KB/KBX Contrabass Resonator Bars • Accoustically accurate resonance chambers made of 12 mm solid pine with integrated handles • Rosewood bars 90 x 20 mm to 60 x 20 mm • Harmonious overtone tuning Recommended mallet S 60

No. KB/KBX 1C 2C# 3D 4D# 5E 6F 7F# Resonator Bars

8G Resonator Bars 9G# 10 A 11 Bb 12 B

KB/BX Bass Resonator Bars • Tuned resonance chambers in best wood quality KB/BXG KB/BM • Harmonious overtone tuning

Rosewood 45 x 20 mm KB/BX Klangbausteine Grillodur 45 x 17 mm KB/BXG Klangbausteine Aluminium 45 x 12 mm KB/BM Tone c c# d d# e f f# g g# a bb b c1 c#1 d1 d#1 e1 f1 f#1 g1 g#1 a1 Recommended mallet S 3 No. 1 2 3 4 5 6 7 8 9 10111213141516171819202122 Mallets

The sound quality your instrument produces is highly dependent also on the mallet you choose. In general, soft mallets produce more funda- mental pitch and less overtone; hard mallets produce less funda- mental pitch and more overtone. Large bars require proportionately large mallet heads.

To assist you in helping you choose the mallets which produce the best sound for your instruments, STUDIO 49 now includes its new mallet guide with each new instru- ment, making it quick and easy for you and your students to create optimum sound.

SX 2000 SXG 2000 SX 1600 SX 1000

S 5 S 50 S 5 CS 5 Soprano AX 2000 AXG 2000 AX 1600 AX 1000 Schlägel-Pass S 4 S 40 S 4 CS 44 Alto Mallet Guide

BX 2000 BXG 2000 BX 1600

S 3 S 3 S 33 Bass

SM 2000 SM 1600 SM 1000

S 50 S 55 CS 55 Soprano AM 2000 AM 1600 AM 1000

S 7 S 7 CS 7 Alto

BM 2000 BM 1600

S 3 S 33

Bass Metallophone S 3 length pieces S 40 series tonal range S 50 model with Mallets for CS 44 S 4 Grillodur S 50 as20 30cm 30cm 2 2 2000 25 cm 2000 2 bass 2000 alto soprano S 5 S 40 CS 5 bars S2 S 33 PKS 3 S 1 S 3 GS S 3 S 33 S 40 length S 4 pieces CS 44 S 5 series CS 5 tonal range model with Rosewood bars Mallets for xylophones S 2 PKS 3 length S 1 pieces series tonal range GS model Mallets for as10 30cm 30cm 2 33 2 25cm 30cm 2 2 1600 cm 2 25cm 2000 1600/2000 25cm bass 2000 2 1000 bass 2 alto alto 1600/2000 alto 1000 soprano soprano lo20 30cm 30cm 2 1 2000 25cm 25cm 1600 2 2 alto 2000 alto 1600 soprano soprano

SchlägelSchlägel MalletsMallets SchlägelSchlägel MalletsMallets S 60 S 3 S 33 S 40 length S 50 pieces PKS 1 PKS 2 series PKS 3 tonal range model resonator bellsandbars Mallets for S 3 S 33 S 7 length CS 7 pieces S 50 S 55 series CS 55 tonal range model Mallets for metallophones as20 30cm 30cm 2 30cm 35 2 cm 2 1 30cm 30cm 2000 25cm 2 1 1000 25cm 2000 1 contrabass 2000 1 bass bass 2000 KBN alto KBN soprano KBN c1 –b1 c2 –b2 c3 –a3 30cm 2 25cm 33 30cm 2 2 30cm 2 25cm 1600 cm 2 25cm 1600/2000 2 1000 bass 2000 2 bass alto 2000 alto 1600 soprano 1000 soprano soprano S 60 CS 55 S 40 S 55 PKS 1 S 50 PKS 2 CS 7 PKS 3 S 7 S 3 S 33 SKIN INSTRUMENTS Available with real calfskin or goat- skin, or optional plastic heads in most cases. Natural skins have a warmer timbre than the somewhat dry sound of plastic heads. Plastic, however, has the advantage of constant pitch. It does not react hygroscopically and does not need to be retuned after changes in temperature or humidity.

