DOCSLIB.ORG

Front Page 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Front Page 1 Presorted Standard U.S. Postage Paid Austin, Texas Permit No. 01949 This paper can be recycled Vol. 38 No. 8 Website: theaustinvillager.com Email: [email protected] Phone: 512-476-0082 Fax: 512-476-0179 July 9, 2010 Dr. Marvin Griffin to be Austin All-Star Band scores victories honored for 41 years of service in Houston Band Competition RAPPIN’ Tommy Wyatt Our schools need to have a Black presence! Ebenezer Baptist The program theme is, Black citizens of Church will honor Dr. “Recognizing the Blessings Austin are asking to Marvin C. Griffin, pastor, for of Longevity”, Scripture: 1 have some input in the 41 years of dedication service Thessalanians 5: 12-13A. selection of the new prin- to the church and commu- Guest speaker is Reverend J. cipal for the L. B J. High nity. The service of Apprecia- C. Adams, Pastor of St. The Austin All-Star ton. The Austin Band com- school. With the depar- tion will be held on Sunday, Edward’s Baptist Church of Band, composed of 140 stu- The Austin band, un- peted against bands from ture of principal Patrick July 11, 2010 at 3:30 p.m. at Austin. The community is in- dents from the Austin and der the director of Reagan Texas, Louisiana, Georgia Patterson from the the church, 1010 East 10th vited to attend all of the ser- surrounding school district, High School Band Director and Tennessee. Above school, the district is left Street. The morning services vices. recently earned honors in Ormide Armstrong, won photo of the Austin All-Star without an African at 8:00 a.m. and 11:00 a.m. will For additional infor- several categories in the First Place Overall, First Band as they performed in American principal in the feature representation from mation, call the church office Greater Houston All-Star Place Drum Major and First the Juneteenth parade. system. other church programs. at (513) 478-1875. Battle of the Bands in Hous- Place Color Guard. Photo by Angela Wyatt. A group of commu- nity members have scheduled a meeting for TAWC State Convention to meet here Tuesday, July 13, from 6- Stacy Rhone and their four 7:30 p.m. at the George children, Hall of Fame in- Washington Carver Mu- ductees Mrs. Sara Campbell, seum, 1165 Angelina Mrs. Hertha Glenn, and Mrs. Street, for the purpose of Justine Lewis. Mrs. Sara exploring ways that they Campbell has been a can have some input into Douglass Club member for the selection of the new over 40 years, Mrs. Hertha LBJ principal Glenn that has been a mem- The group feel that ber of the Texas Association at least one school in the of Women’s and Youth system should have an CAPITOL VISIT-- Students and teachers from the Austin Can! Clubs since 1945, and Mrs. African American pres- Academy, a college preparatory school located at 2406 Rosewood Ave., Justine Lewis served as a ence as the head of the travel to Washington, D.C. to take in the sights and learn more about past president of the school. 40 years after the the nation’s Capitol. While in D.C., they met with U.S. Congress- Douglass Club. closing of the Old Ander- man Lloyd Doggett and discussed the importance of education and The Douglass Club ac- Rep. Doggett’s commitment to ensuring every student is afforded son High School, the tivities include: Partners in the opportunity to achieve as much education for which he or she is Mirian Jones, Dora Glover, and Helen Patterson. Education, Good Citizen- elimination of the Yellow willing to work. Pictured here in the U.S. Capitol with Rep. Doggett. Jacket Mascot and the From left: Brandon Garcia (teacher), Hernan Carbajal, Kimberly The Douglass Club of Helen Patterson, and Mrs. ship Awards, scholarships, Black and Gold colors, it Smith, Demitri Hubbard, Briseyda Loza, Rep. Doggett, Laura Austin will host the Texas Shirley Tillman at the home a legislative focus on city, appears that the district Vasquez, Vanessa Lopez, Joshua DeMoss, Dalia Torres, and Cheri Association of Women’s of Douglass Club president state and national issues, is prepared to get rid of Chambers (teacher). and Youth Clubs State Con- Marjorie Rhone. These regular programs with out- the last school in the sys- vention at the Hilton Airport members have immediately standing guests, charitable, tem with an African Albert Hawkins Joins CASA Hotel from July 8-11, 2010. started to work diligently on and social activities. The American principal. Board of Directors The Douglass Club preparations for the upcom- latest project is participating It should also be held its Induction Tea, July ing State Convention. in “Let’s Move,” the Travis County. CASA advo- pointed out that the dis- 4, 2010, to welcome the new The State Convention Michelle Obama