Contemporary Music Score Collection

UCLA Contemporary Music Score Collection

Title The Potbelly Hill

Permalink https://escholarship.org/uc/item/6c55c7jd

Author Dülger, Onur

Publication Date 2020

eScholarship.org Powered by the California Digital Library University of California The Potbelly Hill for violin, cello, bass clarinet in Bb and prepared piano

Onur Dülger 2017

© 2017 by ONUR DÜLGER All rights reserved 2 How to Play the Multiphonics PERFORMANCE NOTES Auxiliary Objects 1) A light and small object (a node-obstacle) such as a plectrum is put on a mono- chord PIANO string, to rest on a slot of the copper winding. (kept in the right hand) Book A4 size This symbol is used to show the location of the hand 2) The corresponding key is hit quite loudly and held pressed. (left hand) movement inside the piano. Bike Tube 3) The plectrum is soon released upwards away from the string (right hand) Staffs: 4 or 5 staffs are used where the top staf stands for Glass Bottle voice of the player. Each hand has two ordinary staff 4) The key is released at latest after the sound has faded completely, or earlier (left hand). and one additional staf for the actions inside the Also, the pedal can used, in which case the decay can be regulated more. Super Ball piano. Most of the time the extra stuff for the left hand is not there since the left hand usually plays on Plectrum the keyboard. For more information about playing the multiphonics Visualisation: There are three different kind of on the piano visit the following page to download the visualisations on the score, which are action, thesis regarding the multiphonics: location and results. Book dampened: Multiphonics: A Book (on the top staff) with the size of A4 http://ethesis.siba.fi/files/vesikkala_thesis_2016_fulltext.pdf The right hand finger touches the node paper is placed on the given strings (middle which lies at the given procent of the staff). Then a clusters or notes are played on the string(top staff), then lifts after playing keyboard (bottom staff) with cross note-heads. the given note in the left hand(bottom staff) so that overtones occurs(middle staff).This technique should be perfomered like a gutiar harmonic playing technique.

Superball Rubing: A superball (top staff) is played on Pluck on the string: the given strings (bottom staff). The right hand holds the plectrum and plucks the string (top staff) on the given string (middle staff). At the bottom staff the note is an orninary note which s played on the keyboard. Cluster: A chromatic cluster is played on the keyboard.

Plectrum granulation: The right hand holds the plectrum and makes a horizontal glissando Horizontal Glissando (top staff) on the given string All chromatic tones should be played (bottom staff) which causes between the given notes with a granulation (bottom staff). plectrum inside the piano towards the given direction.

Tube Rubing: Rub the given strings (bottom staﬀ) inside the piano (top bottom).

List of piano multiphonics Plectrum granulation: The right hand holds the plectrum and makes a glissando (top staﬀ) on the treble bridge string.

Glass glissando & dampened: A glass or a glass bottle, which should be so long to cover a tritone intervall, which should be placed on the given strings (bottom staff). The glass should be moved then horizontally. Occationally the glass can be moved also vertically as it can be seen on the left ( bottom staff). While right hand is acting inside the piano, the left hand playes the given notes (bottom staff) with cross note-heads. http://www.cellomap.com/index/the-string/multiphonics-and-other-multiple-sounds/further-examples-of-multiphonics.html 3 STRINGS Bowing Directions and Pressure Pizzicato Multiphonics Quarter tones The open string is much more present in the sound The bow moves vertially on the string and in this particular left hand makes also large glissando while one quarter tone higher one quarter tone lower than for bowed multiphonics. The mid-high partially over pressure to full over pressure of the semi tone higher semi tone lower harmonics are weak; harmonics above the 10th bow is applied. There should be rattling sound. three quarter tone higher three quarter tone lower seem to be inaudible. The multiphonic effect is notably more pronounced on the lower strings. Cello Positions Violin Positions