Richness and purity of the beat depends on the precise all-around tuning of the drumskin. In tambours, , and in simple screw , the required pitch must be obtained by adjusting all the tension screws (always across from each other). The rotary timpani, models DP as well as the kettle , models KP, have a central, very precise rotary tuning mechanism, which enables fast and simple tuning by turning the timpani shell. There is no need to adjust any screws, which are used only to balance or correct skin tension from time to time. Note: The skin of , Ashikos, , Bongos, as well as tambourines and timpani should be loosened after each playing. PaukenPauken Timpani Timpani DP 450 • • • • Rotary Timpani im oa ag aua knplastichead natural skin tonal range 30 cm,12 Diam. 35 cm,14 40 cm,16 45 cm,18 laminated hardwood Body madeoffirmly Natural orplasticskinavailable Central tuningmechanism Adjustable legs ’ ’ ’ ’ ’ ’ ’ ’ a –f1 f –d1 c –a d –h P30DP300/P DP 300 P30DP 350/P DP 350 P40DP 450/P DP 400/P DP 450 DP 400 • • • • Timpani plastic head available Natural skinor laminated hardwood Body madeoffirmly Adjustable legs Tunable skins DP 350 for timpaniwith10 Timpani mallets for timpaniwith16 especially for kettle drums suitable for alltimpani im oa ag aua knplastichead natural skin tonal range 30 cm,12 Diam. 5c,14 35 cm, 40 cm,16 5c,18 45 cm, (per pair) ’ ’ ’ ’ – 20 – 14 ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ ’ a –e1 f –c1 c –g d –a diam. diam. P 400/P 0 P300/P P 300 5 P350/P P 350 5 P450/P P400/P P 450 P 400 PS 1 PS 2 P 300/P PS 3 PS 4 KP 50 KP 70 • • • • Kettle Drums im tonal range 40 cm,16 Diam. 50 cm,20 60 cm,24 70 cm,28 or plastichead available Timpani shellwithnatural skin Tripod legs Central tuningmechanism Body madeofaluminum ’ ’ ’ ’ ’ ’ ’ ’ c –a A– f# G –e E– c KP 40 KP 50 KP 60 KP 70 KP 60 KP 40

PaukenPauken Timpani Timpani DjembesDjembes • • • Djembes madeofpine sound, especiallyinthelow end. moderate to longsustaining pine produce warm tone and Djembes madeoflightweight long, clear sustainingsound. end, even at low volumes witha shells have powerful adark, low and mahoganyshells.Mahogany The Djembesare available inpine alike. asts, andprofessional musicians from beginnersto enthusi- perfect Djembefor allplayers tile, andeasy to tune.Thisisthe Djembes are lightweight, versa- crackling highs.MountainRythym amazing low bass tones and is apowerful drumthat offers The ,indigenous to Africa, Djembes system Patented “Simple Twist” tuning available Prefabricated replacement heads 36cm 10 33, diameter: 30, 25, diameter: Selected goatskin egt 0 6 9 72cm 69, 66, 50, height: ’ ’ ,12 ’ ’ ,13 ’ ’ ,14 ’ ’ DJ 13K DJ 10K DJ 12K DJ 14K a needto battle with the its life. There isnolonger is notinuse –prolonging the head whenthedrum to loosen thetension on tuned, butalso allows you easier to keep your drum system notonlymakes it “Simple Twist” tuning has never beeneasier. The drum to adesired tone tuning system, tuningyour patented “SimpleTwist” With MountainRythym’s Simple Twist ment. with each instru- tool isincluded a specialtuning For highest tension tuning Simple ment. included witheach instru- for the“SimpleTwist” are instruments. Instructions and sound ofpercussion the tuning,maintenance, design hasrevolutionized drumhead. Thissimple one knotto change a only necessary to remove Twist” tuningsystem, itis heads. With the“Simple and spendhoursreplacing complicated Maliweave • • • Djembes madeofMahogany system Patented “Simple Twist” tuning available Prefabricated replacement heads 36cm 10 33, diameter: 30, 25, diameter: Selected goatskin egt 0 6 9 72cm 69, 66, 50, height: ’ ’ ,12 ’ ’ ,13 ’ ’ ,14 ’ ’ DJ 14M DJ 12M DJ 10M DJ 13M