initiative to cates for abused or neglected trict just eliminated the members, Mrs. Dora Glover, Banquet will honor the fam- eliminate childhood obesity children in the court, at districts Department of Mrs. Miriam Jones, Mrs. ily of the year, Michael and in one generation. school, and in the commu- Diversity. This district nity to help them find a safe, was eliminated with at City to honor Austin icons at Music Memorial permanent and loving home. least one more year left Prior to overseeing health on the contract that cre- induction; with roving tour of plaques and human services in The lives of some of ated the department. Riverside Dr. Music by Dead- Texas, Mr. Hawkins was ap- Austin’s most influential If the district can man Band (a tribute to Ken- pointed by President George musicians and promoters demand that certain po- neth Threadgill and Townes W. Bush as liaison between will be celebrated July 11 as sitions be held by Span- Van Zandt)· the White House and the these icons of local music are ish speakers, it should be July 16 6-8 p.m. El Sol y President’s Cabinet. Mr. inducted into the Austin Mu- required that some posi- La Luna, 600 E. Sixth St. Mu- Hawkins directed the Office sic Memorial at the Long Cen- tions be held by certain sic by Mariachi Tamazula. Albert Hawkins, public of Budget and Planning un- ter for the Performing Arts. other ethnic groups, spe- The 2010 inductees are: policy consultant and former der Governor Bush. Mr. The memorial event cifically African Ameri- Clifford Antone (1949- head of the Texas Health and Hawkins is a member of from 2 to 4 p.m. in the Debra cans. 2006). Antone was the owner Human Services Commission, David Chapel Missionary and Kevin Rollins Studio The African Ameri- of the legendary Antone’s has joined the Board of Direc- Baptist Church and is mar- Theatre at the Long Center can community has paid blues club and record label. tors of CASA (Court Ap- ried with three adult chil- will launch a weeklong rov- the greatest price for pro- He is credited with launch- pointed Special Advocates) of dren. ing tour for the Music Memo- viding the district with an ing the careers of many local rial inductee plaques to Aus- integrated school system. blues and rock musicians and Public can track board actions with tin music venues. The July 11 One of which the city and his club remains at the heart Music Memorial will include the state can be proud. online Information Center of the Austin music scene. an all-star band of local mu- But, it is now time for the The Office of the City The new site serves as a Martin Banks (1936- sicians playing music asso- district to do the right Clerk has launched the Boards one-stop source for agendas, 2004). Trumpeter Banks approved meeting minutes, ciated with this year’s 10 Martin Banks thing. It should not be and Commissions Information played with many of the jazz backup information for agenda honorees. June 21, 1936 -August 20, 2004 necessary for the com- Center website, offering com- greats of the 1950s and ‘60s, munity members an opportu- items, by-laws and other infor- Following the tour, the morial to 30. munity to undergo an- touring from California to nity to review the activities of mation including vacancies, Austin Music Memorial Austin Music Memorial other court fight to get New York. He returned to Austin’s 56 boards and commis- the application process, and li- plaques will be accessible to Roving Tour:· July 11 8 justice. It is both costly for aison contacts. It provides Austin in the ‘80s where he sions and their committees. the public, 24 hours a day, on 9:30 p.m. Antone’s, 213 W. the district and the com- training materials so board continued to perform and Boards and commissions are an the City Terrace of the Long Fifth St. Marcia Ball, Piano- munity, although the established feature of Austin’s members can complete their promote music appreciation Center. Memorial plaques Rama, Tommy Shannon, community has won in municipal government offering initial and annual training with several nonprofit music commemorating the induct- Chris Layton, Derek O’Brien, previous cases. community members an oppor- online. programs. The Boards and Commis- ees are installed along the Denny Freeman and friends Anyone interested tunity to help shape and influ- Erbie Bowser (1918- sions Information Center outer ring of the terrace over- will play blues until closing in the LBJ should attend ence public policy in many ar- 1995). Blues pianist Bowser eas. The board structure pro- website can be found at looking Lady Bird Lake. The at 2 a.m. the meeting Tuesday, was a regular on Austin’s vides a more diverse viewpoint www.cityofaustin.org/ latest group will bring the to- · July 15 9 p.m.
