Natural Disasters and Relief Provisions in India: Commitments and Ground Realities
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Relief-Spaces: Trans-Positions in Display Environments
RELIEF-SPACES: TRANS-POSITIONS IN DISPLAY ENVIRONMENTS A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF NATURAL AND APPLIED SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY SEZİN SARICA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARCHITECTURE IN ARCHITECTURE JULY 2019 Approval of the thesis: RELIEF-SPACES: TRANS-POSITIONS IN DISPLAY ENVIRONMENTS submitted by SEZİN SARICA in partial fulfillment of the requirements for the degree of Master of Architecture in Architecture Department, Middle East Technical University by, Prof. Dr. Halil Kalıpçılar Dean, Graduate School of Natural and Applied Sciences Prof. Dr. F. Cânâ Bilsel Head of Department, Architecture Prof. Dr. Ayşen Savaş Supervisor, Architecture, METU Examining Committee Members: Prof. Dr. Esin Boyacıoğlu Architecture, Gazi University Prof. Dr. Ayşen Savaş Architecture, METU Assoc. Prof. Dr. M. Haluk Zelef Architecture, METU Assist. Prof. Dr. Pelin Yoncacı Arslan Architecture, METU Assist. Prof. Dr. Umut Şumnu Interior Architecture, Başkent University Date: 16.07.2019 I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Surname: Sezin Sarıca Signature: iv ABSTRACT RELIEF-SPACES: TRANS-POSITIONS IN DISPLAY ENVIRONMENTS Sarıca, Sezin Master of Architecture, Architecture Supervisor: Prof. Dr. Ayşen Savaş July 2019, 166 pages The aim of this study is to redefine the relationship between the exhibition space and the object on display. With the recognition that architecture of exhibition space has been a renowned problematic in the architectural discourse, this study specifically focuses on the spatial integrity of both the container, the exhibition space, and the content, the object on display. -
THE RELIEF PROBLEM Some Notes from an Art Historian
YUDONG WANG THE RELIEF PROBLEM Some Notes from an Art Historian Abstract This essay examines the factural and phenomenological aspects of some relief works of the remote and recent past, ranging from Buddhist sculptural and pictorial reliefs made in China, Central Asia, and India to relief works by Donatello (ca. 1386–1466) and the American sculptor Natalie Charkow Hollander (b. 1933). While some of the works under discussion are historically connected to one another, most are not. By zooming in on relief works and the verbal descriptions about them, the essay reveals the signification that relief, as a liminal art medium between painting and sculpture in the round, enforces on its maker and viewer across cultures and throughout history, due to the visual and tactile ambiguity that it effects between concealment and disclosure. Three Experiments with Relief in Early Medieval China The introduction of Indic art practices and theories, which traveled along with Buddhism, intensified art production in early medieval China. The three artistic experiments discussed in the first half of this essay took place during this age of artistic intensification, the fifth and sixth centuries CE. They demonstrate the different ways in which artists in China, in the grip of things Indic, reflected upon and grappled with the nature and characteristics of both painting and sculpture. In different ways, these experiments were the result of new understandings about the potential of the wall surface as an artistic support, with “wall” used in its broadest sense. Such attempts were trials with modes of wall reliefs and wall paintings. The first experiment pertains to stone carving. -
Title Transformation of Natural Elements in Persian Art: the Flora
