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Open Secrets
22 BACK PAGE LAW STORIES 15 January 2021 | www.newlawjournal.co.uk Open secrets In a tribute to John Le Carré, Athelstane Aamodt reflects on the operation & enforcement of official secrets laws © Kirsty Wigglesworth/AP/Shutterstock ne of the things that nearly communication of information’ under (the have. Further, the House of Lords’ decision everyone knew about the late now-abolished) s 2 of the Official Secrets most likely caused sales of the book to John Le Carré was that he had Act 1911. The basis for prosecuting them increase, thereby making things even Oworked in British Intelligence, was an article that they had written in the worse. The House of Lords eventually first for MI5 (domestic counter- magazine Time Out about the intelligence saw sense and in A-G v Guardian intelligence) and then for MI6 (foreign services. One of the photographs that had Newspapers Ltd (No 2) [1988] 3 All ER 545 intelligence). His life as an intelligence featured in the article was a photograph discharged the interim injunction on the officer provided ample inspiration for of the Post-Office Tower. The trial was a basis that the worldwide dissemination his many novels. For years, the British cause célèbre, with the first trial being of the book had already caused the Government would not even acknowledge abandoned after it was discovered that, harm that the British government had the existence of MI5 and MI6. MI5 was among other things, the security services complained about. Unsurprisingly, the first mentioned in parliament in 1952 and had been vetting the jury. -
SPYCATCHER by PETER WRIGHT with Paul Greengrass WILLIAM
SPYCATCHER by PETER WRIGHT with Paul Greengrass WILLIAM HEINEMANN: AUSTRALIA First published in 1987 by HEINEMANN PUBLISHERS AUSTRALIA (A division of Octopus Publishing Group/Australia Pty Ltd) 85 Abinger Street, Richmond, Victoria, 3121. Copyright (c) 1987 by Peter Wright ISBN 0-85561-166-9 All Rights Reserved. No part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the prior written permission of the publisher. TO MY WIFE LOIS Prologue For years I had wondered what the last day would be like. In January 1976 after two decades in the top echelons of the British Security Service, MI5, it was time to rejoin the real world. I emerged for the final time from Euston Road tube station. The winter sun shone brightly as I made my way down Gower Street toward Trafalgar Square. Fifty yards on I turned into the unmarked entrance to an anonymous office block. Tucked between an art college and a hospital stood the unlikely headquarters of British Counterespionage. I showed my pass to the policeman standing discreetly in the reception alcove and took one of the specially programmed lifts which carry senior officers to the sixth-floor inner sanctum. I walked silently down the corridor to my room next to the Director-General's suite. The offices were quiet. Far below I could hear the rumble of tube trains carrying commuters to the West End. I unlocked my door. In front of me stood the essential tools of the intelligence officer’s trade - a desk, two telephones, one scrambled for outside calls, and to one side a large green metal safe with an oversized combination lock on the front. -
The London School of Economics and Political Science
The London School of Economics and Political Science Mercenaries and the State: How the hybridisation of the armed forces is changing the face of national security Caroline Varin A thesis submitted to the Department of International Relations of the London School of Economics for the degree of Doctor of Philosophy, London, September 2012 ii Declaration I certify that the thesis I have presented for examination for the MPhil/PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of <83,157> words. iii Abstract The military has been a symbol of nationhood and state control for the past two hundred years. As representatives of a society’s cultural values and political ambitions, the armed forces have traditionally been held within the confines of the modern state. Today, however, soldiers are expected to operate in the shadows of conflicts, drawing little attention to themselves and to their actions; they are physically and emotionally secluded from a civilian population whose governments, especially in the ‘West’, are proceeding to an unprecedented wave of demilitarisation and military budget cuts. -
Selling Americanism, Combatting Anti-Americanism: the Historical Role of American Foundations 2 0 0 4