Load more

Recommended publications
  • 1 Is Austin Still Austin?
    1 IS AUSTIN STILL AUSTIN? A CULTURAL ANALYSIS THROUGH SOUND John Stevens (TC 660H or TC 359T) Plan II Honors Program The University of Texas at Austin May 13, 2020 __________________________________________ Thomas Palaima Department of Classics Supervising Professor __________________________________________ Richard Brennes Athletics Second Reader 2 Abstract Author: John Stevens Title: Is Austin Still Austin? A Cultural Analysis Through Sound Supervisors: Thomas Palaima, Ph. D and Richard Brennes For the second half of the 20th century, Austin, Texas was defined by its culture and unique personality. The traits that defined the city ushered in a progressive community that was seldom found in the South. In the 1960s, much of the new and young demographic chose music as the medium to share ideas and find community. The following decades saw Austin become a mecca for live music. Austin’s changing culture became defined by the music heard in the plethora of music venues that graced the city streets. As the city recruited technology companies and developed its downtown, live music suffered. People from all over the world have moved to Austin, in part because of the unique culture and live music. The mass-migration these individuals took part in led to the downfall of the music industry in Austin. This thesis will explore the rise of music in Austin, its direct ties with culture, and the eventual loss of culture. I aim for the reader to finish this thesis and think about what direction we want the city to go in. 3 Acknowledgments Thank you to my advisor Professor Thomas Palaima and second-reader Richard Brennes for the support and valuable contributions to my research.
    [Show full text]
  • Austinmusicawards2017.Pdf
    Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers.
    [Show full text]
  • San Antonio's West Side Sound
    Olsen: San Antonio's West Side Sound San Antonio’s SideSound West Antonio’s San West Side Sound The West Side Sound is a remarkable they all played an important role in shaping this genre, Allen O. Olsen amalgamation of different ethnic beginning as early as the 1950s. Charlie Alvarado, Armando musical influences found in and around Almendarez (better known as Mando Cavallero), Frank San Antonio in South-Central Texas. It Rodarte, Sonny Ace, Clifford Scott, and Vernon “Spot” Barnett includes blues, conjunto, country, all contributed to the creation of the West Side Sound in one rhythm and blues, polka, swamp pop, way or another. Alvarado’s band, Charlie and the Jives, had such rock and roll, and other seemingly regional hits in 1959 as “For the Rest of My Life” and “My disparate styles. All of these have Angel of Love.” Cavallero had an influential conjunto group somehow been woven together into a called San Antonio Allegre that played live every Sunday sound that has captured the attention of morning on Radio KIWW.5 fans worldwide. In a sense, the very Almendarez formed several groups, including the popular eclectic nature of the West Side Sound rock and roll band Mando and the Chili Peppers. Rodarte led reflects the larger musical environment a group called the Del Kings, which formed in San Antonio of Texas, in which a number of ethnic during the late 1950s, and brought the West Side Sound to Las communities over the centuries have Vegas as the house band for the Sahara Club, where they exchanged musical traditions in a remained for nearly ten years.6 Sonny Ace had a number of prolific “cross-pollination” of cultures.
    [Show full text]
  • My Guitar Is a Camera
    My Guitar Is a Camera John and Robin Dickson Series in Texas Music Sponsored by the Center for Texas Music History Texas State University–San Marcos Gary Hartman, General Editor Casey_pages.indd 1 7/10/17 10:23 AM Contents Foreword ix Steve Miller Acknowledgments xi Introduction xiii Tom Reynolds From Hendrix to Now: Watt, His Camera, and His Odyssey xv Herman Bennett, with Watt M. Casey Jr. 1. Witnesses: The Music, the Wizard, and Me 1 Mark Seal 2. At Home and on the Road: 1970–1975 11 3. Got Them Texas Blues: Early Days at Antone’s 31 4. Rolling Thunder: Dylan, Guitar Gods, and Joni 54 5. Willie, Sir Douglas, and the Austin Music Creation Myth 60 Joe Nick Patoski 6. Cosmic Cowboys and Heavenly Hippies: The Armadillo and Elsewhere 68 7. The Boss in Texas and the USA 96 8. And What Has Happened Since 104 Photographer and Contributors 123 Index 125 Casey_pages.indd 7 7/10/17 10:23 AM Casey_pages.indd 10 7/10/17 10:23 AM Jimi Hendrix poster. Courtesy Paul Gongaware and Concerts West. Casey_pages.indd 14 7/10/17 10:24 AM From Hendrix to Now Watt, His Camera, and His Odyssey HERMAN BENNETT, WITH WATT M. CASEY JR. Watt Casey’s journey as a photographer can be In the summer of 1970, Watt arrived in Aus- traced back to an event on May 10, 1970, at San tin with the intention of getting a degree from Antonio’s Hemisphere Arena: the Cry of Love the University of Texas. Having heard about a Tour.
