Frye Art Museum 2015 Annual Report

FRYE ART MUSEUM 2015 ANNUAL REPORT 1 2 FRYE ART MUSEUM 2015 ANNUAL REPORT CONTENTS

LETTER FROM THE PRESIDENT AND DIRECTOR 5

STEWARDSHIP Collections and Acquisitions and Gifts of Art to the Museum 6 Artworks on Loan 14

EXHIBITIONS Exhibitions 22 Lenders 26 Publications 27 Selected Reviews 28

ARTS ENGAGEMENT PROGRAMS Youth 32 Educators 34 Lifelong Learners 35 Events 36 Community Partners 37

SUPPORT Foundations, Funding Agencies, Corporations, Media Sponsors, In-Kind Contributors, and Individual Donors 38 Membership 42 Financialst 44 Volunteers 46

STAFF 48

Cover photo: Charles Peterson

FRYE ART MUSEUM 2015 ANNUAL REPORT 3 MISSION STATEMENT The Frye Art Museum is a living legacy of visionary patronage and civic responsibility, committed to Photos: John Ulman artistic inquiry and a rich visitor experience. A catalyst for our engagement with contemporary art and artists is the Founding Collection of Charles and Emma Frye, access to which shall always be free.

4 FRYE ART MUSEUM 2015 ANNUAL REPORT LETTER FROM THE PRESIDENT AND DIRECTOR

The year that ended on December 31, 2015 was in every way a celebration of We were pleased to partner again with the Yesler Community Center and genius for the Frye Art Museum. Remarkable exhibitions contributed renewed to collaborate with youth and families in the Yesler Terrace neighborhood as energy to our mission of excellence and community service. The Frye’s “Team part of Genius / 21 Century / Seattle. Our after-school enrichment program Extraodinaire” presented eleven exhibitions and hundreds of associated programs at Bailey Gatzert Elementary School, now in its fourth year, and Small Frye: to inspire and delight our increasingly diverse audiences. The exhibition that Storytelling + Art for preschool-aged children, reflect our commitment to brought this noteworthy year to a close, Genius / 21 Century / Seattle, featured providing arts education for the next generation of creative thinkers and more than 65 exceptional Seattle artists and artist groups, and was so rich makers. Many school children come to the Frye each year on field trips to and ambitious—a true watershed moment in this institution’s 64-year tour the galleries and participate in art-making activities. Through a fund history—that it lasted four months and comprised more than 40 events established by our late trustee, Frank P. Stagen, we reimburse the cost of across all disciplines. buses to ensure that children in schools across our region can visit and enjoy the Frye.

Photo: Mark Woods All our achievements were made possible through the generosity of the Museum's members, donors, and funders in the public and private sectors. Our Creative Aging program, including here:now, serves adults living with On behalf of the Frye Board of Trustees and staff, we thank and salute dementia and their care partners. Last year, we expanded this program to you for sustaining the spirit of visionary philanthropy and civic leadership serve people living with more progressed dementia, both in community personified by our founders and namesakes, Charles and Emma Frye. You care facilities and in private homes. Our collaboration with Path with Art, make possible the only free art museum in Seattle and help keep our doors for adults recovering from homelessness, addiction, and other trauma, also open to everyone. Access is a core value at the very heart of the Frye and reflects a core value of the Frye: making a positive social impact within a inclusion will always be the foundation of this special cultural institution. respectful creative environment.

Last year saw another significant increase in visitors to the Frye as well as Our values and goals were solidified in a new Strategic Plan completed in record numbers engaging with us digitally—on the museum website and 2015—an important accomplishment of our Trustees that will guide the Frye exhibition microsites, and through social media. Selected reviews contained Art Museum in the years ahead. Long-term stewardship is one of our core in this report attest to the critical acclaim our exhibitions received in 2015. values: the Frye trustees continue to manage and conserve the resources We were honored to be named Best Museum in Seattle Weekly’s The Best which are the legacy of Charles and Emma Frye so that they remain strong of Seattle 2015 Reader Poll. and resilient for the future.

The pillars of our exhibition program are our Founding Collection and support The instinct to know when to take measured risks and make big, transformational for contemporary artists, with a focus on the Seattle creative community. Last leaps forward is a rare quality in even seasoned and successful leaders. The year we presented solo exhibitions of specially commissioned work by Leo Frye has been fortunate to have David D. Buck serve as President of the Board Saul Berk, Jessika Kenney, and Rodrigo Valenzuela. Kenney’s first museum of Trustees for the past nine years. We are grateful for his dedication and BOARD OF TRUSTEES exhibition was supported, in part, by the Raynier Institute & Foundation. The leadership in a period in which the Frye has reached new levels of recognition in Douglas D. Adkins, President Frye Art Museum | Artist Trust Consortium is administering a multi-year $1.1 our community and far beyond. million grant from the Raynier Institute & Foundation to continue and deepen Rhoda Altom, Vice President our commitment to the artists of Washington state through exhibitions and The thirty commissions and premieres featured in our Genius / 21 Century / David D. Buck, Vice President publications of their work. Seattle exhibition point to the important ways we are shaping the Frye to be a Mike Doherty, Vice President model museum for the twenty-first century. Collaborations across disciplines, The Founding Collection remains the centerpiece of our exhibition program breaking down of barriers separating visitors from a transcendent experience Jan Hendrickson, Treasurer and scholarly research. Frye Salon was reprised by popular demand in 2015, of art, and welcoming diverse voices of artists and citizen curators are among Kate Janeway, Secretary exhibiting more than 140 Founding Collection canvases in salon-style, from the strategies we have adopted to assert our place in the emerging global floor to ceiling, as guests would have experienced these paintings in Charles capital of creative excellence that is Seattle. and Emma Frye’s First Hill home a century ago. We also celebrated late nineteenth-century applied arts in 1900: Adornment for the Home and Body Douglas D. Adkins, President, Board of Trustees Jo-Anne Birnie Danzker, Director and Pan: A Graphic Arts Time Capsule of Europe 1895–1900. Jo-Anne Birnie Danzker, Director Barbara Feasey, Director, Operations

FRYE ART MUSEUM 2015 ANNUAL REPORT 5 STEWARDSHIP Collections and Acquisitions and Gifts of Art to the Museum

Founding Collection Artworks 232

Frye Collection Artworks 1,336

Artists in the Collections 514

Nicolai Ivanovich Fechin American, born Kazan, Russia 1881; died Santa Monica, California 1955 Portfolio of 16 reproduction prints Acquisitions and drawings, printed 1946 by and Gifts Northridge House Reproduction of drawing 12 each 20 x 16 in. Gift of Leslie Welty and James Welty in memory of their mother, Gloria C. Welty, 2015.003S

6 FRYE ART MUSEUM 2015 ANNUAL REPORT Leo Saul Berk American, b. 1973 Wind Jangle, (details) 2015 Aluminum, fishing line, weights 26’ 3” Commissioned by the Frye Art Museum Purchased with funds provided in part by the Randolph Philip Koelsch Bequest, 2015.009 Photos: Mark Woods

Specular Reflections, 2015 Glass spheres, black pond dye 12 x 900 x 180 in. Commissioned by the Frye Art Museum, Gift of the artist, 2015.008 Photo: Mark Woods

FRYE ART MUSEUM 2015 ANNUAL REPORT 7 STEWARDSHIP Acquisitions and Gifts of Art to the Museum

Rodrigo Valenzuela American, born Chile 1972 El Sisifo, 2015 3-channel digital video with audio Commissioned by the Frye Art Museum, Gift of the artist, 2015.006

Hedonic Reversal 1–17, 2015 Archival pigment print each 54 x 44 in. Commissioned by the Frye Art Museum, Gift of the artist, 2015.005.01–.17 Photos: Mark Woods

8 FRYE ART MUSEUM 2015 ANNUAL REPORT Various artists Posters of the Russian Revolution 1917–1929 from the Lenin Library, Moscow 38 poster reproductions, printed 1967 by Grove Press, New York, various dimensions, Gift of Pieter Zilinsky, 2015.010S Photos: Mark Woods

Clockwise

Dmitry Moor Have You Volunteered?

Dmitry Moor Help!

Designer unknown. 1917—October—1920

El Lissitzky Hit the Whites with the Red Wedge!

Alexander Rodchenko Books (Please)! In All Branches of Knowledge

FRYE ART MUSEUM 2015 ANNUAL REPORT 9 STEWARDSHIP Acquisitions and Gifts of Art to the Museum

Hans Dahl Norwegian, 1849–1937 Untitled, n.d. Oil on canvas 25 3/4 x 19 1/2 in. Gift in honor of the memory of Arthur and Lorraine Samuelson, 2015.007 Photo: Mark Woods

Eva Pokorny American, born Czechoslovakia 1944 Girl with Aechmea Rhodocyanea, 1980 Monotype on paper 6 1/4 x 6 1/4 in. Gift of Andrew and Anne Whipple, 2014.008 Photo: Mark Woods

Gene Rivers American, 1945–2013 Red Car, ca. 1988 Chalk pastel on illustration board 26 x 37 in. Gift of Irene Rivers in honor of Gene Rivers, 2015.004 Photo: Mark Woods

10 FRYE ART MUSEUM 2015 ANNUAL REPORT Francis Dennis Ramsay English, 1925–2009 Untitled, n.d. Tempera on board 34 x 27 in. Bequest of William Kowalyk, 2015.001 Photo: Mark Woods

Untitled, n.d. Tempera on board 27 x 33 in. Bequest of William Kowalyk, 2015.002 Photo: Mark Woods

FRYE ART MUSEUM 2015 ANNUAL REPORT 11 STEWARDSHIP Acquisitions and Gifts of Art to the Museum

Pan Gongkai Chinese, b. 1947 Withered Lotus Cast in Iron, 2014 Ink on paper 71 1/2 x 565 1/8 Gift of the artist in honor of Jo-Anne Birnie Danzker, 2014.007 Photo: Courtesy of the artist

12 FRYE ART MUSEUM 2015 ANNUAL REPORT FRYE ART MUSEUM 2015 ANNUAL REPORT 13 STEWARDSHIP Artworks on Loan

Loans to Other Museums 14

William-Adolphe Bouguereau French, 1825–1905 Flight of Love, 1901 Oil on canvas 63 1/4 x 41 1/4 in. Founding Collection, Gift of Charles and Emma Frye, 1952.014

