ISCP thanks the following contributors 301 302 303 for their generous support and sponsorship of Anne Neukamp Sophie Jung Roger Mortimer Artists and Curators in Residence the Fall 2015 Open Studios: Alfred Kordelin Foundation, Finland; The Andy Warhol Tony Albert, Australia; Henni Alftan, Finland; Foundation for the Visual Arts, USA; Arts Council of Ireland; iscp Australia Council for the Arts; Australian Consulate-General in Iliana Antonova, Canada; Julie Béna, France; Carl Boutard, New York; Austrian Cultural Forum, USA; Brewery, Third Floor Sweden; Elaine Byrne, Ireland/USA; Naomi Campbell, USA; USA; Bundeskanzleramt Österreich/Kunstsektion (BKA), Austria; 304 The Canada Council for the Arts; ColArt Americas, Inc., USA; Dylan Lourdes Correa-Carlo, USA; Donald Hai Phú Daedalus, USA; Gauthier Conseil des arts et des lettres du Québec, Canada; Consulate 306 305 General of Denmark, USA; Consulate General of the Federal Sara Eliassen, Norway; Nicole Franchy, USA/Peru; Exit Iliana Jacolby Republic of Germany, USA; Consulate General of Finland, USA; Antonova Satterwhite Dylan Gauthier, USA; Hulda Guzmán, Dominican Republic; Consulate General of the Netherlands, USA; Consulate General of Sweden, USA; Danish Agency for Culture; Mark Hilton, USA; Jytte Høy, Denmark; Saskia Janssen, Danish Arts Foundation; Davidoff Art Initiative, Switzerland; Edward Steichen Award Luxembourg; The Governing Mayor of Netherlands; Sophie Jung, Luxembourg; Jean-Paul Kelly, Open Berlin Senate Chancellery, Germany; The Greenwich Collection, Canada; Aleksander Komarov, Germany; Lilian Kreutzberger, USA; Hasselblad Foundation, Sweden; International Artists Studio 205 208 206 207 209 210 Program in Sweden (IASPIS); James Wallace Arts Trust, Aleksander Ingo Netherlands; Mårten Lange, Sweden; So Yoon Lym, USA; Julie Béna Jytte Høy Mårten Lange Hulda Guzmán New Zealand; Kulturstiftung des Freistaates Sachsen, Germany; Komarov Mittelstaedt Milton and Sally Avery Arts Foundation, USA; Mondriaan Fonds, Pepe Mar, USA; Ingo Mittelstaedt, Germany; The Netherlands; National Endowment for the Arts, USA; Roger Mortimer, New Zealand; Bastian Muhr, Germany; Department of Cultural Affairs in partnership with the City Council, Melissa Mark-Viverito, Speaker, and 211 Astrid Myntekær, Denmark; Anne Neukamp, Germany; Antonio Reynoso, Council Member, 34th District, USA; Second Floor Pepe Mar Niedersächsisches Ministerium für Wissenschaft und Kultur, Natalie Hope O’Donnell, Norway; Liutauras Psibilskis, USA; Germany; Office for Contemporary Art (OCA), Norway; Aviva Rahmani, USA; Maruša Sagadin, Austria; Yoko Ono, USA; The Pollock-Krasner Foundation, Inc., USA; 203 202 204 201 212 The Real Estate Group CITIC Capital Holdings Ltd., USA; Royal Aviva Annesofie Annesofie Sandal, Denmark/USA; Jacolby Satterwhite, USA So Yoon Lym Elaine Byrne Tony Albert Norwegian Consulate General, USA; Salomon Foundation, France; Rahmani Sandal Sherry and Joel Mallin Family Foundation, USA; Toby Devan Lewis Foundation, USA Design by Other Means 221 Opening Reception Open Hours Natalie Hope Aqueous Earth O’Donnell Exhibition Friday, November 13 Saturday, November 14 6–9 PM 1–8 PM Exit International Studio & 213 Curatorial Program Astrid Myntekær 222 1040 Metropolitan Avenue Kitchen Lilian The group exhibition, Aqueous Earth, will be open and Kreutzberger on view in the second floor gallery space. Artists: Allora & Brooklyn, New York 11211 214 Bastian Muhr Calzadilla, Lara Almarcegui, Brandon Ballengée, iscp-nyc.org Fire Exit Dylan Gauthier, Brooke Singer and Pinar Yoldas. 218 220 219 217 216 215 Curator: Kari Conte. Maruša Sara Eliassen Saskia Janssen Jean-Paul Kelly Henni Alftan Carl Boutard Sagadin A new micro-exhibition series in the first floor project space, organized by a group of seven curators from the Center for Curatorial Studies, Bard College (CCS), launches during