    [Show full text]
  • Homegrown: Austin Music Posters 1967 to 1982
    Homegrown: Austin Music Posters 1967 to 1982 Alan Schaefer The opening of the Vulcan Gas Company in 1967 marked a significant turning point in the history of music, art, and underground culture in Austin, Texas. Modeled after the psychedelic ballrooms of San Francisco, the Vulcan Gas Company presented the best of local and national psychedelic rock and roll as well as the kings and queens of the blues. The primary 46 medium for advertising performances at the 47 venue was the poster, though these posters were not simple examples of commercial art with stock publicity photos and redundant designs. The Vulcan Gas Company posters — a radical body of work drawing from psychedelia, surrealism, art nouveau, old west motifs, and portraiture — established a blueprint for the modern concert poster and helped articulate the visual language of Austin’s emerging underground scenes. The Vulcan Gas Company closed its doors in the spring of 1970, but a new decade witnessed the rapid development of Austin’s music scene and the posters that promoted it. Austin’s music poster artists offered a visual narrative of the music and culture of the city, and a substantial collection of these posters has found a home at the Wittliff Collections at Texas State University. The Wittliff Collections presented Homegrown: Austin Music Posters 1967 to 1982 in its gallery in the Alkek Library in 2015. The exhibition was curated by Katie Salzmann, lead archivist at the Wittliff Collections, and Alan Schaefer, a lecturer in the Department of English Jim Franklin. New Atlantis, Lavender Hill Express, Texas Pacific, Eternal Life Corp., and Georgetown Medical Band.
    [Show full text]
  • Home with the Armadillo
    Mellard: Home with the Armadillo Home with the Armadillo: Public Memory and Performance in the 1970s Austin Music Scene Jason Dean Mellard 8 Produced by The Berkeley Electronic Press, 2010 1 Greezy Wheels performing at the Armadillo World Headquarters. Photo courtesy of the South Austin Popular Culture Center. Journal of Texas Music History, Vol. 10 [2010], Iss. 1, Art. 3 “I wanna go home with the Armadillo Good country music from Amarillo and Abilene The friendliest people and the prettiest women You’ve ever seen.” These lyrics from Gary P. Nunn’s “London Homesick Blues” adorn the wall above the exit from the Austin Bergstrom International Airport baggage claim. For years, they also played as the theme to the award-winning PBS series Austin City Limits. In short, they have served in more than one instance as an advertisement for the city’s sense of self, the face that Austin, Texas, presents to visitors and national audiences. The quoted words refer, if obliquely, to a moment in 9 the 1970s when the city first began fashioning itself as a key American site of musical production, one invested with a combination of talent and tradition and tolerance that would make of it the self-proclaimed “Live Music Capital of the World.”1 In many ways, the venue of the Armadillo World Headquarters served as ground zero for these developments, and it is often remembered as a primary site for the decade’s supposed melding of Anglo-Texan traditions and countercultural lifestyles.2 This strand of public memory reveres the Armadillo as a place in which
    [Show full text]
  • 'Blues Boy' Hubbard
    Blues Boy Hubbard courtesy of Todd Wolfson. Henry ‘Blues Boy’ Hubbard “I Just Fell In Love With T-Bone Walker Licks” By Scott M. Bock lues Boy Hubbard has helped anchor the rich Austin Hubbard says that he stopped leading his own band when he hit age music scene for six decades. Now, eighty years old, he 75 and his second guitarist left town. He works with the East Side Kings talks about his career without regret despite the fact that when he feels like playing. Today, he sits on a chair while on stage but Bhe never gained much notice outside of Austin. While many his hands still run the fret board with ease. musicians he taught or worked with were busy recording and “My real full name is Henry L. Hubbard. I was born 16th February 1934. I’m from La Grange, Texas – born and raised. It was just me and touring, Hubbard made a living for years leading a band that my brother. That’s it. I went from the first grade to the twelfth grade and backed national artists and, when times were lean, worked day finished high school there. La Grange is east from Austin on Highway 71. jobs to take care of his family. The first town is Bastrop, the next one is Smithfield, and then La Grange. Hubbard is a confident man who laughs easily while sitting in his From La Grange you can get on Highway 10 and go to Houston. comfortable apartment. He wears large glasses, a cowboy hat, and It’s a small town.