Title Transformation of Natural Elements in Persian Art: the Flora Author(s) Farrokh, Shayesteh 名桜大学紀要 = THE MEIO UNIVERSITY BULLETIN(13): Citation 63-80 Issue Date 2007 URL http://hdl.handle.net/20.500.12001/8061 Rights 名桜大学 名桜入学紀要 13号 63-80(2007) TransfbmationofNaturalElementsin PersianArt:theFlora FarrokhShayesteh ABSTRACT ThlSpaperisthefirstofatwo-partstudyonthetransformationofdifferentelementsofnora andfaunainPersianart. Usingcomponentsofnatureasmotifsisnotu】1uSualamongdi丘erentcultures;however,in Persiancultureitiswidespreadanduniquelyrepresentational.UnlikeWesternartthatwaspre- sentationalupuntilmoderntime,Persiana rt,evenbebretheadventofIslam,hasbeenrepresen- tational.Accordingly,throughalteration,deformation,andsimplificationofcomponentsofnature , abstractdesignshavebeencreated. Duringthecourseofthispaper,floraindiverseartformsisdiscussedinordertodemonstrate thecreativebreadthofabstractdesigns.Examples丘.omancienttimestothepresentareexamlned tosupportthisconclusion. Keywords:Abstraction,presentatiorVrepresentation,Persian ar t,Dora ペルシャ美術における自然物表現に関する研究 : 植物表現について フアロック ・シャイヤステ 要旨 本論文はペルシャ美術における動植物表現に関する 2 部か ら成る研究の第 1 部である。 様々な文化において、自然物 をモチーフとして取 り入れることは決 して稀ではない。ペルシャ 文化においては、自然 をモチーフとする表現は多 く、それらは独特な表象性 をもっている。描 写的な表現 を追及 し続けて きた西洋美術 とは異 な り、ペルシャ美術 はイスラム前 も後 も常に表 象的であ り続けた。その結果、自然物を修正、変形、そ して単純化することを通 して、抽象化 されたデザ インを創 り出 した。様々な芸術表現 に見 られる植物 デザ インが、抽象的デザインの 創造へ と発展 してい く過程 を検証することで本研究は進められる。古代から現代 までの例を挙 げなが ら結論へ と導いてい く。 キーワー ド:抽象化、描写性/表象性、ペ ルシャ美術 、植物 -63- Farrokh Shayesteh Introduction Plants and flowers have been extremely -
Twelfth Finance Commission (2005-10)
Report of the TWELFTH FINANCE COMMISSION (2005-10) November, 2004 Report of the TWELFTH FINANCE COMMISSION (2005-10) November, 2004 Chapter 1 Introduction Appointment of the Twelfth Finance part-time member with effect from 1st July Commission 2004. The relevant notifications are at 1.1 The appointment of a finance annexures 1.1, 1.2 and 1.3. commission by the President is provided for 1.2 The Commission was originally asked under article 280 of the Constitution of to make its report available by the 31st July India. The first such commission was 2004 covering a period of five years constituted on November 19, 1951. The commencing on the 1st April 2005. eleven finance commissions, which have Subsequently, due to disruption of normal preceded the present one, have, through activities on account of preponement of their recommendations, given a definitive parliamentary election, the President, shape to fiscal federalism in our country. through his order dated 1st July 2004, The present finance commission, which is extended the tenure of the Commission up the twelfth, was appointed by the President to 31st December 2004, but required the of India on 1st November, 2002 under the report to be made available by chairmanship of Dr. C. Rangarajan, the then 30th November 2004 (notification at Governor of Andhra Pradesh. The President annexure 1.4). also appointed two full-time members, namely, Shri T. R. Prasad, IAS (retd.), Terms of Reference (TOR) former Cabinet Secretary, Government of 1.3 The President vide the notification India and Prof. D. K. Srivastava of National dated 1st November, 2002 (annexure 1.1) Institute of Public Finance & Policy mandated the Commission to do the (NIPFP) and one part-time member, namely, following: Shri Som Pal, Member, Planning Commission. -
Fifth Delhi Finance Commission 2016-2021
Fifth Delhi Finance Commission 2016-2021 Report October 2017 Contents Glossary v List of Annexures viii Chapter 1: Summary of Major Recommendations 1 Chapter 2: Introduction 19 Chapter 3: Issues and Approach 25 Chapter 4: Recommendations of Previous Finance Commissions 39 Chapter 5: Finances of Government of Delhi 53 Chapter 6: Receipts of the Municipalities 87 Chapter 7: Expenditure of the Municipalities 169 Chapter 8: Debt Liabilities of the Municipalities 251 Chapter 9: Assessment of the Finances of the Municipalities and Scheme of Devolution 257 Chapter 10: Accountability, Audit and Oversight 283 Chapter 11: Governance Reforms and Capacity Enhancement 293 Chapter 12: Best Practices of the Municipalities 307 Annexures 315 References 375 iii GLOSSARY AAI Airports Authority of India CGST Central Goods & Services Tax ABAS Accrual Based Accounting System CNG Compressed Natural Gas ACA Additional Central Assistance CPC Central Pay Commission AGR Annual Growth Rate CPI Consumer Price Index AIILSG All India Institute of Local Self Government CPSUs Central Public Sector Undertakings AMRUT Atal Mission for Rejuvenation and Urban CR Cycle Rickshaw Transformation CRF Central Road Fund ANM Auxiliary Nurse cum Midwife CSE Conservancy and Sanitation Engineer Annex Annexure CSO Central Statistics Office ARD Administrative Reforms Department CST Central Sales Tax ARMA Auto Regressive Moving Average CTC Community Toilet Complex ARV Annual Rental Value DCA Deputy Controller of Accounts ASHA Accredited Social Health Activist DCB Delhi Cantonment Board -
