Les Miserables
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Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
M.England (Dec 2018 Bullet)
MICHAEL ENGLAND CONDUCTOR / MUSICAL SUPERVISOR / ORCHESTRATOR / COMPOSER West End theatre as Musical Director includes; Les Misérables, The Phantom of the Opera, The Producers, Spamalot, Jerry Springer – The Opera, The Pajama Game, Doctor Dolittle, and Miss Saigon (Drury Lane, Asst. MD). Other Musical Director credits include; UK Tours of : Les Misérables, The Sound of Music, Grease and Cats (Asst. MD). International : Cats (Hong Kong), Evita (Oslo), Aspects of Love (Ireland), Grease (Ljubljana). In Concert : Of Thee I Sing (Royal Festival Hall), Evita (Hylands Park). Musical Supervisor includes; Pure Imagination (St. James), the all-male The Pirates of Penzance (Australian Tour & Sydney Theatre), The Rise and Fall of Little Voice (Cirencester), Kiss Me Kate, Top Hat (Kilworth), H.M.S. Pinafore (Hackney/UK tour), Tell Me On a Sunday, The Drowsy Chaperone, Company, Patience and Iolanthe. Television / Radio / Film Conducting; TV : The Sound of Music – Live (ITV), BBC Sports Personality of the Year 2017 (Conductor & Orchestrations), Jerry Springer – The Opera (BBC), Spamalot (Royal Variety). Radio : several Friday Night is Music Night (Radio 2), Tribute to Sammy Davis Jnr. (Radio 2). Film with Live Orchestra : Love Actually in Concert (venues across the UK). Orchestral ConductinG include; The Philharmonia, (Buckingham Palace), City of Birmingham Symphony, Royal Philharmonic Concert, BBC Concert, BBC Philharmonic, Royal Scottish National, Royal Northern Sinfonia, Royal Liverpool Philharmonic, Orchestra of Opera North, Orchestra of Welsh National Opera, Bangkok Symphony, Shanghai Opera House Orchestra, Shanghai Philharmonic, the National Symphony, Stockholm Sinfonietta, and the Slovenia Radio Symphony, (televised). Dance / Ballet includes; Royal Opera House, Covent Garden; Cover Conductor on the Royal Ballet productions of The Rite of Spring, Chroma, Giselle, Marguerite & Armand, Monotones, La Valse, The Human Season, Concerto and The Judas Tree. -
La Dame Aux Camelias' Effect on Society's View of the “Fallen Woman”
The Kabod Volume 2 Issue 2 Spring 2016 Article 7 January 2016 La Dame aux Camelias’ Effect on Society’s View of the “Fallen Woman” Christiana Johnson Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/kabod Part of the Dramatic Literature, Criticism and Theory Commons, and the French and Francophone Literature Commons Recommended Citations MLA: Johnson, Christiana "La Dame aux Camelias’ Effect on Society’s View of the “Fallen Woman”," The Kabod 2. 2 (2016) Article 7. Liberty University Digital Commons. Web. [xx Month xxxx]. APA: Johnson, Christiana (2016) "La Dame aux Camelias’ Effect on Society’s View of the “Fallen Woman”" The Kabod 2( 2 (2016)), Article 7. Retrieved from https://digitalcommons.liberty.edu/kabod/vol2/iss2/7 Turabian: Johnson, Christiana "La Dame aux Camelias’ Effect on Society’s View of the “Fallen Woman”" The Kabod 2 , no. 2 2016 (2016) Accessed [Month x, xxxx]. Liberty University Digital Commons. This Individual Article is brought to you for free and open access by Scholars Crossing. It has been accepted for inclusion in The Kabod by an authorized editor of Scholars Crossing. For more information, please contact [email protected]. Johnson: La Dame aux Camelias’ and the Fallen Woman Johnson 1 Christiana Johnson Dr. Towles English 305-001 19 November 2015 La Dame aux Camelias’ Effect on Society’s View of the “Fallen Woman” Over the course of history, literature has featured the “fallen woman.” Put simply, the “fallen woman” is a woman who has had sexual relations prior to marriage and is thus viewed as beneath a certain moral standard. -
Les Mis Education Study Guide.Indd
