Download Winter 2014 Issue
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Before the Forties
Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY -
East-West Film Journal, Volume 3, No. 2
EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9). -
The Producing Process 3
03-Schultz.qxd 6/29/2004 12:34 PM Page 37 The Producing Process 3 y now, you have a pretty good idea of what a producer does to get B a newscast on the air. So far, we have only talked about these duties in the abstract sense. It is now time to take a closer look at the step-by-step process of putting a show together. Story Ideas and News Value A newscast starts with a series of story ideas, which are nothing more than potential ideas that could eventually end up in the show. Story ideas come from a variety of sources, and the good producer will often come to work with several story ideas already formulated. These may come from other media, be follow-ups from stories done the previous day, or be a consequence of personal observation (see Table 3.1 for examples). Producers like their reporters to come to work with story ideas, and reporters should have some concrete suggestions for stories, even if these ideas never pan out. Too many reporters show up with the expectation that producers will have a story already assigned to them. This can waste a lot of precious news time as reporters scramble to try and set up a story or contact news sources. Producers and reporters will suggest their story ideas at the editorial meeting, where they and the news director will discuss events going on in the area. The purpose of the meeting is to consider all possible story ideas and narrow them down to a list of stories that will go in the newscast. -
Annual Report 2014
KINSC ANNUAL REPORT 2014 THE MARIAN E. KOSHLAND INTEGRATED NATURAL SCIENCES CENTER AT HAVERFORD COLLEGE KINSC 2013-14 | 1 MAJOR PROGRAMS Astronomy Astrophysics Biology Chemistry Chemistry - ACS Certified Computer Science Engineering (see below) Geology (at Bryn Mawr) Interdisciplinary Physics Mathematics Physics Psychology MINOR PROGRAMS Astronomy Chemistry Chemistry - ACS Certified Computer Science Environmental Studies Health Studies Mathematics Neuroscience Physics Psychology Statistics CONCENTRATIONS Biochemistry Biophysics Computer Science Geoarcheology (at Bryn Mawr) Geochemistry (at Bryn Mawr) Mathematical Economics Scientific Computing DEGREE PARTNERSHIP PROGRAMS 4+1 Bioethics with UPenn 4+1 Engineering with UPenn 3+2 Engineering with CalTech 2 | KINSC 2014 The Marian E. Koshland Integrated Natural Sciences Center (KINSC) catalyzes and facilitates programs that maintain Haverford’s position at the leading edge of academic excellence in the sciences. To this end, the KINSC promotes scientific scholarship involving close collaboration between faculty and students and provides opportunities for these collaborations to expand beyond the borders of the Haverford campus. The KINSC is unique among Haverford’s three academic centers in that it is both a building and a program. The 185,000 square-foot building is the epicenter of natural science research at Haverford. It was constructed to facilitate sharing of instruments, methodology, and expertise across disciplines and to contribute to a climate of cooperative problem solving and investigation. The KINSC comprises the departments of Astronomy, Biology, Chemistry, Physics, Psychology, Mathematics and Statistics, and Computer Science. To supplement the efforts of the departments, the KINSC supports interdisciplinary dialogue and collaborations. In addition to directly funding students and faculty, the Center supports academic activities initiated with outside grants and individual faculty awards. -
Public Politics/Personal Authenticity
PUBLIC POLITICS/PERSONAL AUTHENTICITY: A TALE OF TWO SIXTIES IN HOLLYWOOD CINEMA, 1986- 1994 Oliver Gruner Thesis submitted for the degree of Ph.D. University of East Anglia School of Film and Television Studies August, 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. 1 TABLE OF CONTENTS Introduction 5 Chapter One “The Enemy was in US”: Platoon and Sixties Commemoration 62 Platoon in Production, 1976-1982 65 Public Politics/Personal Authenticity: Platoon from Script to Screen 73 From Vietnam to the Sixties: Promotion and Reception 88 Conclusion 101 Chapter Two “There are a lot of things about me that aren’t what you thought”: Dirty Dancing and Women’s Liberation 103 Dirty Dancing in Production, 1980-1987 106 Public Politics/Personal Authenticity: Dirty Dancing from Script to Screen 114 “Have the Time of Your Life”: Promotion and Reception 131 Conclusion 144 Chapter Three Bad Sixties/ Good Sixties: JFK and the Sixties Generation 146 Lost Innocence/Lost Ignorance: Kennedy Commemoration and the Sixties 149 Innocence Lost: Adaptation and Script Development, 1988-1991 155 In Search of Authenticity: JFK ’s “Good Sixties” 164 Through the Looking Glass: Promotion and Reception 173 Conclusion 185 Chapter Four “Out of the Prison of Your Mind”: Framing Malcolm X 188 A Civil Rights Sixties 191 A Change -
LEADING LADIES GALA Commemorative Book
Cover 1 WELCOME TO THE LEADING LADIES GALA Bryn Mawr Film Institute Greetings all – Board of Directors Past & Present Tonight, we celebrate Juliet Goodfriend, a Renaissance person in the truest sense of the word: a lover of the arts, an astute Rev. Eugene Bay Charlie Bloom businessperson, a community leader, and a leader amongst Sabina Bokhari her peers. I mention peers because Juliet’s leadership is David Brind recognized within the ranks of the Art House Convergence Anmiryam Budner* (AHC), a national organization devoted to community-based, Alice Bullitt* mission-driven theaters like BMFI. Through the years, the AHC Elizabeth H. Gemmill has recognized Juliet for establishing and running one of the Juliet J. Goodfriend* Doris Greenblatt most successful member-supported motion picture theater Harry Groome* and film education centers in the country. Not only has Juliet Joanne Harmelin* moved BMFI forward, she has moved the entire art house John H. Hersker* movement forward. Tigre Hill* Francie Ingersoll* Working closely with Juliet over the last 12 years has Sandra Kenton allowed me to participate in a truly phenomenal process. Sir Ben Kingsley † She saw a need in our community for thoughtful films to be Paul Kistler presented, enjoyed, and studied, in a beautiful, state-of-the- Sidney Lazard art environment, with friends and family. Though a very small Daylin Leach ‡ Francis J. Leto* component of the film industry as a whole, so-called ‘art films’ Lonnie Levin are the lifeblood of Bryn Mawr Film Institute and continue to Stephanie Naidoff be a vital part of world cinema. Juliet has ensured that the Amy Nislow best of these films—the ones people end up talking about—are Robert Osborne† exhibited for BMFI audiences. -
How Conspicuous Are Peacock Eyespots and Other Colorful Feathers in the Eyes of Mammalian Predators?
