Comparing Aiming Methods in Virtual Reality
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First Person Shooting (FPS) Game
International Research Journal of Engineering and Technology (IRJET) e-ISSN: 2395-0056 Volume: 05 Issue: 04 | Apr-2018 www.irjet.net p-ISSN: 2395-0072 Thunder Force - First Person Shooting (FPS) Game Swati Nadkarni1, Panjab Mane2, Prathamesh Raikar3, Saurabh Sawant4, Prasad Sawant5, Nitesh Kuwalekar6 1 Head of Department, Department of Information Technology, Shah & Anchor Kutchhi Engineering College 2 Assistant Professor, Department of Information Technology, Shah & Anchor Kutchhi Engineering College 3,4,5,6 B.E. student, Department of Information Technology, Shah & Anchor Kutchhi Engineering College ----------------------------------------------------------------***----------------------------------------------------------------- Abstract— It has been found in researches that there is an have challenged hardware development, and multiplayer association between playing first-person shooter video games gaming has been integral. First-person shooters are a type of and having superior mental flexibility. It was found that three-dimensional shooter game featuring a first-person people playing such games require a significantly shorter point of view with which the player sees the action through reaction time for switching between complex tasks, mainly the eyes of the player character. They are unlike third- because when playing fps games they require to rapidly react person shooters in which the player can see (usually from to fast moving visuals by developing a more responsive mind behind) the character they are controlling. The primary set and to shift back and forth between different sub-duties. design element is combat, mainly involving firearms. First person-shooter games are also of ten categorized as being The successful design of the FPS game with correct distinct from light gun shooters, a similar genre with a first- direction, attractive graphics and models will give the best person perspective which uses light gun peripherals, in experience to play the game. -
The Diminishing Need for Offline Rendering
The Diminishing Need for Offline Rendering: Building Real Time Projects for Both Design and Marketing with RTX 1) What is real time vs offline? 2) What is design vs marketing? 3) How these fields are merging 4) Nvidia RTX technology 5) Building UE4 projects to maximize usability Real Time vs Offline Image credit: “Unreal Tournament”, Epic Games Image credit: “Gravity”, Warner Bros. Real Time vs Offline 11 milliseconds 4 hours Image credit: “Robo Recall”, Epic Games Image credit: “Avatar”, 20th Century Fox Design vs Marketing Real Time vs Offline Maya viewport / maya render Image credit: “3ds max vray interior lighting and rendering tutorial”, Anil Shama’s Tutorials Advisors DESIGN Sketchup Image credit: “SketchUp: Bathroom Remodel”, Scott Onstott DESIGN Insite or IrisVR Image credit: IrisVR Design Fast and loose, preferring iteration speed over perfection. Marketing Movie (avengers?) Image credit: Transparent House Marketing Avatar Image credit: “Avatar”, 20th Century Fox Advisors Marketing Car Image credit: Audi Marketing Slow and perfect, for when it counts. Classical Rendering Ideology Design Marketing Simple Graphics High-End Graphics 3D Models Static Content CAVE Touchscreens Simulation 360-degree renders Configurability Location Based 2D End Products “Experience” Image credit: “Luxury Hotel”, Theia Interactive Image credit: Theia Interactive Image credit: Theia Interactive Image credit: Theia Interactive The Closing Gap Image credit: hpetrov.com Image credit: Transparent House The Closing Gap Image credit: Transparent House Image -
TI£ᄍᆲAL ¬タモ Asynchronous Multiplayer Shooter With