tp : tail piece mst : molto sul tasto ws : wrapped strings st : sul tasto Artificial Multiphonics bb : behind the bridge ord : ordinario Pizzicato on Two Strings msp: molto sul ponticello sp : sul ponticello These function in a same way as pure Pizzicati are applied on the given strings by using two sp : sul ponticello msp: molto sul ponticello multiphonics but they are produced as stop fingers, one finger or each string while making a ord : ordinario bb : behind the bridge multiphonics. The principe is the same. glissando. st : sul tasto ws : wrapped strings Chewing the Bow Hair mst : molto sul tasto tp : tail piece Turn the backside of the instrument. Bow the back Bow pressure levels plate of the instrument and pressing down on the hair of the bow, making rotation motions. If the Artificial Multiphonic Glissando : under pressure middle part of the bow is used, the sound quality : ordinary pressure The same artificial multiphonics are played with will be bright. If the frog part used, the sound will : partially over pressure, halfway between "ordinary" and "over pressure" glissandi. It is difficult to sustain a consistent be darker. : over pressure multiphonic effect, but reliability improves with Trill with growing interval : noise symbol for over pressure practice. Trilling finger goes further away from the lower Pure Multiphonics List of cello multiphonics used in this piece finger while the overalls glissando. In general, to perform a multiphonic, I play with light left-hand finger pressure and a Double Stopped Multiphonics Seagul effect medium-slow, fairly heavy bow stroke, In general, it is quite problematic to play The effect is performed so that the left hand further from the bridge than for normal multiphonics simultaneously on two strings. This is interval should be kept fix between the stopped and harmonic playing. These conditions are because the bow position and speed are very specific harmonic fingers while making the glisssando. As a relative to the ‘usual’ playing technique for in the case of multiphonics; slight alterations cause result broken upwards glissandi are heard. the highest harmonic that contributes to the them to ‘break up’ into single harmonics. The most multiphonic, so they vary from multiphonic reliable way of double stopping multiphonics is to Double stop harmonics to multiphonic: the bow stroke will be chose two multiphonics that are in parallel positions Two different harmonics on the neighbour strings lighter, faster and closer to the bridge if the on two strings. The sound is distorted and difficult are played simultanously. multiphonic contains high components to sustain consistently. (e.g., 12th, 13th harmonics) than for multiphonics with only mid-range Sub Harmonics Double stop glissado harmonics. Undertones (or subharmonics) are pitches below the Two different harmonics on the neighbour strings fundamental frequency of a string. The pitch is http://www.cellomap.com/index/the-string/multiphonics-and-other-multiple-sounds.html make glissando simultanously. usually a minor seventh below the fundamental but Controling Loudness and Overtone Content can vary. Several different pitches might be possible. Undertones require high bow pressure and a very The scope for varying bow pressure, bow speed and point of contact in multiphonics is limited consistent bow speed at the lower end of ‘normal’ compared to normal playing, and even compared to performing harmonics. In general, these playing. In general they are easier to produce when factors control the loudness and noisiness of a multiphonic. However, they also influence Double stop trill the point of contact is not very close to the bridge. which harmonics take part in a multiphonic and can block high/low components. Therefore, Two different harmonics on the neighbour strings when trying to change the loudness or colour of a multiphonic, it is very easy to ‘break up’ the are played simultanously, but one of them make trill multiphonic and find yourself playing a single harmonic. A balance between flexibility of with another harmonic of the same string. colour/loudness and reliability of multiphonics is difficult to achieve. In summary: Winding Granulation -Increasing bow pressure increases loudness and encourages a distortion-like sound. High It is played with the winding metal (top staff) of Double stop tremolo bow pressure favours the lower harmonics, making them loudest in the mix of harmonic the bow on the given (bottom staff) open string. It Two different harmonics are played on different components. It also encourages the open string (‘first harmonic’) to contribute to the sound causes rattling sound. strings one after another with the given bow change. and can restrict high harmonics.

-Decreasing bow pressure makes a multiphonic sound quieter and ‘purer’. Low bow pressure can restrict the lower harmonics in a multiphonic.

