Sam Johnston, your contributions by the 25th contributions from is very keen to expand the July. Fiona Vann - An Embroidery Project Earlier in the month I gave a Inside this issue: talk about Dorset Buttons to the members of the Stow on Dorset Arts & Crafts 2 the Wold Countryside Branch Embroiderer’s Guild. A decorated Birdseye 2 I was greeted by their Book by Jen Best 2 Chairman, Fiona Vann, who I discover was a Dorset The fate of a Buttoner 3 Buttoner and who has Henry’s Buttons designed this complicated Durability of a Dorset Button 3 mix of line art and buttons, How to make a Singleton 3 01747 829010 which she had worked [email protected] herself, as a memory. Thank you Fiona for sharing www.henrysbuttons.co.uk this with me. 2014 Events 4 Page 2 The Dorset Arts & Crafts Annual Exhibition celebrates 100 years Help make this centenary includes Dorset Buttons. discover how these buttons were anniversary a memerable one This 100th Anniversary ties in made and sought to revive the by submitting your Dorset industry at Lytchett Minster. She set up a small Buttons. business. In 1908, buttons In 1906, a small exhibition were in full production. was held at Hinton St Mary, Unfortunately, this revival Dorset, and its success led was brought to an end by to the formation of the the outbreak of the First Dorset Arts & Crafts World War. Association in 1907. The Dorset Arts & Crafts Exhibitions have been held Exhibition is open to annually, apart from the anyone, not just to those Second World War years. living in Dorset. All you This year the Annual have to do is to become a Exhibition (Friday August Button made by women from the mission at Lytchett Minster. Member or Associate Museum of English Rural Life, University of 1st. to Tuesday August 5th. Reading. Member. Once you have 2014) will be the 100th. joined the Association, you nicely with the early revival of Many counties had arts and can submit an entry to the Dorset Buttons. In the early crafts associations but Dorset's Exhibition. is the survivor and is still 1900s, Florence, the Dowager Full details on how to join the flourishing and attracting Lady Lees, was responsible for Association and submit your thousands of visitors. One of the saving the art of making Dorset entry can be found at sections of this exhibition is for Buttons. She visited farms and www.dorsetartsandcrafts.org. Traditional Dorset Crafts and cottages all over Dorset to A decorated Birdseye button no-one seems to have seen before Last year I received a Howitt to help me with this challenge of recreating one. commission asking for a design leaving me free to Using her embroidery skills number of buttons taken from make two sizes of the and the linen thread I had the collection I have on my Blandford Crosswheels with sourced, she developed a very website of original buttons. Judy Adam’s help, and High close copy of the original. I Original Birdseye button One of the buttons I was Tops. hope Marion will add this decorated on the side. asked for was the Birdseye Marion had never seen this button to her Dorset Button with decorated sides. As time type of Birdeye button before Fact File, the definitive book was short I asked Marion and immediately rose to the on how to make Dorset Buttons. The Dorset Button Accessories Book by Jen Best My Gran taught me to make instructions and colour photos. Dorset Buttons when I was a There are fourteen button child. I love making buttons designs to make, and twenty and so this book came into individual projects. being. I’ve designed a variety You can even create your own of projects using Dorset designs with your new found Buttons, ranging from jewellery skills! to belts! Each project has a You can order my book from list of materials, written my website Beaker Buttons VOLUME 1, ISSUE 1 Page 3 The fate of a Dorset Buttoner. Excerpt from the Morning Chronicle 1849 I found this article in the Two of them Morning Chronicle for 28th slept in a bed November 1849. The article which rested is about Dorset villages. In on a kind of this excerpt the writer reports elevated on this visit to a family in stage, near the angle of the Stourpane. It is particularly roof, which poignant as it describes the was gained by living conditions of a Dorset a ladder. The buttoner. eldest Inside of a Dorset Cottage. Illustration from the Illustrated daughter, a London News 1846. Reproduces by kind permission of the “I visited several other houses, tidy and Dorset History Centre. Document reference D.1/NL/14 but they were all of the same interesting- class, and all equally bad. looking girl, was seated at the her earnings to 8½d. a week. One occupied by a family of window making buttons. These She had been at work all that the name of Upwood, was buttons are made with cotton day since nine o’clock, from particularly so. Its clay floor thread sewn upon a small which hour till four o’clock was full of holes, which steel ring. She was getting when she gave up work formed receptacles for 10d. a gross, but it would take because it got dark, she had moisture during wet weather. her a week to earn it. She had earned about