Entertainment Computing 16 (2016) 81–93 Contents lists available at ScienceDirect Entertainment Computing journal homepage: ees.elsevier.com/entcom TIṬAL – Asynchronous multiplayer shooter with procedurally generated maps q,qq ⇑ Bhojan Anand , Wong Hong Wei School of Computing, National University of Singapore, Singapore article info abstract Article history: Would it be possible to bring the promise of unlimited re-playability typically reserved for Roguelike Received 1 March 2015 games to competitive multiplayer shooters? This paper tries to address this issue by proposing a novel Revised 21 January 2016 method to dynamically generate maps at run-time almost as soon as players press the Play button, while Accepted 19 February 2016 ensuring the features what players would expect from the genre. The procedures are simple and practi- Available online 7 March 2016 cally feasible to be employed in actual computer games. In addition, the work experiments the possibility of incorporating asynchronous game-play element into a multiplayer shooter with human imitating bots Keywords: where the players can let their bot/avatar replace them when they are not around. The algorithms are Game implemented and evaluated with a playable game. The evaluations prove that playable 3D dynamic maps TIṬAL Prodecural content generation can be generated in order of seconds using game context data to initialise the parameters of the algo- Game map generation rithm. The paper also shows that asynchronous game-play element is a possible feature for consideration Bots in next generation multiplayer shooters. Artificial intelligence Ó 2016 Elsevier B.V. All rights reserved. 1. Introduction 1.1. Procedural content generation This paper demonstrates a novel method for procedurally gen- Procedural Content Generation (PCG) is the use of algorithmic erating dynamic maps at run-time at the click of the ‘Play’ button means to create content [2,3] dynamically during run-time. -
Xbox 360 Total Size (GB) 0 # of Items 0
Done In this Category Xbox 360 Total Size (GB) 0 # of items 0 "X" Title Date Added 0 Day Attack on Earth July--2012 0-D Beat Drop July--2012 1942 Joint Strike July--2012 3 on 3 NHL Arcade July--2012 3D Ultra Mini Golf July--2012 3D Ultra Mini Golf Adventures 2 July--2012 50 Cent: Blood on the Sand July--2012 A World of Keflings July--2012 Ace Combat 6: Fires of Liberation July--2012 Ace Combat: Assault Horizon July--2012 Aces of Galaxy Aug--2012 Adidas miCoach (2 Discs) Aug--2012 Adrenaline Misfits Aug--2012 Aegis Wings Aug--2012 Afro Samurai July--2012 After Burner: Climax Aug--2012 Age of Booty Aug--2012 Air Conflicts: Pacific Carriers Oct--2012 Air Conflicts: Secret Wars Dec--2012 Akai Katana July--2012 Alan Wake July--2012 Alan Wake's American Nightmare Aug--2012 Alice Madness Returns July--2012 Alien Breed 1: Evolution Aug--2012 Alien Breed 2: Assault Aug--2012 Alien Breed 3: Descent Aug--2012 Alien Hominid Sept--2012 Alien vs. Predator Aug--2012 Aliens: Colonial Marines Feb--2013 All Zombies Must Die Sept--2012 Alone in the Dark Aug--2012 Alpha Protocol July--2012 Altered Beast Sept--2012 Alvin and the Chipmunks: Chipwrecked July--2012 America's Army: True Soldiers Aug--2012 Amped 3 Oct--2012 Amy Sept--2012 Anarchy Reigns July--2012 Ancients of Ooga Sept--2012 Angry Birds Trilogy Sept--2012 Anomaly Warzone Earth Oct--2012 Apache: Air Assault July--2012 Apples to Apples Oct--2012 Aqua Oct--2012 Arcana Heart 3 July--2012 Arcania Gothica July--2012 Are You Smarter that a 5th Grader July--2012 Arkadian Warriors Oct--2012 Arkanoid Live -
Game 232 001
Online & Mobile Gaming GAME232 Fall 2016 TR 9:00–10:15 am (001) 10:30–11:45 am (002) AB1018 Instructor: Prof. Sang Nam Associate Director, Computer Game Design Email: [email protected] Office: A&D Building 2025 Phone: 703-993-3163/office Twitter: twitter.com/sangumc Office Hours*: TR 11:45 am – 1:30 pm * Other times by appointment. The best way to reach me is via email. MASON MISSION STATEMENT Mission-Who we are and why we do what we do A public, comprehensive research university established by the Commonwealth of Virginia in the National Capital Region, we are an innovative and inclusive academic community committed to creating a more just, free, and prosperous world. MASON GAME DESIGN MISSION STATEMENT The Mission of the Computer Game Design Program at George Mason University is to prepare students for employment and further study in the computer game design and development field, doing so with a curriculum designed to reflect the gaming industry’s demand for an academically rigorous technical program coupled with an understanding of the artistic and creative elements of the evolving field of study. CATALOG DESCRIPTION Class covers the history, practice, and design of online and mobile games. Class will discuss the current state of the smartphone applications, and study the best practices to be successful in the applications market. Students will learn the development process for smartphone applications and develop original and innovative applications in a team-based environment. COURSE OVERVIEW In this course, you will explore the ever-expanding world of mobile, pervasive, and “big” games. -
