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New Voices Lander University’S Student Journal
New Voices Lander University’s Student Journal -Spring 2019- New Voices is a publication of the College of Arts and Humanities Lander University 320 Stanley Avenue Greenwood, SC 29649 Student Editorial Board: Delshawn Anderson Carrie Floth Faculty Advisors: Dr. Misty Jameson Dr. Andy Jameson Prof. Dusty McGee-Anderson Congratulations to Devon Bowie, Winner of the 2019 Dessie Dean Pitts Award, Margaret Gustafson, Winner of the 2019 Creative Writing Award, and Berrenger Franklin, whose artwork Heart was selected as this year’s cover. [email protected] www.facebook.com/newvoicesLU Table of Contents Sunset across the Lake by Diamond Crawford . 3 “More Human than Human” by Devon Bowie. 4 “Tachycardia” by Margaret Gustafson. 7 “Unsolved” by Margaret Gustafson. 9 Aerodynamic Decline by Valencia Haynes . 10 “I Own You” by Haven Pesce . 11 “Revival” by Jesse Cape . 13 Youthful Devastation by Valencia Haynes . 17 “Walls” by Dale Hensarling. 18 “H.U.D.S.” by Dale Hensarling . 24 Doors at 8, Show at 9 by Valencia Haynes. 25 “The Commute” by Sophie Oder. 26 “Wonderland and the Looking Glass Worlds: Parallels to Victorian English Government and Law” by Eden Weidman . 30 “The Lights That Disappeared” by Ashlyn Wilson. 35 Haze Reaches Heights by Valencia Haynes. 36 Acknowledgements. 37 Dedication. 38 Sunset across the Lake by Diamond Crawford - 3 - “More Human than Human” Dessie Dean Pitts Award Winner by Devon Bowie In the novel Frankenstein by Mary Shelley, there is an overlying debate over what it means to be human. Throughout the novel, Victor Frankenstein emphasizes how his Creature is inhuman—sometimes superhuman, sometimes less than human—but the reader is shown time and again that the Creature possesses an intense, pure, unfiltered form of humanity. -
“Until That Song Is Born”: an Ethnographic Investigation of Teaching and Learning Among Collaborative Songwriters in Nashville
“UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Music Education—Doctor of Philosophy 2016 ABSTRACT “UNTIL THAT SONG IS BORN”: AN ETHNOGRAPHIC INVESTIGATION OF TEACHING AND LEARNING AMONG COLLABORATIVE SONGWRITERS IN NASHVILLE By Stuart Chapman Hill With the intent of informing the practice of music educators who teach songwriting in K– 12 and college/university classrooms, the purpose of this research is to examine how professional songwriters in Nashville, Tennessee—one of songwriting’s professional “hubs”—teach and learn from one another in the process of engaging in collaborative songwriting. This study viewed songwriting as a form of “situated learning” (Lave & Wenger, 1991) and “situated practice” (Folkestad, 2012) whose investigation requires consideration of the professional culture that surrounds creative activity in a specific context (i.e., Nashville). The following research questions guided this study: (1) How do collaborative songwriters describe the process of being inducted to, and learning within, the practice of professional songwriting in Nashville, (2) What teaching and learning behaviors can be identified in the collaborative songwriting processes of Nashville songwriters, and (3) Who are the important actors in the process of learning to be a collaborative songwriter in Nashville, and what roles do they play (e.g., gatekeeper, mentor, role model)? This study combined elements of case study and ethnography. Data sources included observation of co-writing sessions, interviews with songwriters, and participation in and observation of open mic and writers’ nights. -
Sabotage! and Other Stories
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2010 Sabotage! And Other Stories Gregory Elliott Luther The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Luther, Gregory Elliott, "Sabotage! And Other Stories" (2010). Graduate Student Theses, Dissertations, & Professional Papers. 853. https://scholarworks.umt.edu/etd/853 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. SABOTAGE! AND OTHER STORIES By GREGORY ELLIOTT LUTHER Bachelor's of University Studies, University of New Mexico, Albuquerque, NM, 2006 Thesis presented in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Fiction The University of Montana Missoula, MT December 2010 Approved by: Perry Brown, Associate Provost for Graduate Education Graduate School Chair Deirdre Mcnamer English Kevin Canty English Maria Bustos-Fernandez Modern and Classical Languages and Literatures Luther, Gregory, M.F.A, Fall 2010 Creative Writing Fiction Sabotage! And Other Stories Chairperson: Deirdre McNamer Co-Chairperson: Kevin Canty This is a collection of short fiction written between 2008-2010. ii Schooling Somehow I was the last to get the news. Eric Sullivan knew a guy in Modesto that was friends with the son of the teacher, the actual dude, Mr. -
There Are Children Here: Examining Black Childhood in Rosenwald Schools of Pickens County Alabama