a penny! No The family numbered seven, to find the cotton too out of wonder she was anxious to go and they all slept in the roof. the 10d., which would reduce out to service.” A report from Peter Jameson on the durability of a Dorset Button I have two out of four foot diameter charcoal kiln using sail makers thread and buttons on my chainsaw onto a farm trailer, during the will keep up the research. trouser braces which are worst part of the lift, one of Peter Jameson is a charcoal Dorset Buttons made by the Dorset Buttons was torn burner in The New Forest. He myself. These replaced off. Picking the button out of has also learnt to make Dorset the plastic buttons the mud, the button had not Buttons and is a regular which snapped in cold failed, it was the thread used member of Button & Banter weather. Last Sunday whilst to stitch on to the garment, I group. two of us were handballing a 8 have reattached the button How to make a Singleton Button Singleton buttons were the only collection, I discovered a dress Dorset Buttons made out of made of Swiss muslin fastened Original Singleton Button from my fabric to cover a ring. I have with Singleton buttons. What collection. The underside of the button seen these charming made these button particularly on the right. understated buttons on original interesting was the embroidery items of clothing in museum on the button which reflected You can download instructions collections. They seem to have the pattern on the fabric, thus on how to make these buttons been a very popular button in making the button a very from my website Henry’s the early 1800s. Whilst going discrete button and almost Button and click on Singleton through a museum’s invisible. Button Challenge instructions. Events - for 2014 Saturday 21st June 2014 Sunday 20th July 214 Saturday 14th and Sunday 15th St Peters Vintage and Larmer Tree Festival September 2014 Collectable's Fair Adult Workshop Sturminister Newton Cheese Venue: St Peter's Church Hall, Try your hand at Festival Top of Gold Hill, making these Craft Marquee Shaftesbury, Dorset. traditional Dorset Buttons and Designer Time: 10.00am - thread buttons Women Clothing. 4.00pm which originated Anna McDowell of Henry’s Entry: Donation to the in Shaftesbury, Buttons has joined with fashion church hall funds Dorset. We will designer Vivienne Dines to offer look at how to a selection of women’s clothing Sunday 22nd June make a Dorset and accessories.
Recommended publications
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF LAW, ARTS & SOCIAL SCIENCES School of Social Sciences Poor Law Reform and Policy Innovation in Rural Southern England, c.1780-1850 by Samantha Anne Shave Thesis for the degree of Doctor of Philosophy June 2010 i UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF LAW, ARTS & SOCIAL SCIENCES SCHOOL OF SOCIAL SCIENCES Doctor of Philosophy POOR LAW REFORM AND POLICY INNOVATION IN RURAL SOUTHERN ENGLAND, c.1780-1850 by Samantha Anne Shave Recent analysis in poor law history has uncovered the experiences of individual relief claimants and recipients, emphasising their role in the welfare process. The literature has, however, tended to draw a false dichotomy between understanding the experiences of the individual poor and understanding the administration of the poor laws. This thesis deploys a ‘policy process’ understanding of social policies, a concept developed in the social sciences, to understand the processes driving social policies under the poor laws.
    [Show full text]
  • The History of the Dorset Button the Dorset Button Began in Shaftesbury, Dorset, Probably Between the Years 1680 to 1700
    The History of the Dorset Button The Dorset Button began In Shaftesbury, Dorset, probably between the years 1680 to 1700. The first buttons were known as "High Tops" and were made from a disc of horn from the Dorset Horn Sheep. It was covered by a small piece of material and worked with a needle and thread to make a conical shaped button. These buttons were much used for ladies' dresses. Other types of buttons were then developed using wire twisted on a spindle with the ends cut and dipped in solder. Children of both sexes were employed as "Winders and Dippers" - others threaded the rings and they were called "Stringers". Whole families were employed in the button trade in East Dorset at this time and the wire buttons ousted the "High Tops" completely. Dorset buttons were much sought after, not only in Europe but also in the New World. Nearly 1000 people were employed in this industry. Abraham Case opened the first depot for receiving buttons and by 1720 there were depots in Bere Regis, Milborne St. Andrew, Sherborne, Poole, Langton Matravers and Tarrant Keynston. At the Milborne Stileham Agency, set up by Peter Case junior in 1803, buttons were accepted every Friday and the place was like a fair ground as the crowds were so great. If you were to ask a native of East Dorset what his work was the answer would most probably been "I do Buttony". Another Peter Case (Abraham's grandson) was sent to Liverpool where he started a clearing house for the export side.