    [Show full text]
  • 2017 Annual Report T E X a S B O O K F E S T I V a L 2 0 1 7 a N N U a L R E P O R T
    2017 ANNUAL REPORT T E X A S B O O K F E S T I V A L 2 0 1 7 A N N U A L R E P O R T FROM THE EXECUTIVE DIRECTOR AND BOARD CHAIR The Texas Book Festival's vision is to inspire Texans of all ages to love reading. Our programs improve literacy and literary engagement throughout the state, thanks to the investment of board members, donors, sponsors, partners, and volunteers who believe in the power of reading to change lives. 2017 marked the annual Festival Weekend’s twenty-second year. This past November 4 - 5, the Festival drew its largest crowd ever, as 50,000 turned out to meet literary legends like Jeffrey Eugenides, breakout novelists like Min Jin Lee, critically acclaimed YA authors like Jason Reynolds, beloved members of Texas's former first family Jenna Bush Hager and Barbara Bush, and the one and only Tom Hanks. The Texas Book Festival, though, is so much more than a festival. 2017 marked a year of intentional, creative growth throughout the state. We piloted our Reading Rock Stars program in Dallas, held our first literary salon in Midland with Skip Hollandsworth, and expanded our Board of Advisors to include advocates from Galveston to El Paso (797 miles!). The work we do would not be possible without your involvement and support. Thank you for sharing our commitment to literacy and literary culture in Texas. Warm regards, Lois Kim Karen Brimble Executive Director Board Chair T E X A S B O O K F E S T I V A L 2 0 1 7 A N N U A L R E P O R T FESTIVAL IMPACT 50,000 people attended the 22nd annual Festival Weekend, held on November 4 & 5 in and around the Texas State Capitol.
    [Show full text]
  • Eddie Stout, Dialtone Records, and the Making of a Blues Scene in Austin1
    Eddie Stout, Dialtone Records, and the Making of a Blues Scene in Austin1 Josep Pedro 22 The Dynaflows at Rome Inn, 1982. (L-R) Eddie Stout, Stevie Fulton, Stevie Ray Vaughan, and David Murray. Courtesy Eddie Stout. Austin, Texas, native Eddie Stout’s dedication to the preservation and celebration of the blues over the past four decades has earned him tremendous respect and admiration within the local blues community. A performing bass player since 1972, Stout has been active in the global expansion of blues. He also has been a prolific producer of African-American roots music, including blues, gospel, and jazz, with 23 the creation of labels such as Pee Wee Records (1984), Dialtone Records (1999), and Dynaflow Records (2014). Stout has served as an international representative, distributor, and publisher for several companies, such as Justice Records, Independent Artists, Doolittle, New West, Antone’s Records, and Malaco Records. Because of his broad knowledge and experience in the field of blues, he is frequently invited to serve as a panelist and label representative at music conventions throughout the world, as well as a producer and director of forty episodes of the popular television show Songwriters across Texas (2012-2013). The Dynaflows at Rome Inn, 1982. (L-R) Eddie Stout, Stevie Fulton, Stevie Ray Vaughan, and David Murray. Courtesy Eddie Stout. The artists and recordings that Eddie Stout and Dialtone Records promote are rich in spatio-temporal bonds resonating across different historical periods and geographical regions. On
    [Show full text]
  • 0508 CY.Indd
    CourtyardCourtyard Caller Caller OFFICIAL COURTYARD NEWSLETTER Courtyard Homeowners Association, Inc. August 2005 Volume 4, Number 2 Greetings Courtyard Homeowners Association Members: This issue of our newsletter, Courtyard Caller, is We are still, however, responsible for providing being published for the fi rst time by Peel, Inc. of and proofi ng relevant content for our newsletter, Littlefi eld, Texas. In the Austin area, Peel, Inc. which requires volunteer writers and an editor publishes similar newsletters for the communities from the neighborhood. Articles from all Courtyard of Barker Ranch, Cherry Creek on Brodie Lane, residents are welcome and if you have an idea Circle C Ranch, Coventry, Davenport Ranch, for one, please contact the editor or a board Highland Park West Balcones Area, Lakeside member. Estates, Ridgewood and Westcreek. On a related note, John Mannix has been serving In the past, Courtyard Caller has been totally as the Chair of our Communications Committee as edited, published and mailed by neighborhood well as the editor and publisher of our newsletter volunteers, with the Association paying all out-of- for a little over two years and we thank him for pocket expenses of doing so. Our arrangement his many efforts on our behalf. John has agreed with Peel, Inc. should not only be more effi cient to continue as our editor on a month-to month but will save us the expense as well. basis, but we still need volunteers to take over this function. With our new arrangement, preparing The arrangement is simple – in exchange for the our newsletter is greatly simplifi ed and if anyone right to sell advertising space in our newsletter, is interested in volunteering please call me at Peel, Inc.
