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Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature
Sound, Gender, Individual Will, and the Body in Nineteenth-Century British Literature A DISSERTATION SUBMITTED TO THE FACULTY OF THE UNIVERSITY OF MINNESOTA BY Jennifer Baltzer-Lovato IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Advised by Andrew Elfenbein May 2017 © Jennifer Baltzer-Lovato, 2017 i Acknowledgements I gratefully acknowledge my adviser Andrew Elfenbein for his patience, encouragement, persistence in pushing me forward when I was more inclined to slowly obsess over each obstacle, and most of all, for his willingness to share his exhaustive knowledge and expertise. I am also thankful to the other members of my committee; to Brian Goldberg for his supportive, but always candid feedback, as well as his helpful suggestions, always administered with a much-needed dose of humor; to John Watkins, for encouraging me to explore new areas of inquiry, and for his willingness to help me talk through problem issues, from teaching to writing and research; and to Elaine Auyoung for her readiness to give advice and assistance in the late stages of my project. I also want to thank Gordon Hirsch for his patience and wisdom, and his good- natured support even when I was disposed to panic. Thank you also to Joe Hughes, Richard Leppert, Anna Clark, Michael Hancher, and all the members of the University of Minnesota 18th and 19th Century Subfield, for their assistance and advice as I developed material for this dissertation. Thank you also to the British Women Writers Conference, for their stimulating support of adventurous scholarly pursuits, and for all of the helpful comments and advice at the conferences I was fortunate enough to participate in with them. -
The Mikado Guide.Pdf
The Mikado Study Guide This guide contains information to help you introduce your students The Mikado and opera in general. There are several lesson plans, all curriculum-based, which are designed to enhance student appreciation of the opera. Contents The Mikado The Mikado: Synopsis...................................................................................................... 2 Gilbert & Sullivan: Biographies......................................................................................... 3 Suggested Listening......................................................................................................... 5 Additional resources......................................................................................................... 5 Classroom Activities (Easy to Hard) Activity: Creating Hanging Koi.......................................................................................... 6 Writing/Self Assessment: Are you a good manager?...................................................... 7 Writing/Social Studies: Stereotypes.................................................................................. 8 Reading/Writing: Mikado Mad Libs................................................................................ 11 Music: The Gilbert and Sullivan “Golden Formula”......................................................... 12 Language/Theater Arts: Student dramatization of The Mikado...................................... 14 Going to the Opera What to wear to the opera............................................................................................. -
The Art of Imperial Entanglements Nautch Girls on the British Canvas and Stage in the Long Nineteenth Century
The Art of Imperial Entanglements Nautch Girls on the British Canvas and Stage in the Long Nineteenth Century Inauguraldissertation zur Erlangung der Doktorwürde der Philosophischen Fakultät der Ruprecht-Karls-Universität Heidelberg vorgelegt von Zara Barlas, M.A. Erstgutachterin: Prof. Dr. Monica Juneja Zweitgutachterin: Prof. Dr. Dorothea Redepenning Heidelberg, den 6. Mai 2018 Contents Acknowledgements .......................................................................................................... 5 I Introduction .................................................................................................................. 6 Art and Imperialism ........................................................................................................... 9 Hypothesis and Premise ..................................................................................................21 Disciplinary Theory & Methods in the Arts: A Brief Overview ........................................22 Historical Processes .........................................................................................................33 Overview ..........................................................................................................................42 II Framing an Enigma: The Nautch Girl in Victorian Britain .............................................. 44 Defining the Nautch Girl ..................................................................................................45 The Nautch-Girl Genre .....................................................................................................59 -
Precious Nonsense NEWSLETTER of the MIDWESTERN GILBERT and SULLIVAN SOCIETY May 1995 -- Issue 45 * * * * * at Last We Have Arrived at Our Destination
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY May 1995 -- Issue 45 * * * * * At last we have arrived at our destination. As is invariably the case, it's been one thing after another lately. This time, the uneven power supply at the house screwed up the original computer text file of this issue three days before it was due to go to press, so it had to be recreated from scratch. Anyhow, this is what we've got so far. There is plenty of other things to go through (a year and a half of back issues of newsletters from other societies, some synopses of "new" G&S operas, and a good three-inch stack of G&S-related works and materials that need to be compiled), so S/A Cole has her work cut out for her. Don't let that keep you from keeping in touch, though: as she said in the last Nonsense, she needs to hear voices to get motivated to work. This time around, we've got synopses of a number of Gilbert's and Sullivan's non-collaborations by Arthur Robinson, the answers to the 1994 Big Quiz, along with the 1995 Big Quiz, some interesting articles (we could use some more things along that line, but be that as it may), and such. Incidentally, plans for the Annual Outing are, very kindly, being handled by Lorna and Norman Vogt. At this point, it looks like we might be going to the Savoy-Aires' Mikado, but we'll let you know what happens when arrangements are finalized. -
Gilbert & Sullivan, the Chorus of the D'oyly Carte
Gilbert & Sullivan Gilbert & Sullivan Choruses mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical / Stage & Screen Album: Gilbert & Sullivan Choruses Country: UK Released: 1969 Style: Opera, Romantic MP3 version RAR size: 1320 mb FLAC version RAR size: 1382 mb WMA version RAR size: 1654 mb Rating: 4.4 Votes: 783 Other Formats: WAV AIFF RA AU WAV AA AHX Tracklist Hide Credits From 'Iolanthe' A1a Loudly Let The Trumpets Bray (Peers' Chorus) A1b Strephon's A Member Of Parliament A1c With Strephon For Your Foe From 'The Pirates Of Penzance' Pour, O Pour The Pirate Sherry A2a Vocals [Samuel] – John Webley A2b Hail Poetry With Cat-Like Tread A2c Vocals [Samuel] – John Webley From 'H.M.S. Pinafore' A3a We Sail The Ocean Blue A3b Over The Bright Blue Sea A3c Sir Joseph's Barge Is Seen From 'Ruddigore' A4 Welcome Gentry From 'The Mikado' Behold The High Executioner! B1a Vocals [Ko-ko] – John Reed B1b Comes A Train Of Ladies From 'Trial By Jury' B2a Hark, The Hour Of Ten Is Sounding From 'Patience' B2b The Soldiers Of Our Queen From 'The Yeoman Of The Guard' B3a Here's A Man Of Jolly Tower Wardens B3b Vocals [2nd Yeoman] – Clifford Parkes From 'Princess Ida' B4a Mighty Maiden With A Mission B4b When Anger Spreads His Wings From 'The Sorcerer' B5a With Heart And With Voice B5b Ring Forth, Ye Bells From 'The Gondoliers' B6 Dance A Cachucha Companies, etc. Printed By – James Upton Ltd. Credits Chorus – The Chorus Of The D'Oyly Carte Opera Company* Composed By – Gilbert & Sullivan Conductor, Producer – James Walker Directed By – Bridget D'Oyly Carte Engineer – Arthur Bannister Liner Notes – Frederic Lloyd Orchestra – The Royal Philharmonic Orchestra Notes First cat.nr.