    [Show full text]
  • Dorset Buttons
    MUSEUM FRIEND Newsletter for the Friends of Lyme Regis Philpot Museum Issue no. 30 July 2017 CHAIRMAN’S LETTER Dear Friends Mission accomplished! By the time you read this we hope that our Mary Anning Wing museum extension will have been completed, a cause for great celebration. Our museum Director, David Tucker, was recruited by the Trustees to oversee the planning, grant raising and building of the extension and we give him credit and our thanks for accomplishing this task. We understand that navigating the multitudinous requirements of the Heritage Lottery Fund is no mean achievement. Details of the official opening and related activities will be published on the museum’s website. It is all change on the Friends committee. I have been elected as Acting Chairman following the resignation of Margaret Rose after many years of dedicated service. My main task is to work with the committee with the aim of getting us into a position which will be sustainable for the next five years or so. We have made a great start following the recruitment of Angela Main and Valerie Hayward; the influx of new energy and ideas is already apparent. To complete our transformation we need three more committee members, hopefully including a potential chairman. We are a very affable bunch of people who enjoy working together to support our museum. Please contact me if you are interested in joining us. Angela will take over from me as Treasurer and Val has plunged in, all guns blazing, as Newsletter Editor, Secretary and Publicity Coordinator. Other positions and duties remain unchanged; namely: Sylvia Oliver continues as Membership Secretary; Alison Mitchell as Database Manager and general computer guru; Richard Wells as digital presentations expert and eBay sales specialist; finally but by no means least, Joe Tesoriere, our all-seasons Eminence Grise and all-purpose helper.
    [Show full text]
  • Dorchester Voice
    Issue No. 8 March-April 2014 Dorchester SPRING Voice first anniversary issue! VoiceAlso serving local villages Arts & crafts, healthy living, alternative therapies, what’s on Volunteers prepare for Community Play £2m Charles Street subsidy slammed Your independent community magazine Featuring Gig Guide and Out & About – full local listings Supporting Dorchester’s independent retailers, craftspeople ­­­and practitioners Community News £2m Charles Street subsidy under fire Dorchester campaigner Alistair “The district council’s gift of Council, said the redevelopment Chisholm has hit out at plans by this valuable town centre site of the site, bringing new, bigger West Dorset District Council to should have been the beginning Marks & Spencer and Waitrose subsidise the planned Charles and the end of its involvement in stores, would create around 600 Street shopping centre develop- the Charles Street project. new jobs and provide a real boost ment to the tune of £2 million. “The two other developers in to the wider local economy. He says it is wrong for the the county town – the Duchy at “The benefits of the scheme council to underwrite the devel- Poundbury and the developers of are significant for the local opment when other projects such Brewery Square – have managed area but unfortunately the poor as Brewery Square have gone to deliver both their develop- economic climate of recent years ahead without any public money. ments in the teeth of a howling has caused progress to stall,” said The move follows the earlier economic gale and without a Cllr Gould. decision by the council to pick up penny of precious public money.
