January 1997
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
L'émergence D'un Nouveau Faire Musical En France
L’émergence d’un nouveau faire musical en France dans les années 1960 Marc Kaiser To cite this version: Marc Kaiser. L’émergence d’un nouveau faire musical en France dans les années 1960. 2020. hal- 02554418 HAL Id: hal-02554418 https://hal-univ-paris8.archives-ouvertes.fr/hal-02554418 Preprint submitted on 20 Nov 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. MARC KAISER L’EMERGENCE D’UN NOUVEAU FAIRE MUSICAL EN FRANCE DANS LES ANNEES 1960 Pour appréhender l’essor d’un « faire rock » dans les années 1960 en France, en tant que processus créatif ayant émergé autour de nouvelles dynamiques et associations, nous nous appuyons sur le fonds d’archives du Centre d’Information et de Documentation du Disque (C.I.D.D.) auquel nous avons eu accès à la B.N.F. Nous avons pu exploiter, dans le cadre d’un contrat de chercheur associé, 5 mètres linéaires d’archives répartis en 12 cartons (qui contiennent notamment des correspondances, des études, des rapports, des pièces comptables et des coupures de presse). Dans le cadre de cet article, nous nous attachons à révéler dans quelle mesure les premières formes de rock français ont été inscrites dans des processus de production éprouvés pour les musiques de variétés. -
Arc of Life – Arc of Life
Arc Of Life – Arc Of Life (57:25, CD,Frontiers Music/Soulfood, 2021) Der Gebrauch des Begriffs Supergroup nimmt bisweilen beängstigend inflationäre Züge an. Okay, drei der Mitglieder von Arc Of Life gehören zum aktuellen Line-up von Yes. Doch sind Sänger Jon Davison, Bassist / Sänger Billy Sherwood und Schlagzeuger Jay Schellen mehr in die Kategorie der soliden Historienverwalter des Prog Dinosauriers zu betrachten, als dass sie zu den prägenden Protagonisten in der jüngeren Yes Geschichte zählen würden. Vervollständigt wird das Quartett von Keyboarder Dave Kerzner (u.a. Sound Of Contact, Dave Kerzner Band) und Gitarrist Jimmy Haun, der u.a. einen Teil der Gitarrenparts auf dem 91er Yes Album „Union“ beisteuerte. Der Fünfer sieht sich als Band, statt nur als loses Projekt und möchte laut Pressemitteilung die Progressive-Rock- Philosophie fortführen, dabei kreative, fordernde, aber auch ohrenfreundliche Musik erschaffen, die Grenzen überschreitet. Nun ja, hehre Worte, die Realität hört sich (nach eigenem Empfinden) dann doch etwas anders an. Denn Arc Of Life drückt in erster Linie Billy Sherwood seinen deutlich vernehmbaren Stempel auf. Die zehn Titel klingen damit weit weniger nach eigenständiger Band, denn nach einem weiteren Soloalbum des ohnehin enorm umtriebigen Sherwood. Vieles ist daher von einem Mix aus Symphonic Rock und AOR geprägt, der die deutliche HandschriftSherwood s trägt: mehrstimmige, verschachtelte Arrangements, voluminöse, überladen produzierte Sounds mit melodischem Einschlag. Das ist zwar gefällig anzuhören, verfügt stellenweise über einen erkennbaren Anspruch, doch krankt dieses Album einmal mehr an einer überfrachteten Orientierungslosigkeit. Hier dominiert mehr Schein als Sein, denn von den Melodien bleibt nichts so recht hängen, die Instrumentalparts lassen spielerisches Können erkennen, fügen sich aber mitunter etwas zufällig in den Gesamtkontext ein. -
ZZTOP Treshombres a Heinous Decision in The'80s to Remix Zztop's Cjassigar:Fy EXCI Tracks Didn't Totally Diminish Frank Beard's Funky Groorles;.Bv!,,:,., LI..JDW