Leikin Kulttuuriaines Johan Huizinga — Homo Ludens
Leikillisyys, Leikki Peli, Pelillisyys Leikin kulttuuriaines Johan Huizinga — Homo Ludens Leikki on vapaaehtoista Leikki ei ole tavallista elämää Leikki ei ole hyödyllistä Leikki on rajattu paikallisesti ja ajallisesti Leikki luo järjestystä Leikin taikapiiri (Huizinga 1938, 17-21) repetitive play player-inappropriate play using a system parapathic play sensation-centric playful locomotor play play play to order one-sided social play dangerous play violent play play Stenros 2015: Playfulness, Play, and Games context insensitive A Constructionist Ludology Approach sisäiset tavoitteet ulkoiset tavoitteet leikin konteksti oikea leikki instrumentalisoitu ei-leikin konteksti sovitettu leikki ei-leikki Stenros 2015 suomennettu kökösti Peli kokemuksena Peli ei ole välineessä Peli ei ole aistissa Peli on kokemuksessa Peli kokemuksena John Dewey — Art as Experience Peli kokemuksena John Dewey — Art as Experience Esteettinen kokemus Kokemuksen materiaalina tunteet Kokemuksen kokeminen vs. läpikäyminen Aktiivinen toimijuus Ilmaiseminen Esteet / Haasteet Aktiivinen korjaaminen ? Pelin luonne Pelin luonne Interaktiivinen, rakenne, sisäinen tavoite, lopputulos Pelaaminen vs peli Pelaajan ja pelin kitka Väline hyvälle pelaamiselle (Esim. Stenros 2015) Pelin systeemiluonne Peli on systeeminen Ennalta rakennettu tai rakentuu pelatessa (Heikka) Systeemisyys Vahvistava palaute Tasapainottava prosessi Viive ja korkean vipuvoiman alue (Senge 1991) Peli systeeminä Hyvä peli auttaa ymmärtämään omaa systeemiään Peli auttaa hahmottamaan systeemejä? Pelisuunnittelu -
Video Games: 3Duis for the Masses Joseph J
Video Games: 3DUIs for the Masses Joseph J. LaViola Jr. Ivan Poupyrev Welcome, Introduction, & Roadmap 3DUIs 101 3DUIs 201 User Studies and 3DUIs Guidelines for Developing 3DUIs Video Games: 3DUIs for the Masses The Wii Remote and You 3DUI and the Physical Environment Beyond Visual: Shape, Haptics and Actuation in 3DUI Conclusion CHI 2009 Course Notes - LaViola | Kruijff | Bowman | Poupyrev | Stuerzlinger 163 !3DUI and Video Games – Why? ! Video games ! multi-billion dollar industry: $18.8 billion in 2007 ! major driving force in home entertainment: average gamer today is 33 years old ! advanced 3D graphics in HOME rather then universities or movies studios ! Driving force in technological innovation ! graphics algorithms and hardware, sound, AI, etc. ! technological transfer to healthcare, biomedical research defence, education (example: Folding@Home) ! Recent innovations in 3D user interfaces ! graphics is not enough anymore ! complex spatial, 3D user interfaces are coming to home (example: Nintendo Wii) ! Why 3D user interfaces for games? ! natural motion and gestures ! reduce complexity ! more immersive and engaging ! Research in 3D UI for games is exiting ! will transfer 3DUI to other practical applications, e.g. education and medicine LaViola | Kruijff | Bowman | Poupyrev | Stuerzlinger 164 - Video game industry $10.5 billions in US in 2005, $25.4 billions worldwide; -Not for kids anymore: average player is 33 years old, the most frequent game buyer is 40 years old; -Technological transfer and strong impact on other areas of technology: The poster on this slide (www.allposters.com) demonstrates a very common misconception. In fact its completely opposite, the rapid innovation in games software and hardware allows for economical and practical applications of 3D computers graphics in healthcare, biomedical research, education and other critical areas. -
Unreal Engine* 4.19 の最適化にインテルの ソフトウェア・エンジニアが協力