101 102 Open Studios weekend. The first of seven exhibitions 103 Liutauras Naomi Exit Main Office features work by Mario Navarro. Curators: Benjamin Austin, Kitchen Psibilskis Campbell Center for Curatorial Studies at Christian Camacho-Light, Rosario Güiraldes, Emma James, Bard College (CCS Bard) Exhibition 104 Humberto Moro, Yanhan Peng, and Rachael Rakes.

Ground Floor Office 110 Lourdes Correa-Carlo, 108 106 105 109 107 Donald Hai Mark Hilton Office Nicole Franchy Phú Daedalus 2015

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United States Ground Floor, Artist Ground Floor, Artist United States/Peru Ground Floor, Artist Ireland/United States Artist Denmark/United States Artist United States Artist Liutauras Psibilskis Naomi Campbell Nicole Franchy Elaine Byrne Annesofie Sandal Aviva Rahmani

Elaine Byrne, Endless Resistance, 2014, wood, single cell foam, metal, 170 × 205 in. Aviva Rahmani, Bass notes (detail), first movement ofBlued Trees, 2015, trees, paint 1/3 mile, Image credit: Aviva Rahmani Working with sculpture, video, photography and text, Byrne attempts to examine alleged Rahmani is an ecological artist who uses (un)certainties about the past within the pres- Annesofie Sandal,Mixed Paper, 2015, video, 2 min. 1 sec. aesthetic principles and scientific data to ent. This includes reflecting on the complexity address environmental degradation. She cre- of memory formation and its entwinement Liutauras Psibilskis, Pure Reason, October 2015, work in progress ates installations and full habitat restorations, Nicole Franchy, Atlas Universel - Tableau comparatif de la forme Influenced by location and sociocultural struc- with internal and external worlds, imagina- incorporating acoustic and musical ideas with et de la hauteur (detail of work in progress), 2015, postcard and tures, Sandal’s work emerges from an interest print collage tion and materiality. Recent exhibitions painterly elements, setting up new models for Psibilskis is showing one of his current proj- Naomi Campbell, Untitled, 2015, photograph, 28 × 20 in. in the overlapping space of the personal/ include Elizabeth Foundation for the Arts, resilience. She shows the second movement of ects, a reinterpretation of German philoso- private and the public/collective. She creates New York; Limerick City Gallery of Art; and her Blued Trees symphony, an installation that pher Immanuel Kant’s Critique of Pure Reason Franchy’s artistic practice is based on the works that aim to connect viewers to history, Campbell’s practice merges art and science, The Douglas Hyde Gallery, Dublin. compares the implications of proliferating from English to Emoji in collaboration with increasing mobility of people, objects and society and each other. Sandal shows a new and examines the social implications of fossil fuel infrastructures in New York State to teenage Emoji translators. He is also working ideas. Using images related to history, installation from her series of work with used technology. Her interdisciplinary approach conditions at Newtown Creek. Recent exhibi- on an ongoing secret guerrilla poster project memory and travel, she meticulously compos- cardboard and found objects. Recent exhibi- involves memory, perception, identity and per- tions include , Ithaca; in Chinatown and is developing modulating es collages and installations. She is present- tions include Skowhegan School of manence. She presents work that addresses Whitworth Art Gallery, Manchester Universi- online entities that include thehouseofculture. ing a work in progress that incorporates a & Sculpture; MMCA Residency Changdong, the social anthropology of consumption and ty; and Hyde Gallery, Memphis College of Art. com and kunsthalle.us. Recent exhibitions food in the context of the growing world nineteenth-century cartographic document Seoul; and Odense Sculpture Triennial. include Lithuanian National Gallery, Vilnius; population. Recent exhibitions include Scope and panoramic postcards, as well as images Bozar Centre for Fine Arts, Brussels; and Art Show, Miami; Asian Contemporary Art from a German “anthropological atlas.” Performa, New York. Fair, New York; and Tokyo Metropolitan Art Recent exhibitions include Galería Gonzalez Museum. y Gonzalez, Lima; Värmland’s Museum, Karl- stad, Sweden; The Sheila C. Johnson Design Center, New York; and Center for Art Design and Visual Culture, . 108 110 110