INDERJEET PARMAR Selling Americanism, Combatting Anti-Americanism: The Historical Role of American Foundations 2 0 0 4 ANTI-AMERICANISM WORKING PAPERS © Central European University The views in this report are the author's own and do not necessarily reflect those of the Center for Policy Studies, Central European University or the Open Society Institute. CENTER FOR POLICY STUDIES CENTRAL EUROPEAN UNIVERSITY Nádor utca 9 H–1051 Budapest, Hungary [email protected] http://www.ceu.hu/cps Inderjeet Parmar Department of Government University of Manchester Oxford Road, Manchester, M13 9PL, UK [email protected] 2004 Typesetting • Tamás Dombos SELLING AMERICANISM, COMBATTING ANTI-AMERICANISM ^ CONTENTS 1. Introduction 5 2. Anti-Americanism, Americanism and Un-Americanism 5 3. Introducing the Big Three Foundations: Origins, Aims and World-View 7 4. The Foundation Elite 11 5. Combating the Un-Americans 14 6. Selling Americanism at Home 16 7. Selling Americanism Abroad 18 7.1 BAAS and EAAS Formation and Conferences 18 8. Combating Anti-Americanism Abroad 23 8.1 The Case of Indonesia 23 8.2 The Ford Foundation and the Congress for Cultural Freedom 25 9. Foundations and the Functions of Anti-Americanism: Conclusions 26 3 SELLING AMERICANISM, COMBATTING ANTI-AMERICANISM ^ 1. Introduction Philanthropic foundations played key roles in combating “anti-Americanism” both positively and negatively. On the positive front, the foundations promoted the most attractive aspects of American life, values, methods and institutions. More problematically, however, American foundations fought “anti-Americanism” by challenging those tendencies within the United States and globally that opposed “Americanism”, for example third world and other leftist-nationalist movements. -
Harold Wilson Obituary
Make a contribution News Opinion Sport Culture Lifestyle UK World Business Football UK politics Environment Education Society Science Tech More Harold Wilson obituary Leading Labour beyond pipe dreams Geoffrey Goodman Thu 25 May 1995 09.59 EDT 18 Lord Wilson of Rievaulx, as he came improbably to be called - will not go down in the history books as one of Britain's greatest prime ministers. But, increasingly, he will be seen as a far bigger political figure than contemporary sceptics have allowed far more representative of that uniquely ambivalent mood of Britain in the 1960s and a far more rounded and caring, if unfulfilled, person. It is my view that he was a remarkable prime minister and, indeed, a quite remarkable man. Cynics had a field day ridiculing him at the time of his decline. Perhaps that was inevitable given his irresistible tendency to behave like the master of the Big Trick in the circus ring of politics - for whom there is nothing so humiliating as to have it demonstrated, often by fellow tricksters, that the Big Trick hasn't worked. James Harold Wilson happened to be prime minister leading a left wing party at a time when the mores of post-war political and economic change in Britain (and elsewhere) were just beginning to be perceived. Arguably it was the period of the greatest social and industrial change this century, even if the people - let alone the Wilson governments - were never fully aware of the nature of that change. Social relationships across the entire class spectrum were being transformed. -
Modern Art CIA CLEAN
The Independant http://www.independent.co.uk/news/world/modern-art-was-cia-weapon- 1578808.html Modern art was CIA 'weapon' Revealed: how the spy agency used unwitting artists such as Pollock and de Kooning in a cultural Cold War By Frances Stonor Saunders Sunday, 22 October 1995 For decades in art circles it was either a rumour or a joke, but now it is confirmed as a fact. The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years. The connection is improbable. This was a period, in the 1950s and 1960s, when the great majority of Americans disliked or even despised modern art - President Truman summed up the popular view when he said: "If that's art, then I'm a Hottentot." As for the artists themselves, many were ex- com- munists barely acceptable in the America of the McCarthyite era, and certainly not the sort of people normally likely to receive US government backing. Why did the CIA support them? Because in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete. The existence of this policy, rumoured and disputed for many years, has now been confirmed for the first time by former CIA officials. -
Transatlantica Review.Pdf