    [Show full text]
  • Issue 771 the 27° 37' 0.5952'' N | 97° 13' 21.4068'' W Island Free
    Inside the Moon Fire in Port A. A4 Frostbite Betty A5 Traveling Moon A9 Bollards A9 Seashore Happenings A11 Issue 771 The 27° 37' 0.5952'' N | 97° 13' 21.4068'' W Island Free The voiceMoon of The Island since 1996 January 24, 2019 Weekly www.islandmoon.com FREE Photo by Steve Coons Around Desalination The Island Succession! Plant on By Dale Rankin Sea Pines subdivision petitions to be removed from PIPOA It’s been a mostly uneventful week Harbor here on our little sandbar, we’ve had some beautiful nights when the wind By Dale Rankin but can be severed at any time by a and sinkholes and those are city majority vote of the property owners lays down and you can see the red When Islanders Demarinis Abens functions. If we didn’t do this we there. Island Dead lights on the papalotes all the way and Robin Marcoux walked out of couldn’t concentrate our money on By Dale Rankin over on the King Ranch shoreline. the monthly meeting of the Padre “We are still getting some signatures the things we need to focus on.” What passes for winter around here Isles Property Owners Association back in the mail,” Marcoux said. “But Harbor Island, across the Corpus Marcoux said there currently are no Christi Ship Channel from Port blew in with a little cool bite mid- Board of Directors meeting at we have enough to remove ourselves plans to form a board of directors week but with water temperatures in Island Presbyterian Church Tuesday so we went ahead and brought it to Aransas, is no longer being or POA in Sea Pines and that as the considered as a location for a water the mid-50s things gravitate back to night they left behind a changed the PIPOA.” property owners there exit the PIPOA mu soon enough.
    [Show full text]
  • Matthew Robinson: Still a Wild Mustang
    Matthew Robinson leaned in close so I could better by Roger Gatchet hear him over the raucous, stream-of-consciousness harmonica solo being played by Mike Milligan, the charismatic front man for local Austin workhorses the Altar Boyz. Although modest when discussing his own considerable talent, Robinson is not one to rein in the praise when he hears some good blues. After a hearty deep-bellied laugh, infectious Matthew although barely audible over Milligan’s amplified harp, Robinson exclaimed: “Oh, man! He’s really puttin’ some juice in that thing now!” STILL A WILD MUSTANG I first met Matthew Robinson here, at the semi-final round of the Austin Blues Society’s clev- erly titled HOT (“Heart O’ Texas”) Blues Challenge in late 2008, the competition that would decide which Central Texas blues act would go on to rep- resent the Lone Star State at the International Blues Challenge the following year. The final round was scheduled to take place a month later at Antone’s, but on this night we found ourselves at the lesser- Robinson known Hanover’s Draught Haus, a funky saloon housed in a historic building in the neighboring town of Pflugerville. Robinson was not one of the performers scheduled to compete that evening; rather, he and I were asked by the Society to join a small panel of judges presiding over the evening’s festivities. Robinson’s name may have been absent from the bill, but he certainly came dressed to perform— decked out in all black, with matching slacks, dress shirt, polished cowboy boots and a wide-brimmed black hat—and he told me, as he casually rolled a cigarette on the back patio before the show, that he had his axe waiting out in the car.
    [Show full text]