Unreal Engine* 4.19 の最適化にインテルの ソフトウェア・エンジニアが協力 Garret Romaine、Jeff Rous (Intel) この記事は、2018 年 6 月 8 日時点の、インテル® デベロッパー・ゾーンに公開されている 「Intel Software Engineers Assist with Unreal Engine* 4.19 Optimizations」の日本語訳で す。 Epic* の Unreal Engine* 4.19 のリリースは、 インテル® テクノロジー向けの最適化、特にマルチコ ア・プロセッサーの最適化の歴史に新しいページを刻 みました。これまで、ゲームエンジンは、グラフィック ス機能およびパフォーマンスの点から、伝統的にコン ソールの設計よりも後回しにされていました。一般に、 ほとんどのゲームは最新のプロセッサー向けに最適 化されず、PC のパフォーマンスの多くはアイドル状 態のまま活用されていませんでした。インテルは、開 発者が Unreal Engine* 4 でワークを実行する際に、 PC プラットフォームが提供するプロセッサーの計算 能力をすべて利用し、ただちにゲームの性能を引き出 せるように取り組みました。 Unreal Engine* バージョン 4.19 では、インテルの 協力により、次の拡張が行われました。 • ユーザーが利用しているプロセッサーと一致するようにワーカースレッドの数を増加。 • クロス (布) フィジックス・システムのスループットを向上。 • インテル® VTune™ Amplifier の統合をサポート。 Unreal Engine* ユーザーは、これらの拡張により、インテル® アーキテクチャーを活用して、マ ルチコアシステムの能力を引き出すことができます。クロス・フィジックス、動的破壊、プロセッ サー・パーティクルなどのシステム、およびインテル® VTune™ Amplifier やインテル® C++ コ ンパイラーなどのインテル® ソフトウェア開発ツールとの操作性の強化はすべて利点です。この 記事では、重要な向上点について詳細に説明した後、開発者が次の PC タイトルで Unreal Engine* を考慮すべき理由を述べます。 Unreal Engine* の歴史 1991 年に、Tim Sweeney 氏はメリーランド大学在籍中に Epic MegaGames (現在の Epic Games*) を設立しました。同じ年に、最初の製品としてシェアウェアのパズルゲーム ZZT (英 語) を発売しました。ゲームはオブジェクト指向モデルを使用して Turbo Pascal で記述されて おり、ユーザーはゲームのコードを実際に変更することができました。レベルエディターはすでに 一般的でしたが、これは大きな進歩でした。 その後、Epic* は Epic* Pinball、Jill of the Jungle、Jazz Jackrabbit* などのゲームを発売し ました。1995 年に、Sweeney 氏は DOOM*、Wolfenstein*、Quake*、Duke Nukem* などの ゲームに代表されるファーストパーソン・シューター (本人視点シューティング・ゲーム) の研究 を始めました。1998 年に、Epic* は Unreal* を発売しました。このゲームは、発売時点で最高 のファーストパーソン・シューターの 1 つであり、詳細なグラフィックスは業界の注目を集めま した。その後まもなく、ほかの開発者から Unreal Engine* を自分たちのゲームで利用したいと -
Regulating Violence in Video Games: Virtually Everything
Journal of the National Association of Administrative Law Judiciary Volume 31 Issue 1 Article 7 3-15-2011 Regulating Violence in Video Games: Virtually Everything Alan Wilcox Follow this and additional works at: https://digitalcommons.pepperdine.edu/naalj Part of the Administrative Law Commons, Comparative and Foreign Law Commons, and the Entertainment, Arts, and Sports Law Commons Recommended Citation Alan Wilcox, Regulating Violence in Video Games: Virtually Everything, 31 J. Nat’l Ass’n Admin. L. Judiciary Iss. 1 (2011) Available at: https://digitalcommons.pepperdine.edu/naalj/vol31/iss1/7 This Comment is brought to you for free and open access by the Caruso School of Law at Pepperdine Digital Commons. It has been accepted for inclusion in Journal of the National Association of Administrative Law Judiciary by an authorized editor of Pepperdine Digital Commons. For more information, please contact [email protected], [email protected], [email protected]. Regulating Violence in Video Games: Virtually Everything By Alan Wilcox* TABLE OF CONTENTS I. INTRODUCTION ................................. ....... 254 II. PAST AND CURRENT RESTRICTIONS ON VIOLENCE IN VIDEO GAMES ........................................... 256 A. The Origins of Video Game Regulation...............256 B. The ESRB ............................. ..... 263 III. RESTRICTIONS IMPOSED IN OTHER COUNTRIES . ............ 275 A. The European Union ............................... 276 1. PEGI.. ................................... 276 2. The United -
Folha De Rosto ICS.Cdr
“For when established identities become outworn or unfinished ones threaten to remain incomplete, special crises compel men to wage holy wars, by the cruellest means, against those who seem to question or threaten their unsafe ideological bases.” Erik Erikson (1956), “The Problem of Ego Identity”, p. 114 “In games it’s very difficult to portray complex human relationships. Likewise, in movies you often flit between action in various scenes. That’s very difficult to do in games, as you generally play a single character: if you switch, it breaks immersion. The fact that most games are first-person shooters today makes that clear. Stories in which the player doesn’t inhabit the main character are difficult for games to handle.” Hideo Kojima Simon Parkin (2014), “Hideo Kojima: ‘Metal Gear questions US dominance of the world”, The Guardian iii AGRADECIMENTOS Por começar quero desde já agradecer o constante e imprescindível apoio, compreensão, atenção e orientação dos Professores Jean Rabot e Clara Simães, sem os quais este trabalho não teria a fruição