DjembesDjembes AshikosAshikos • • • • • ronments. great sound for alldrummingenvi- projection andbeautiful tone –a will surprise you withtheirsheer and overall volume. These drums to maximize thedrumshighs,lows, sizes have beenspeciallydesigned fecting theashiko line.Allthree Rythym hasspentmanyyears per- which originated inAfrica. Mountain The Ashiko isacone-shaped drum Ashikos egt 3 6 69, cm 56, 43, height: system Patented “SimpleTwist” tuning available Prefabricated replacement heads 30cm 8 diameter: 25, 20, diameter: Selected goatskin stains Available innatural orcherry pine Shells madeoflightweight ’ ’ ,10 ’ ’ ,12 ’ ’ AS 8K AS 8C AS 10C AS 10K AS 12C AS 12K a needto battle with the its life. There isnolonger is notinuse –prolonging the head whenthedrum to loosen thetension on tuned, butalso allows you easier to keep your drum system notonlymakes it “Simple Twist” tuning has never beeneasier. The drum to adesired tone tuning system, tuningyour patented “SimpleTwist” With MountainRythym’s Simple Twist tuning Simple ment. with each instru- tool isincluded a specialtuning For highest tension ment. included witheach instru- for the“SimpleTwist” are instruments. Instructions and sound ofpercussion the tuning,maintenance, design hasrevolutionized drumhead. Thissimple one knotto change a only necessary to remove Twist” tuningsystem, itis heads. Withthe“Simple and spendhoursreplacing complicated Maliweave • • • • Djembe bags Carrying handleandpocket Padded backpackstraps Strongly paddedtop andbottom Durable nylonconstruction twist pegs are available heads aswell asadditional Prefabricated replacement up to 14 DSBAG 4 up to 13 DSBAG 3 8 DSBAG 2 In sizes ’ ’ to 10 to ’ ’ ’ ’ ’ ’ Instrument notincluded withDJ/St • • • Ashiko Stands for Djembeor Suitable for allsizes angle Adjustable heightand legs Stable standwithfirm DJ/St

ZubehörZubehör AccessoriesAccessories DjembeDjembe –– BongoBongo –– CajonsCajons BOC DC 10C DC 8C DC 12C Withmahoganyheads, • Djembe Cajonsmadeofpine necessary. instruments –nomore tuning you lay your handsonthese easily played from themoment bass, slap tive sound. All3basic tones, the tops provide anexciting alterna- been designed.TheMahogany unique lineofDjembeCajonshas and therichsounds ofAfrica,a drum cajonensembles ofCuba Inspired by thetraditional three Looking for afresh new sound? Bongo Djembe With mahoganyheads, • Bongo Cajonsmadeofpine imtr 0 5 30cm 8 diameter: 25, 20, diameter: available incherry finish imtr 7 diameter: 18and 20cm diameter: available incherryfinish 66cm 51, 40, height: and the Cajon ’ ’ ’ ’ ,10 and 8 Cajon ’ open tone ’ ,12 ’ ’ ’ ’ are Measures 30x3147 cm • Changeable front • MadeofBalticBirch CJN03 • Cajon alaPeru Measures 30x47 cm • Changeable front • Eachtwo strings tuneable • Witha6-string snare • MadeofBaltic Birch • Cajon Espan from outside o CJNS06 ˜ol Carrying handle and pocket • Padded backpack straps • Strongly padded • CJBAG Durable nylon construction • Bag for Cajon needs. ferent playing stylesandmusical amount of ing theplayer to customize the either cajoncanbeadjusted, allow- are Thetop omitted. corners of the difference beingthe“snares” standards astheSpanishversion, cajon isbuiltto high thesame box. Thestandard Peruvian style ciently tunedfrom outsidethe the snare canbeeasily andeffi- this stylebox. For convenience, “buzz” le “snare” system to facilitate the style cajonincorporates atuneab- most popularstyles.TheSpanish- Mountain Rythyminthetwo America, willbeoffered from The Cajon,originallyfrom Latin Cajons which ischaracteristic of “snap” desired for dif-