-Increasing bow speed increases loudness and encourages higher harmonics, eventually cutting out lower harmonic components. Wrapped Strings' Sound For more information about playing techniques for -Decreasing bow speed decreases loudness and encourages lower harmonics, eventually It is played on the wrapped part of strings visit the following page: cutting our higher harmonic components. the string behind the bridge. If you move the bow vertically towards the http://www.cellomap.com -Contact points quite close to the bridge encourage noisiness and favour low components, ﬁne tuning screws, the sound gets sometimes restricting high harmonics and allowing the open string to sound. higher and brighter.

-Contact points very close to the bridge produce a ‘purer’ sound and favour high components, sometimes restricting low harmonics. 4 BASS CLARINET VOICE Carton Preparation Closed Mouth This preparation is a sheet of card. It's fixed to the bass clarinet's The given note should be sang while mouth is closed by bell opening with a bulldog clip (the bass clarinet can be protected saying "hmm". Black circle on the top of the note indicates by gluing felt to the metal edges of the clip or by using bluetack). that mouth should be closed. It’s actually not so easy to find the right balance of the carton, so having a few different thicknesses to try is probably not a bad idea. Mouth Closed to Open When you make a crescendo on the lowest note "C" at some point The given note should be sang while mouth is closed the it begins to make a clattering noise. These can be combined with on the given beat it begins to open. When it becomes fully singing, flutter tongue and overblown spectral multiphonics. For open, a vowel is indicated. Black circle on the top of the more information and how to produce them visit: note goes yo open circle means it gets open. https://heatherroche.net/2014/03/24/ on-bass-clarinet-preparations/ List of clarinet multiphonics Airly Whistle Please find these multiphonics on the Harry Don't be too loud and be carefull not dominate the other Sparnaay's book called the bass clarinet with the sounds. The quality of the whistle should be airy. It can be number below them!!! combined with glissando or trill.

Whistle Trill 41 88 Beginning with the page of PDF is 104 02 13 06 08 Don't be too loud and be carefull not dominate the other 06 86 87 sounds. The quality of the whistle should be airy. The interval of the trill is an minor 2nd.

Changing Vowels 03 06 08 The vowels are changing rapidly when the moth becomes 30 open. 40 66 65 79 List of clarinet dyads Vocal Fry Granulation Please find these dyads on the Heather Roche's webpage with the numbers below them!!! Vocal Fry is the lowest vocal register and is produced through a loose glottal closure which will permit air to https://heatherroche.net/2014/08/08/on-close- bubble through slowly with a popping or rattling sound of 280 108 110 a very low frequency. 112 110 108 dyad-multiphonics-for-bass-clarinet/ 113 112 112 111 Overblown Spectral Multiphonics For more information about the techniques please see the These sounds are produced on the book called "The Techniques of Singing" by Nicholas lowest register of the instrument. Isherwood. Theses are basically the overtone series of the instrument. These effect can be combined with other effects If you have question, please do not hesitate to write me. My like singing, flutter tongue, etc. For e-mail adres is more information and how to produce them visit: [email protected] https://heatherroche.net/2016/09/26/ spectral-multiphonics-bb-and- bass/ Slap tongue & Multiphonic The slap tongue sounds emanates from a vacuum created between the reed and the mouthpiece. We create and release this vacuum by pressing the tongue to the read, creating a suction, moving the reed back from the mouthpiece facing and then releasing our tongue. This snapping back to the mouthpiece creates that fantastic slap sound. if you slap tongue on a multiphonic fingering, you get a chord. For more information and how to produce them and also see the video of it, visit: https://heatherroche.net/2014/04/04/ https://heatherroche.net/2014/08/25/ on-clarinet-articulation/ how-to-slap-tongue/