And remember The truth that once was spoken, To love another person Is to see the face of God. THE CHARACTERS QUESTIONS / • In the end, what does Jean society who have lost their DISCUSSION IDEAS Valjean prove with his life? humanity and become brutes. Are there people in our society • Javert is a watchdog of the legal who fi t this description? • What is Hugo’s view of human process. He applies the letter nature? Is it naturally good, of the law to every lawbreaker, • Compare Marius as a romantic fl awed by original sin, or without exception. Should he hero with the romantic heroes of somewhere between the two? have applied other standards to a other books, plays or poems of man like Jean Valjean? the romantic period. • Describe how Hugo uses his characters to describe his view • Today, many believe, like Javert, • What would Eponine’s life have of human nature. How does that no mercy should be shown been like if she had not been each character represent another to criminals. Do you agree with killed at the barricade? facet of Hugo’s view? this? Why? • Although they are only on stage • Discuss Hugo’s undying belief • What does Javert say about his a brief time, both Fantine and that man can become perfect. past that is a clue to his nature? Gavroche have vital roles to How does Jean Valjean’s life play in Les Misérables and a illustrate this belief? • What fi nally destroys Javert? deep impact on the audience. Hugo says he is “an owl forced What makes them such powerful to gaze with an eagle.” What characters? What do they have does this mean? in common? Name some other • Discuss the Thénardiers as characters from literature that individuals living in a savage appear for a short time, but have a lasting impact. -
Jean Valjean, After Spending Nineteen Years in Jail and in the Galleys For
Les Miserables by Victor Hugo – A Summary (summary from http://education.yahoo.com/homework_help/cliffsnotes/les_miserables/4.html) Jean Valjean, after spending nineteen years in jail and in the galleys for stealing a loaf of bread to feed his starving family (and for several attempts to escape) is finally released, but his past keeps haunting him. At Digne, he is repeatedly refused shelter for the night. Only the saintly bishop, Monseigneur Myriel, welcomes him. Valjean repays his host's hospitality by stealing his silverware. When the police bring him back, the bishop protects his errant guest by pretending that the silverware is a gift. With a pious lie, he convinces them that the convict has promised to reform. After one more theft, Jean Valjean does indeed repent. Under the name of M. Madeleine he starts a factory and brings prosperity to the town of Montreuil. Alone and burdened with an illegitimate child, Fantine is on the way back to her hometown of Montreuil, to find a job. On the road, she entrusts her daughter to an innkeeper and his wife, the Thénardiers. In Montreuil, Fantine finds a job in Madeleine's (Valjean’s) factory and attains a modicum of prosperity. Unfortunately she is fired after it is discovered that she has an illegitimate child. At the same time, she must meet increasing financial demands by the Thénardiers. Defeated by her difficulties, Fantine turns to prostitution. Tormented by a local idler, she causes a disturbance and is arrested by Inspector Javert. Only Madeleine's (Valjean’s) forceful intervention keeps her out of jail. -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
Les Mis, Lyrics