Bouguereau’s ‘Fancies’: Allegorical and Mythological Works by the French Master Flagler Museum, Palm Beach, Florida January 27, 2015–April 19, 2015

14 FRYE ART MUSEUM 2015 ANNUAL REPORT Nicolai Ivanovich Fechin American, born Kazan, Russia 1881; died Santa Monica, California 1955 Lady in Pink (Portrait of Natalia Podbelskaya), 1912 Oil on canvas 51 1/2 x 41 Frye Art Museum, 1990.005

Jewel City: Art from San Francisco’s Panama-Pacific International Exposition de Young Museum, Fine Arts Museums of San Francisco, California October 17, 2015–January 10, 2016

FRYE ART MUSEUM 2015 ANNUAL REPORT 15 STEWARDSHIP Artworks on Loan

Robert Henri American, 1865–1929 El Picador (Antonio Baños Calero), 1908 Oil on canvas 87 1/2 x 37 1/2 in. Frye Art Museum, 1970.006 Photo: Richard Nicol

Wild Gypsy, 1912 Oil on canvas 40 5/8 x 32 11/16 in. Frye Art Museum, 1982.013 Photo: Richard Nicol

Spanish Sojourns: Robert Henri and the Spirit of Spain Mississippi Museum of Art, Jackson, Mississippi September 26, 2014–January 4, 2015

16 FRYE ART MUSEUM 2015 ANNUAL REPORT John Henry Twachtman American, 1853–1902 Dunes Back of Coney Island, ca. 1880 Oil on canvas 13 7/8 x 19 7/8 in. Frye Art Museum, 1956.010

Coney Island: Visions of an American Dreamland, 1861–2008 Wadsworth Atheneum Museum of Art, Hartford, Connecticut January 31, 2015–May 31, 2015

San Diego Museum of Art, San Diego, California July 11, 2015–October 18, 2015

Brooklyn Museum, Brooklyn, New York November 20, 2015–March 13, 2016

FRYE ART MUSEUM 2015 ANNUAL REPORT 17 STEWARDSHIP Artworks on Loan

David Ligare American, b. 1945 Hercules at the Crossroads, 1993 Oil on linen 60 x 78 in. Frye Art Museum, 1998.009

David Ligare: California Classicist Crocker Art Museum, Sacramento, California June 7, 2015–September 20, 2015

Laguna Art Museum, Laguna Beach, California October 18, 2015–January 17, 2016

18 FRYE ART MUSEUM 2015 ANNUAL REPORT Rockwell Kent American, 1882–1971 Resurrection Bay, 1918 / 1966 Oil on canvas on board 28 x 44 1/2 in. Frye Art Museum, 1998.010 Rights courtesy Plattsburgh State Art Museum, State University of New York, USA, Rockwell Kent Collection, Bequest of Sally Kent Gorton. All rights reserved.

Vanishing Ice: Alpine and Polar Landscapes in Art 1775-2012 Glenbow Museum, Calgary, Alberta, Canada September 27, 2014–January 3, 2015

McMichael Canadian Art Collection, Kleinsburg, Ontario, Canada January 31, 2015–April 26, 2015

FRYE ART MUSEUM 2015 ANNUAL REPORT 19 STEWARDSHIP Artworks on Loan

Edmond J. Fitzgerald American, 1912–1989 Hooverville, 1939 Watercolor on paper 10 x 14 in. Gift of Mr. and Mrs. Charles J. Johnson, 1986.012A

May Warner Marshall American, 1902–1998 Driftwood, La Push, ca. 1953 Watercolor on paper 28 x 34 in. Gift of the artist, 1981.002.07

A Fluid Tradition: Northwest Watercolor Society... The First 75 Years, Cascadia Art Museum, Edmonds, Washington September 10, 2015–January 3, 2016

20 FRYE ART MUSEUM 2015 ANNUAL REPORT Rudolph Bundas American, born Hungary, 1911; died Bainbridge Island, WA, 2003 Minus Tide, Point No Point, 1989 Watercolor on paper 15 1/2 x 25 in. Frye Art Museum, 1989.004

Arne Rudolph Jensen American, 1906–1993 Ocean Harvest, Hoh River’s Mouth, Pacific Ocean, n.d. Watercolor on paper 17 1/2 x 30 in. Gift of the artist, 1979.001.01

Fred B. Marshall American, 1904–1979 Sketchbook 9 x 12 in. Frye Art Museum Archives (Not illustrated)

May Warner Marshall American, 1902–1998 Sketchbook, 1953 9 x 12 in. Frye Art Museum Archives (Not illustrated)

Sketchbook, 1955 9 x 12 in. Frye Art Museum Archives (Not illustrated)

A Fluid Tradition: Northwest Watercolor Society... The First 75 Years, Cascadia Art Museum, Edmonds, Washington September 10, 2015–January 3, 2016

FRYE ART MUSEUM 2015 ANNUAL REPORT 21 EXHIBITIONS

Visitors to Museum Pinterest Followers 125,435 568

#SocialMedium Pan Gongkai: Withered Lotus Cast Jessika Kenney: Anchor Zero Visits to Museum Tumblr Followers October 4, 2014–January 4, 2015 in Iron January 10–February 1, 2015 October 4, 2014–January 18, 2015 Website #SocialMedium #SocialMedium is organized by the Pan Gongkai: Withered Lotus Cast Jessika Kenney: Anchor Zero is a 464,856 405 Frye Art Museum and curated by in Iron is organized by the Frye Art Raynier Institute & Foundation Genius / 21 Century / 4,468 guest curators. The exhibition Museum and curated by Jo-Anne exhibition organized by the Frye Art is funded by the Frye Foundation with Birnie Danzker. The exhibition is Museum and curated by Jo-Anne Seattle the generous support of Frye Art funded by the Frye Foundation, Birnie Danzker. The exhibition is Museum members and donors. It is Meriwether Advisors LLC, and Riddell funded by the Raynier Institute & 175 sponsored by Civilization. Seasonal Williams P.S., with the generous Foundation through the Frye Art support is provided by 4Culture, support of Frye Art Museum Museum | Artist Trust Consortium; Seattle Office of Arts & Culture, members and donors. Seasonal the Frye Foundation; and Frye Art and ArtsFund. Media sponsorship support is provided by 4Culture, Museum members and donors. Visits to Genius provided by The Stranger. Seattle Office of Arts & Culture, Seasonal support is provided by and ArtsFund. Seattle Office of Arts & Culture Microsite Artists: William-Adolphe Bouguereau, and ArtsFund. 22,879 Francois Cachoud, Soren Emil Carlsen, Hermann-David Salomon The artist would like to acknowledge Corrodi, Hans Dahl, Ludwig Dill, Otto her collaborators on this project: Hierl-Deronco, Nikolai Nikanorovich Faith Coloccia (painting stills), Mell Facebook Friends Dubovskoi, Arnold Gorter, Mary Dettmer (sound design, engineering, 28,663 Hinkson, Franz-Xaver Hoch, Johann and mixing), Otong “Iron” Durahim B. Jongkind, Friedrich August von (breathing room design and Kaulbach, Alexander Max Koester, construction), Eyvind Kang (sound Max Liebermann, Franz von Lenbach, mixing), Claudia Märzendorfer Gustav Majer, Gabriel von Max, Henry (videography), and Daniel Menche Twitter Followers Raschen, Julius Scheuerer, Leopold (video design). 19,495 Schmutzler, Adolf Schreyer, Christian Speyer, Dániel Somogyi, Edmund Steppes, Franz von Stuck, Fritz von Uhde, Franz Unterberger, Pieter van Veen, Franz Xaver Winterhalter, and Instagram Followers Franz Xaver-Hoch. Henry Raschen. Portrait Study of Charles H. Jessika Kenney. Stills from Anchor Zero, 5,885 Frye (detail), n.d. Oil on canvas. 29 5/8 x 19 Pan Gongkai. Withered Lotus Cast in Iron 2014. Digital video with audio. Videography 3/4 in. Charles and Emma Frye Collection, (detail). Ink on Paper. 70 7/8 x 590 9/16 in. by Claudia Maerzendorfer. Painting by Faith 1952.231 Courtesy of the artist. Coloccia. Video design by Daniel Menche.

22 FRYE ART MUSEUM 2015 ANNUAL REPORT Future Ruins: Rodrigo Valenzuela Pan: A Graphic Arts Time Capsule of 1900: Adornment for the Home January 31–April 26, 2015 Europe 1895–1900 and Body February 21–May 3, 2015 February 21–May 3, 2015