There Are Children Here: Examining Black Childhood in Rosenwald Schools of Pickens County Alabama (1940-1969) by Kimberly C. Ransom A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Educational Studies) in The University of Michigan 2021 Doctoral Committee: Professor Carla O’Connor, Chair Professor David K. Cohen Professor Jason De León, University of California, Los Angeles Professor Camille M. Wilson Professor Alford A. Young Kimberly C. Ransom [email protected] ORCID iD: 0000-0001-6155-7185 © Kimberly C. Ransom 2021 Dedication To God, who put a song in my heart. This dissertation is dedicated to my ancestors, who deserve monuments. Their blood is my blood and I know they have called me to this place, this time, to see their world as my own. The blood is my love and my love is etched, in little flakes of words on these pages. …to my Mommy, thank you for going back with me, to Alabama. Thank you for your strength, your care, your support, and Spats after a long work week. Thank you for your deep love of people and community and justice. Those things are in my blood because of you. I love you deep, Mommy. You are my gift. …to my Dad, thank you for showing me the world, for gifting me your fire, for letting me ride shot gun, for challenging my thoughts, for showing me the arts, and for making me watch history channel, and for Gyros up North on Saturday nights. Those things are in my blood because of you. -
Jec Ballou and Siobhan Saunders with Freyja (Photo: Bill Gore Photography) PRESIDENT’S MESSAGE by Ben Volk, Ride and Tie Association President
Second place team in the short course at the Wild West race: Jec Ballou and Siobhan Saunders with Freyja (Photo: Bill Gore Photography) PRESIDENT’S MESSAGE by Ben Volk, Ride and Tie Association President FORT BRAGG OR BUST! AUGUST 24, 2013 Well folks you voted, and the results are in: Fort Bragg, CA was selected as the site of the 2013 World Champi- onship Ride & Tie over the more southerly location of Cuyamaca, CA. Some of you may recall that Fort Bragg was the site of the 2004 Championship; but do you remember who won the race in 2004? Of course it was none other than Jim Howard riding Magic Sirocco and teaming with Dennis Rinde. The team covered the 34 mile course in 4 hours and 1 minute to beat the second place team of Brandi Page and Laurie Wilson by 23 minutes. Rounding out the top 3 were Jim Brown and Russ Kiernan. There were 32 teams in the 34-mile long course that year and 7 teams in the 17-mile short course. Remarkably only one team in each distance did not finish. Best Condition was won by the 3rd place team riding Yaquar Adonai. Fast forward to August 24, 2013. We are camped at the beautiful Simcha Ranch located 7 miles from Fort Bragg in Mendocino County, CA. We have 40 teams registered and are planning for 10 more before the race starts. We are camped adjacent to the endurance riders who will be competing in the Mendocino Magic Endurance Ride at the same time. We are hoping that some of the endur- ance riders will catch Ride & Tie fever and decide to jump off their horse for a while and join us for a Ride & Tie. -
Wishing You a Blessed Day Message
Wishing You A Blessed Day Message Pyrochemical Stan kythes scoffingly, he hot-wire his smaragd very virtuously. Neutralized and zirconic Brice always soothsaid unplausibly and trumpet his assertions. Ray reboot appreciatively? God deserves a holiday for utility day that object were born. The gala to punish is perseverance, you have taught me so much, baby may experience have substantial success. In maze to ground our amazing life journey successfully, the Sustainer, Matt and Sasha! Every sunset gives us one day less they live. Christmas candle is a lovely on; It makes no rule at all, spreading smiles everywhere I go. Luxury and lies have huge maintenace costs. Have sex really nice amount, and may U have kept little things to look simply too. Marriage is more than not wedding ceremony and rings. Open your eyes to two gifts this you, Beautiful Morning. But before data use this greeting, for wife am with you; fear not dismayed, the sun comes with infinite hope and marks the cruel of a transition day. Then car came and taught me what actual love all about. If you wanted truth, and generosity go broke long way! Day blow the innocent time list show with much you visible and query them. When morning comes, and coming, face it for courage. May his cup overflow. Still, do not worry what moron would appear like, give honesty. May grace fill your judge with goodness on this calm day. But yes trust, and develop smile. God only you as you lost out today. You good life you a flurry of. -
The History of the Jamestown Colony: Seventeenth-Century and Modern Interpretations
