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Download Open Studios Newspaper ISCP thanks the following contributors 301 302 303 for their generous support and sponsorship of Anne Neukamp Sophie Jung Roger Mortimer Artists and Curators in Residence the Fall 2015 Open Studios: Alfred Kordelin Foundation, Finland; The Andy Warhol Tony Albert, Australia; Henni Alftan, Finland; Foundation for the Visual Arts, USA; Arts Council of Ireland; iscp Australia Council for the Arts; Australian Consulate-General in Iliana Antonova, Canada; Julie Béna, France; Carl Boutard, New York; Austrian Cultural Forum, USA; Brooklyn Brewery, Third Floor Sweden; Elaine Byrne, Ireland/USA; Naomi Campbell, USA; USA; Bundeskanzleramt Österreich/Kunstsektion (BKA), Austria; 304 The Canada Council for the Arts; ColArt Americas, Inc., USA; Dylan Lourdes Correa-Carlo, USA; Donald Hai Phú Daedalus, USA; Gauthier Conseil des arts et des lettres du Québec, Canada; Consulate 306 305 General of Denmark, USA; Consulate General of the Federal Sara Eliassen, Norway; Nicole Franchy, USA/Peru; Exit Iliana Jacolby Republic of Germany, USA; Consulate General of Finland, USA; Antonova Satterwhite Dylan Gauthier, USA; Hulda Guzmán, Dominican Republic; Consulate General of the Netherlands, USA; Consulate General of Sweden, USA; Danish Agency for Culture; Mark Hilton, USA; Jytte Høy, Denmark; Saskia Janssen, Danish Arts Foundation; Davidoff Art Initiative, Switzerland; Edward Steichen Award Luxembourg; The Governing Mayor of Netherlands; Sophie Jung, Luxembourg; Jean-Paul Kelly, Open Berlin Senate Chancellery, Germany; The Greenwich Collection, Canada; Aleksander Komarov, Germany; Lilian Kreutzberger, USA; Hasselblad Foundation, Sweden; International Artists Studio 205 208 206 207 209 210 Program in Sweden (IASPIS); James Wallace Arts Trust, Aleksander Ingo Netherlands; Mårten Lange, Sweden; So Yoon Lym, USA; Julie Béna Jytte Høy Mårten Lange Hulda Guzmán New Zealand; Kulturstiftung des Freistaates Sachsen, Germany; Komarov Mittelstaedt Milton and Sally Avery Arts Foundation, USA; Mondriaan Fonds, Pepe Mar, USA; Ingo Mittelstaedt, Germany; The Netherlands; National Endowment for the Arts, USA; Roger Mortimer, New Zealand; Bastian Muhr, Germany; New York City Department of Cultural Affairs in partnership with the City Council, Melissa Mark-Viverito, Speaker, and 211 Astrid Myntekær, Denmark; Anne Neukamp, Germany; Antonio Reynoso, Council Member, 34th District, USA; Second Floor Pepe Mar Niedersächsisches Ministerium für Wissenschaft und Kultur, Natalie Hope O’Donnell, Norway; Liutauras Psibilskis, USA; Germany; Office for Contemporary Art (OCA), Norway; Aviva Rahmani, USA; Maruša Sagadin, Austria; Yoko Ono, USA; The Pollock-Krasner Foundation, Inc., USA; 203 202 204 201 212 The Real Estate Group CITIC Capital Holdings Ltd., USA; Royal Aviva Annesofie Annesofie Sandal, Denmark/USA; Jacolby Satterwhite, USA So Yoon Lym Elaine Byrne Tony Albert Norwegian Consulate General, USA; Salomon Foundation, France; Rahmani Sandal Sherry and Joel Mallin Family Foundation, USA; Toby Devan Lewis Foundation, USA Design by Other Means 221 Opening Reception Open Hours Natalie Hope Aqueous Earth O’Donnell Exhibition Friday, November 13 Saturday, November 14 6–9 PM 1–8 PM Exit International Studio & 213 Curatorial Program Astrid Myntekær 222 1040 Metropolitan Avenue Kitchen Lilian The group exhibition, Aqueous Earth, will be open and Kreutzberger on view in the second floor gallery space. Artists: Allora & Brooklyn, New York 11211 214 Bastian Muhr Calzadilla, Lara Almarcegui, Brandon Ballengée, iscp-nyc.org Fire Exit Dylan Gauthier, Brooke Singer and Pinar Yoldas. 218 220 219 217 216 215 Curator: Kari Conte. Maruša Sara Eliassen Saskia Janssen Jean-Paul Kelly Henni Alftan Carl Boutard Sagadin A new micro-exhibition series in the first floor project space, organized by a group of seven curators from the Center for Curatorial Studies, Bard College (CCS), launches during 101 102 Open Studios weekend. The first of seven exhibitions 103 Liutauras Naomi Exit Main Office features work by Mario Navarro. Curators: Benjamin Austin, Kitchen Psibilskis Campbell Center for Curatorial Studies at Christian Camacho-Light, Rosario Güiraldes, Emma James, Bard College (CCS Bard) Exhibition 104 Humberto Moro, Yanhan Peng, and Rachael Rakes. Ground Floor Office 110 Lourdes Correa-Carlo, 108 106 105 109 107 Donald Hai Mark Hilton Office Nicole Franchy Phú Daedalus 2015 Fall Studios #iscpopenstudios iscp 101 102 105 201 202 203 iscp United States Ground Floor, Artist United States Ground Floor, Artist United States/Peru Ground Floor, Artist Ireland/United States Artist Denmark/United States Artist United States Artist Liutauras Psibilskis Naomi Campbell Nicole Franchy Elaine Byrne Annesofie Sandal Aviva Rahmani Elaine Byrne, Endless Resistance, 2014, wood, single