Future Ruins: Rodrigo Valenzuela is The exhibition was organized Georg Lührig, Charles Maurin, 1900: Adornment for the Home and Housman, Patriz Huber, Dard Hunter, organized by the Frye Art Museum by Landau Traveling Exhibitions, William Morris, Richard Müller, Franz Body is organized by the Frye Art Ernst Ludwig Kirchner, Reinhold and curated by Jo-Anne Birnie Los Angeles, in association with Naager, Hans Olde, Emil Orlik, Joseph Museum and curated by Jo-Anne Kirsch, Max Klinger Archibald Knox, Danzker. The exhibition is funded Denenberg Fine Arts, West Pennell, Hippolyte Petitjean, Théo van Birnie Danzker. The exhibition is Robert Kraft, George Logan, Karl by the Frye Foundation with the Hollywood. Rysselberghe, Auguste Rodin, Felicien funded by the Frye Foundation with Lürtzing, William Brown MacDougall, generous support of the Raynier Rops, William Rothenstein, Joseph the generous support of Frye Art Louis Majorelle, Emanuel Josef Institute & Foundation through The exhibition at the Frye Art Sattler, Georges Seurat, Paul Signac, Museum members and donors. Margold, Victor Mayer, W. Meinelt, the Frye Art Museum | Artist Trust Museum is made possible through Franz Skarbina, Karl Stauffer-Bern, Seasonal support is provided by Paul Miller, Pierre-Alexandre Morlon, Consortium, and Frye Art Museum the Frye Foundation with generous William Strang, Franz von Stuck, Hans Seattle Office of Arts & Culture, William Morris, Koloman Moser, members and donors. Seasonal support of Frye Art Museum Thoma, Félix Vallotton, Henry van de ArtsFund, and 4Culture. Media Albin Müller, Adolf Münzer,Josef support is provided by Seattle Office members and donors. Seasonal Velde, Jacob Gerard Veldheer, Jan Pieter sponsorship is provided by Classical Maria Olbrich, T. R. R. P., Hans Pfaff, of Arts & Culture and ArtsFund. support is provided by Seattle Office Veth, Wilhelm Volz, Hans Richard von KING FM. Bruce Porter, Will Ransom, Richard Media sponsorship is provided by of Arts & Culture, ArtsFund, and Volkmann, and Anders Zorn. Riemerschmid, Hugo Sachs, Richard The Stranger. 4Culture. Media sponsorship is Artists: Aubrey Beardsley, Peter Sachs, Alex. Schöpp, Stefan Schwartz, provided by Classical KING FM. Behrens, Ivan Bilibin, Rudolf Bosselt, John Sloan, Edward Spencer, Stanislav Louis-Alexandre Bottée, William Sucharda, Henry van de Velde, Elihu Artists: Aubrey Beardsley, Peter H. Bradley, Paul Bürck, Giannino Vedder, Hugo von Habermann, Carl Behrens, William H. Bradley, Castiglioni, Hans Christiansen, Hans Georg von Reichenbach, Franz von Henri-Edmond Cross, Henri de Christiansen, Marie-Alexandre- Stuck, Audley B. Wells, Behard Wenig, Toulouse-Lautrec, Maurice Denis, Lucien Coudray, Walter Crane, Carl Wiener Werkstätte, Paul Woodroffe, Otto Eckmann, Ernst Moritz Geyger, Otto Czeschka, Reinhold Max Eichler, and Ovide Yencesse. Peter von Halm, Henri Héran, Ludwig August Endell, Fritz Erler, Theodor von Hofmann , Martin Hönemann, Fahrner, Max Feldbauer, Rudolf Arthur Illies, Leopold von Kalckreuth, Gliesch, Atelier Görschen, Ferdinand Gustav Kampmann, Eugen Kirchner, Gotz, William Snelling Hadaway, Max Klinger, Ernst Klotz, Käthe Atelier Haebler, Adelaide Hanscom, Kollwitz, Karl Köpping, Albert Krüger, Otto Hauschild, Adolf Höfer, Josef Wilhelm Leibl, Walter Leistikow, Hoffmann, Josef Hoffmann, August Max Liebermann, Maximilien Luce, von Vestenhof Hoffmann, Laurence

Franz von Stuck. Cover illustration for Pan Carl Otto Czeschka. Illustrations in Franz Rodrigo Valenzuela. Hedonic Reversal I Keim, Die Nibelungen. Published by Gerlach (detail), 2015. Archival pigment print on prospectus, n.d. Woodcut. Courtesy of and Wiedling, Vienna and Leipzig, ca. 1908. Dibond. Commissioned by the Frye Art Landau Traveling Exhibitions and Denenberg Collection of Wayne Dodge and Lawrence Museum and funded by the Frye Foundation. Fine Arts, Inc. Kreisman.

FRYE ART MUSEUM 2015 ANNUAL REPORT 23 EXHIBITIONS

American Portraits 1880–1915 Andy Warhol: Little Red Book #178 Andy Warhol: 12 Screen Tests Leo Saul Berk: Structure Frye Salon May 14–August 30, 2015 May 16–September 13, 2015 May 30–September 13, 2015 and Ornament May 30–August 30, 2015 May 30–September 6, 2015

American Portraits 1880–1915 is Andy Warhol: Little Red Book #178 is Andy Warhol: 12 Screen Tests is Leo Saul Berk: Structure and Ornament Frye Salon is organized by the Frye organized by the Frye Art Museum. organized by the Frye Art Museum. funded by the Frye Foundation with is organized by the Frye Art Art Museum. The exhibition is The exhibition is funded by the Frye The exhibition is funded by the Frye the generous support of Frye Art Museum and curated by Jo-Anne funded by the Frye Foundation with Foundation with the generous support Foundation with the generous support Museum members and donors. Birnie Danzker. The exhibition is the generous support of Frye Art of Frye Art Museum members and of Frye Art Museum members and Seasonal support is provided by funded by the Frye Foundation with Museum members and donors. donors. Seasonal support is provided donors. Seasonal support is provided Seattle Office of Arts & Culture and the generous support of Frye Art Seasonal support is provided by by Seattle Office of Arts & Culture by Seattle Office of Arts & Culture ArtsFund. Museum members and donors, Seattle Office of Arts & Culture and and ArtsFund. and ArtsFund. 4Culture/King County Lodging ArtsFund. Media sponsorship is Tax, and the Raynier Institute & provided by The Stranger. Artists: John White Alexander, Foundation through the Frye Art William Merritt Chase, Frank Museum | Artist Trust Consortium. Artists: Fritz Baer, Léon Barillot, Duveneck, Thomas Eakins, Robert Seasonal support is provided by Eugène-Louis Boudin, William Henri, George Benjamin Luks, Charles Seattle Office of Arts & Culture and Adolphe Bouguereau, François Sprague Pearce, John Singer Sargent, ArtsFund. Media sponsorship is Cachoud, John Califano, Soren Emil and John Sloan. provided by Seattle Met. Carlsen, Hermann Corrodi, Hans Dahl, Théophile Emile Achille de Bock, Support for research travel to the Ford Franz von Defregger, Narcisse Virgile House and for production of Clinkers, Diaz de la Peña, Walter B. Douglas, 2012, and Wind Jangle and Specular Nikolai Nikanorovich Dubovskoi, Carl Reflections, 2015, was provided by Ebert, Anselm Feuerbach, Walter the Frye Art Museum through the Geffcken, Georg Geyer, Arnold Frye Foundation. Production support Gorter, Karl Heffner, Franz-Xaver for Mortar and Marbles, Cone Twelve, Hoch, Louis Gabriel Eugène Isabey, Structure and Ornament, and Coal Salt Johann B. Jongkind, Friedrich Cellar, 2014, was provided by INOVA Kaulbach, Ludwig Knaus, Wilhelm (Institute of Visual Arts) and the Maria Hubertus Leibl, Franz von Digital Crafts Research Lab at the Lenbach, Léon-Augustin Lhermitte, University of Wisconsin-Milwaukee. Max Liebermann, Adolf Heinrich Andy Warhol. Andy Warhol and Carol La Brie, Lier, Emile Van Marcke, Gabriel von 1970. Polacolor Type 108. 4 1/2 x 3 3/8 in. Andy Warhol, Screen Test: Bob Dylan [ST83], Gift of The Andy Warhol Foundation for the 1966. 16mm film, black-and-white, silent, Visual Arts, Inc., 2014.002.18. © 2015 The 4.6 minutes at 16 frames per second ©2015 Charles Sprague Pearce. Sainte Genevieve, Andy Warhol Foundation for the Visual Arts, The Andy Warhol Museum, Pittsburgh, PA, Leo Saul Berk. Structure and Ornament 1887. Oil on canvas. 82 x 66 in. Anonymous Inc. / Artists Rights Society (ARS), New York. a museum of Carnegie Institute. All rights (detail), 2014. Plywood and Acrylic. 120 x 213 Installation view of Frye Salon, 2011. Photo: Lender, IL.2011.011. Photo: Spike Mafford. Photo: Richard Nicol reserved. x 59 in. Photo: Paul Mitchell Sara Tro

24 FRYE ART MUSEUM 2015 ANNUAL REPORT Genius / 21 Century / Seattle Favorites: The Frye Founding September 26, 2015–January 10, 2016 Collection September 4, 2015–January 31, 2016

Max, Antonis Matteo Montemezzo, Genius / 21 Century / Seattle is a Artists: Sherman Alexie, Sarah Susan Robb, Sarah Rudinoff, David Favorites: The Frye Founding Collection Adolphe Joseph Thomas Monticelli, Raynier Institute & Foundation Bergmann, Matt Briggs, Rebecca Russo, Scarecrow Video, Alex is organized by the Frye Art Museum. Mihály de Munkácsy, Rudolph Petuel, exhibition organized by the Frye Brown, Drew Christie, Web Crowell, Schweder, Seattle School, Michael The exhibition is funded by the Frye Henry Raschen, Juan Pablo Salinas Art Museum and curated by Valerie Curtis-Newton, Robinson Seiwerath, Shabazz Palaces with Foundation with the generous support y Teruel, Leopold Schmutzler, Max Jo-Anne Birnie Danzker and Erika Devor, Steven Fisk, Ellen Forney, Nep Sidhu, Lynn Shelton, Cherdonna of Frye Art Museum members and Scholz, Adolf Schreyer, Charles Dalya Massaquoi. The exhibition is Frye Art Museum, Lori Goldston, Shinatra, SuttonBeresCuller, Rodrigo donors. Seasonal support is provided Soulacroix, Edmund Steppes, Hans funded by the Frye Foundation and Wynne Greenwood with K8 Hardy, Valenzuela, Velocity Dance Center, by Seattle Office of Arts & Culture Thoma, Hortense Trotter, Wilhelm the Raynier Institute & Foundation Megan Griffiths, Gary Groth, Yussef Jim Woodring, Maged Zaher, Jennifer and ArtsFund. Trübner, Fritz von Uhde, Franz through the Frye Art Museum | Artist El Guindi, Victoria Haven, Lesley Zeyl, and zoe|juniper. Unterberger, Pieter van Veen, Johann Trust Consortium. Generous support Hazleton, Implied Violence, Industrial Artists: Hermann-David Salomon Friedrich Voltz, William R. C. Watson, was provided by The Hugh and Revelation, C. Davida Ingram, The Corrodi, Ludwig Dill, Nikolai Marie Weber, Thaddeus Welch, Josef Jane Ferguson Foundation, Seattle Intelligence, Chris Jeffries, Marya Nikanorovich Dubovskoi, Alexander Wenglein, Albert Wenk, Franz Xaver Office of Arts & Culture, 4Culture/ Sea Kaminski, Eyvind Kang, Ben Koester, Léon-Augustin Lhermitte, Winterhalter, Felix Ziem, Heinrich von King County Lodging Tax, Douglas Kasulke, Jessika Kenney, Lead Pencil Gabriel von Max, Mihály de Zügel, and Ludwig Zumbusch. Smith and Stephanie Ellis-Smith, Studio, Susie J. Lee, Stacey Levine, Munkácsy, Albert Neuhuys, Daniel Riddell Williams P.S., Nitze-Stagen, James Longley, Heather McHugh, Somogyi, Franz von Stuck, and Franz and Frye Art Museum members and Jeffry Mitchell, Zia Mohajerjasbi, Xaver Winterhalter. donors. Seasonal support provided Cary Moon, Charles Mudede, Paul by ArtsFund. Print media sponsorship Mullin, On the Boards, John Olson, provided by The Stranger. Broadcast John Osebold, Pacific Northwest media sponsorship provided by Ballet, DK Pan, Mary Ann Peters, KUOW 94.9 FM Linas Phillips, Jonathan Raban,

SuttonBeresCuller. You Always Leave Me Wanting More, 2015. Aluminum, enamel, LED Franz von Stuck. Sin (detail), ca. 1908. lightbulbs, electronics, flooring. 27 1/2 x 33 C. Davida Ingram. Still from Avatar: Fanon & Syntonos [tempera] on canvas. 34 7/8 x 21 ft. Courtesy of Greg Kucera Gallery. Photo: Decca, 2015. Single-channel digital video with 5/8 in. Frye Art Museum, Charles and Emma Mark Woods audio. Courtesy of the artist. Frye Collection, 1952.169.