CajonsCajons TrommelnTrommeln DrumsDrums Drums Various Two tuneable heads • Laminated hardwood shell • lastic head, diam.25cm,10 natural skin,diam.25 cm,10 Original African • Djembe AF767 diam. 20cm,8 about 32 cmhigh, ’ ’ ’ ’ DT 25 DT DT 25/P DT eomne altGTS Recommended mallet GT50/P feet Attached • Two tuneable plasticheads, • Laminated hardwood shell • ’ ’ diam. 50cm,20 ’ ’ • Includes 1mallet Includes • ZT 6 Made offinesolid wood • Slit Drum Measures 35x1816cm with widetongues S 99 HSR 14 Tambourines RT 400 These are available with real calfskin or goatskin, or optional plastic head (in most cases). Natural skins have a warmer timbre than the somewhat dry sound of plastic heads. These however, have the advan- HSR 7 tage of constant pitch. They do not react hygroscopically and need not be retuned after changes in temperature or humidity. RT 400/P • Hand drum, with laminated Tambours hardwood shell • Tuneable heads Tambours • Available with natural skin or plastic head RT 350 Tambours diam. natural skin plastic head RST 250/10 25 cm, 10’’ RT 250 RT 250/P 30 cm, 12’’ RT 300 RT 300/P 35 cm, 14’’ RT 350 RT 350/P 40 cm, 16’’ RT 400 RT 400/P Jingle Rings Laminated hardwood shell 25 cm (10’’), 7 pair of jingles HSR 7 25 cm (10’’), 14 pair of jingles HSR 14 RST 300/8 Nailed head, comfortable grip 25 cm (10’’), 10 pairs of jingles RST 250/10 RT 300/P RST 250/6P Tambourines diam. jingles natural skin plastic head 25 cm, 10’’ 4 pairs RST 250/4 RST 250/4P 25 cm, 10’’ 6 pairs RST 250/6 RST 250/6P Rahmentrommeln Large, high quality, 30 cm, 12’’ 8 pairs RST 300/8 RST 300/8P Rahmentrommeln hammered jingles made of 30 cm, 12’’ 12 pairs – RST 300/12P RT 250 German silver CongasCongas –– BongosBongos angle height and adjustable Study stand, BO 1/St Laminated hardwood shells • BO1N Bongos Tuneable natural skins • Rounded tension rings for • comfortable playing Straight tension arms • for easy handling Heavy-duty tension rods • Durable three-bolt sideplates • Natural calfskinheads – • SiamOakshells, • Professinal Congas Includesindividualstand, • 5/16 a uniquefeature about 72cmhigh adjustable inheight ’ ’ PCO 12.5 PCO 10.0 Available sizes PCO 11.0 PCO 11.8 (about 8mm) Tumba 12 Requinto 10 Quinto 11 11 Additional • Tuneable • BO 2 Shellsmadeof • Bongos refinished natural skins Wood/Asia White 3 ’ / ’ 1 / 4 ’ 2 ’ ’ ’ ’ ’ BO 2/St adjustable height Stand, Congas • Shells made of White Wood/ Asia, about 74 cm high • Selected, tuneable water buffalo heads • Includes individual stand, adjustable height

COS 26 10’’ Quinto

COS 30 11’’ Conga HandHand PercussionPercussion blocks includingholders for set of5temple TBL/St Instruments notincludedwithTBL/St Stand Includes 1mallet tuned inintervals by Studio49 original Korean, subsequently TBL Set of5temple blocks KTI 1 Includes 1striker TSK specially alloyed steel withstrap Highly resonant, manufactured of Concert Triangles TSK KTI 4 KTI 3 KTI 2 striker for Concert Triangle KTI 0c (4 10 cm 5c (10 25 cm 0c (8 20 cm (6 15 cm ’ ’ ’ ’) ’) ’) ’ ’) im 0m ( diam. 10mm , im 0m ( diam.10mm , im 2m ( diam.12mm , im 2m ( diam.12mm , / / 1 1 3 / 3 / 2 2 8 8 ’ ’ ’ ’) ’) ’ ’) ’) CB4 Cow Bells CB6 WB18 WB16 WB14 powerful, sustainedtones from crackling highsto deep, short in 3sizes(without mallet) Woodblocks about 11cm,4 about 16cm,6 small medium large of maple/hardwood / 1 / 1 2 4 ’ ’ ’ ’ ntuet o nlddwt UT4 Instruments notincludedwithRUST Sab Sab Ha/CB Ha/WB Ha/KTI Necessary holders Woodblocks, andCow Bells for Concert Triangle, RUST 4 Accessory table for CB for woodblock WB for triangleKTI Universal stand

