Traffic Control Plans Design Manual
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PRODUCE BUSINESS MARCH 2011 52 MASTERS of MERCHANDISING 10Th Annual MASTERS of MERCHANDISING SUPPLEMENT
MARCH 2011 • VOL. 27 • NO. 03 • $9.90 p.37 p.131 p.152 features departments 30 TURN UP THE SALES HEAT WITH MERCHANDISING REVIEWS SAVVY SPRING MERCHANDISING Working with produce-heavy holidays 119 Eight Tips To Grow and smart sales techniques, spring is the Your Avocado Sales perfect time to put your produce depart- Smart promotions, stickered ripe fruit and ment to work. varied displays keep avocados in consumers’ baskets. cover story 37 FLORIDA SPRING PRODUCE KEEPS SHELVES STOCKED 125 EightWaysToMake 21 THE 23RD ANNUAL Months ahead of the rest of the country, Berry Sales Blossom MYSTERY SHOPPER REPORT Florida’s spring produce brings retailers Keep berries top of mind with careful and Do your produce associates know the additional sales rings and consumers a creative merchandising techniques. difference between basil and parsley? Yams bounty of fresh produce after a long winter. and sweet potatoes? Spanish onions and sweet onions? Can they recognize flavor 44 WHOLESALERS PASS DRIED FRUIT AND NUTS differences between green bell peppers and THE TEST OF TOUGH TIMES redbellpeppers?Seewhatourmystery By focusing on long-time customers and 148 Dried Fruit And Nuts Score shoppers discover. offering services that go above and beyond Incremental Sales In Produce the call of duty, wholesalers find a way to With dried fruit and nuts, you can make a commentary work through a tightened economy. hat trick by winning over athletes, spectators and your sales goals without even 8 THE FRUITS OF THOUGHT 131 LOOKING DOWN THE ROAD AT breaking a sweat. Food Crisis At Core MEXICAN IMPORT ROUTES Of Middle East Unrest Rapid growth of Mexican greenhouses south of the Texas border and improved FLORAL AND FOLIAGE MARKETING 154 RETAIL PERSPECTIVE highways have opened the door for more Adapting To The Reality of Consolidation produce reaching East Coast buyers via 152 Showcase Blooming Plants Texas. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
For Additional Information Contact the Archives Center at 202.633.3270 Or
Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. HANK JONES NEA Jazz Master (1989) Interviewee: Hank Jones (July 31, 1918 – May 16, 2010) Interviewer: Bill Brower Date: November 26-27, 2004 Repository: Archives Center, National Museum of American History Description: Transcript, pp. 134 Hank Jones: I was over there for about two and a half weeks doing a promotional tour. I had done a couple of CDs; one was with my brother Elvin and Richard Davis, the bass player. They made – – I think they made two releases from that date. And I did another date with Jack DeJohnette and John Patitucci. But, these two albums were the objects of the promotion. I mean, they promote very, very heavily everyday. I must have had 40 interviews and about 30 record signings at the record shops, plus all of the recording. We did seven concerts and people inevitably want the records, CDs of the concert for us to sign. I have a trio over there, with Jimmy Cobb and John Fink. It was called, “The Great Jazz Trio.” It was not my name, but the Japanese have special names for everything, you know? That's only one in a series of tree others which he called the great jazz trio. The first one was Ron Carter, Tony Williams and myself. But, there had been a succession of different changes in personnel. It changed about six times. The current one was Jimmy Cobb and Dave Fink--Oh, the cookies have arrived and not a minute too soon. -
The Mountaineer 1978
THE' MOUNTAINEER THE MOUNTAINEER 1978 Published July, 1979 Cover: Mountain Hemlock (Ramona Hammerly) 2 The Mountaineer (USPS 366-700) EDITORIAL COMMITTEE Mary Nysether, Managing Editor; Verna Ness, Production Editor; Christa Lewis, Assistant Editor; Herb Belanger, Don Brooks, Mary Leberg, Mariann Schmitt, Laura Swan, Cindy Vollmer, Mary Jane Ware. Writing, graphics and photographs should be submitted to the Editor, The Mountaineer, at the address below, before Janu ary 15, 1980 for consideration. Photographs should be black and white prints, at least 5x7 inches, with caption and photographer's name on back. Manuscripts should be typed double-spaced, with at least 1 Y2 inch margins, and include wri ter's name, address and phone number. Graphics should have caption and artist's name on back. Manuscripts cannot be re turned. Properly identified photographs and graphics will be returned about July. Copyright @1979 by The Mountaineers. Entered as second class matter April 8, 1922, at Post Office, Seattle, Washington, and additional offices under the act of March 3, 1879. Published monthly, except July, when semi monthly, by The Mountaineers, 719 Pike Street, Seattle, Washington 98101. 3 THE MOUNTAINEERS Purposes To explore and study the mountains, forests, and watercourses of the Northwest; To gather into permanent form the history and traditions of this region; To preserve by the encouragement of protective legislation or otherwise the natural beauty of Northwest America; Tomake expeditions into these regions in fulfillment of the above purposes; To encourage a spirit of good fellowship among all lovers of out door life. t � ----..:::::- -""°"'� ---������0wiw.=-- --- Firs at Excelsior Pass, North Cascades. Susan Marsh 4 Black-capped chickadee. -
Jonas Bernholm ©
Jonas “Mr. R&B” Bernholm´s journey in USA 1968 plus bonus material (121.622 words) This is the complete book (version 1) from my research trips 1968 (plus a little from 1978). (Version 1 is basically a translation of articles written in Swedish and published in Swedish magazine Jefferson (Worlds oldest blues magazine) plus a summary. Version 2 will be a completed after checking my original interviews and diary) Version 1: (Correction 2016-11-17) Chapters: a) Introduction (Page 2) 1) New York (I) (Page 2-12) 2) Chicago (Page 12-54) 3) Memphis (Page 54-96) 4) Atlanta (Page 96-110) 5) Miami (Page 110-130) 6) New Orleans (Page 130-180) 7) Houston (Page 180-206) 8) Los Angeles (Page 206-246) 9) San Francisco (Page 246-266) 10)Detroit (Page 266-270) 11)New York (II) (Page 270-291) 12)Conclusions/Summary (Page 291-309) 13)Joe Tex (Page 309-317) 14)Wilson Pickett (Page 317-321) Copyright Jonas Bernholm ©. [email protected] Blekingegatan 25, 11856 Stockholm Sweden 046-8-6426358 I was born in 1946 in middleclass surroundings outside Stockholm, Sweden. Piano lessons in my youth went without any real progress. Culturally Sweden was isolated with a state owned radio and later television with very limited output. It was like the eastern European states behind the iron curtain. At best, perhaps once a year a song with Louis Jordan or Big Joe Turner was heard on the radio. Around 1956 records with Elvis Presley came to Sweden. Through my four year older brother I became absolute fascinated and soon had two other favourites whose records I also started to buy: Little Richard and Fats Domino.