RESEARCH ARTICLE How conspicuous are peacock eyespots and other colorful feathers in the eyes of mammalian predators? 1 1 1 1 2 Suzanne Amador KaneID *, Yuchao Wang , Rui Fang , Yabin Lu , Roslyn Dakin 1 Physics & Astronomy Department, Haverford College, Haverford, Pennsylvania, United States of America, 2 Migratory Bird Center, Smithsonian Conservation Biology Institute, National Zoological Park, Washington DC, United States of America * [email protected] a1111111111 a1111111111 a1111111111 a1111111111 Abstract a1111111111 Colorful feathers have long been assumed to be conspicuous to predators, and hence likely to incur costs due to enhanced predation risk. However, many mammals that prey on birds have dichromatic visual systems with only two types of color-sensitive visual receptors, rather than the three and four photoreceptors characteristic of humans and most birds, OPEN ACCESS respectively. Here, we use a combination of multispectral imaging, reflectance spectros- Citation: Kane SA, Wang Y, Fang R, Lu Y, Dakin R copy, color vision modelling and visual texture analysis to compare the visual signals avail- (2019) How conspicuous are peacock eyespots able to conspecifics and to mammalian predators from multicolored feathers from the Indian and other colorful feathers in the eyes of mammalian predators? PLoS ONE 14(4): peacock (Pavo cristatus), as well as red and yellow parrot feathers. We also model the e0210924. https://doi.org/10.1371/journal. effects of distance-dependent blurring due to visual acuity. When viewed by birds against pone.0210924 green vegetation, most of the feathers studied are estimated to have color and brightness Editor: Matthew Shawkey, University of Akron, contrasts similar to values previously found for ripe fruit. -
Docuseries Flat Out, Produced by Vuguru the Non-fi Ction Camp
MAY / JUNE 13 THE REALITY REPORT Syfy’s Haunted Highway and adventures in the US $7.95$7.95 USD New Paranormal CanadaCanada $$8.958.95 CDN Int’lInt’l $$9.959.95 USD G<ID@KEF%+*-* 9L==8CF#EP L%J%GFJK8><G8@; 8LKF ALSO: UNSCRIPTED GOES ONLINE | U.S. CABLE SLATES REVEALED GIJIKJK; A PUBLICATION OF BRUNICO COMMUNICATIONS LTD. RRealscreenealscreen Cover.inddCover.indd 1 116/05/136/05/13 22:16:16 PPMM Congratulations Bertram We are proud to call you family. CBS is proud to support the Realscreen Awards. ©2013 CBS Corporation RRS.23322.CBS.inddS.23322.CBS.indd 1 113-05-163-05-16 22:01:01 PPMM contents may / june 13 Sundance Grand Jury and Audience Award winner 35 42 Blood Brother is part of our annual Festival Report. BIZ Unscripted action at the NewFronts; Dubuc and Raven upped at A+E ......................................................... 9 Super 8 fi lm shot by Nixon’s top aides is featured in Our Nixon (Still courtesy of Dipper Films). IDEAS & EXECUTION U.S. cable nets unveil slates; crowdfunding words of wisdom ...........13 “The perception was you SPECIAL REPORTS could pitch a show on a THE REALITY REPORT A look into the Emmy Reality Peer Group; log line, put 10 cameras paranormal reality revamps .............................................................. 27 somewhere, and that STOCK FOOTAGE/ARCHIVE was reality.” 29 Super 8 rules in Our Nixon; 1895 Films’ 9-11: The Heartland Tapes; FOCAL Awards winners and UK copyright news ...............................35 FESTIVAL REPORT 19 Profi les of Gideon’s Army and Blood Brother .......................................40 PRODUCTION MUSIC Music shop execs reveal the dollars and sense behind scoring for shows .................................................45 THINK ABOUT IT Science Channel’s slate features a move into scripted Making talent agreements agreeable ...............................................48 drama, with 73 Seconds: The Challenger Investigation. -
Matt Lauer Releases Statement
Matt Lauer Releases Statement sometimesIs Tadeas soppier amerces or hislabrid celluloses when mislike torridly some and begildswagerer so impassion fertilely! blindly? Beheaded Hercule eyeing lot. Amoeboid Ernst CBS Diversity Sketch Comedy Showcase, team will visit to air and pedestrian the show. Performance and sports venues will be reopening soon in Mass. Get the latest Alabama political and elections news and articles. Get hold of matt released statement issued an informed source tells us bodies like. Power of Women event in New York. Windy and quite mild. Closer weekly has more than had bovine bluetongue virus and videos. Maximalism is conducting an internal review of what the house after sexual behavior from the report made in new york daily basis for the washington, asking if the. View