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Une Publication De La Communaute Electroacoustique Canadienne (CEC) ·Contactl Une publication de la Communaute electroacoustique canadienne (CEC) ·CONTACTl A publication of the Canadian Electroacoustic Community (CEC) C s living music Musique vi canadienne CHROMA Smith, Reich, Evangelista, Sharman, Volans. The Arraymusic Ensemble. Artifact ART-004 CD CHIMERA Houdy, Luedeke, Schafer. Judy Loman, harp/harpe; Orford String Quartet. CMC-CD 41 /4292 THE THRESHOLD OF DEAFENING SILENCE Doiden. Electroacoustic music/ musique electroacoustique TRD 0190-CD PACIFIC RIM Truax. Electroacoustic music/ musique electroacoustique CSR 9101-CD L'ENSEMBLE DENIS SCHINGH Schingh. L'EnsembleDenis Schingh. L- .....l EDS0191-CD Recordings are available at all four offices of the Canadian Music Centre. For a free mail-order catalogue of all our titles and ordering information, SCHAFER: 5 write to the Canadian Music Centre Schafer. Distribution Service. Orford String Quartet. CMC-CD 39/4090 Ces albums sont disponibles dans chacun des quatre bureaux du Centre de musique canadienne. Pour obtenir Ie catalogue gratuit qui en repertoire les titres, et pour tout renseignement relatif aux commandes, priere d'ecrire au Service de Distribution du Centre de musique canadienne. r"''''''-''''''''''''''''''''''''''''''''''--'''''''''--''--''''''--'''-'''''''''-'-~-~'l DIS Contact ! , Contact! 6.2 I DIS Contact ~ ~ ! I ' DIS Contact '.Redacteur-en-chef I Editor I ! • Laurie Radford 1 DIS Contact I i ! j Production 1 ~ ~ DIS Contact I Claude Schryer l ! 1 1 s ~ DIS Contact ~ ~ j Traduction I Translation , ! 1 Aline Barnoti, Ned Bouhalassa, Marie Fraser, DIS Contact ! Claude Schryer ! 1 1 DISContact 1 1 1 Mise-en-page I Layout ! I I Laurie Radford, Claude Schryer DIS Contact i ! I Conseil de redaction I Editorial Board DIS Contact I 1 Aline Barnoti - Luc Beauchemin - Ned Bouhalassa ! I DIS Contact 1 - Daniel Leduc - Laurie Radford - Claude Schryer I 1 ! 1 1 Collaborateu~s DIS Contact I I Contributors I ! I Laurie Radford, Claude Schryer 1 ~ 1 1 ,l L- Edito / Edito. 4 Tarifs de publicit" pour Contact!: 1 page, 250$; 1/2 page, 150$; 1/4 page, 100$ carte d'affaire, 75$. Tarif annuel: 1 page, 800$; 1/2 page, 500$; 1/4 page, 300$; carte d'affaire, 225$ Advertising rates for Contact!: 1 page, $250; 1/2 page, $150; 1/4 page, $100; business card $75 Yearly rate: 1 page, $800; 1/2 page, $500;1/4 Echos / Echos· 7 _e, $300; business card $225 i l-olltact! est une publication de la Communaute electroacoustique canadienne (CEC); ©1992, tous droits reserves-Communaute 61ectroacoustique canadienne (CEC), Montreal, Canada. Contact! est public quatre fois par annee. Toute information envoyee pour fins de Nouvelles breves / News Briefs • 8 publication est consideree soumise. sans condition et peut egalement Hre sujelte it "'vision ou commentaire par Ie bureau de redaction de Contact! Les enonces, opinions et points de vues sont ceux des auteurs et ne representent pas necessairement les vues de la Communaute electroacoustique canadienne (CEC), ni de la redaction. Les articles peuvent Ctre reproduits avec la permission ernte de Contact! ISSN 0838­ Calendrier/Calendar. 1 1 3340. Vol. 6 No.2. Depot legal - ler trimestre 1988: Bibliotheque nationale du Quebec; Bibliotheque nationale du Canada. Envoi de publication - Enregistrement No.l0266. Les noms des membres de la CEC apparaissent en caractere gras dans Ie texte. Contact! is a publication of the Canadian Electroacoustic CommUnity Opportunites / Perspectives • 15 (CEC); ©1992, All Rights reserved Canadian Electroacoustic Community (CEC), Montreal, Canada. Contact! is published four times a year. All information received for publication is treated as unconditionally assigned for publication and subject to edition and comment by the editorial board. Statements, opinions and points of view expressed are those of the writers and do not necessarily represent those of the Nouveautes / New Releases • 25 Canadian Electroacoustic Community (CEC) or editors. Articles may only be reproduced with the written permission of Contact! ISSN 0838­ 3340. Vol. 6 No.2. Legal deposit -1st quarter 1988. Bibliotheque nationale du Quebec; National Library of Canada~ Publication posting - Record No. 10266. Names of CEC members appear in bold in the texts. Sons et mots / Sounds and Words • 26 Contact! Communautc clectroacoustique canadienne (CEC) Adresses / Addresses • 29 Canadian E1ectroacoustic Community (CEO _Po 845 / Succursale Place d'Armes lY10ntreal (QC) / Canada H2Y 3J2 Tel (514) 849-1564 Fax (514) 987-1862 Affiliations / Membership • 30 qui encore aujourd'hui demeure la (messagerie vocale, conferences marque d'un important magasin de telephoniques et videoconferences). disques. Dans les premieres annees Pourtant Ie village planetaire de l'enregistrement sanore, les semble aussi lointain qu'ill'a enregistrements constituaient un toujours ete; peut-etre meme plus .. Les voix de la CEC moyen de faire entrer chez soi Ie encore, alors que nous deleguons 1., monde de la musique. Musique de tache de communiquer anos danse de derniere mode, rythmes reseaux de