FRYE ART MUSEUM 2015 ANNUAL REPORT 25 EXHIBITIONS Lenders

Genius / 21 Century / Seattle Jim Woodring (Courtesy of the artist and Fantagraphics Books) Lenders to the Sherman Alexie (reproduced by Exhibitions permission of the author) Maged Zaher Ishmael Butler Zoe|Juniper (Zoe Scofield and Juniper Shuey) Web Crowell Valerie Curtis-Newton Steve Fisk Lori Goldston Wynne Greenwood (Courtesy of Pan: A Graphic Arts Time Capsule Video Databank) of Europe 1895–1900 Victoria Haven Landau Traveling Exhibitions and Lesley Hazleton Denenberg Fine Art, Los Angeles, California Industrial Revelation C. Davida Ingram 1900: Adornment for the Home Eyvind Kang and Jessika Kenney and Body Lead Pencil Studio (Annie Han and Wayne Dodge and Lawrence Daniel Mihalyo) Kreisman, Seattle Stacey Levine Jeffry Mitchell Andy Warhol: 12 Screen Tests Zia Mohajerjasbi The Andy Warhol Museum, Charles Mudede Pittsburgh, Pennsylvania Paul Mullin Ahamefule Oluo American Portraits 1880–1915 DK Pan Anonymous Lender, USA Mary Ann Peters Alex Schweder Leo Saul Berk: Structure and Ornament Nep Sidhu Leo Saul Berk PDX Gallery, Portland, Oregon Private Collection, Seattle Michael Seiwerath Seattle Art Museum SuttonBeresCuller (John Sutton, Ben Beres, and Zac Culler) (Courtesy of Greg Kucera Gallery) Rodrigo Valenzuela

Gary Groth Break the Genre lecture. Genius / 21 Century / Seattle. Photo: Charles Peterson

26 FRYE ART MUSEUM 2015 ANNUAL REPORT EXHIBITIONS Publications

Publications

Pan Gongkai: Withered Lotus 1900: Adornment for the Home and Future Ruins: Rodrigo Valenzuela Leo Saul Berk: Structure and Cast in Iron Body By Jo-Anne Birnie Danzker Ornament By Jo-Anne Birnie Danzker By Jo-Anne Birnie Danzker Seattle: Frye Art Museum, 2015 Edited by Jo-Anne Birnie Danzker Seattle: Frye Art Museum, 2014 Seattle: Frye Art Museum, 2015 9 x 8 in., 48 pp. Contributors: Jo-Anne Birnie 9 x 8 in., 23 pp. 9 x 8 in., 36 pp. Distributed by University of Danzker, Sara Krajewski, Scott Distributed by University of Distributed by University of Washington Press Lawrimore, Sidney Robinson, Washington Press Washington Press ISBN: 978-0-9624602-9-6 John H. Waters ISBN: 978-0-9624602-9-6 ISBN: 978-0-9889495-3-9 Seattle: Frye Art Museum, 2015 This catalogue is published by the 10 1/4 x 11 1/4 in., 84 pp. This catalogue is published by the This catalogue is published by the Frye Art Museum and supported Distributed by University of Frye Art Museum and supported Frye Art Museum and supported by the Frye Foundation with the Washington Press by the Frye Foundation with the by the Frye Foundation with the generous support of the Raynier ISBN: 978-0-9889495-4-6 generous support of Frye Art generous support of Frye Art Institute & Foundation through Museum members and donors. It Museum members and donors. the Frye Art Museum | Artist This catalogue is published by the is sponsored Nitze-Stagen, BNY Seasonal support is provided by Trust Consortium, and Frye Art Frye Art Museum and supported Mellon Wealth Management, 4Culture, Seattle Office of Arts & Museum members and donors. by the Frye Foundation with the Meriwether Advisors LLC, and Culture, and ArtsFund. Seasonal support is provided by generous support of Frye Art Riddell Williams P.S. Seasonal Seattle Office of Arts & Culture and Museum members and donors, support is provided by 4Culture, ArtsFund. 4Culture/King County Lodging Seattle Office of Arts & Culture, Tax, and the Raynier Institute & and ArtsFund. Foundation through the Frye Art Museum | Artist Trust Consortium. Seasonal support is provided by Seattle Office of Arts & Culture and ArtsFund.

Funding for the INOVA exhibition The Uncertainty of Enclosure: Leo Saul Berk and contribution to this publication are provided by the Greater Milwaukee Foundation, Mary L. Nohl Fund; the Graham Foundation for Advanced Studies in the Fine Arts; and the New Foundation, Seattle.

FRYE ART MUSEUM 2015 ANNUAL REPORT 27 EXHIBITIONS Selected Reviews

Selected Reviews

#SocialMedium of connection and communication. arts world. and flesh becoming as ethereal as Museum. Using “talismanic scores, —Priscilla Frank, Huffington Post —Musa Igrk, ZAMAN (translated the sights and sounds you’re seeing ethereal imagery, and interactive The show is a hit. "Visitors have from the original Turkish by Rana and hearing. “Jessika Kenney: spaces,” Kenney explores the been fascinated to see what #SocialMedium is also just the San) Anchor Zero” inaugurates a new relationships between opposing the crowd thinks is good art as latest example of the Frye’s exhibition series at the museum, pairs such as prayer and discourse, opposed to what curators do," attempts to modernize and adapt The Frye’s exhibition represents underwritten by the Raynier personal and universal, traditions said Museum director Jo-Anne for contemporary audiences. The an institution engaging with Institution & Foundation. and immediacy. Birnie Danzker. “I think this free-entry museum—the only free social media creatively rather —Michael Upchurch, The Seattle —Emily Dooley, TWELV revitalizes even the museum art museum in Seattle—opened than trying to ignore it. . . . Other Times staff’s interest in looking again in 1952 and remains based exhibitions have used social 1900: Adornment for the Home at the material through someone around the private collection of media before but perhaps not in Whatever one may say of and Body else’s eyes,” she said. Charles and Emma Frye, who were exactly the same way as the Frye’s institutional art’s place in the larger —Ellen Gamerman, Wall Street business leaders and art collectors #SocialMedium. I doubt it will be culture, such institutions afford Kreisman and Dodge have Journal in the area in the early 20th a trend that will sweep the art a neutral space to whatever they accumulated an impressive book century. world. But it definitely is a clever display. This is especially true of collection from the fine press The spirit of global connection and —Gaeme McMillan, WIRED way of getting mileage out of an the Frye, which is free and open to movement of the era. These works communication leads back to the institution’s permanent collection. the public. This lack of barriers at of art are beautifully designed, Frye’s original mission. “We have Frye Art Museum in the United . . . By temporarily giving up the Frye is always appreciated, but printed on high-quality paper and a collection that [dates back to] States lifted the institution of their authority, the curators have it is crucial in the case of Kenney’s often handmade. 1893 up until the 1930s. It was curatorship and is opening an invited people into the gallery in work, whose discipline reduces —Mary Ann Gwinn, The Seattle put together by a Seattle couple, exhibition in which social media a generous and confident way. sacred music to its basic elements, Times Charles and Emma Frye. It’s a users select their favorite works Everyone always talks about separating dogma and the attached global collection. They were both from the museum’s collection. making art more accessible. Well, aesthetic schema in this case, Leave it to [Jo-Anne] Birnie traveling to Europe and across the Thus, thousands of art lovers the show at the Frye Museum leaving the voice in an elemental Danzker, with her background states acquiring the work. That will put on the curatorial hat does exactly that. form. as Director of the Villa Stuck in spirit of reaching out to afar is to partake in the selection of —Kevin Griffin, Vancouver Sun —T.s. Flock, Vanguard Seattle Munich, a Secessionist mecca, to something that I also really like works to be exhibited and will uncover such an obscure collection about #SocialMedium. It opens up be part of this controversial Jessika Kenney: Anchor Zero Music is in the air at Seattle’s of underappreciated art, furniture, a lot of perspectives that we’d not institution [of curatorship]. But Frye Art Museum. In its galleries, jewelry and books in Seattle. have access to.” . . . #SocialMedium with one difference: sharing the In its dim rooms, elaborate video composer and vocalist Jessika Kreisman, author of the definitive is not only a beautifully condensed ‘power’! This project is regarded projections dovetail with this Kenney presents Anchor Zero. study of Pacific Northwest Arts cross section of the world’s taste as a critical look at the curator’s sliding, shifting audio world. The This large-scale video and and Crafts architecture, and Dodge in art, but also a compelling function and draws attention to music and visuals are so dreamy sound installation is specially have spent years assembling the portrait of our present day modes the role of social media in the that you may well feel your mind commissioned for the Frye Art treasures of an offbeat, overlooked