ZZTOP TresHombres A heinous decision in the'80s to remix ZZTop's cJassigar:fy EXCI tracks didn't totally diminish Frank Beard's funky groorleS;.bV!,,:,., LI..JDW it sure was a buzzkill. Fortunately, that call was reversible, and HARD Beard's beauteous beats were presented in all their grltty coL0l glory on a comprehensive 2013 box set. lt's never a bad time {I.sS0: to behold the band's not-so-simple wonders. ' '': a rlrruirr::r l' r:;'.i:r " , ,.!;;r;t .i ,:l:l:ll;r:1ii::ttl $9r by Patrick Berkery ,l $l( I t was one thing for Zzfop b experiment Nothing was worse than I with drum machines, synthesizers, and hearing Frank Beard's once sequencers in the early'80s, in an attempt dry and punchy drums BEK)' tt00 to modernize its swampy boogie-and- dripping wet with unneces NA'L) REBAI blues sound. But it was complete sacrilege sary reverb, noise gates, and the like. when the Little Ol'Band From Texas took Thankfu lly, ZZ Top began righting this "&" of 2, and the "&" of 4. (They fall the sheen of its Eliminator (1983) and sonic wrong on 2003's Chrome, Smoke & between ghost strokes, which sound Afterburner (1985) albums and grafted BBQ box set, where the early tracks so lovely minus the wetness of the Slx those tones onto classic early-Top appeared in their original form, and then Pack remix.) As Gibbons soins his Texas long-players for 1987's remixed Six Pack with the 2006 CD reissue of 1973'sTres roadhouse tale in the verses with a woozy collection, which compiled the trio's first Hombres. -
Noted Lawyer, Author Speaks Christians from William Paterson
I The Beacon ,(? MONDAY, JANUARY 31, 2000 William Paterson University f Volume 66 No. 19 . http://euphrates.wpunj.edu/beacon FREE Noted Lawyer, Christians from William Paterson I Author Speaks rally against slavery in Sudan Discusses O.J. Simpson Case, civil By Felicia Pettiford Staff Writer liberties, guilt vs. innocence Well over a hundred years has By Susan Daubar Mike Tyson and Michael Miliken. passed since Abraham Lincoln Staff Writer He has been described by TIME signed the Emancipation magazine as "The Top Lawyer of Proclamation, the document that "Most of my clients have been the Last Resort". As Dershowitz freed . African-American slaves guilty," Alan Dershowitz stated explained, by the time a client from bondage,, yet the African-*' •to nonchalantly at William Paterson reaches his office, he/she is facing- American community is still cop- University in his Friday, jan 28 lec- serious criminal charges and is in ing with the psychological,' emo- ture. "That is the great thing about dire need of his defense. He often tional, and spiritual effects of this the United States legal system. provides counsel to people facing dark time in American history. Most Americans charged with a murder convictions. : Incredible as it may seem, today, i crime are in fact found guilty." "I have to assume my clients are in 2000, nearly 27 million people Alan Dershowitz touched upon guilty," Dershowitz conceded, "If I remain in the bondage of slavery, many issues at his lecture entitled, assumed a client was innocent, I subjected to brutalistic treatment "The Constitution and Our would tell them to go talk to the and torture, and,in many cases Modern Justice System" in Shea police, let them find the bloody death. -
January 1988
VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J. -