Kent Academic Repository Full text document (pdf) Citation for published version Norman, Will (2016) The Cultural Cold War. Review of: The Cultural Cold War: The CIA and the World of Arts and Letters (2nd edition); and American Literature and Culture in the Age of Cold War by Stonor Saunders, Frances and Belletto, Steven and Grausam, Daniel. Transatlantica: revue d'etudes americaines . N/A. DOI Link to record in KAR http://kar.kent.ac.uk/55620/ Document Version Publisher pdf Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Transatlantica 1 (2015) The Voting Rights Act at 50 / Hidden in Plain Sight: Deep Time and American Literature ............................................................................................................................................................................................................................................................................................... -
The Cultural Cold War the CIA and the World of Arts and Letters
The Cultural Cold War The CIA and the World of Arts and Letters FRANCES STONOR SAUNDERS by Frances Stonor Saunders Originally published in the United Kingdom under the title Who Paid the Piper? by Granta Publications, 1999 Published in the United States by The New Press, New York, 2000 Distributed by W. W. Norton & Company, Inc., New York The New Press was established in 1990 as a not-for-profit alternative to the large, commercial publishing houses currently dominating the book publishing industry. The New Press oper- ates in the public interest rather than for private gain, and is committed to publishing, in in- novative ways, works of educational, cultural, and community value that are often deemed insufficiently profitable. The New Press, 450 West 41st Street, 6th floor. New York, NY 10036 www.thenewpres.com Printed in the United States of America ‘What fate or fortune led Thee down into this place, ere thy last day? Who is it that thy steps hath piloted?’ ‘Above there in the clear world on my way,’ I answered him, ‘lost in a vale of gloom, Before my age was full, I went astray.’ Dante’s Inferno, Canto XV I know that’s a secret, for it’s whispered everywhere. William Congreve, Love for Love Contents Acknowledgements .......................................................... v Introduction ....................................................................1 1 Exquisite Corpse ...........................................................5 2 Destiny’s Elect .............................................................20 3 Marxists at -
The Congress for Cultural Freedom, La Musica Nel Xx Secolo, And
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations December 2012 The onC gress for Cultural Freedom, La Musica Nel XX Secolo, and Aesthetic "Othering": An Archival Investigation Shannon E. Pahl University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the History Commons, and the Music Commons Recommended Citation Pahl, Shannon E., "The onC gress for Cultural Freedom, La Musica Nel XX Secolo, and Aesthetic "Othering": An Archival Investigation" (2012). Theses and Dissertations. 40. https://dc.uwm.edu/etd/40 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. THE CONGRESS FOR CULTURAL FREEDOM, LA MUSICA NEL XX SECOLO, AND AESTHETIC “OTHERING”: AN ARCHIVAL INVESTIGATION by Shannon E. Pahl A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin-Milwaukee December 2012 ABSTRACT THE CONGRESS FOR CULTURAL FREEDOM, LA MUSICA NEL XX SECOLO, AND AESTHETIC “OTHERING”: AN ARCHIVAL INVESTIGATION by Shannon E. Pahl The University of Wisconsin-Milwaukee, 2012 Under the Supervision of Professor Dr. Gillian Rodger Between 1950 and 1967, the Congress for Cultural Freedom, an organiZation of anti- totalitarian intellectuals funded by the United States government, hosted conferences and festivals regarding the pursuit of intellectual freedom. In 1952 and 1954, the Congress for Cultural Freedom hosted two music events. While the first festival has been researched considerably, the 1954 conference has not been documented comparably. -
Cultural Cold War [Review of Frances Stonor Saunders, the Cultural Cold