28 FRYE ART MUSEUM 2015 ANNUAL REPORT era. It meshes perfectly with the they hang onto the structures. such an exhibit depends on what in particular in the late 19th/early Leo Saul Berk: Structure and darkened tones and exotic subjects Around these are meticulously you bring into it. 20th centuries on their American Ornament in the Frye paintings. painted walls with grander —Amanda Manitach, City Arts peers. The selection here considers —Matthew Kangas, Visual Art Source ruins. Valenzuela’s comment on works by John White Alexander, Ultimately, the exhibition is a It's all a lovely reminder of the construction workers, combined Rodrigo Valenzuela’s ”Future William Merritt Chase, George sensitively coded manifestation importance of beautiful, everyday with the reconstruction of Ruins” exhibition at the Frye Art Luks, and Frank Duveneck, all of of the ways in which our exteriors objects. The saving grace of these gentrification, places us in a future Museum aptly characterizes where whom studied and spent time and interiors bump up against one items is their elaborate motifs without humans. This is as eery as we are at this moment in Seattle, in Germany. Also included are another: a meditation on how our and fine craftsmanship, allowing it is fantastical. and in other cities that are tearing portraits by ex-patriate artists homes offer us shelter from the them to survive for over a century —Christina Twu, Seattle Globalist apart their historic urban fabric in Charles Sprague Pearce and John storm, even as they shape us from perfectly intact. order to cater to the rich with high Singer Sargent and the “Ashcan within. —Jeremy Bueben, Seattle Met . . . Valenzuela’s installation end housing. School” maverick Robert Henri. —Suzanne Beal, Art Ltd. represents a site of destruction and —Susan Noyes Platt, Art and Politics —Thomas May, Memeteria Rodrigo Valenzuela: Future Ruins construction. Something has been Now Whether he’s rendering his torn down—a tower or perhaps a Andy Warhol: 12 Screen Tests memories as videos shot on site, a Stand in the middle of “Hedonic whole city—and something new is The exhibition does not present a subtly curved light-box image of its Reversal” and you’ll be immersed being built. All that’s missing from quiet, post-apocalyptic landscape “Andy Warhol: 12 Screen Tests,” outer walls, or sculptures inspired in Valenzuela’s mind—both the installation are the tracks of that fetishizes decay; rather, departing Sept. 13, and “American by Goff’s designs, [Berk] re-creates his foreground thoughts (the boots and heavy-duty vehicles. Valenzuela addresses divisions Portraits,” ending Aug. 30. . . aim not just his experience of living photographs that the scaffolding —Charles Mudede, The Stranger of labor and the nature of work, to show an individual’s image, in the house, but the resonance thrusts out toward you) and his making these complex issues of course, but they also raise the of that experience over the years. background ruminations (the Future Ruins is itself a guilty manifest through the specter of the question: How does the viewer Succumb to it, and you’ll feel like illustrated gallery walls half- pleasure, unrepentantly slipping 21st-century economic landscape. come to understand a subject? Is a you’re strolling the neural pathways concealed behind the scaffolding). between emotional, cautionary and And though it is discordant at “living portrait” of Bob Dylan . . . any of the artist himself. —Michael Upchurch, The Seattle indulgent poles, leveraging the very times, the installation requires more illuminating than the somber —Michael Upchurch, The Seattle Times forms of decadence Valenzuela sensory friction to make its point. 1895 oil of “The Stoker,” by Robert Times critiques. In Valenzuela’s typical —Sarah Margolis-Pineo, Daily Serving Henri . . .—a prime example of “Hedonic Reversal” is nothing short fashion, his cinematically-inspired late-20th century efforts to depict In Structure and Ornament, [Berk’s] of breathtaking—as much in its environments unfold a scene so American Portraits 1880–1915 “real life”? vision comes into crystalline vision and scope as in its delivery. visually seductive that the viewer —The Seattle Times focus. When you emerge from The elaborately constructed enters willingly. As his narratives The angle here is one of Frye the museum, a part of you, too, large-scale installation is a body unravel, we each find ourselves Director Jo-Anne Birnie Danzker’s has been in the Ford Home. . . . with scaffolding for a skeleton, complicit, embedded in a larger specialties: the influence of Throughout the exhibit, the spare and “ruins” paintings for skin as story. What you take away from developments by German artists and monumental pieces weave

FRYE ART MUSEUM 2015 ANNUAL REPORT 29 EXHIBITIONS Selected Reviews

reality with memory, boyish the sense of attempts to recapture Genius / 21 Century / Seattle of places like the defunct African increasingly unaffordable. “If we memories with second sight. . . . the visual poetry, say, of the cabaret Hidmo, a pre-reformation let our artists go, if they’re forced Berk’s jangles and marbles and setting sun as perceived through While [Jo-Anne Birnie Danzker] Broadway hosting the homies of to move away,” she says, “we’re watery galaxies are a reminder of the semitransparent glass cullet will oversee nine more shows Sir Mix-A-Lot and the Mix himself, losing our identity.” [Sean] Nelson the magic at stake in the details, windows positioned in Goff’s walls before her departure, “Genius” is and the green-grass low-income shares that concern — which is why both large and small. of coal masonry, which cause it to the Frye’s largest locally focused housing landmark project Yesler he’s happy the Frye has chosen to —Amanda Manitach, City Arts cast a green glow. show to date. During her tenure, Terrace, which is now being spotlight more than 60 Stranger —Thomas May, Memeteria the Frye has been transformed demolished. Geniuses in its new exhibition. In his large, titular showpiece from a museum with a stodgy —Jen Graves, The Stranger —Marcie Sillman, KUOW sculpture, Berk turns those radial Berk translates his personal reputation for late-19th century trusses on an axis, rising from history using the material and German oil paintings, hung salon- There’s tremendously good work To integrate the works seamlessly, the floor like a giant spiky tiara, formal vernacular established by style, to one known for modern and throughout the exhibit. And there’s the Frye’s galleries have been made of cypress wood and orange [Bruce] Goff, creating a flawless contemporary art. a noble (and successful) effort on transformed into a series of stages, fiberglass. The spiny, spindly amalgamation of concept and —Tricia Romano, The Seattle Times the part of the Frye to foster the facilitating encounters between arms support nothing; the old craft. . . . The emotional affect of co-mingling of divergent mediums, the material and ephemeral— architectural notion of shelter or home exists beyond the physicality Genius marks the first moment the blurring of genres, and the between white cube and black protection has been forgotten. of sagging couch cushions and when Seattle artists as a group engagement of the public. It’s box. . . . Genius/21 Century/Seattle Berk’s large sculpture feels like faded photographs. Every structure tackle Seattle’s new status as a positively feel-good stuff. Then, is indeed, as the Frye claims, a a fresh-built ruin, salvaged from is a repository of impressions— national financial capital—this there’s the work that miraculously “pandemonium of disparate artistic memory. distinctive patterns of light, show opened the day the president crystalballs visitors into a most practices.” The exhibition is a —Brian Miller, Seattle Weekly sound, and smell—that can serve of China wrapped up his visit to uncomfortable reality—that of an spectacular window into Seattle’s as wellsprings of comfort and our city, during which he kept urban landscape whose changes creative culture as it is materialized . . . Berk’s first major solo museum inspiration. Nostalgia can stymie closing the entire freeway to shuttle today might well alter the face of and dematerialized right before show, distills his memories of or it can challenge. Structure and between Amazon, Boeing, and artistic practice tomorrow. Bleak? our eyes. Despite the breadth the wondrously unconventional Ornament is the work of an artist in Microsoft CEOs. Seattle meant Perhaps. Genius? Definitely. of works on view, connections environment in which he grew dialogue with his past—engaging business. “This is the twilight,” —Suzanne Shaw, Art Ltd. emerge and relationships between up. The resulting works, now on and reimagining the specter of one artist said, referring to the the works resonate. Genius brings view at the Frye Museum, take home, in order to connect deeply fact that Seattle is getting whiter . . . in ancient Greece a genius together the visions and voices of the form of sculpture, video, and with his present. as money pushes out people of was also the spiritual guardian over sixty-five of Seattle’s resident photography, along with two —Sarah Margolis-Pineo, Daily color and artists. There’s a whole of its community, something geniuses, proving that a shared site-specific installations. Some Serving room of films and songs by Charles Jo-Anne Birnie Danzker strongly regional identity is enough to create of Berk’s pieces involve fanciful Mudede (a Stranger writer), Zia believes Seattle artists to be. a compelling and cohesive show. recreations of particular details Mohajerjasbi, Ahamefule Oluo, That’s something that worries her —Sarah Margolis-Pineo, Daily from Ford House: “recreations” in and others depicting the sunset as the city grows and becomes Serving

30 FRYE ART MUSEUM 2015 ANNUAL REPORT Genius is more than a response to different. There is nothing static the changing cultural landscape about this exhibit—it is in constant of Seattle, as Seattle is a evolution, always changing, even microcosm of western attitudes before your eyes. around development, capitalism, —Scott Johnson, The Spectator technology and the arts. The intersections of these things are To truly experience Genius, ripe for commentary, and a lot of it families should consider adding gets quite brash, so it is refreshing performances to their calendars to see such a thoughtful approach and visit on a regular basis over the being taken by these artists and the course of the exhibition. Weekly curatorial team. visits to the Frye could serve as —T.s. Flock, Vanguard Seattle a great supplemental activity for homeschoolers or any parents The Frye, Seattle’s gem of a looking for interesting indoor museum, presents arguably activities with their kids. its most ambitious show ever: —Ashly Moore Sheldon, ParentMap more than 60 artists from all disciplines who have been deemed “geniuses” by The Stranger and . . . what matters is the opportunity other creative folk. I love this to create something new. The kind of a show: packed, different, value lies in the fresh commissions boldly spotlighting all kinds of funded by the Frye, 25 in total, perspectives. about a dozen presently installed in —Florangela Davila, Crosscut the museum’s galleries, with filmic, theatrical, musical, and dance Boasting over 65 artists from every happenings to follow. —Brian Miller, Seattle Weekly zoe | juniper. We were., 2015. Installation and discipline of the arts including performances. Commissioned by the Frye Art filmmakers, painters, writers, Museum and funded by the Frye Foundation. dancers, photographers and many Courtesy of the artists. Design, Concept and others, the exhibit is unlike anything Installation: Zoe Scofield and Juniper Shuey. Choreography: Zoe Scofield. Performers: before it. Over its four months Brittani Karhoff, Jim Kent, Kim Lusk, Erin in circulation, each month, day McCarthy, Alexander Pham, and Zoe Scofield. and even hour will be completely Sound: Julian Martlew. Photo: Charles Peterson.