United States Ground Floor, Artist United States Ground Floor, Artist United States Ground Floor, Artist Mark Hilton Lourdes Correa-Carlo Donald Hai Phú Daedalus Second Floor 204 205 206

United States Artist Germany Artist France Artist ISCP Fall Open Studios 2015 Open Fall ISCP Studios 2015 Open Fall ISCP So Yoon Lym Aleksander Komarov Julie Béna

Donald Hai Phú Daedalus, Reproducible Vehicle At Any Nearby Lourdes Correa-Carlo, Going Through, 2014-2015, video, Home Depot Store, 2015, aluminum jon boat with additional fish- 11 min. 04 sec. loop catching apparatus, 24 × 17 × 12 ft., Image credit: DHP Daedalus

Correa-Carlo is an installation artist; her work Hai Phú Daedalus makes sculptures, artist consists of drawings, photography, videos, books and videos. He is a member of Critical collages and mixed media sculptures using her Practices, Inc., and publishes ebooks un- body as a point of departure. She is showing der the moniker of Lugubrious New York. Mark Hilton, Untitled, 2015, watercolor on paper, 12 × 8 in. drawings, as well as a selection of early and Currently he is developing the Illinois River newer work. Recent exhibitions include Poly/ Project, which visualizes ecology, art and com- Moving between a variety of methods and Aleksander Komarov, Estate, 2010, book, 17 × 23 in. Graphic Triennial, San Juan; Bronx Museum merce. Imagined Bonds, Impossible Escape is materials, Hilton’s work is at once mesmer- of the Arts, New York; and Real Art Ways, on view at ISCP. Recent exhibitions include izing and absurd. Recent exhibitions include Komarov’s work investigates the value-system Hartford. Bronx Museum of the Arts, New York; Whit- MoMA PS1, New York, and Museum of Con- ney Museum of American Art, New York and of image production in a market economy, where mystification is used to intentionally temporary Art Australia, Sydney. LA Galería, Bogotá. Julie Béna, Rose Pantopone, the novel, 2014, performance blur information about the represented object. documentation So Yoon Lym, Bumble and bumble, Logo 21, 2015, digital He focuses on interrelationships between eco- photograph, 24 × 18 in. nomics, digital media and politics. Komarov’s Béna treats the exhibition space as a play- video installation Stock/Estate is operated by ground for her objects, texts, videos and per- According to Yoon Lym, her cornrow hair an algorithm that randomly chooses se- formances. Borrowing from the language of braid suggest “maps of the ancient quences of footage, suggesting a never-ending theater, games and popular culture, her work universe, a topographical palimpsest of composition. Recent exhibitions include interrupts the space of the exhibition and the world in patterns.” These paintings are Sixth Moscow Biennale of Contemporary Art; transforms the mundane into the dramatic. on view alongside acrylic cloud paintings. Museum of Contemporary Art, ; and She is showing part of her ongoing multi-year Recent exhibitions include Paterson Museum; Galleria Arsenal, Białystok. project titled Rose Pantopone. Recent exhibi- Bumble and bumble, New York; and Lower tions include Kadist Art Foundation, San East Side Printshop, New York. Francisco; Centro de la Imagen, Mexico City; and Galerie Joseph Tang, Paris.

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Denmark Artist Germany Artist Sweden Artist Denmark Artist Germany Artist Sweden Artist Jytte Høy Ingo Mittelstaedt Mårten Lange Astrid Myntekær Bastian Muhr Carl Boutard