Reviews CULTURAL COLD WAR D B Philosophy and Honors Program / Central Connecticut State U. New Britain, , @.. Frances Stonor Saunders. The Cultural Cold War: the CIA and the World of Arts and Letters. New York: New P., .Pp.. .;pb,.. title: Who Paid the Piper? The CIA and the World of Arts and Letters. London: Granta, .£.. lthough it has been known since the mid-s that the funded many A supposedly independent cultural organizations and their publications, the story is told again in Frances Stonor Saunders’ The Cultural Cold War: the CIA and the World of Arts and Letters. Saunders, who is an arts editor with the New Statesman in London and a documentary film producer, focuses on the Con- gress for Cultural Freedom and its major magazine, Encounter, which was pub- lished from to . This is relevant to Russell scholars, since Russell was one of the honorary chairmen of the Congress until his resignation in , and was an occasional contributor to Encounter. Saunders is at her best in describing the hopes and illusions of the intellec- tuals involved with the Congress, as well as their often frenzied and sometimes tragi-comic actions. In a chapter entitled “Marxists and the Waldorf”, she re- counts a left-oriented conference featuring a major Soviet delegation that was held in March at the Waldorf Astoria Hotel in New York City. The Amer- ican philosopher Sidney Hook organized an ad hoc opposition and directed his forces—called Americans for Intellectual Freedom—from the bridal suite of the Waldorf! This opposition focused on unmasking the visiting Soviet artists, including the composer Shostakovich and the writer Fadeyev, by forcing them to acknowledge their political enthralment to totalitarian bureaucrats. -
LJMU Research Online
LJMU Research Online Craig, MM Spycatcher’s Little Sister: The Thatcher government and the Panorama affair, 1980-81 http://researchonline.ljmu.ac.uk/id/eprint/4694/ Article Citation (please note it is advisable to refer to the publisher’s version if you intend to cite from this work) Craig, MM (2016) Spycatcher’s Little Sister: The Thatcher government and the Panorama affair, 1980-81. Intelligence and National Security, 32 (6). pp. 677-692. ISSN 1743-9019 LJMU has developed LJMU Research Online for users to access the research output of the University more effectively. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LJMU Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. The version presented here may differ from the published version or from the version of the record. Please see the repository URL above for details on accessing the published version and note that access may require a subscription. For more information please contact [email protected] http://researchonline.ljmu.ac.uk/ Spycatcher’s Little Sister: The Thatcher government and the Panorama affair, 1980-811 Abstract: This article investigates the Thatcher government’s attempts to suppress or censor BBC reporting on secret intelligence issues in the early 1980s. It examines official reactions to a BBC intrusion into the secret world, as the team behind the long- running Panorama documentary strand sought to examine the role and accountability of Britain’s clandestine services. -
Unmasking Gchq: the Abc Trial 341
UNMASKING GCHQ: THE ABC TRIAL 341 18 too large for any human to read. Moreover, the vast complexes of domes and satellite dishes that now accompanied the suppos- Unmasking GCHQ: The ABC Trial edly super-secret intelligence activities of NSAand GCHQmeant that they were more and more visible. Sooner rather than later, an enterprising investigative journalist was bound to point to these surreal installations and shout the dreaded words 'Signals We've been to MI5, MI6, Scotland Yard, Parliament and many intelligence.' It is amazing that in the mid-1970s GCHQ was more. Now we're going where much of the dirty work goes on - still managing to pass itself off as a glorified communications CHELTENHAM! relay station, hiding its real activities from public view. ABC trial campaign newsletter, 27 May 19781 Anonymity would not last much longer. What we now recognise as the first glimmerings of a global telecommunications revolution seemed 10 be in the interests of the world's major sigint agencies. A fascinating example of this During the late 1960s and early 1970s, signals intelligence was was an operation carried out jointly by the British and Americans changing fast. The big players were discovering a whole new in 1969. NSA was gathering a great deal of intelligence from world of super-secret interception which provided a different telephone callsbetween Fidel Castro's Cuba and the many Cuban sort of signals intelligence. This new source was telephone calls. exiles living in Florida. Using sigint ships, it was also possible As we have already seen, tapping telephones was hardly new, 10 intercept some calls from Havana to other parts of Cuba.