FRYE ART MUSEUM 2015 ANNUAL REPORT 31 ARTS ENGAGEMENT PROGRAMS Youth

The Frye Art Museum provides preschool children, students, teachers, parents, and lifelong learners with opportunities to engage with the arts Youth Programs Participating School Pre-K–12 Guided Tours and ideas in all disciplines. Children and students are encouraged to examine and enjoy works of art while developing creative and critical- 301 Districts and Self-Guided Tours thinking skills. The Museum supports visual arts education as well as language arts, math, and social studies, and state and national learning 9 149 standards. Partnering with organizations throughout the region is integral to our commitment to the community and a source for providing new experiences for audiences of all ages. Participants Students 6,696 3,350

Art in Your Classroom Program 10

Participants 338

University Guided Tours and Self-Guided 44

Participants 744

Photo: Mark Woods

32 FRYE ART MUSEUM 2015 ANNUAL REPORT Partnership Programs 78

Participants 941

Bailey Gatzert Elementary School Seattle Children's Theatre Kids’ Camp RecTech, a program of the Associated Recreation Council at Yesler Community Center

Preschool Programs 20

Participants 1,323

Small Frye: Storytelling + Art Snap!

Photo: Emily Eddy

FRYE ART MUSEUM 2015 ANNUAL REPORT 33 ARTS ENGAGEMENT PROGRAMS Educators / Lifelong Learners

Educators Programs Professional 26 Development Programs 6 Participants Participants 454 99

Parents for Arts in the Schools Educator Programs Serious Play and Design Thinking Offered for Credit/ UCDS VTS Workshop Clock Hours with UW Architecture Drawing Class Seattle Pacific University 3

Gallery Guide Training Workshops 20

Participants 355

Photo: Katherine Lamar

34 FRYE ART MUSEUM 2015 ANNUAL REPORT ARTS ENGAGEMENT PROGRAMS Lifelong Learners

Lifelong Learner Lectures, Gallery Music Programs Creative Aging Museum Store Programs Talks, and Tours 29 Programs Programs 800 562 115 10

Participants Participants Participants Participants Participants 18,650 13,082 2,051 1,499 413

Art History Lecture Series with Ladies Musical Club Bridges Book Signing Rebecca Albiani Public Programs Noise Yoga Dementia, Art, and Enhancing Trunk Shows Exhibition Lectures Well-being Offered for Credit/ Seattle Classic Guitar Society First Hill Tours Harp Performance by Tiffany Chen Clock Hours with Seattle Opera Preview Gallery and Artist Talks here:now Class Seattle Pacific Guided and Self-guided Tours here:now Tours University Mindfulness Meditation Meet Me at the Movies 29 ReMastered Speaking of Dying Summer Art History Lecture Series Summit on First Hill Program

Film Programs Studio Art Classes 7 77

Participants Participants 420 1,185

Community Cinema Path with Art Critics Wrap Weekends in the Studio Exhibition screenings Summer in the Studio Magic Lantern

FRYE ART MUSEUM 2015 ANNUAL REPORT 35 ARTS ENGAGEMENT PROGRAMS Events

Events 99

Participants 11,644

Frye Openings and Special Events 53

Participants 8,145

Community Partner Events 20

Participants 1,418

Private Events 26

Participants 2,081

36 FRYE ART MUSEUM 2015 ANNUAL REPORT ARTS ENGAGEMENT PROGRAMS Community Partners

Community Partners

Alzheimer's Association Seattle Pacific University Washington State Chapter Seattle Public Schools Creative RecTech, a program of the Advantage Initiative Associated Recreation Council at Seattle University Art and Art Yesler Community Center History Department Authors, Publishers, and Readers of Seattle University Youth Initiative Independent Literature The Seattle Public Library Bailey Gatzert Elementary School The Stranger Community Cinema Seattle Swedish Medical Center Elderwise The Terraces at Skyline Full Life University of Washington Gage Academy of Art Department of Architecture Heartwork University of Washington Memory Historic Seattle and Brain Wellness Center Hollow Earth Radio University of Washington Museology Graduate Program Ladies Musical Club University of Washington Museum Northwest Film Forum Studies Certificate Program Path with Art University of Washington School of "POSEURS" Medicine, Division of Geriatrics Providence ElderPlace Visual Thinking Strategies Providence Mount St. Vincent Seattle Children's Theatre Seattle Classic Guitar Society Seattle Opera Photo left: John Ulman Photo right: Kelsey Donahue

FRYE ART MUSEUM 2015 ANNUAL REPORT 37 SUPPORT Foundations, Funding Agencies, Corporations, Media Sponsors, In-Kind Contributors, and Individual Donors

Contributions

October 1, 2014, to December 31, 2015

We thank our donors and Foundations Paul Sturm Fund Corporations Media Sponsors members whose support makes Thrive Washington our exhibitions and programs Anonymous (1) Aging Wisdom, Inc. Classical KING FM 98.1 Tulalip Tribes Charitable possible. The Antiquarian Society of Seattle Antique Appraisal & Estate Sale Encore Media Group/City Arts Contributions Service Magazine Evergreen Association of Fine Arts Washington Women's Foundation Every effort has been made to ArtsFund Google Fales Foundation Trust Wright Janeway Family Fund ensure the accuracy of these AT&T Employee Giving Campaign KUOW 94.9 listings. Please phone The Hugh and Jane Ferguson 206 432 8227 with omissions Foundation Bank of America Matching Gifts Seattle Met Magazine Funding Agencies Program or errors. The Richard M. and Maude M. The Stranger Ferry Charitable Foundation BNY Mellon Wealth Management 4Culture Fidelity Charitable Boeing Gift Matching Program Institute of Museum and Library In-Kind Contributors Frye Foundation Services Employees Community Fund of The Boeing Company Civilization The Furnessville Foundation Seattle Office of Arts & Culture Evergreen Art Therapy Association Fleurish German Heritage Society Meriwether Advisors LLC Hilliard's Beer Grousemont Foundation Microsoft Matching Gifts Program Moon Bloom Floral The Robert Lehman Foundation Nitze-Stagen & Co., Inc. Our/Seattle Presbyterian Retirement Communities Northwest Nordstrom The City Catering Company Pruzan Foundation Riddell Williams P.S. VolunteerSpot Raynier Institute & Foundation Southern Lithoplate, Inc. The Seattle Foundation Seattle University Spark Charitable Foundation The Stagen Family Charitable Trust

38 FRYE ART MUSEUM 2015 ANNUAL REPORT Individuals $1000+ Lyn Tangen and Richard Barbieri Eric Peterson and Barb Pomeroy D.D. Baran Richard and Nancy Brainard Anonymous (1) Kris and Mike Villiott Herb and Lucy Pruzan Murl Barker and Ronald Miller Michele Broderick and Thomas Whittemore Douglas and Susan Adkins Nepier Vrabel Smith and Joan Andrea and Alan Rabinowitz Ruthanna Bayless Affleck-Smith Cris Bruch and Allison South Jo-Anne Birnie Danzker Elizabeth and Jonathan Roberts Chuck Beek Alysse Bryson Susan Bloch and Igor Khandros $500–$999 Michael and Lian-Pey Robins Lara Behnert and Derek Harn Boni and Ward Buringrud David and Kristi Buck Murl Barker and Ronald Miller Marie Ruby Carol H. Bell John Butler Kristine Bueche Rodger Benson and Scott Erickson Maggie Savarino W. Benson and Pamela Harer Brian and Danielle Butz Tina Bullitt David S. Brown, Jr. and Christina Peter Seitel Joseph and Linda Berkson Rockrise Peter and J. Kim Cacace Michael Doherty and Eric Akines Greg Simmons Matthew Berley Mary Lou and Donald Brown Rita Calabro and James Kelly Stephanie Ellis- and Douglas Smith G Mark Snapp Karen Bianchi Lee Burnside and Elizabeth Vig Jennifer Campbell Barbara Feasey Laura and Philippe Spalart Susan Birkenbuel William Calvin and Katherine Cassandra Carothers Katharyn Alvord Gerlich Judy Tobin and Michael Baker Graham Black Graubard Marc Carter and Amelia Simon Marjorie Hemphill Marietta Bobba Lorrie Cardoso $100–$499 Robert and Katherine Cederstrom Jan Hendrickson and Chuck Leighton Karen Bocz Mike and Cathy Casteel Robert and Crystal Adams Marta Chaloupka Kate Janeway and Howard Wright Neil and Kathleen Bogue Theodore and Patricia Collins Francis and Hideko Albin Ronald Chase and Suzanne Rowen Willis Kleinenbroich Mara Bohman David Dunn Jack Aldrich Ashley Clark and Chris Manojlovic Christopher and Alida Latham T. William and Beatrice Booth Lindsey and Carolyn Echelbarger Marjorie Aldrich Heinke Clark Laura Lundgren Paul E. Borrmann and Kathleen Sue S. Gilbert Joan Alworth Donnellan Lisa Clark Lisa and David Mayfield Lenore Hanauer Jerry and Rita Anches Frank and Linda Bothwell Mary Ann Clymer Sally Nelson Kent Johnson and Cody Blomberg Jan Anderson Katherine Bourbonais and Joe Bailey Cole Jill Rullkoetter and William L. Hurley Jr. Christina and James Lockwood J. Martin Anderson and Lynn Gabriel Donald Ramsey Patricia and Theodore Collins Carlo and Eulalie Scandiuzzi Brad and Christina Mace Nancy and John Anderson-Taylor Dennis Braddock and Janice Niemi Bruce and Mary-Louise Colwell Matthew and Casprowiak Scher James Maier Karl Banse Mae and Douglas Brado Gerald and Frances Conley Joyce Schulte