Mårten Lange, Snapshot, 2015, digital photograph, dimensions variable Bastian Muhr, studio view, 2015 Lange’s work is concerned with themes of nature, science, and the materiality of things, A draughtsman and painter, Muhr develops as well as the photographic impulse to catalog images through abstract systems, private the world. Working with series of photographs observations and references to art and pop and artist’s books, he gathers different phe- history. For Open Studios, he presents paint- ings and drawings. Recent exhibitions include Carl Boutard, Island (detail), 2012, bronze, 34 × 9 × 10 in. Jytte Høy, Thin Air Matterhorn, 2014, laser cut mdf and paint, nomena into visual narratives. Lange presents Astrid Myntekær, Mana, 2015, tatami mat, computer-algae sex Ingo Mittelstaedt, Martel S., 2015, cyanotype on silk, work in 70 × 43 × 43 in. Image credit: Jytte Høy gif, hand fan with metal chain and spirulina algae powder, algae Kunstverein Leipzig; Galerie b2, Leipzig; and progress work in progress, as well as his artist books and research material. Recent exhibitions powder pyramid, 72 × 36 in. Kunstverein Tiergarten, Berlin. Boutard’s sculptural practice is shaped by include IMA Concept Store Gallery, Tokyo; his constant longing for the outdoors. Often Høy works with small objects, sculpture, In his photographic work and spatial instal- installations, public space, text, photography MELK, Oslo; and Robert Morat Galerie, Myntekær constantly tests, challenges and situated or made in public space, his work lations, Mittelstaedt relays stories of seeing Berlin. refines materials and technologies in new reflects upon the relationship between human and drawing. She believes that art has to leave and perceiving, the attribution of artistic and room for possibilities and pose questions that contexts and compositions. She employs beings, nature and culture. Boutard shows institutional meaning, and the photographic luxurious and high-tech materials to contrast papier-mâché sculptures and collage works. make the viewer wonder. She presents various medium’s capacity to generate images. In his small objects made from everyday materials, with more low-key materials from DIY shops Recent exhibitions include Angelika Knäpper studio, Mittelstaedt shows a work in progress and industrial producers. She presents works Gallery, Stockholm; Lunds Konsthall, Lund; text works from the series Words Found More about the late modernist designer, painter Added and Hello Everybody!, and a new art- made of a single stroke of lightning captured and The Living Art Museum, Reykjavik. and traveler Martel Schwichtenberg. Recent in plexiglass and concrete and on paper, print- ist’s book. Recent exhibitions include Neuer exhibitions include abc – art berlin contem- Berliner Kunstverein; Den Frie Centre of Con- ed light, uncanny ISCP floor circles, liquids porary; Kunsthalle Rostock; and Kunstverein and algae powder. Recent exhibitions include temporary Art, Copenhagen; and Louisiana Langenhagen e.V. , Humlebæk. Black Sesame Space, Beijing; Overgaden - Institute of Contemporary Art, Copenhagen; and Museum of Contemporary Art, Roskilde. Second Floor Second Floor 210 211 212 216 217 218

Dominican Republic Artist United States Artist Australia Artist Finland Artist Canada Artist Austria Artist ISCP Fall Open Studios 2015 Open Fall ISCP Studios 2015 Open Fall ISCP Hulda Guzmán Pepe Mar Tony Albert Henni Alftan Jean-Paul Kelly Maruša Sagadin

Jean-Paul Kelly, Service of the goods, 2013, HD video, 29 min. 10. sec.

Kelly poses questions about the limits of Henni Alftan, The Auction, 2015, oil on canvas, 29 × 36 in. representation by examining complex associa- tions between found images and sounds from Alftan is interested in setting up a mimetic documentaries, photojournalism and media streams. Working through these documents, relationship between the material qualities of Maruša Sagadin, Tschumi Alumni, 2015, mixed media Tony Albert, Studio Study, 2015, vintage playing cards, his practice seeks to illuminate the gap Hulda Guzmán, Yuca, 2015, photograph, 13 ½ × 13 in. 6 × 6 × 6 in. paint and the images depicted. Her paintings sculpture, 55 × 72 × 25 in. reflect on painting itself: its physical quali- between physical matter and subjective experience. For Open Studios, he presents an Guzmán usually works with the medium of Albert’s practice interrogates contemporary ties, history and objecthood. She exhibits a Inspired by architecture and gender, Sagadin in-progress video made in the UK courts, as figurative painting in order to tell stories and legacies of colonialism in a way that prompts selection of new paintings that depict small simultaneously uses language and images Pepe Mar, The Somnambulist’s Garden, 2015, collage on wood, well as recent videos featuring reenactments evoke moods of her insular environment. She one to contemplate elemental aspects of the everyday observations of the art world. from various subcultures. Her works point 58 × 34 × 12 in., Courtesy David Castillo Gallery of documentaries by Frederick Wiseman and experiments with photography and installa- human condition. Certain political themes Recent exhibitions include Forum Box, Amos to building tectonics, while establishing the Maysles Brothers. Recent exhibitions tion as a new resource for her storytelling. and visual motifs resurface across his oeuvre, Anderson Art Museum, and Galerie Anhava, anthropomorphic references. The materials Excavating rituals and narratives he finds in include Vdrome (online); Oakville Galleries; This medium-based departure has also en- including thematic representations of the all Helsinki. add additional reference points: wood, metal, secondhand stores, celebrity and social media, and Film Society of Lincoln Center, abled her to document process in the form of “outsider.” For Open Studios, Albert has repur- concrete and paper are exhibited in their Mar creates anthropomorphic barometers of New York. photographic sequences. Recent exhibitions contemporary culture. Working with collage, posed vintage playing cards with representa- raw form or cladded in pastel colors. Recent include Machete Galería, Mexico City; Volta sculpture, painting and installation, Mar tions of Aboriginal Australian people and exhibitions include Kunsthalle Wien; Neue NY; and Arco Madrid. is committed to the personal and universal imagery to subvert and play with the idea of an Gesellschaft für bildende Kunst e.V. (NGBK), exploration of cultural alienation. He pres- Australian landscape. Recent exhibitions in- Berlin; and City Art Gallery of Ljubljana. ents a new work on canvas as well as other clude Musée d’Aquitaine, Bordeaux; National recently completed projects. Recent exhibi- Gallery of Australia, Canberra; and National tions include The Wolfsonian Museum-FIU, Museum of China, Beijing. Miami; DiverseWorks, Houston; and Museum of Contemporary Art, Miami. 2 FL 2 FL iscp 219 220 221 iscp