HandHand PercussionPercussion HandHand Percussion Percussion the stand) upthecymbalsetting on (remove leather strap when Folding standfor , B/St MS Metal Shaker C 12 with leather strap, perpair C 25 C 20 C 15 im 2c,5 cm, diam. 12 im 5c,10 diam. 25cm, im 0c,8 diam. 20cm, 6 cm, diam. 15 made ofsilver-bronze ’ ’ ’ ’ ’ ’ ’ ’ B 30 especially sonourus, withleather strap Hanging cymbals, B 35 B 40 im 0c,12 diam. 30cm, im 5c,14 diam. 35cm, im 0c,16 diam. 40cm, hammered model, ’ ’ ’ ’ ’ ’ T 10 1 striker (TS) with strap, includes of specialsteel alloy Triangles T 25 T 20 T 15 0c,4 10 cm, 5c,10 25 cm, 8 20 cm, 6 cm, 15 ’ ’ ’ ’ ’ ’ ’ ’ diam. about 17cmlong, Ca , 3 / 8 ’ ’ German silver jingles with 4pairsofhammered SR with wooden handle 10 sleighbellsonleather strap SK Jingle rattle ofTonkin cane Sleighbell spray, of smalljingles of aluminumwith9pairs MSR Jingle ringmade diam. 5cm, 2 with elasticstraps, 1pair, C 5 Finger cymbals ’ ’ about 18cmlong handle, madeofpearwood KS 1 Castanet with with wooden handle sized bellsonleather strap GK Bell spray, 5different SBv adjustable tension on wooden frame, made ofpearwood KBr Two SBg about 26cmlong made ofpearwood withhandle, KS 2 Double castanet SBv SBg on linedleather band Five sleighbells Sleighbell wristlets, with elastic with leather ties original Spanishmodel Kg Castanet, Rosewood,

HandHand PercussionPercussion HandHand Percussion Percussion includes 1mallet about 29cmlong,diam.6 double note, speciallylarge version, HRT/G Tubular Woodblock xxx 18 cm,Ø.....cm made ofselected rosewood Double-tone includes 1malletPKS3 double note, HRT Tubular Woodblock AB Agogo Bells includes 1malletPKS3 different notes of rosewood withtwo HT 2 Woodblock 18 S S21 8c og im 18mm 18 cmlong,diam. Claves madeofselected rosewood, 21 cmlong,diam.23mm Claves madeofselected rosewood, CL 21 cmlong,diam.25mm Claves madeofhardwood, includes 1mallet WA Wooden Agogo about 41cmlong refinished by Studio49 Originally from Mexico, Gu Guiro withscraper scraper, about15cmlong GuS Guiro-Shaker with VS1 VS2 includes 1scraper, about40cmlong sound effects, madeofstainless steel, RKr Rhythm Tiefor various S1 VS 2 VS with buzzingsound Special effect instruments Vibra Slaps deep, rattling sounds high, sharpsounds

HandHand PercussionPercussion HandHand Percussion Percussion 15 cm,6 diam. about African original, Shekere, AF 641 ’ ’ about 26 cmlong additional refinished, Mexican original, Ma26 about 21cmlong additional refinished, Mexican original, Ma21 Maracas diam. 7cm about 15cmhigh, African original, Caxixi small, AF 642 SH 3 different sounds with three Shaker Set dark sound with brightand each 10cmlong, with two Shakers SH 2 Shaker Set about 40cmlong additional refinished, Mexican original, SRr Shaker because the allows precise playing ofrhythms, struction andcompact design lities insound. Thespecialcon- and openscompletely new possibi- shaker withthose ofatambourine combines thecharacteristics ofa This new instrument(patented) The multi-sound tambourine Jingle Matrix 8 mmpin. jingles also fitaregular hi-hat with The modelswith8and12pairsof are also possible. and comined versions. Oneshots play intambourineorshaker style Jingle Matrix allows FS M8 JM BS K 6 DKS TS TSK S99 3 PKS S99 3 PKS TSK TS 6 DKS BS use pieces FS model Mallets for HandPercussion M4 JM for slitdrum ZT6 for allwoodblocks for Concert Triangle (models KTI) 1 for triangle 1 for woodblocks (wooden+plastic head) 1 for tamboursandhangingcymbals 1 for tamboursandhangingcymbals 1 1 1 M12 JM