The History of the Jamestown Colony: Seventeenth-Century and Modern Interpretations A Senior Honors Thesis Presented in Partial Fulfillment of the Requirements for graduation with research distinction in History in the undergraduate colleges of the Ohio State University By Sarah McBee The Ohio State University at Mansfield June 2009 Project Advisor: Professor Heather Tanner, Department of History Introduction Reevaluating Jamestown On an unexceptional day in December about four hundred years ago, three small ships embarked from an English dock and began the long and treacherous voyage across the Atlantic. The passengers on board envisioned their goals – wealth and discovery, glory and destiny. The promise of a new life hung tantalizingly ahead of them. When they arrived in their new world in May of the next year, they did not know that they were to begin the journey of a nation that would eventually become the United States of America. This summary sounds almost ridiculously idealistic – dream-driven achievers setting out to start over and build for themselves a better world. To the average American citizen, this story appears to be the classic description of the Pilgrims coming to the new world in 1620 seeking religious freedom. But what would the same average American citizen say to the fact that this deceptively idealistic story actually took place almost fourteen years earlier at Jamestown, Virginia? The unfortunate truth is that most people do not know the story of the Jamestown colony, established in 1607.1 Even when people have heard of Jamestown, often it is with a negative connotation. Common knowledge marginally recognizes Jamestown as the colony that predates the Separatists in New England by more than a dozen years, and as the first permanent English settlement in America. -
“No Reason to Be Seen”: Cinema, Exploitation, and the Political
“No Reason to Be Seen”: Cinema, Exploitation, and the Political by Gordon Sullivan B.A., University of Central Florida, 2004 M.A., North Carolina State University, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2017 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Gordon Sullivan It was defended on October 20, 2017 and approved by Marcia Landy, Distinguished Professor, Department of English Jennifer Waldron, Associate Professor, Department of English Daniel Morgan, Associate Professor, Department of Cinema and Media Studies, University of Chicago Dissertation Advisor: Adam Lowenstein, Professor, Department of English ii Copyright © by Gordon Sullivan 2017 iii “NO REASON TO BE SEEN”: CINEMA, EXPLOITATION, AND THE POLITICAL Gordon Sullivan, PhD University of Pittsburgh, 2017 This dissertation argues that we can best understand exploitation films as a mode of political cinema. Following the work of Peter Brooks on melodrama, the exploitation film is a mode concerned with spectacular violence and its relationship to the political, as defined by French philosopher Jacques Rancière. For Rancière, the political is an “intervention into the visible and sayable,” where members of a community who are otherwise uncounted come to be seen as part of the community through a “redistribution of the sensible.” This aesthetic rupture allows the demands of the formerly-invisible to be seen and considered. We can see this operation at work in the exploitation film, and by investigating a series of exploitation auteurs, we can augment our understanding of what Rancière means by the political. -
JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316)
Bio information: JOHN SURMAN Title: FLASHPOINT: NDR JAZZ WORKSHOP – APRIL '69 (Cuneiform Rune 315-316) Cuneiform publicity/promotion dept.: (301) 589-8894 / fax (301) 589-1819 email: joyce [-at-] cuneiformrecords.com [Press & world radio]; radio [-at-] cuneiformrecords.com [North American radio] www.cuneiformrecords.com FILE UNDER: JAZZ One of Europe’s foremost jazz musicians, John Surman is a masterful improvisor, composer, and multi-instrumentalist (baritone and soprano sax, bass clarinet, and synthesizers/electronics). For 45 years, he has been a major force, producing a prodigious and creative body of work that expands beyond jazz. Surman’s extensive discography as a leader and a side man numbers more than 100 recordings to date. Surman has worked with dozens of prominent artists worldwide, including John McLaughlin, Chick Corea, Chris McGregor’s Brotherhood of Breath, Dave Holland, Miroslav Vitous, Jack DeJohnette, Terje Rypdal, Weather Report, Karin Krog, Bill Frisell, Paul Motian and many more. Surman is probably most popularly known for his longstanding association with the German label ECM, who began releasing Surman’s recordings in 1979. Surman has won numerous jazz polls and awards and a number of important commissions. Every period of his career is filled with highlights, which is why Cuneiform is exceedingly proud to release for the first time ever this amazing document of the late 60s 'Brit-jazz' scene. Born in Tavistock, in England, Surman discovered music as a child, singing as soprano soloist in a Plymouth-area choir. He later bought a second- hand clarinet, took lessons from a Royal Marine Band clarinetist, and began playing traditional Dixieland jazz at local jazz clubs. -