The British Museum Annual Reports and Accounts 2019
The British Museum REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2020 HC 432 The British Museum REPORT AND ACCOUNTS FOR THE YEAR ENDED 31 MARCH 2020 Presented to Parliament pursuant to Section 9(8) of the Museums and Galleries Act 1992 Ordered by The House of Commons to be printed on 19 November 2020 HC 432 The British Museum Report and Accounts 2019-20 © The British Museum copyright 2020 The text of this document (this excludes, where present, the Royal Arms and all departmental or agency logos) may be reproduced free of charge in any format or medium provided that it is reproduced accurately and not in a misleading context. The material must be acknowledged as British Museum copyright and the document title specifed. Where third party material has been identifed, permission from the respective copyright holder must be sought. Any enquiries related to this publication should be sent to us at [email protected]. This publication is available at www.gov.uk/ofcial-documents. ISBN 978-1-5286-2095-6 CCS0320321972 11/20 Printed on paper containing 75% recycled fbre content minimum Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Ofce The British Museum Report and Accounts 2019-20 Contents Trustees’ and Accounting Ofcer’s Annual Report 3 Chairman’s Foreword 3 Structure, governance and management 4 Constitution and operating environment 4 Subsidiaries 4 Friends’ organisations 4 Strategic direction and performance against objectives 4 Collections and research 4 Audiences and Engagement 5 Investing -
JOURNAL of INDIAN SCHOOL of POLITICAL ECONOMY Editor: N
INDIAN JOURNAL OF AGRICULTURAL ECONOMICS JOURNAL OF INDIAN SCHOOL OF POLITICAL ECONOMY Editor: N. Rath JOURNAL OF INDIAN SCHOOL OF POLITICAL ECONOMY is devoted to a study of the Indian Economy,Polity and Society. Emphasis is primarily on reviewing developments since -:ndependence with roots in the British admin- istration where relevant. However, papers with a similar focus but not necessarily reviewing developments since Independence will also be considered. When a review is based on statistical data,full statistical base data are presented as far as possible. Vol. XII January-March 2000 • Where Reforms Do Not Reach: Rural Poor in The Vicinity Of Bangalore V.M. Rao Macroeconomic Performance and Tax Revenue - The Case of Gujarat State Archalia R. Dholalda & Ravindra II. Dholakia Gross Domestic Product and Regional Disparities in Development in India V.M. Dandekar Documentation: Methods of Estimation of States' Tax Revenue by Different Finance Commissions 1. Report of the Tenth Finance Commission, 1994, Chapter III. 2. Second Reportof the Ninth Finance Commission,1988, Chapter III and Appendix 4. 3. Report of the Eighth Finance Commission, 1984, Chapter III. 4. Report of the Seventh Finance Commission, 1978, Chapter 2. S. Report of the Sixth Finance Commission, 1973, Chapter IX. 6. Report of the Fifth Finance Commission, 1969, Chapter 2. Review Article: BJP's Hindu Nationalism: A Case of Regression Vasant Palshikar * Book Reviews ** Books Received Annual Subscription Rates New annual subscription rates effective from 1st January, 1999 India Other Countries (Rs) (US $) For institutions other than colleges 600.00 80.00 1 For individuals and colleges 300.00 40.00 Payments should be made by Demand Draft, payable to Indian School ofPolitical Economy,Pune, drawn on any bank in Pune. -
Report of the Committee on Priceing of Irrigation Water