Copyrighted Material
Stichwortverzeichnis 3 Doors Down 42f Anders, Jim 212 Beach Boys, The 115, 123, 136, 360er-Deals 242 Animals, The 117, 177, 231 160, 215, 385 50 Cent 69 Anthony, Marc 62 Bearbeitung 256, 297 Anthrax 60 Beatles, The 31, 43, 59, 84, 86, Aquino, Mike 227, 231 90, 92, 97, 108f, 115, 150, 152, Arie, India 107 156, 160f, 164, 166, 177, 191, A Arlen, Harold 386 193, 197, 202, 215, 256, 260, A&R 64, 321 Armstrong, Louis 77 267f, 345, 383f, 389 Abdul, Paula 63 Arrangeur 310 Becaud,´ Gilbert 390 Abodienste 344 ASCAP 339 Bedingfield, Natasha 44 Abrechnungsdienste 292 Asher, Jane 383 Bee Gees 112, 260 Abspannmusik 287 Ashford, Nick 260 Beethoven, Ludwig van 105 AC/DC 59 Asia 235 Begleitmusik 291 a cappella 88 Atkins, Chet 72 Bennett, Tony 67, 77 Acid 247 Audio Adrenaline 74 Berlin, Irving 84, 387 Adams, Yolanda 74 Auffuhrm¨ oglichkeiten¨ 340 Berry, Chuck 31, 59, 136, 214 Adult Contemporary 65 Auffuhrungsrechte¨ 370 Betriebswirt 364 Aerosmith 59, 130, 234, 286 Aufnahme-Apps 241 Beurteilung 256 Agent 350 Aufteilung der Tantiemen Beyonce´ 62, 66, 144 Aufgabenfeld 363 338 Bhasker, Jeff 211 Aguilera, Christina 56, 67, 92, Aupeo 277 Billboard (Magazin) 97 156, 166, 202, 206 Auto-Tune 250 Billy (Vera) and The Beaters Akkord 30, 225f Autotuning 114 291 Blues(rock)-Akkorde 228 Autry, Gene 71 Birch, Diane 146, 211 Dominantsept- 228 Black Crowes 59 Jazzakkorde 229 Black Eyed Peas 46, 62, 158 Pop-Rock-Akkorde 228 B Blackhawk 258 verminderter 226 Black Sabbath 59 Akkorddiagramm 309 Becaud,´ Gilbert 390 Blessid Union of Souls 42, 74, Akkordprogression 225f Bach, Johann Sebastian 39, 208 261 Akkordstruktur 256 Bacharach, Burt 194, 197, 208, Blige, Mary J. -
Morgenstern, Dan. [Record Review: Thelonious Monk: Underground] Down Beat 35:16 (August 8, 1968)
Ugly Beauty, the ballad (a Monk title, oboe to tell it like it truly is (he is par isn't it?) is bittersweet, of the lineage of 10th Anniversary ticularly effective on this instrument). Ask Me Now, Ruby My Dear, Panonica He takes to the tenor sax on the perky and Crepescule with Nellie-the reflective, Kongsberg. Brooks keeps the kettles hot Summer .Jazz Clinics nostalgic aspects of love. As always, the Last Chance! and the leader charges forth with a very interpretation brings out the melody in gritty solo. Lawson, a man of talent, solos full contour, and Rouse is tuned in. Within days the first sessions of the with verve. Green Chimneys is my favorite, a riff 1968 Summer Jazz Clinics will begin. Lateef's flute is subtly beautiful on the piece; minor with a major bridge. It re Hundreds of musicians and educators longing Stay With Me. Through the minds of Dickie's Dream, the "old" Lester will meet with the best faculty ever technique of overdubbing, he is heard on assembled for a concentrated week of Young classic. Rouse gets off on this. flute and tenor simultaneously on See Line (He, too, so long with Monk, is taken learning jazz, playing jazz, living Woman. Again, the tambourine enhances jazz. There are still openings f~r _all for granted, while little heed is paid to the instruments at each of the five chmcs. this sanctified performance. fact that he has absorbed more about how If it's too late to write, just appear Brother strides in spirited fashion, Lateef Monk's music should be played than any on Sunday at 1 :00 pm at the location weaving urgent patterns. -
Festival Report: Hudson Valley Jazz Fest