completa e correta. Um enorme obrigado pelos meses de trabalho, reuniões, telefonemas, emails, conversas e oportunidades. Quero agradecer o apoio de família e amigos, em especial, Tia Bela, João, Teté, Ângela, Verxka, Elma, Silvana, Noëmie, Kalashnikov, Madrinha, Gaivota, Chacal, Rita, Lina, Tri, Bia, Quelinha, Fi, TS, Cinco de Sete, Daniel, Catarina, Professor Albertino, Professora Marques e Professora Abranches, tanto pelas forças de apoio moral e psicológico, pelas recomendações e conselhos de vida, e principalmente pela amizade e memórias ao longo desta batalha. Por último, mas não menos importante, quero agradecer a incessante confiança, companhia e aceitação do bom e do mau pela minha Twin, Safira, que nunca me abandonou em todo o processo desta investigação, do meu caminho académico e da conquista da vida e sonhos. -
Q4-15 Earnings
January 27th, 2016 Facebook Q4-15 and Full Year 2015 Earnings Conference Call Operator: Good afternoon. My name is Chris and I will be your conference operator today. At this time I would like to welcome everyone to the Facebook Fourth Quarter and Full Year 2015 Earnings Call. All lines have been placed on mute to prevent any background noise. After the speakers' remarks, there will be a question and answer session. If you would like to ask a question during that time, please press star then the number 1 on your telephone keypad. This call will be recorded. Thank you very much. Deborah Crawford, VP Investor Relations: Thank you. Good afternoon and welcome to Facebook’s fourth quarter and full year 2015 earnings conference call. Joining me today to discuss our results are Mark Zuckerberg, CEO; Sheryl Sandberg, COO; and Dave Wehner, CFO. Before we get started, I would like to take this opportunity to remind you that our remarks today will include forward-looking statements. Actual results may differ materially from those contemplated by these forward-looking statements. Factors that could cause these results to differ materially are set forth in today’s press release, our annual report on form 10 -K and our most recent quarterly report on form 10-Q filed with the SEC. Any forward-looking statements that we make on this call are based on assumptions as of today and we undertake no obligation to update these statements as a result of new information or future events. During this call we may present both GAAP and non-GAAP financial measures. -
Virtual Reality Tremor Reduction in Parkinson's Disease
Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 29 February 2020 doi:10.20944/preprints202002.0452.v1 Virtual Reality tremor reduction in Parkinson's disease John Cornacchioli, Alec Galambos, Stamatina Rentouli, Robert Canciello, Roberta Marongiu, Daniel Cabrera, eMalick G. Njie* NeuroStorm, Inc, New York City, New York, United States of America stoPD, Long Island City, New York, United States of America *Corresponding author at: Dr. eMalick G. Njie, NeuroStorm, Inc, 1412 Broadway, Fl21, New York, NY 10018. Tel.: +1 347 651 1267; [email protected], [email protected] Abstract: Multidisciplinary neurotechnology holds the promise of understanding and non-invasively treating neurodegenerative diseases. In this preclinical trial on Parkinson's disease (PD), we combined neuroscience together with the nascent field of medical virtual reality and generated several important observations. First, we established the Oculus Rift virtual reality system as a potent measurement device for parkinsonian involuntary hand tremors (IHT). Interestingly, we determined changes in rotation were the most sensitive marker of PD IHT. Secondly, we determined parkinsonian tremors can be abolished in VR with algorithms that remove tremors from patients' digital hands. We also found that PD patients were interested in and were readily able to use VR hardware and software. Together these data suggest PD patients can enter VR and be asymptotic of PD IHT. Importantly, VR is an open-medium where patients can perform actions, activities, and functions that positively impact their real lives - for instance, one can sign tax return documents in VR and have them printed on real paper or directly e-sign via internet to government tax agencies.