    [Show full text]
  • Newsletter for the Friends of Lyme Regis Philpot Museum
    MUSEUM FRIEND Newsletter for the Friends of Lyme Regis Philpot Museum January 2018 (Issue 31) Patrons : Sir David Attenborough, Tracy Chevalier, Minnie Churchill Registered Charity No. 278774 CHAIRMAN’S LETTER Dear Friends, Our museum, complete with new Mary Anning Wing, re-opened in July, on time and on budget. A preview, with tea and cake, was enjoyed by the museum volunteers, builders, architects and others involved in the build, all of whom had worked so hard to make this possible. We were bowled over by the new geology gallery and the Fine Foundation Learning Centre; it has been well worth the wait! There have since been two formal openings, the first for all of the local volunteers at which Tracy Chevalier, a Patron of the Friends, gave a gracious speech to the assembled throng in the Marine Theatre. The second was primarily aimed at thanking the HLF and other major granting bodies that donated generously to the Mary Anning Wing. It was great to see Mary Godwin, predecessor to our current Director, and to catch up with Minnie Churchill, another distinguished Patron of the Friends. The star attraction on this occasion was Friends’ Patron, Sir David Attenborough who, in the morning, studied some impressive local fossils with museum geologists Paddy and Chris, followed by a session with local junior school children. In the afternoon, speeches in the Marine Theatre from the Chairman of Trustees and then the Head of HLF for the South West were followed by a typically demonstrative and engaging speech from Sir David on the twin themes of Mary Anning and the importance of Lyme Regis as a birthplace of modern geology.
    [Show full text]
  • Rural Crafts and Trades Collections Today – an Overview 019-059 Pages 25-37
    a report for the Museum of English Rural Life at the University of Reading Rural Crafts & Trades Today An assessment of preservation and presentation in museums and archives by David Viner December 2007 Grundisburgh Smithy, Museum of E.Anglian Life, Stowmarket DAVID VINER Understanding, preserving and presenting the historic environment 8 Tower Street CIRENCESTER Glos GL7 1EF Phone & Fax 01285 651513 [email protected] Rural Crafts & Trades Today An assessment of preservation and presentation in museums and archives Contents Executive Summary page 03 Definitions & Websites pages 04-06 Introduction, background to the study, project brief and methodology 001-018 pages 07-10 Appendix One Questionnaire & Survey pages 11-15 Appendix Two Sites Visited & Consultees pages 16-24 Rural Crafts and Trades collections today – an overview 019-059 pages 25-37 Appendix Three [separately bound as Part Two] The Directory 239 pages Appendix Four Rural Crafts & Trades collections analysis Pages 38-66 Appendix Five Audiovisual Archives pages 67-79 Appendix Six Crafts & Trades Organisations pages 80-82 Appendix Seven Principal rural crafts holdings at Museum of English Rural Life, Reading pages 83-88 Acknowledgements pages 89-90 Appendix Eight [separately bound as Part Three] Rural Crafts & Trades Bibliography 44 pages 2 Rural Crafts & Trades Today An assessment of preservation and presentation in museums and archives Executive Summary 1 The study has as its primary objective the creation of a databank of information on rural crafts and trades material and related sources held in museums across the country, in accordance with Renaissance Vision – sharing knowledge & expertise; Priority Area 2. This is presented in three parts, a Report, a Directory of detailed information listed by museum, and a Bibliography, to create a combined databank of 373 pages.
    [Show full text]
  • FIPPENNY NEWSNEWS the Community Magazine F O R the Parish of Okeford Fitzpain E
    FIPPENNYFIPPENNY NEWSNEWS The Community Magazine f o r The Parish of Okeford Fitzpain e February 2017 50p THE OKEFORD BENEFICE serving the parishes of:- St. Nicholas, Child Okeford St Paul, Hammoon St. Nicholas, Manston St Andrew, Okeford Fitzpaine Church of the Holy Rood , Shillingstone in the Blackmore Vale Deanery of Salisbury Diocese. Benefice website: www.okefordbenefice.org Facebook: @okefordbenefice The Ministry Team Rector: The Rev’d Lydia Cook email: [email protected] 01258 863774 Please direct enquiries regarding Baptisms, Weddings and Funerals to Lydia Licensed Lay Minister: Mrs Sue Le Riche 01258 861830 Licensed Lay Minister: Mrs Sue Rawlinson 01258 863733 Lay Pastoral Assistant: Ms Carolyn Angelucci 01258 860049 Lay Pastoral Assistant: Mrs Abi Rudd 01258 861367 Lay Pastoral Assistant: Mrs Ruth Allen 01258 860068 The Eucharist (Order 2) is celebrated in Millbrook House, Child Okeford at 10.30am on the first and third Wednesdays of each month. St Andrew’s Okeford Fitzpaine Churchwarden: Mrs Sue le Riche 01258 861830 Churchwarden: Vacant Secretary: Mrs Elizabeth Colls 01258 860743 Treasurer: Mrs Carol Landricombe 01258 860858 Editor: Derek Day eMail: [email protected] Address: 3 Castle Lane, Okeford Fitzpaine, DT11 0RL Tel.: 01258 861979 Twitter: @FippennyNews The deadline for copy is 17:00 on the 20th of each month. Copy can be accepted in any format but is preferred as a Microsoft Word compatible or text file. Images can be accepted in any digital format, or on paper up to A3 size (297mm x 420mm). 2 Rector’s Ramblings How are all those New Year resolutions bearing up? Was Dry January as arid as you planned? How’s the diet? Perhaps some of you got new shoes or boots at Christmas and I while I expect they are fab-u-lous they might need a bit of breaking in.