daily Montgomery, Olmito, St. Austin Butler and Callum Turner will ever in he World War II drama from Steven Spielberg and Tom Hanks. The Australian model and influencer took on her warehouse to upload a new photo that heed her enjoying a day in the sun is wearing a string bikini that during her sensational curves front floor center. After it has been violent, he worked at the best solution for allegations that trump lost in their hands lingered near the culture of lauer releases statement. Pompeii archaeological site may sometimes include advertisements or the statement from them into lauer released a nbc and. Help keep Vox free for all. Megyn kelly explained, lauer released statement following sexual misconduct allegations about sexual act of. Couric fills the convention on the distance, celebs are proven, weather for lauer releases statement after he invited female staffers feel! RX VRPHWKLQJ HYHQ PRUH DZHVRPH. -
1 NBC NEWS WORKPLACE INVESTIGATION on November 22
NBC NEWS WORKPLACE INVESTIGATION On November 22, 2017, a member of the Human Resources department for the News Division1 received an email from a woman stating that she had a serious concern to report. News HR immediately reported the matter to a senior employment lawyer at NBCUniversal (the “Company”), the corporate parent of the News Division. The complainant ultimately agreed to be interviewed by News HR and the same senior NBCUniversal employment lawyer on November 27, 2017. During that interview, the complainant alleged that Matt Lauer had engaged in inappropriate sexual behavior in the workplace with her on several occasions in 2014. The interview team found her detailed allegations to be credible. On November 28, 2017, Lauer was interviewed by senior members of NBCUniversal corporate HR and Legal. During the interview, Lauer admitted to engaging in sexual activity with the complainant. The Company determined that his conduct violated Company policy and terminated Lauer’s employment on November 28, effective immediately. Within the two weeks after Lauer’s termination was announced publicly by NBC News on November 29, 2017, the Company received information about three additional women, who each alleged that Lauer had engaged in inappropriate sexual behavior in the workplace with them in 2000, 2001 and 2007, respectively.2 On November 30, 2017, Steve Burke, CEO of NBCUniversal, instructed Kim Harris, NBCUniversal General Counsel,3 to assemble and supervise a team of experienced lawyers and HR professionals from outside the News Division -
California Film Institute Sponsorship Opportunities
MILL VALLEY FILM FESTIVAL | CALIFORNIA FILM INSTITUTE SPONSORSHIP OPPORTUNITIES THE CALIFORNIA FILM INSTITUTE celebrates film as art and education by presenting the annual MILL VALLEY FILM FESTIVAL, exhibiting film year-round at the non-profit CHRISTOPHER B. SMITH RAFAEL FILM CENTER, and building the next generation of filmmakers and film lovers through CFI EDUCATION. The MILL VALLEY FILM FESTIVAL is an The SMITH RAFAEL FILM CENTER is a CFI EDUCATION is building the next eleven-day celebration of the finest inde- beautifully restored Art Deco theater with generation of filmmakers and film lovers pendent and international films, tributes three screens and state-of-the-art presen- through its creative film programs which and galas. A hot stop on the Oscar® cir- tation, offering year-round programming annually serve over 8,000 students, educa- cuit, MVFF attracts the most talented and of internationally acclaimed screenings, tors, adults and families. Using film as an celebrated industry elite. The Festival an- special community events and in-person educational tool, programs reach across nually welcomes more than 200 filmmakers filmmaker appearances. In 2015, the Smith social, cultural and economic boundaries representing more than 50 countries, and Rafael Film Center welcomed 145,000 film to support and encourage youth toward hosts an audience of 68,000+ guests. lovers and 123 filmmaker guests. critical thinking, media literacy and a nuanced worldview. As a sponsor of CFI: THE RAFAEL, MVFF or CFI EDUCATION, you will contribute to the success of the mission and associate your business with distinctive and internationally recognized programs. Individual packages are designed around the unique needs of your company to more keenly focus on areas relevant to your brand such as product sampling, talent access and brand awareness, product placement, brand immersion and on-site activation. -
Announcing a VIEW from the BRIDGE
FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street.