LES MISERABLES Herbert Kretzmer (DISC ONE) ACT ONE 1. PROLOGUE (WORK SONG) CHAIN GANG Look down, look down Don't look 'em in the eye Look down, look down You're here until you die. The sun is strong It's hot as hell below Look down, look down There's twenty years to go. I've done no wrong Sweet Jesus, hear my prayer Look down, look down Sweet Jesus doesn't care I know she'll wait I know that she'll be true Look down, look down They've all forgotten you When I get free You won't see me 'Ere for dust Look down, look down Don't look 'em in the eye. !! Les Miserables!!Page 2 How long, 0 Lord, Before you let me die? Look down, look down You'll always be a slave Look down, look down, You're standing in your grave. JAVERT Now bring me prisoner 24601 Your time is up And your parole's begun You know what that means, VALJEAN Yes, it means I'm free. JAVERT No! It means You get Your yellow ticket-of-leave You are a thief. VALJEAN I stole a loaf of bread. JAVERT You robbed a house. VALJEAN I broke a window pane. My sister's child was close to death And we were starving. !! Les Miserables!!Page 3 JAVERT You will starve again Unless you learn the meaning of the law. VALJEAN I know the meaning of those 19 years A slave of the law. JAVERT Five years for what you did The rest because you tried to run Yes, 24601. -
Les Miserables Audition Pack Stanwell Senior Musical Rehearsals
Les Miserables Audition Pack Stanwell Senior Musical Rehearsals: September – December 2019 Show dates: Monday 16th –Thursday 20th December 2019 Contents Audition Dates Important information Character information Audition Material Recall Material We are really looking forward to the auditions, good luck! The Auditions In the audition, you will sing in groups. If you would like to be a member of chorus, you will not be asked to sing alone Week Day/Date Time Who? Where? 2 Mon 9th Sept 3-5pm BOYS Auditorium 2 Wed 11th 3-5pm GIRLS Auditorium Sept 2 Thurs 12th 3-5pm Little COSETTE & GAVROCHE Auditorium Sept AUDITIONS (Open to year 8/9 pupils who attend junior choir) 3 Mon 16th 3-5.30 RECALL 1 Auditorium Sept 3 Wed 18th 3-5.30 RECALL 2 Auditorium Sept 3 Thurs 19th 3-4 DANCE AUDITIONS Auditorium Sept Dancers must do a group singing audition Audition Material (more info later in this pack) BOYS You may pick any of the below songs to sing in your audition. Chorus member (Drink with me) Enjorlas (Red and Black) Jean Val Jean (Soliloquy) Javert (Stars) Marius (Empty Chairs) Thenardier (Master of the House) Gavroche (Little People) Bishop (Prologue) GIRLS Chorus member/Eponine (On My Own) Mrs Thenardier (Master of the House ) Fantine (I dreamed a dream) Cosette (In my life) Little Cosette (Castle on a Cloud) Please note that Senior Choir rehearsals will take place on a Friday, we do expect pupils in the school musicals to take part in the school choirs. Important Information Rehearsals are as follows: Monday – small groups & principals Wednesday – whole cast Thursday – solos/duets You must be available for the important rehearsals & shows below. -
Colonial Concert Series Featuring Broadway Favorites
Amy Moorby Press Manager (413) 448-8084 x15 [email protected] Becky Brighenti Director of Marketing & Public Relations (413) 448-8084 x11 [email protected] For Immediate Release, Please: Berkshire Theatre Group Presents Colonial Concert Series: Featuring Broadway Favorites Kelli O’Hara In-Person in the Berkshires Tony Award-Winner for The King and I Norm Lewis: In Concert Tony Award Nominee for The Gershwins’ Porgy & Bess Carolee Carmello: My Outside Voice Three-Time Tony Award Nominee for Scandalous, Lestat, Parade Krysta Rodriguez: In Concert Broadway Actor and Star of Netflix’s Halston Stephanie J. Block: Returning Home Tony Award-Winner for The Cher Show Kate Baldwin & Graham Rowat: Dressed Up Again Two-Time Tony Award Nominee for Finian’s Rainbow, Hello, Dolly! & Broadway and Television Actor An Evening With Rachel Bay Jones Tony, Grammy and Emmy Award-Winner for Dear Evan Hansen Click Here To Download Press Photos Pittsfield, MA - The Colonial Concert Series: Featuring Broadway Favorites will captivate audiences throughout the summer with evenings of unforgettable performances by a blockbuster lineup of Broadway talent. Concerts by Tony Award-winner Kelli O’Hara; Tony Award nominee Norm Lewis; three-time Tony Award nominee Carolee Carmello; stage and screen actor Krysta Rodriguez; Tony Award-winner Stephanie J. Block; two-time Tony Award nominee Kate Baldwin and Broadway and television actor Graham Rowat; and Tony Award-winner Rachel Bay Jones will be presented under The Big Tent outside at The Colonial Theatre in Pittsfield, MA. Kate Maguire says, “These intimate evenings of song will be enchanting under the Big Tent at the Colonial in Pittsfield. -