FESTIVAL REPORT Hudson Valley Jazz Fest Detroit Jazz Fest Guelph Jazz Festival by Laurence Donohue-Greene by Greg Thomas by Ken Waxman m o c . d r o w z z a j . w w w / / g : r p e t t b h n e t r s o z r t i n a F n K o y r C n ’ a e O G L n y y a b b s o o u t t S o o ) h h c P P ( String Trio of New York Wynton Marsalis Sextet Darius Jones & Matthew Shipp For New Yorkers looking to bolt out of the city for a The 2012 Detroit Jazz Festival held over Labor Day A specter was haunting the 2012 Guelph Jazz Festival day-trip or long weekend, Warwick, an hour’s drive weekend was a cornucopia of value at the perfect price: (GJF): the ghost of John Coltrane. Coltrane was honored northeast, is a great destination. From fall foliage and free. Considering the headliners - Sonny Rollins, in direct and indirect ways throughout the five-day apple picking (the 24th Applefest is Oct. 14th) to its Wynton Marsalis, Terence Blanchard (the Artist-in- festival, which takes places annually in this college third annual jazz festival (Aug. 16th-19th), the small Residence), Chick Corea/Gary Burton, Wayne Shorter, town, 100 kilometers west of Toronto. This year’s town is bustling with activity. Kenny Garrett and Pat Metheny - the vision of the new edition (Sep. 5th-9th), featured two live performances The Hudson Valley Jazz Festival (né Warwick Jazz Artistic Director Christopher Collins can be summed of Ascension, Coltrane’s 1965 masterwork, one by an Festival) is the brainchild of Steve Rubin, a jazz up by a WBGO radio tag line: real jazz, right now. -
Denis Diderot a Zenei Hallás a Hang Hallása Felé Törekszik. Ez Abszurd
LENGYEL ZOLTÁN A HANGRÓL A SWANS ZENEKAR (1982-1997) EMLÉKÉRE* A vakok számára is létezik tehát festészet, amelyhez saját bőrük szolgáltatja a vásznat. Denis Diderot A zenei hallás a hang hallása felé törekszik. Ez abszurd, de nem nonszensz: a zene fogalma lényegileg a hangok közötti különbségekre és azok változásaira van utalva, eleve plurális és kombinatorikus fogalom, a különböző hangok közötti időben kibomló viszonyok alkotják a zenét. Egy örökké kitartott izolált tiszta hang képzete, mert az anyag ellenállása miatt ez csak képzet lehet, ez is tekinthető zenének, és ez esetben ennek a hangnak a csendtől való különbözősége lesz meghatározó, ezzel a besorolással azonban megszűnik a zene fogalma. Ez nem praktikus a fogalom- és nyelvhasználat szempontjából. Hogy a zenei hallás a hang hallása felé, eme idea felé törekszik, önmagában nem jelenti azt, hogy a zaj feltétlenül zavaró tényező lenne a zenében, csak azt, hogy nem lényegi. A csend viszont logikailag és érzékileg lényegi. A hangmagasság szempontjából az alaphangok alaphangja, az időtartam szempontjából a szünet, és így tovább. Hang és csend egymástól kölcsönösen függő fogalmak, azok számára, akik hallanak. A hang hallása tehát a csend hallása és megfordítva, egyik nincs a másik nélkül. Ez a gondolatmenet pedig hamarosan metafizikai börleszkbe torkollik, át kell minél előbb csapnia a modellezésbe és a metaforákba, mielőtt a síri csend vagy egy féktelen nevetés végtelen örvénye elnyelné. A hang meghallásának rögeszméje végső értelemben vakságot jelent. A hagyományosnak mondható érzékterület-felosztás szerint a hallás és a látás a két 42 leginkább szellemi és lelki érzék. Az ember érzékelő-képessége véges akkor is, ha nem sérült; ha a két legintellektuálisabbnak mondott érzéki képesség közül az egyik kisajátítja egy képzeletbeli általános érzékelő-képesség kapacitását, az a másik lehetőségeit minimumra redukálja. -