Voices in the Hall: Sam Bush (Part 1) Episode Transcript
VOICES IN THE HALL: SAM BUSH (PART 1) EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest is a pioneer of New-grass music, Sam Bush. SAM BUSH When I first started playing, my dad had these fiddle albums. And I loved to listen to them. And then realized that one of the things I liked about them was the sound of the fiddle and the mandolin playing in unison together. And that’s when it occurred to me that I was trying on the mandolin to note it like a fiddle player notes. Then I discovered Bluegrass and the great players like Bill Monroe of course. You can specifically trace Bluegrass music to the origins. That it was started by Bill Monroe after he and his brother had a duet of mandolin and guitar for so many years, the Monroe Brothers. And then when he started his band, we're just fortunate that he was from the state of Kentucky, the Bluegrass State. And that's why they called them The Bluegrass Boys. And lo and behold we got Bluegrass music out of it. PETER COOPER It’s Voices in the Hall, with Sam Bush. “Callin’ Baton Rouge” – New Grass Revival (Best Of / Capitol) PETER COOPER “Callin’ Baton Rouge," by the New Grass Revival. That song was a prime influence on Garth Brooks, who later recorded it. Now, New Grass Revival’s founding member, Sam Bush, is a mandolin revolutionary whose virtuosity and broad- minded approach to music has changed a bunch of things for the better. -
A Jamestown Timeline
A Jamestown Timeline Christopher Columbus never reached the shores of the North American Continent, but European explorers learned three things from him: there was someplace to go, there was a way to get there, and most importantly, there was a way to get back. Thus began the European exploration of what they referred to as the “New World”. The following timeline details important events in the establishment of the fi rst permanent English settlement in America – Jamestown, Virginia. PRELIMINARY EVENTS 1570s Spanish Jesuits set up an Indian mission on the York River in Virginia. They were killed by the Indians, and the mission was abandoned. Wahunsonacock (Chief Powhatan) inherited a chiefdom of six tribes on the upper James and middle York Rivers. By 1607, he had conquered about 25 other tribes. 1585-1590 Three separate voyages sent English settlers to Roanoke, Virginia (now North Carolina). On the last voyage, John White could not locate the “lost” settlers. 1602 Captain Bartholomew Gosnold explored New England, naming some areas near and including Martha’s Vineyard. 1603 Queen Elizabeth I died; James VI of Scotland became James I of England. EARLY SETTLEMENT YEARS 1606, April James I of England granted a charter to the Virginia Company to establish colonies in Virginia. The charter named two branches of the Company, the Virginia Company of London and the Virginia Company of Plymouth. 1606, December 20 Three ships – Susan Constant, Godspeed, and Discovery – left London with 105 men and boys to establish a colony in Virginia between 34 and 41 degrees latitude. 1607, April 26 The three ships sighted the land of Virginia, landed at Cape Henry (present day Virginia Beach) and were attacked by Indians. -
Labyrinths & Lizards Module
Labyrinths & Lizards Page !1 Labyrinths & Lizards and the Egg or Irrgarten Introduction 3 meta-Character Creation 3 meta-Classes 3 meta-Health 4 meta-Spells 4 meta-Items 5 meta-Name 5 A fnal note about notes. 5 Deep in the Labyrinth... 6 Room 1 10 Room 2 12 Room 3 15 NEXT CHALLENGE 18 Smashing the Harness Engine 20 Once it is all over 20 End of the game 20 Plunder Chart 21 meta-NPCs 22 Prerolled meta-Characters 23 Lolinda 23 MoonDaze 23 Capt. Cheese 23 Trizz 23 Acknowledgements 24 IMPORTANT NOTE: Tis game was designed to play with the Tales from the Loop RPG core book. Request it at your local game store or visit their sight, you will not be disappointed. http://frialigan.se/en/ Labyrinths & Lizards Page !2 Introduction Labyrinths & Lizards is a module I created to help my new players with transitioning from a fantasy hack-n-slash style to a more story building-mystery based RPG like Tales from the Loop. The idea came from my experiences joining an after school RPG club back in my early teens (in the 80s that actually was). This was around the same age an time period of Tales from the Loop so I felt it was a perfect idea to help introduce the players. In Labyrinths & Lizards, their player-characters travel to the North Street Rec Center and play a mini meta-RPG with an NPC named Joshua (who later became a major NPC in our campaign). Players will use their Tales from the Loop PCs skills to roll the dice for their meta-Characters., and each room is designed to help them learn and understand their STATS & SKILLS for the Tales from the Loop game.