FRYE ART MUSEUM 2015 ANNUAL REPORT 39 SUPPORT

Zita M. Cook and Mike Rogers Rose and Charles Finkel Cynthia Huffman and Ray Heacox Margaret Jones Carl Markley Elizabeth Coppinger and Patrick Nanette and Bradley Fok Lawrence and Mary Ann Heeren Jerry Jordheim Bonnie Marques Binns Brenda Fong Sharalyn Heeringa Kristin Kennell William Maschmeier and Patricia Amy and Lawrence Corey, M.D. Haggerty Peter and Elva Francis Marilyn Heinemann and Chakorn Janet and Grattan Kerans Edward Corker and Carol Schneider Phisuthikul Cheryl Matakis Janet Frink John M. Kloeck and Pat McWha Ann Cronin Susan Helbig Carolyn and Richard Mattern Susan and Albert Fuchs Edward and Patricia A. Kloth Barbara and Theodore Daniels Gregory Heller and Hope Rippeon Barbara and David Matthes Pedro and Wanda Garcia-Pelayo Mireille and Oscar Kools Charles and Jonis Davis Terrill and Jennifer Hendrickson David Mayfield William and Carol Garing Barbara Krekow Pio DeCano II Marla Herbig Kelly and Peter McLoughlin Natalie Gendler Wally and Liz Krengel Gerald Delay and Diana Ryesky Newby and Kit Herrod Lora and James Melhorn Genevra Gerhart Karin and Michael Kuntz Jan and Ron Delismon Petra Heussner-Walker Monica Mendoza Steven Gillispie Katherine Kuzeja Richelle and Tom Dickerson Michael and Judith Hill Chris W. Meriam and Ed Ference Sara Glerum Craig Kyte John Dienhart and Jean Boler Suzanne Hittman Clinton Meyer Loretta Gray Sara LaBelle Andrew Dillman Donald M. Holz and Carol M. Webb Mary Mikkelsen Patrick Greiner Helen Lafferty and Dr. Mark Gunning Jeanne Dorn and Samara Hoag Del Hontanosas and Alice Liou Julia Miller Laurie Griffith Jere LaFollette and Wende Sanderson William Dougall DM Hoyt and Heidi Smets Michael Mirande and Sylvia S. White Jerome and Margaret Grubaugh William Lavely Marcia Douglas Jean and Peter Hsiang Michael and Bernadette Monroe David and Marilyn Gruhn Susan Leaverton Rion and Lauren Dudley Nancy Hudson David A. Moore and Javier Cortes Thomas M. and Roberta K. Gurtowski Delores Leonard Kay Edwards David and Jane Huntington Molly Morse Scott Hamilton and Angela Trout Jerry P. and Marguerite Lewis Catherine Edwards Neils Peter and Paule R. Jensen Anna Nash Ron and Barbara Hammond John A. Lillard and Julia H. Kalmus Patricia Ellingham Bruce and Janice Johns Andrew L. Nelson and Patricia Erica Hanson Davora Lindner McGuire Judy Ellis and Carl Ulmschneider Cynthia Johnson Mark and Marlane Harrington Jackson and Christine Loos Christine Nelson John Fenker Rick and Margaret Johnson Cecil and Joyce Hayes Peggy and David Mainer

40 FRYE ART MUSEUM 2015 ANNUAL REPORT Greg Nelson and Cynthia Doll Barbara Ray Bob and Rosalind Schuessler John and Judy Toone Jonella Windell Erik Neumann and JJ Jacobi Renate Raymond Robert Scott Beatrice Tung Ira and Anne-Marie Worden Nancy and Stephen Olsen Maureen Reilly Patricia Scott James and Sue Tupper Gary Wright Frits van Oppen J. Richard and Prof. Karen McMichael Cathy Seahorn Susan and Robert Turner Rachel Wright John and Carroll Pasek Paul Rickert Jeanne Serrill Gary and Barbara Tyndall Stuart Yarfitz Virginia Park Shannon and Robert Riebman Dagmar and William Shannon Don and Eleanor VanDenHeuvel Nancy York Bruce and Cynthia Parks James L. Robart and Mari Jalbing John F. Shaw Pieter and Tjitske Van der Meulen Sandy Ziegler Richard and Sally Parks John C. Robinson and Maya Jennifer Shaw, Micholas Morales, Manijeh Vail William Zosel and Carol Beber Sonenberg and Marisa Morales Edward and Carol Perrin Miceal F. Vaughan and Sheila C. Paul F. Ross and Susanne A. David and Danita Shneidman Dietrich Florence Peterschmidt and Eve Werner-Ross McClure Leonard and Virginia Shulman John Verburg and Helen Bresler Rockey and Elizabeth Roth Marjan and Ronald Petty Fred Simons Ellen Vernon Patricia Rovzar Dan Phillips Mary Siple Eunice Verstegen Beverly Rowe Don and Susan Phillips David and Charmaine Slotnick Robert Wade Stephen and Elizabeth Rummage Charlene and Loren Pickart Catherine Soderlind Bjorn and Veronique Wahl Kevin and Cynthia Ryden Robert Pillitteri Mark Sollek and Kimberly McNally Judy Wald Amanda Sadler Judy Poll Rose Southall Andy Warren and Bruce Saari Sumio and Hiromi Sakata David Pollart Marion Stewart and Sam Belling Joan Weber Cathy Sarkowsky Cynthia Putnam Rose Tatlow Ann and Richard Weiner Norie Sato and Ralph Berry Juan Ramirez Kathleen Taylor Danny and Joanne White Thomas and Frances Scheidel Jared and Charise Randell Dawson and Lois Taylor Carl Wigren and Emily Jones Jennifer Schlobohm and Anil Joisher Edward and Ruthanne Rankin Maria Thompson Wallace Wilkins Constance Schnell Virginia Rausch John Tilden and Audrey Lew Jo-Anne and Earl Wilson

FRYE ART MUSEUM 2015 ANNUAL REPORT 41 SUPPORT Membership

Active Members 2,651

October 1, 2014, to December 31, 2015

Art Circle Members Patrons Contributors Monica Mendoza and Boris Jabes Karen Bocz $1,000 $500 $300 Eric Peterson and Barb Pomeroy Janet Boguch and Kelby Fletcher Edward and Ruthanne Rankin Neil and Kathleen Bogue Douglas and Susan Adkins David S. Brown, Jr. and Christina Gabriel Aldea and Dr. Susan Maureen Reilly Frank and Linda Bothwell Rockrise Arnold-Aldea Rhoda L. Altom and Cory Carlson Ellen Vernon Bruce Bradburn and Meg Holgate Mary Lou and Donald Brown Jerry and Rita Anches David and Kristi Buck Bjorn, Veronique, and Tine Wahl Michele Broderick and Thomas William Calvin and Katherine Greg and Julia Ball, and D.D. Baran Whittemore Tina Bullitt Graubard Charlie and Pauline Beall Alysse Bryson Andrew Conru Supporters David Dunn Rodger Benson Boni and Ward Buringrud Jane and David Davis $150 Sue S. Gilbert Kent Johnson and Cody Blomberg Marc Carter and Amelia Simon Michael Doherty and Eric Akines Eva Glaser Lorrie Cardoso Alex Ceballos and Mireya Lewin Marjorie Hemphill Mike and Georgia Ambrose Rob Glaser Tom Casey Marta Chaloupka Jan Hendrickson and Chuck Leighton Jan and Vic Anderson Christopher and Alida Latham Ann Cronin Ronald Chase and Suzanne Rowen Christopher James Lucius and Phoebe Andrew Melissa Medler and Jon McClintock Joe Bailey Cole Chris Chrzan and Anna Nash Kate Janeway and H.S. Wright III E. Jane Armstrong Herb and Lucy Pruzan Scott Erickson Mary Clifton Carlo, Eulalie, and Nathalie Scandiuzzi Joan Arnold Andrea and Alan Rabinowitz Margaret Jones Victor and Dr. Valerie Collymore Carl Schaber and Christine Paul and Kathleen Bailey Michael and Lian-Pey Robins Christensen Mark and Nancy Karason Leah Cooper and Kate Ahern Geof and Anne Barker Jill Rullkoetter and William L. Hurley Jr. Nepier Vrabel Smith and Joan Willis Kleinenbroich Amy H. and Lawrence Corey, M.D. Chuck Beek Affleck-Smith Maggie Savarino John A. Lillard and Julia H. Kalmus Edward Corker and Carol Schneider Shari and John Behnke Paul Sturm and Flora Ling Laura and Philippe Spalart Linda Lonay, Mohammad Bridget Culligan and George Knotek Carol H. Bell Kris and Mike Villiott Hooshmand, and Amanda Richelle and Tom Dickerson Hooshmand Erik Bennion John Dienhart and Jean Boler Brad Mace, Christina Mace, and Debra Bezanson and Jeffrey Griffin George Marie Patrick Binns and Elizabeth Coppinger

42 FRYE ART MUSEUM 2015 ANNUAL REPORT SUPPORT Membership

Gary Doherty and Margaret Marla Herbig William Maschmeier and Patricia Jared and Charise Randell George Stamas and Amy Jean Cunningham Haggerty Messenger Alexander Herbig Paul Rickert Marcia Douglas Cheryl Matakis Nicole Stellner, Peter Eberhardy, and Roxanne Hilton Robert and Shannon Riebman Richard Stellner James Edmunds, Evie Edmunds, and Richard and Carolyn Mattern Nancy Hudson Hope Rippeon and Gregory Heller Robin Cheyney Marion Stewart and Sam Belling Lisa and David Mayfield Bruce and Janice Johns John C. Robinson and Maya Catherine Edwards Nancy Stokley Kelly and Peter McLoughlin Sonenberg Jerry Jordheim Judy Ellis and Carl Ulmschneider Cathy Syverson Carlos Melgoza Mike Rogers and Zita M. Cook William Kiesel Janet Frink, Lloyd Frink, and John Lyn Tangen and Richard Barbieri Mary Mikkelsen Oscar and Rosita Romero Hartnett Barbara Krekow Rose Tatlow and Neil Roseman Megan Miller and Morgan VanFleet Steven Rostad Brenda Fong Wally and Liz Krengel John Tilden and Audrey Lew Heidi Modica Patricia Rovzar Lynn Gabriel and Dr. J. Martin Karin and Michael Kuntz Timothy Tomlinson David A. Moore and Javier Cortes Marie Ruby Anderson Katherine Kuzeja Cheryl Trivison and Richard Haag Nicholas and Marisa Morales Paula Russell Pedro and Wanda Garcia-Pelayo Sara, Kenneth, and Veronica LaBelle Don and Eleanor VanDenHeuvel Andrew L. Nelson and Patricia Cathy Sarkowsky Natalie Gendler Jere LaFollette and Wende Sanderson McGuire Stephen Walston Norie Sato and Ralph Berry Katharyn Alvord Gerlich Jane and Emma Landis Greg Nelson and Cynthia Doll Jenson and Robin Waples Thomas and Frances Scheidel Bruce Goldmann, Lynne Wilson, and Mariely Lemagne Merideth Nelson Amy Ward Molly Olson Jennifer Shaw Renee Lenti and Paul Meijer Rachel Ormiston and Jason Caffoe Andy Warren and Bruce Saari Thomas M. and Roberta K. Gurtowski John F. Shaw Ardin Lenti Richard and Sally Parks Joan Weber Hillary Hamilton John and Maureen Short Jerry P. and Marguerite Lewis Lisa Pascualy, Julia Pascualy, and Paul and Nancy Wiesner Ron and Barbara Hammond Fred Simons Elizabeth Lin Lindsay Delp Wallace Wilkins Derek Harn and Lara Behnert Bob and Debra Smith Davora Lindner and Ro Yoon Robert Pillitteri Karin Williams Ray Heacox and Cynthia Huffman John and Rose Southall David and Peggy Mainer Judy Poll Jonella Windell Sharalyn Heeringa Rick Spier Chris Manojlovic and Ashley Clark Cynthia Putnam Kristina Von Heinz and Giorgio Rachel Wright and Kevin Price Juan Ramirez Calanni Fraccone Cindy and Paul Zemann