cell foam, metal, 170 × 205 in. Aviva Rahmani, Bass notes (detail), first movement ofBlued Trees, 2015, trees, paint 1/3 mile, Image credit: Aviva Rahmani Working with sculpture, video, photography and text, Byrne attempts to examine alleged Rahmani is an ecological artist who uses (un)certainties about the past within the pres- Annesofie Sandal,Mixed Paper, 2015, video, 2 min. 1 sec. aesthetic principles and scientific data to ent. This includes reflecting on the complexity address environmental degradation. She cre- of memory formation and its entwinement Liutauras Psibilskis, Pure Reason, October 2015, work in progress ates installations and full habitat restorations, Nicole Franchy, Atlas Universel - Tableau comparatif de la forme Influenced by location and sociocultural struc- with internal and external worlds, imagina- incorporating acoustic and musical ideas with et de la hauteur (detail of work in progress), 2015, postcard and tures, Sandal’s work emerges from an interest print collage tion and materiality. Recent exhibitions painterly elements, setting up new models for Psibilskis is showing one of his current proj- Naomi Campbell, Untitled, 2015, photograph, 28 × 20 in. in the overlapping space of the personal/ include Elizabeth Foundation for the Arts, resilience. She shows the second movement of ects, a reinterpretation of German philoso- private and the public/collective. She creates New York; Limerick City Gallery of Art; and her Blued Trees symphony, an installation that pher Immanuel Kant’s Critique of Pure Reason Franchy’s artistic practice is based on the works that aim to connect viewers to history, Campbell’s practice merges art and science, The Douglas Hyde Gallery, Dublin. compares the implications of proliferating from English to Emoji in collaboration with increasing mobility of people, objects and society and each other. Sandal shows a new and examines the social implications of fossil fuel infrastructures in New York State to teenage Emoji translators. He is also working ideas. Using images related to history, installation from her series of work with used technology. Her interdisciplinary approach conditions at Newtown Creek. Recent exhibi- on an ongoing secret guerrilla poster project memory and travel, she meticulously compos- cardboard and found objects. Recent exhibi- involves memory, perception, identity and per- tions include Cornell University, Ithaca; in Chinatown and is developing modulating es collages and installations. She is present- tions include Skowhegan School of Painting manence. She presents work that addresses Whitworth Art Gallery, Manchester Universi- online entities that include thehouseofculture. ing a work in progress that incorporates a & Sculpture; MMCA Residency Changdong, the social anthropology of consumption and ty; and Hyde Gallery, Memphis College of Art. com and kunsthalle.us. Recent exhibitions food in the context of the growing world nineteenth-century cartographic document Seoul; and Odense Sculpture Triennial. include Lithuanian National Gallery, Vilnius; population. Recent exhibitions include Scope and panoramic postcards, as well as images Bozar Centre for Fine Arts, Brussels; and Art Show, Miami; Asian Contemporary Art from a German “anthropological atlas.” Performa, New York. Fair, New York; and Tokyo Metropolitan Art Recent exhibitions include Galería Gonzalez Museum. y Gonzalez, Lima; Värmland’s Museum, Karl- stad, Sweden; The Sheila C. Johnson Design Center, New York; and Center for Art Design and Visual Culture, Baltimore. 108 110 110 United States Ground Floor, Artist United States Ground Floor, Artist United States Ground Floor, Artist Mark Hilton Lourdes Correa-Carlo Donald Hai Phú Daedalus Second Floor 204 205 206 United States Artist Germany Artist France Artist ISCP Fall Open Studios 2015 Open Fall ISCP Studios 2015 Open Fall ISCP So Yoon Lym Aleksander Komarov Julie Béna Donald Hai Phú Daedalus, Reproducible Vehicle At Any Nearby Lourdes Correa-Carlo, Going Through, 2014-2015, video, Home Depot Store, 2015, aluminum jon boat with additional fish- 11 min. 04 sec. loop catching apparatus, 24 × 17 × 12 ft., Image credit: DHP Daedalus Correa-Carlo is an installation artist; her work Hai Phú Daedalus makes sculptures, artist consists of drawings, photography, videos, books and videos. He is a member of Critical collages and mixed media sculptures using her Practices, Inc., and publishes ebooks un- body as a point of departure. She is showing der the moniker of Lugubrious New York. Mark Hilton, Untitled, 2015, watercolor on paper, 12 × 8 in. drawings, as well as a selection of early and Currently he is developing the Illinois River newer work. Recent exhibitions include Poly/ Project, which visualizes ecology, art and com- Moving between a variety of methods
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