Report of the Committee on Pricing of Irrigation Water Planning Commission Government of India New Delhi September, 1992 (i) CONTENTS Page No. Executive Summary i 1. Introduction 1 Appointment of the Committee 1 Composition 5 Terms of reference 8 Scope and methodology 9 Scheme of report 12 Acknowledgements 14 2. Financial Performance of Public Irrigation Systems 17 Historical background 17 Water rates : The present position 25 Main features of water rates 25 Basis underlying existing rates 28 Changes in water rates 37 Financial performance of irrigation projects 40 Unrecovered costs 49 Need for proper management accounts 53 3. Pricing of Irrigation: Approach and Principle 58 (ii) General considerations 58 Case for upward revision of rates 61 Towards full cost recovery 63 Need to improve quality of service 66 Pricing of domestic and industrial use 67 Relevance of productivity for determination of irrigation rates 70 Cost recovery as the basis for rates 72 Assessment of costs 73 Operation and maintenance 73 Capital-related charges 74 Categorisation of projects 76 Avoiding complexities 78 Basis of levy : area vs. volume 79 Treatment of wells in canal commands 81 The necessity for volumetric pricing 82 Pre-conditions for volumetric pricing 85 Phase I - rationalisation of crop-based rates 86 Phase II - switch to group-based volumetric assessment 88 Phase III - system improvement 91 4. Operation and Maintenance 92 Introductory 92 (iii) Need to improve accounting of O&M 93 Eventual goal: self-financing system 95 Inadequacy of allocations for -
RELIEF SCULPTURE in TWO PARTS Huntington’S Borghese Style Urn As a Study of Two-Dimensional Art & the Production of a Piece of Two-Dimensional Art
Huntington and Scott Gallery Programs RELIEF SCULPTURE IN TWO PARTS Huntington’s Borghese Style Urn as a Study of Two-Dimensional Art & The Production of a Piece of Two-Dimensional Art Grades 4–8 PART I. HUNTINGTON’S BORGHESE STYLE URN AS A STUDY OF TWO-DIMENSIONAL ART I. Introduction n preparation for a school visit to the Huntington’s Art Collections, this lesson will Iintroduce students to relief sculpture. The Huntington’s reproduction of a Borghese style urn will be the focus. The relief sculpture lesson is presented with background information and discussion questions. II. Objective ♦ To develop and enhance student's awareness of relief sculpture and to have them discover how this can be used in relaying information about a culture. III. Background oman style garden urns are “encyclopedias” of information on Roman life, Rculture, sports, commerce, and industry. Urns were decorated with either relief sculptures or drawings and used human figures, animals, and gods as subjects. Smaller urns were used for everyday use such as for holding fruit or liquid and larger urns were displayed in elaborate gardens or public gathering places. More elaborate pieces were given as gifts, placed in tombs, or used as grave markers. IV. Lesson Activities Discussion Questions 1. What is sculpture? 2. What does three-dimensional mean? What things are three-dimensional? The Huntington Library, Art Collections, and Botanical Gardens 1 Huntington & Scott Gallery Programs Relief Sculpture in Two Parts 3. What does two-dimensional mean? What things are two-dimensional? 4. Describe this sculpture. Is it two-dimensional or three-dimensional? 5. -
By Planning Commission
Report of the Committee on Pricing of Irrigation Water Planning Commission Government of India New Delhi September, 1992 (i) CONTENTS Page No. Executive Summary i 1. Introduction 1 Appointment of the Committee 1 Composition 5 Terms of reference 8 Scope and methodology 9 Scheme of report 12 Acknowledgements 14 2. Financial Performance of Public Irrigation Systems 17 Historical background 17 Water rates : The present position 25 Main features of water rates 25 Basis underlying existing rates 28 Changes in water rates 37 Financial performance of irrigation projects 40 Unrecovered costs 49 Need for proper management accounts 53 3. Pricing of Irrigation: Approach and Principle 58 (ii) General considerations 58 Case for upward revision of rates 61 Towards full cost recovery 63 Need to improve quality of service 66 Pricing of domestic and industrial use 67 Relevance of productivity for determination of irrigation rates 70 Cost recovery as the basis for rates 72 Assessment of costs 73 Operation and maintenance 73 Capital-related charges 74 Categorisation of projects 76 Avoiding complexities 78 Basis of levy : area vs. volume 79 Treatment of wells in canal commands 81 The necessity for volumetric pricing 82 Pre-conditions for volumetric pricing 85 Phase I - rationalisation of crop-based rates 86 Phase II - switch to group-based volumetric assessment 88 Phase III - system improvement 91 4. Operation and Maintenance 92 Introductory 92 (iii) Need to improve accounting of O&M 93 Eventual goal: self-financing system 95 Inadequacy of allocations for -