Guildford High North London Collegiate
I.S.G.A. 2018 Results - UNDER 15 Held at Guildford High School, Guildford on 9 March 2018 No Competitor Name Indiv total Group Team Guildford High SV VV SF VF Score Pos Score Pos Score Pos 101 Celia Thompson 0.00 7.90 0.00 8.40 16.30 54 102 Emily Cooper 8.35 0.00 7.30 0.00 15.65 56 103 Kate Lee 8.50 8.15 8.55 8.80 34.00 23 104 Issy Fearn 7.60 8.55 8.90 8.70 33.75 27 105 Daisy Little 7.70 8.60 8.80 8.85 33.95 24 106 Natalie O’Hara 6.90 7.95 8.65 9.40 32.90 33 Total of top 4 32.15 33.25 34.90 35.75 32.60 8 168.65 8 No Competitor Name Indiv total Group Team British School in the SV VV SF VF Score Pos Score Pos Score Pos Netherlands 107 Athenais Jordan 8.45 8.45 8.60 8.40 33.90 25 = 108 Emma Leeson 7.95 8.20 8.35 7.75 32.25 35 109 Hannah Fick 7.20 8.00 7.65 7.10 29.95 44 110 Anna Minton 0.00 0.00 8.40 7.70 16.10 55 111 Sofia Droullier 7.25 7.55 8.25 8.10 31.15 41 112 Valentina Barrera 7.15 7.75 0.00 0.00 14.90 57 Total of top 4 30.85 32.40 33.60 31.95 32.35 9 161.15 9 No Competitor Name Indiv total Group Team North London Collegiate SV VV SF VF Score Pos Score Pos Score Pos 113 Luna Williamson 7.10 8.00 8.40 8.40 31.90 37 114 Hannah Tang 8.20 7.80 8.35 8.65 33.00 31 115 Sophie Empson 8.50 8.20 8.25 8.60 33.55 28 = Jasmine Khabie 116 Zeitoune 7.95 8.80 9.10 8.75 34.60 19 117 Sophia Waller 8.60 8.95 8.60 9.25 35.40 14 = 118 0.00 0.00 0.00 0.00 0.00 58 = Total of top 4 33.25 33.95 34.45 35.25 33.35 5 170.25 6 No Competitor Name Indiv total Group Team British School of SV VV SF VF Score Pos Score Pos Score Pos Brussels 119 Marguerite Besse 9.50 -
June 1-3,2(>(>7
Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................ -
Spotlight on Learning Oliver
Spotlight on Learning a Pioneer Theatre Company Classroom Companion Pioneer Theatre Company’s Student Matinee Program is made possible through the support of Salt Lake Oliver County’s Zoo, Arts and Music, Lyrics and Book by Lionel Bart Parks Program, Salt Dec. 2 - 17, 2016 Lake City Arts Council/ Directed by Karen Azenberg Arts Learning Program, The Simmons “Bleak, dark, and piercing cold, it was a night for the well-housed and Family Foundation, The fed to draw round the bright fire, and thank God they were at home; Meldrum Foundation and for the homeless starving wretch to lay him down and die. Many Endowment Fund and hunger-worn outcasts close their eyes in our bare streets at such times, R. Harold Burton who, let their crimes have been what they may, can hardly open them in Foundation. a more bitter world.” “Please sir, I want some more.” – Charles Dickens, Oliver Twist (1837) All these years after Charles Dickens wrote these words, there are still Spotlight on Learning is provided families without homes and children who are hungry. to students through a grant As this holiday season approaches, I am grateful for health, home, and family provided by the — but am also reminded by Oliver! to take a moment to remember those less George Q. Morris Foundation fortunate. I thank you for your support of Pioneer Theatre Company and wish you the merriest of holidays, and a happy and healthy New Year. Karen Azenberg Approx. running time: Artistic Director 2 hours and 15 minutes, including one fifteen-minute intermission. Note for Teachers: “Food, Glorious Food!” Student Talk-Back: Help win the fight against hunger by encouraging your students to bring There will be a Student Talk-Back a food donation (canned or boxed only) to your performance of Oliver! directly after the performance.