    [Show full text]
  • Dorset Buttons Enewsletter December 2013
    Dorset Buttons eNewsletter December 2013 Designer women's clothing feature Dorset Buttons Viva women's clothing the lace on the sides. now features Dorset Viv was a successful Buttons. designer and pattern Recently, I have cutter in London who collaborated with local decided to relocate to fashion designer Wiltshire with her Vivienne Dines, who husband. Although she has her own label is frequently asked to 'Viva'. Viv specialises in help develop designs women’s clothing and by her previous has designed a range of items of fashionable clothing which feature Dorset Buttons. Each item is unique with usually only employer, Viv now one in the range. concentrates on This is one of her developing her own creations a jacket range of unique that features three tops inspired by our Dorset Buttons local heritage of designed to reflect Dorset Buttons. The War Child Embroidery Project The War Child inches. One of the Inside this issue: Embroidery Project is panels features Dorset Happy New Year 2 the brainchild of Lavinia Buttons. Earl and is supported You can see a detail of Dorset Buttons Morris 2 by Coates Crafts. The this panel and find The Great Dorset Steam Fair 2 project began in 2000 more about this and, when completed, worthwhile project on Lord Nelsons undershirt 3 the embroidery will be Henry’s Buttons my website: Henry's Norfolk Weavers & Spinners 3 made up of 100 main Buttons - News and 01747 829010 panels, each A Christmas tree angel 3 [email protected] Views www.henrysbuttons.co.uk measuring 90 x 60 A Dorset Button Challenge 4 Page 2 Happy New Year by Anna McDowell The build up to Christmas to experiment with new and 2014 is a wedding range was an opportunity to vintage fabrics and threads inspired by Abraham Case experiment with a and his wife.
    [Show full text]
  • Christingle See Page 31 Gardening Club AGM
    R e p o r t e80P WHERE r SOLD News and Views from around the area Volume 9 Issue 1 January 2017 www.milbornestandrew.org.uk/reporter facebook.com/MilborneReporter Christingle See page 31 Gardening Club AGM THE Milborne St. Andrew Gardening Club held its AGM on Thursday 17th November. The acting Chairman, Sally Dyer, reviewed the year’s activities which included a varied selection of talks, a successful plant sale in May and a popular and much enjoyed outing to the historic restored Jekyll and Lutyens gardens at Hestercombe in Somerset. Social events were not forgotten with the annual lunch held at The Greyhound, Winterborne Kingston in February, and an excellent barbecue in a member’s garden in September. The following members were elected to the Committee: Chairman: Sally Dyer Treasurer: Ann Guy Minutes Sec: Richard Lock Members: Angela Johnson , Harry Thomas and Bill Love The evening was rounded off with mulled wine and mince pies and a short, amusing quiz. Plans are now nearly complete for the 2017 programme. The talk at our first meeting, on January 19th will be on ‘Gardening for Climate Change’, a subject which will interest many in view of the unusual weather we have had in recent years and the unexpected effect it can have on gardens and agriculture in general. Anyone interested is welcome to come to the meeting at 7.30pm in the Village Hall. See also the separate club notice in the Reporter which will now appear each month with details of our meetings. Just look for the tree! Sally Dyer VILLAGE LUNCH To be held at the Village Hall on Saturday 28th January from 12.15 to 2.00pm Wine or fruit juice Disclaimer Lamb hotpot with vegetables THE views expressed in the Reporter are not necessarily those of the Cheesecake editorial team.