Netherlands Artist Norway Artist Norway Curator Third Floor Saskia Janssen Sara Eliassen Natalie Hope O’Donnell 301 302 303 AR TI ST : TROLLKREM, PH OT OGRAPHY BY

TO VE SIVE RT SEN, GRAPHIC DESIGN Germany Artist Luxembourg Artist New Zealand Artist BY BJØRNAR PEDERSEN, TROLLKREM F ONT BY

L UKE LIBERA MOORE, C

ONCEP Anne Neukamp Sophie Jung Roger Mortimer T, A RT DIRECTION AND PRODUCTION BY TROLLKREM.

Sara Eliassen, Out of Frame, 2015, algorithmic audio-video Saskia Janssen, Torma making workshop with Tibetan monks installation with architectural intervention, never-ending Geshe Tashi Dorje and Geshe Lobsang, 2015, 2 hours Eliassen’s work is a conceptual cinema-prac- Janssen mixes various media with an anthro- tice investigating how aesthetic experiences pological approach in her socially engaged and narratives presented in moving image site-specific works. She has collaborated create collective memories, and how these with sailors, hard drug users, Buddhists and influence the understanding of ourselves as Sophie Jung, Operation Earnest Voice, 2015, mixed media inmates. The outcomes of these collabora- subjects. She shows research material and Roger Mortimer, PARAPARAUMU, 2015, watercolor on board,

31 ½ × 23 ½ in. tions have taken the form of installations, LP algorithmic audio/video. Recent exhibitions Trollkrem, Untitled, 2014, poster, 27 ½ × 19 ½ in. Jung works in performance, sculpture, text records, drawings, performances and publica- include Unge Kunstneres Samfund (UKS), and other media. She employs Powerpoints tions. Documentation of two site-specific Oslo; International Film Festival Rotterdam; Hope O’Donnell is a curator at Munchmuseet where form, structure and rhythm intersect Mortimer’s work is a visual attempt to explore projects made for the HVCCA in Peekskill are and Venice Film Festival. in Oslo and chairs the Norwegian Associa- with the messy, perturbed and overly senti- metaphysical principles, using what the artist on view, as well as a record album with field re- tion of Curators. She is curating the off-site Anne Neukamp, Scharnier, 2014, oil, tempera, acrylic, canvas, mental. She exhibits a mixed media piece with calls Christian alchemical imagery. Eight cordings from Tibet and Union Square, works contemporary art project Munchmuseet on 94 × 74 in., Courtesy Galerie Greta Merrt, Brussels a focus on performance and spoken word. Re- works on view explore abstract concepts such in progress and an “artist book installation.” the Move (2016-2019). She has an interest in cent exhibitions include Wysing Arts Centre, as being, knowing, substance, cause, identity, Recent exhibitions include Ellen de Bruijne feminist and queer performative practices. Neukamp’s paintings produce a floating state Cambridge; Ballroom Marfa; and Kunsthalle time and space. On display are watercolors Projects, Amsterdam; Hudson Valley Center For Open Studios, she presents Norwegian between intelligible motifs and an abstract, Basel. on board and a book of cell phone drawings for Contemporary Art, Peekskill; and Interna- cross-disciplinary artist duo Trollkrem’s fan incomplete cosmology. She diverts the vo- executed in the subways of New York. Recent tional Studio & Curatorial Program (ISCP). posters of performance artists, commissioned cabulary of the contemporary visual language exhibitions include Waikato Museum Te by Trollkrem and distributed by Torpedo that surrounds us—logos, emblems, icons, Whare Taonga o Waikato, Hamilton; New Press. Recent curated exhibitions include pictograms and signs—by rendering them Zealand Academy of Fine Arts, Wellington; First Supper Symposium, Chateau Neuf, Oslo; fundamentally ambiguous. For Open Studios, and New Zealand Steel Gallery, Auckland. Museum Boijmans Van Beuningen, Rotter- Neukamp presents new paintings. Recent dam; and MK Gallery, Milton Keynes. exhibitions include Oldenburger Kunstverein; KW Institute for Contemporary Art, Berlin; andWilhelm-Hack-Museum, Ludwigshafen am Rein.