HandHand PercussionPercussion PflegehinweiseMaintenance ErsatzteileImage Tension-Arms Instruments require proper care and storage. Extreme changes in tempe- The threads of both the tension screws and the tension arms of skin rature, humidity, and direct sunlight can cause damage to your instrument. instruments should be lubricated with a fine oil. This will guarantee an easy, yet sensitive tuning of your instrument. General Care All lacquered wood and metal parts can be cleaned with a normal Spare parts silicone-free furniture polish. Nickel or chrome surfaces such as stand legs Despite careful maintenance, some instrument parts are subject to and cymbals are best protected with resin-free refined oil or chrome natural wear, especially parts made of rubber or similar materials. These polish. should be replaced from time to time to maintain the full scope and tonal qualities of your instruments. Xylophones When exposed to strong sunlight or moisture, the pitch of wooden On our home page, www.studio49.de, under Repair Information System xylophone bars can become altered. When needed, Studio 49 can retune you will find the corresponding spare parts for all generations of your instrument within a reasonable time. The pitch can also change when instruments manufactured since the establishment of our company in using mallets with heads that are too hard for that particular instrument. 1949, including replacement bars for all barred instrument series. Please see our mallet guide included with all new barred instruments. Xylophones with Grillodur bars, a highly refined fibreglass material, do LiteraturhinweiseDear Music Lovers, not lose their pitch regardless of temperature or humidity changes. We are often asked for suggestions for appropriate musical literature. To help you find such pieces, we have put together a list in an internet

Hints Glockenspiels and Metallophones database. It allows you to search using different criteria, such as degree of Hints These bars don't change their pitch, however, nickel-plated difficulty, author, content, etc. You can arrange and print the titles bars are inclined to corrode in extreme climates, especially when stored quickly, as desired. in humid conditions. Therefore, the bars should be lightly oiled, using a refined oil, from time to time in order to keep their natural shine and This is a partial list of available titles and does not include a detailed prevent corrosion. description of each. The degree of difficulty is included as a Tambours and Tambourines rough guide. The tension on tambours and tambourines should be eased after they are played. All tension screws should be We hope that our new Internet loosened by approximately ? turn. This will conserve both Information Service is helpful. To the skin and frame. use the database, please visit www.studio49.de and click on Rotary and Kettle Drums Orff Literature.

Hinweise Hinweise The bodies of rotary and kettle drums should be turned so the instrument Hinweise Hinweise is in the middle tone area and the tension arms of the head are as hori- We wish you much enjoyment in zontal as possible. your music making. www.orff.de Gesellschaften findenSieunter Weitere Orff-Schulwerk Orff-Schulwerkgesellschaft • Gesellschaft • Orff-Schulwerkgesellschaft • sindeinTreffpunkt füralle,diein • fördern denfachlichen Austausch • informieren Fragen überaktuelle • Orff-Schulwerk Gesellschaften Wichtige Institutionenrund umdasOrff-Schulwerk [email protected] [email protected] Österreich „Förderer desOrff-Schulwerks“, [email protected] Deutschland suchen bzw. kompetente Hilfestellung musikpädagogisch interessiert sind Bereichen arbeiten und zugleich Erwachsenen inunterschiedlichen Kindern, Jugendlichen oder Beruf und/oder Ausbildungmit und bieten Fortbildungsseminare an Bewegungserziehung der Elementaren Musik- und unter derRubriksitemap e.V. Schweiz www.moz.ac.at Hospitationswochen imFrühjahrundHerbst • Symposien undTagungen • Internationale Sommerkurse • verschiedene Studiengänge • dientderLehre undForschung imBereich • Orff-Institut www.orff.de hat denkünstlerischen Nachlass zuerhalten • wurde testamentarisch von verfügt CarlOrff • Orff-Stiftung www.orff-zentrum.de Herausgabe von Publikationen undDurchführung • undarchiviert sammelt dasMaterial von und • dientderwissenschaftlichen Erforschung von • betreut denNachlass von CarlOrff • untersteht demBayerischen Staatsministerium • Orff-Zentrum www.orff-forum.at sorgt durch Publikationen undVeranstaltungen für • istinternationaler Ansprechpartner mitKontakten • Orff-Schulwerk Forum Musik- undTanzerziehung verbreiten sowie sein geistiges Erbezuwahren undzu von Veranstaltungen über CarlOrff Leben undWerk desKomponisten internationale Verbreitung des Orff-Schulwerks Salzburg zum Orff-Institut, oder oder [email protected] oder [email protected] oder [email protected] [email protected] Gesellschaft Deutschland e.V. ORFF-SCHULWERK MUSIK +TANZ + ERZIEHUNG Workshops inDeutschland www.igmf.org Fortbildung e.V. Musikpädagogische Gesellschaft für Internationale www.orff.de 53 29 54 49(89) 8 +00 [email protected] Fax: 51 28 54 49(89) 8 +00 Phone: 82166 Gräfelfing Scharnitzer Straße 1

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