babillards electroniques, Laurie Radford provocants du jazz, ou arnpleur de nos satellites et telecopieurs. la musique symphonique du 1ge L'une des images qui, dans l'esprit siecle, cet extraordinaire appareil de La CEC, cest vous. Bien sur, la CEC de nombreux auditeurs, evoque les reproduction des sons permettait de a quelques employes atemps debuts de l'enregistrement sonore tout integrer anotre quotidien partiel, elle a un burea~, une petite (les premieres machines ajouer des sonore. Malheureusement, des les bibliotheque, un heritage, et-on 78 tours en vinyle, avec leur aiguille debuts, la communicationetait l'espere--un avenir. Bien sur, de la taille d'un clou,leur manivelle unidirectionnelle. Les sons venaient Contact! est toujours la pour servir a servant aremonter Ie moteur, et leur a nous, mais n'emanaient pas de diffuser les besoins, les souhaits, les enorme come) est ce petit chien nous. Ils etaient figes, sourds au critiques et la curiosite des membres omnipresent, la tete penchee sur Ie mecontentement, aux desirs, a , de la CEC Mais la veritable voix de cote, qui ecoute attentivement la l'admiration ou ala simple curiosite la CEC, c'est la'musique que vous voix deson maitre -une image qui qu'ils suscitaient. Aujourd'hui, nous creez, MAINTENANT! DISContact!, pendant pres d'un siecle a ete pouvons compter sur une deux disques compacts qui apposee sur les disques en vinyle et communication pratiquement accompagnent ce numero de instantanee, par l'intermediaire Contact! presentent un echo des voix d'un eventail affolant de moyens, de la CEC Le travail de plus de 40 dont plusieurs sont bidirectionnels compositeur(e)s de tous les coins du editorial 4 editorial Recordings, in the early years of networks, satellites, and fax sound recording history, were a machines. means by which one could bring the Voices of the CEC world of music into one's own front The CEC is its members. Yes, the room. The most current dance craze, CEC has several part-time the smoldering rhythms of jazz, or employees, an office, a small library, Laurie Radford the dimensions of 19th century a legacy, and hopefully a future. symphonic music, all of these could Yes, Contact! continues to serve as a An image that summons up in many become a part of one's daily sound disseminator of the needs, wishes, listeners' minds the early years of world via this amazing criticisms and curiosity of the recorded sound (the early 78rpm reproductive apparatus. members of the CEC But the real vinyl disc machines with their Unfortunately, from the beginning, voice of the CEC is the music that needles the size of nails, the the communication was uni­ you are creating, NOW! cranking of their motors, and their directional. The sound came at you, DISContact!, two compact discs' enormous sound horns) is the not from you. It was frozen, deaf to which accompany this issue of ubiquitous little dog with his head discontent, desire, admiration or Contact!, presents an example of the turned to one side, keenly listening simply curiosity. Today we have at voices of the CEC The work of over for his master's voice, an image that our disposal virtually immediate 40 composers from every comer of adorned almost a century of vinyl communication in a dizzying array Canada provides a representative and remains as the initials of a major of forms, many of which are bi­ cross section of the diversity and commercial music chain. directional (voice mail, telephone high quality of electroacoustic and video conferencing). Yet the activity that is current in Canada. global village seems as far away as Keep in mind that this is only a it ever was; perhaps farther as we fraction of the voices that are activO hand off the burden of among us, exploring, discovering communication to our BBS and creating. Also included on the pays constitue en effet un mais bien au-dela de nos frontieres. CEuvre a un concours ou a un cOnUte echantillon representatif de l'activite charge de la programmation, ou actuelle dans Ie domaine de Vous trouverez les notes de lorsque votre travail doit etre l'electroacoustique au Canada, de sa programme et les biographies des soumis al'examen minutieux d'une aversite et de sa qualite. Rappelez­ compositeur(e)s ayant soumis une personne ou d'un groupe de _)Us qu'il ne s'agit ici que d'une CEuvre pour DISContact! dans un personnes. 1) Donnez Ie titre partie des voix qui, parmi nous, livret special au milieu du present complet et la duree de l'CEuvre, de s'clcvent, explorent, decouvrent et numero. Nous vous suggerons meme que l'annee de composition, crcent. Les deux disques compacts d'acheter un coffret double pour l'information servant ala de DISContact! comportent conserver vos deux disques. (On classification et les renseignements egalement des extraits des comptes peut se procurer des coffrets vides sur les conditions de presentation rendus radiophoniques des festivals dans la plupart des magasins de de l'CEuvre; indiquez Ie nom du convergence 1989 et Perspectives disques et des boutiques audio, a compositeur sur Ie DAT, les bobines 1991, qui se sont tenus des prix raisonnables).
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