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222 Gallery United States Artist, Curator United States Artist Canada Curator Dylan Gauthier Jacolby Satterwhite Iliana Antonova

ISCP Fall Open Studios 2015 Open Fall ISCP Netherlands Artist Studios 2015 Open Fall ISCP Lilian Kreutzberger Aqueous Earth Exhibition

Installation image from Ignition 10, curated by Iliana Antonova at Galerie Leonard & Bina Ellen Art Gallery, 2014, work shown is by Celia Perrin Sidarous

Dylan Gauthier, Newtown Punt Color Field, #322c82 / 98 100 7 7, Antonova is an independent curator who de- 2015, color inkjet print on archival paper, 22 × 22 in. Jacolby Satterwhite, EPA: Music of Objective Romance, 2015, C-Print and component of upcoming film velops alternative models for presenting art. For Open Studios, she transforms her studio As an artist, curator and writer, Gauthier into a temporary exhibition venue, focused works at the intersections of new media, Satterwhite’s video works bring together 3D animation, drawings and live performance to primarily on works by Montréal-based artists. Lilian Kreutzberger, N.t., 2015, plaster, acrylic in lasercut wood, architecture, ecology and critical urbanism. Recent curated exhibitions include Leonard & 48 × 36 in. His work takes the form of soundtracks, construct utopian digital worlds. Within this uncharted digital architecture, Satterwhite Bina Ellen Art Gallery, Éphémère, and Silver Installation view of Aqueous Earth exhibition with artists Brandon Ballengée, Pinar Yoldas and Brooke Singer (left to right). publications, images, websites, videos, en- Flag, all in Montréal. Kreutzberger synthesizes research into the vironmental research and social sculptures. explores personal history, identity and memory, often incorporating personal futility and challenges of modern utopias and Aqueous Earth presents artwork that reconsiders humanity’s relationship to bodies of water in the He shows a new video, photo and sculptural sources such as his mother’s drawings, which the role that urban space plays within them. Anthropocene era. ISCP’s close proximity to Newtown Creek—a channelized estuary that was once work generated as part of his ISCP residency he hand traces and imports into 3D animation Her wall-reliefs deal with process, abstrac- the busiest waterway in New York City—shapes the exhibition’s conceptual framework. project, What Wilderness: 9 Conversations on tion and painting. Their scale and materiality Ecology, Abstraction, and the Anthropocene. programs to build lush, computer-generated landscapes. Exhibitions include the Whitney either reveal or add ambiguity to how the work Upcoming Aqueous Earth public programs at ISCP: Recent exhibitions include Carpenter Center is read—as a map, motherboard or hieroglyph. for the Visual Arts, Cambridge; Chance Ecolo- Biennial 2014, Studio Museum in , and Recent exhibitions include Royal Palace December 15, 2015 gies, New York; and International Studio & Bronx AIM Biennial, all in New York. Amsterdam; Eyebeam, New York; and Blued Trees, Movement One, a performance by Aviva Rahmani Curatorial Program (ISCP). Socrates Sculpture Park, New York. January 12, 2016 Keynote lecture by Timothy Morton, Professor and Rita Shea Guffey Chair in English, Rice University

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