    [Show full text]
  • 2013 11 12 Reporter November 2013 Future of the Hall and Consider the Findings of Ask Millie the Parish Plan
    R e p o r t e75p where r sold News and Views from around the area Volume 5 Issue 10 November 2013 www.milbornestandrew.org.uk/reporter Bumper Harvest at St. Andrews Designing gardens ON 26th September we had a Members Meeting (with guests), it is traditionally presented by one of our members about something special they have done or are involved in. This time it was Maureen Lock and as we know from her Reporter articles she is a keen gardener and has built up a garden design business. It was great to hear her passion as she took us through the basics of her designing and the different challenges she faces with most gardens. Her work has ranged from a country house estate with many acres to a small courtyard garden in Poundbury. The country estate design was quite early in her career and brought her many new experiences such as building a ha-ha, planting an orchard, excavating a large pond, wildflower meadow, Italian garden, building walls and much more ˗– this was achieved over four years and the before and after slides we saw were amazing. Since that time Maureen has designed many lovely gardens and also public areas, one of these is The Quiet Space, well worth a visit, (near the Garden Centre in Poundbury). We heard about the process from meeting the garden owners, discussing the brief, doing a survey, producing a design, overseeing hard landscaping and the planting plan. I believe Maureen’s favourite part is the choosing of plants and the planting, for which you need a vision in your mind.
    [Show full text]
  • The Landscape, Its Heritage and Its People
    THE LANDSCAPE, ITS HERITAGE AND ITS PEOPLE 15 The Landscape, its Heritage and its People Evolution of the Landscape This chapter provides an overview of the physical and human influences on the evolution of the landscape within the CCCV LP Area, including its geology; the history of settlement and land use from pre-history to the present day; literary, artistic and cultural associations; and its rich biodiversity. Physical Landscapes Topography and Hydrology The underlying chalk geology has strongly influenced the varied topography of the area. The landscape within the study area is dominated by the smooth rounded downs, steeply cut coombes and dry valleys typical of a chalk landscape. The dip slope descends to the south-east where it meets the Dorset Heaths outside the area. The area is fringed in the north and west by dramatic scarps. The main drainage pattern of the rivers within the area can be split into two. The key river influencing the landscape of the northern half is the River Ebble, a tributary draining eastwards into the River Avon south of Salisbury, just beyond the study area. The River Ebble flows through the chalk following lines of weaknesses to create a distinctive valley landscape with a narrow valley floor. The Ebble is a gently flowing river, falling just 60m over a 16km stretch within the LPS area. Within the south of the study area watercourses drain the dip slope of the Chalk, flowing through the landform in a northwest-southeast direction. The northern and higher parts of the valley forms are now predominantly dry, but further south, the Rivers Tarrant and Allen flow southwards, and are tributaries of the River Stour.
    [Show full text]
  • Pauper Policies
    1 Introduction: pauper policies I am sorry to receve such a measage from you that I am to have four Shillans of my Pay taken of I hope you will not be so hard harted as to take it from me as I stand in more need of having some. Ann Dunster Ann Dunster was unemployed and living on Exmoor. In 1821 she wrote to the parish offi cers outlining her circumstances, arguing that she needed poor relief to keep her children, and herself, from going hungry. Ann argued that she had little control over her situation: ‘[i]t is not by Idleness’ or misbehaviour ‘that I am forst to come to you but it is by Death’. Ann knew where her status as a widow placed her entitlement according to the law. As ‘aloud by the Justice of Peace’, it was the duty of the parish to send money to maintain the fatherless children until ‘they are abel to do for them selves’. 1 Th e main purpose of her letter was not to obtain poor relief for the fi rst time, or to ask for an increase in the value of a payment, however. Ann had written to her parish offi cers to remonstrate against a reduction in her out- door relief. Her letter was one of thousands that were sent from relief claimants to the overseers during the poor laws. Whilst there was no such thing as a typical relief claimant, Ann’s case does typify the complex interactions between policy, practitioners and paupers from the mid eighteenth century.
    [Show full text]