FRYE ART MUSEUM 2015 ANNUAL REPORT 43 SUPPORT Financial

Financial Data

73% Investments 15 month period from October 1, 2014 to December 31, 2015

Financial statements for the 4% In-Kind Charles & Emma Frye Free Public Art Museum may be obtained from the Frye Art Museum upon request. 6% Grants 4% & Contracts 11% Contributions 2% & Memberships

Earned (Café, Store, & Events) Lectures & Classes

REVENUES dollars percentage

Investments (Managed Real 4,465,494 73% Estate, Investment Accounts) 23% Lectures and Classes 153,067 2% Investment Accounts Earned (Café, Store, & Events) 660,624 11% Contributions/Memberships 273,988 4% Grants/Contracts 331,824 6% 77% Managed In-Kind 226,834 4% Real Estate

TOTAL INCOME 6,151,831 100%

44 FRYE ART MUSEUM 2015 ANNUAL REPORT 39% Collections Exhibitions

13% Education Programs

In-Kind 4% 5% 24% Development 15% Administrative Café, Store, & Marketing & Events

EXPENSES dollars percentage

Collections/Exhibitions 2,359,215 39% Education Programs 778,896 13% Adminstrative & Marketing 1,487,507 24% Café, Store, & Events 896,657 15% Development 315,696 5% In-Kind 273,988 4%

TOTAL EXPENSES 6,111,959 100%

FRYE ART MUSEUM 2015 ANNUAL REPORT 45 SUPPORT Volunteers

Volunteers

October 1, 2014, to December 31, 2015

Volunteers spend thousands of Ben Abraham Margaret Cunningham Mollia Jensen Annette Mazikowski hours at the Frye Art Museum Cathrin Anderson Tess Dickman Olivia Johnston Brooke McCulloch every year, providing important and valued support for a wide range Rebecca Armstrong Mary G. Dillon Barbara Johnston Barbara McQueen of initiatives including welcoming Fay Barnett David Dwyer Margie Joy Deanna Marie Molenda visitors, leading group tours, assisting with arts engagement Bethany Beatty Donna Dziak Christopher June Tracy Montes programs, and serving as interns in Marigrace Becker Julian Edelman Cilia Jurdy Mirna Mujacic the Collection, Curatorial, Archive, Communications, Education, and Brian Beckman Ali Fisher Susan Kane Madison Murphy Special Events departments. Greg Bem Barbara Friedl Ai Kawahigashi Laura Murphy We thank all of our volunteers for Diana Biller Laurel Friedlander Jessie Knoles Liz Ohlson their generosity in contributing Kayla Boland Iben Gjødsbøl Sandy Kraus Koki Oizumi their time and presence to enable the Frye Art Museum to better Isabel Boutiette Esther M. Gorsuch Katie Lamar Harisa Paco serve our community and honor our Mary Lou Brown Patricia Halsell Susan Lane Mary Perkins mission. Dr. Lee Burnside Amy Hamblin Devon Lee Kavan Peterson If you would like to volunteer, Katherine Campbell Meg Harkins Amanda Lewis Patti Plymire please contact us at volunteer @fryemuseum.org or 206 432 8269. Chris Cantu Amy L. Harris Marguerite Lewis Keri Pollock Diana Caplow Mary Alison Haskin Elisabeth Lindley Tom Pollock Every effort has been made to ensure the accuracy of these Jennifer Cha Shaana Hatamian Kyle Logsdon Janessa Post listings. Please phone 206 432 Heather Chan Linda Haugen Rebecca Logsdon Channelle B. Primitivo 8227 with omissions or errors. Courtney Chaney Stephen Heck Mica Low Virginia Rankin Mary Ann Clymer Sally J. Hedges-Blanquez Joanne Maher Alexandra Reinken Beth Cordova Rachel Holley Christopher Martin Carson Rennekamp Elizabeth L. Cordova Esther Horowitz Nicole Martin Dr. Kristoffer Rhoads Cassie Cross Lynne Iglitzin Lisa Mayfield Emily Ross

46 FRYE ART MUSEUM 2015 ANNUAL REPORT Lynn Rosskamp Annsofie Wikegard Ellen Roth Regina Williams Deenalynn Sackman Jo-Anne Wilson Stephanie Scheer Virginia Woodward Kascha Semonovitch Interns Alexandra Sergueeva Clemone Shahwan Nicole Bembridge John Shaw Adam Boehmer Lindsey Shepherd Saira Chambers Kelsey Siegert Lynn Chou Morgan Snyder Fiona Dang Carey Stangl Lou Daprile Roger Stocker Emily Eddy Amanda Stone Benjamin Eisman David Strand Angela Ivy Sara Strasner Hannah Mintek Tenold Sundberg Emmy Newman Kirsten Swanson Alexandra Reinken Rosanna Sze Andrew Simeone Jayne Truesdell Rachel Townsend Maureen Tucker Marion Vokey Nina Wattana Photo: Kelsey Donahue

FRYE ART MUSEUM 2015 ANNUAL REPORT 47 STAFF

Museum Staff

October 1, 2014, to December 31, 2015

Collections Communications Development Director’s Office Cory Gooch Jeffrey Hirsch Renate Raymond Jo-Anne Birnie Danzker Head of Collections Deputy Director, Communications Deputy Director, Development Director

Jess Atkinson Victoria Culver Kate Godman Barbara Feasey Assistant Registrar Art Director Deputy Director, Development Director, Operations (until 2/20/15) Nives Mestrovic Chelsea Werner-Jatzke Roxanne Hadfield Collections and Exhibitions Assistant Communications Associate Melanie Masson Assistant to the Director Membership and Community Partners Exhibitions John Teske Manager Alexander Lawhorn Digital Media Manager, Assistant to the Director / Board Tina Lee Facilities Assistant Mariely Lemagne Liaison Manager, Exhibitions and Publications Membership and Community Partners (until 6/19/15) Shaun Kardinal Manager (until 4/24/15) Digital Media Manager Amelia Hooning (until 1/2/15) Rana San Exhibitions and Publications Manager, Special Event & Community Coordinator (until 8/3/15) Thomas Beck Partnerships Database and Ticketing Coordinator, David Strand Volunteer Coordinator Meredith Stafford Curatorial Assistant (until 11/9/15) Development Associate, Database Assistant Justen Waterhouse Hannah Mintek (until 12/8/15) Exhibitions and Publications Web and Graphic Design Assistant Coordinator Polly Membrino Development Assistant Shane Montgomery (until 12/8/15) Manager, Exhibition Design and Production

Mark Eddington Exhibition Preparator

Elizabeth Mauro Preparator

48 FRYE ART MUSEUM 2015 ANNUAL REPORT Education Finance and Facilities Maggie Tweedy Morgan Smalley Rebecca Raymond Prep Cook / Cashier (until 12/23/14) Security Services Supervisor Kateryna Rice (Thysell) Jill Rullkoetter David S. Brown Jr. (until 1/31/15) Senior Deputy Director Deputy Director, Finance and Facilities Stewart Wentworth Kayla Trail Prep Cook / Cashier (until 1/18/15) Security Services Supervisor Sonja Roach Negarra A. Kudumu Jim Brinkman Joe Rudko (until 7/11/15) Educator Accounting and Benefits Manager Emily Sands Benjamin Gowing Prep Cook / Cashier (until 8/18/15) Security Services Supervisor Chelsea Skorka (until 3/31/15) Clive Lissaman Justin McDuffie (until 12/9/14) Kye Stone Senior Educator (until 10/30/14) Facilities Manager Museum Store Heather-Cait Willis (until 8/7/15) Rachael Lang Security Services Officers Mary Jane Knecht Jason Young Museum Store Manager Manager, Creative Aging Programs Facilities and IT Manager (until 6/5/15) Colleen Bratton (until 8/20/15) Laura Downing Lynn Chou Sales Associate Alfonso Deanda (until 1/27/15) Art Educator Parks Barnard Facilities Assistant Rosie Dienhart Security Services Trevor Johnson Jamie Duarte (until 1/9/15) Art Educator (until 6/19/15) Gallery Café Erik Luc Security Services Manager Eric Duby Jill Hardy Tiffany Turpin Jon Horn Youth, Student, and Teacher Programs Gallery Café Manager Ryan Molenkamp Rachel Hsu Manager (until 11/7/14) Security Services Manager Brendan Ryan (until 1/9/15) Phil Huebschen (until 4/5/15) Kelsey Donahue Lead Cook Thomas Krueger Education Assistant Heather Ratcliff Paul Fitzpatrick Security Systems Manager / Frankie Krupa-Vahdani Carly Dykes Prep Cook / Cashier Accounting Support (until 12/15/15) Education Assistant (until 12/4/14) Emmett Montgomery Jason Huntley Charlie Capp (until 8/20/15) Cashier / Barista Security Services Supervisor Heather Peppard Lauren Johnson Mark Rogers Dulcinea Rattet Prep Cook / Cashier Security Services Supervisor

FRYE ART MUSEUM 2015 ANNUAL REPORT 49 Financial Information

Audited financial statements for the Charles & Emma Frye Free Public Art Museum may be obtained online from the Internal Revenue Service by requesting a copy of Form 990 PF-Return of Private Foundation.

50 FRYE ART MUSEUM 2015 ANNUAL REPORT