BIOGRAPHY (Medium Length)
MAT JODRELL – BIOGRAPHY (medium length) Trumpeter Mat Jodrell is one of the most exciting voices in Jazz today. He has recently returned to Australia after having lived in New York City for the past eight years, performing around the city and teaching at the prestigious Juilliard School of Music. During his time in the States, Mat was a regular member of many ensembles including Miguel Zenon’s ‘Identities’ Ensemble, Ryan Truesdell’s Gil Evans Project (both Grammy nominated in 2016), Lucas Pino’s No Net Nonet, the Vanguard Jazz Orchestra, Miho Hazama’s M-Unit, Pedro Giraudo’s Expansions Ensemble, Jon Batiste Band, the Birdland Big Band and many others. Since re-locating to the US Mat has had the opportunity to perform with the likes of Benny Golson, Ron Carter, Herbie Hancock, Branford Marsalis, Buster Williams, Hubert Laws, Maria Schneider Orchestra, the Mingus Big Band, James Spaulding, Carl Allen, Terri-Lyn Carrington, Bill Watrous, Gary Bartz, Terence Blanchard, Darcy James Argue, Josh Roseman to name but a few. Between 2008 and 2012 Mat has performed regularly on Broadway with the shows ‘Hair’ and ‘After Midnight’ and continues to work with legendary singer Paul Anka with whom he has toured throughout Europe, Russia, Asia, South America and the Middle East. He has performed in many of the world’s most famous jazz clubs in New York City including the Vanguard, Blue Note, Dizzy’s Club Coca-Cola, Birdland, Smoke, Smalls, Zinc and the Iridium, as well as touring to many of the largest festivals including the Newport Jazz Festival, the New Orleans Jazz & Heritage Festival, the Detroit Jazz Festival and many others. -
Marxman Mary Jane Girls Mary Mary Carolyne Mas
Key - $ = US Number One (1959-date), ✮ UK Million Seller, ➜ Still in Top 75 at this time. A line in red 12 Dec 98 Take Me There (Blackstreet & Mya featuring Mase & Blinky Blink) 7 9 indicates a Number 1, a line in blue indicate a Top 10 hit. 10 Jul 99 Get Ready 32 4 20 Nov 04 Welcome Back/Breathe Stretch Shake 29 2 MARXMAN Total Hits : 8 Total Weeks : 45 Anglo-Irish male rap/vocal/DJ group - Stephen Brown, Hollis Byrne, Oisin Lunny and DJ K One 06 Mar 93 All About Eve 28 4 MASH American male session vocal group - John Bahler, Tom Bahler, Ian Freebairn-Smith and Ron Hicklin 01 May 93 Ship Ahoy 64 1 10 May 80 Theme From M*A*S*H (Suicide Is Painless) 1 12 Total Hits : 2 Total Weeks : 5 Total Hits : 1 Total Weeks : 12 MARY JANE GIRLS American female vocal group, protégées of Rick James, made up of Cheryl Ann Bailey, Candice Ghant, MASH! Joanne McDuffie, Yvette Marine & Kimberley Wuletich although McDuffie was the only singer who Anglo-American male/female vocal group appeared on the records 21 May 94 U Don't Have To Say U Love Me 37 2 21 May 83 Candy Man 60 4 04 Feb 95 Let's Spend The Night Together 66 1 25 Jun 83 All Night Long 13 9 Total Hits : 2 Total Weeks : 3 08 Oct 83 Boys 74 1 18 Feb 95 All Night Long (Remix) 51 1 MASON Dutch male DJ/producer Iason Chronis, born 17/1/80 Total Hits : 4 Total Weeks : 15 27 Jan 07 Perfect (Exceeder) (Mason vs Princess Superstar) 3 16 MARY MARY Total Hits : 1 Total Weeks : 16 American female vocal duo - sisters Erica (born 29/4/72) & Trecina (born 1/5/74) Atkins-Campbell 10 Jun 00 Shackles (Praise You)