Evaluating Stress Relief from Architecture: a Case Study Based on Buildings in Taiwan, China and Japan
sustainability Article Evaluating Stress Relief from Architecture: A Case Study Based on Buildings in Taiwan, China and Japan Ming-Chyuan Ho 1 and Yung-Chia Chiu 2,3,* 1 Department of Industrial Design, National Yunlin University of Science and Technology, Douliu 643, Taiwan; [email protected] 2 School of Design, National Yunlin University of Science and Technology, Douliu 643, Taiwan 3 Department of MICE Marketing & Event Management, Shu-Te University, Kaohsiung 824, Taiwan * Correspondence: [email protected]; Tel.: +886-918208680 Abstract: The urban landscape can be improved to reduce the stress experienced by citizens. There- fore, stress-relieving buildings constitute a crucial topic and a future trend in architecture and design. In this study, different architectural styles were investigated to explore design methods for and characteristics of stress-relieving building shapes and to identify indicators for measuring participant stress relief while viewing buildings. To understand stress relief from architecture, we performed semi-structured interviews with 60 participants who viewed images of 30 buildings. The semantic dif- ferential method with a 7-point image scale was used to rate stress relief from different architectural styles. The study results revealed that the participants perceived curvilinear buildings as interesting but do not relieve stress. The participants identified as feeling high pressure considering rectilinear patterns to relieve more stress. To support this observation, we identified three principles—city image, identity, and spiritual atmosphere—as fundamental loci of designing cities for livability. We illustrate the three principles with several cases that facilitate a detailed understanding of their applicability in biodesign practices. Citation: Ho, M.-C.; Chiu, Y.-C. -
Ceramics Art +Perception
Ceramics Art + Perception #110 October 2018 USD $20 EUR €18 CAD $27 AUD $27 GBP £15 ART Karen Koblitz: Art Ambassador Across Cultures Written by Jo Lauria WWW.MANSFIELDCERAMICS.COM he artistic career of American During her successive return trips to ceramist Karen Koblitz has been Deruta, Koblitz spent time becoming fluent in driven, and defined, by wanderlust. the language and culture of the Italian people Unlike the casual traveler, Koblitz’s with whom she worked and communed. She globe-trekking has not centered also made several trips to nearby Florence to Ton the greatest hits of tourist destinations but research the prominent collections of historical rather, pointedly and deliberately, in pursuit ceramics in museums and the Renaissance of enriching her worldview and enhancing her terracotta sculptures of the Della Robbia art knowledge. Cultural Diplomacy, a one- workshop installed above altars and within person exhibition in 2018, presented work of the chapels in many Florentine churches. This last twenty-seven years, primarily pieces that research directly impacted the direction of Koblitz created in response to her international Koblitz’s work; she embarked upon the Italian journeys. A close study of several individual Column and the Italian Lunette Series. pieces featured in the show reveal the profound The ubiquitous Italian marble pedestals that multicultural connections Koblitz has forged elevate portrait busts of luminaries were during these experiences. Koblitz’s template for the column series, but characteristically, the artist appropriated the Ephemeral and memorable, the unglazed white porcelain sculptures had a ghostly materiality, seeming to provide a portal to the contemplative space where memories roam and unfold.