Reed Tapping Granulation This technique involves ﬂicking or tapping the reed with the right hand while holding down diﬀerent keys with the left hand, producing short articulated pizz-style sounds. For more information and how to produce them and also see the video of it, visit: https://heatherroche.net/2017/01/08/ reed-tapping-articulation/ For more information about playing techniques for strings visit the following page: https://heatherroche.net The Potbelly Hill CREED for violin, cello, bass clarinet in Bb and prepared piano 0" 1" 4" 9" 14" 21" 28" 33" Onur Dülger q=52 6 ppp mf 2017 1 2 3 4 5 s 7 ° 3 4 5 6 ™ 4 ™ ™ Voice & 4 Œ ∑ 4 ∑ 4 ∑ 4 ∑ Ó œ 4 ‰ Ó ∑ hm eo [e7, f7] e E ee ã ã ã ã ã ã ã ã ã ã ã ã ã EE EE e EE ™ #O ≈ 3 4 ≈ ‰ # œ3 5 6 ™ 4 ≈ ™ ™ Œ G Ó II B O1 ‰ Œ ∑ 6 G ‰ Ó Violin &4 6 4 & 2 4 4 4 6 G III #œ e 1 E E E

granulation: very slow bow

~~~~~~~~~~ slow bow on wrapped strings 3 ~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 ‰™ 5 6 4 4 Œ ~~~~4~~~~~~ Ó 4 4 ‰™ Œ 4 ‰™ Ó™ ∑ ™ ¢ ppp ppp mf mf ppp mf p f ° pspp mf 3 Œ ∑ 4 ∑ 5 ∑ 6 ∑ Œ 4 ‰™ Ó™ ∑ Voice & 4 4 4 4 œ 4 hm

winding granulation 3 4 5 6 ™ 4 ™ ™ 4 Œ 4 ‰™ Ó™ 4 4 ‰ Œ ∑ Œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~4~~~~~~~ ‰ Ó

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° 3 4 5 6 ™ 4 ™ ™ Voice & 4 Œ ∑ 4 ∑ 4 ∑ 4 ∑ Ó ‰ 4 ‰ Ó nœ œ œ pp ppp æ æ æ æ æ æ æ æ mf Bass Clarinet Œ æ æ æ æ æ æ æ æ ã ã ã in Bb #œ ™ ã ã ã ã ã ﬂuœtter ™ ≈ µ œ clattering noise 3 4 æ æ æ æ 5 æ æ æ æ æ 6 #e ™ µœ 4 ™ ™ ¢&4 Œ ∑ 4 æ æ æ æ 4 æ æ æ æ æ 4 œ ‰ Ó ‰ œ 4 ‰ Ó pp pp mp mf pp pp mf prepared mp with carton \ p q=52 pspp mf ° 3 4 5 6 4 ™ ™ Voice & 4 Œ ∑ 4 ∑ 4 ∑ 4 ∑ œ 4 ‰ Ó ∑ hm

(action) touch the node pluck touch the node p>luck > granulation with a plectrum ~~~~~~~~~~~~~~~~~~~~~~~ 3 ‰ ® Ó 4 ‰ Ó ‰™™ 5 ‰™ ∑ 6 Œ ∑ Œ Œ ‰ Ó 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ó 4 ™ 4 - 4 4 - - 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~ %18,8 %30,8 %23,1 %23,1 p f ppp > Piano [10+13+3] [9+13+4] ã ã ã ã Be. e R.H. [6+11+5] >. > ã ã ã ã ã ã [9+13+4] e (sound) Be > b6 ã ã ã ã ã ã e 3 µe 4 6 ™™ #µe 5 ‰™ 6 e 6 ? 4 &4 ‰ ® Ó 4 ‰ Ó ‰ 4 ∑ 4 Œ ∑ Œ Œ ‰ Ó 4 6 e Ó & 6 e e ◊Ÿ 6 >. >. >. > mp e mp >. > M Bb +47¢ M Eb +37¢ M M E§ +55¢ (action) >œ > ? 3 ™™ 4 ? ™™ BO 5 ™ 6 ˜O F# +55¢ ™ ™™ 4 ? µO. ™ Piano 4 ‰ ® BO Œ & ‰ œ 4 œ Ó ‰ œ 4 ‰ Ó Ó 4 œ Œ Ó &‰ œ œ Ó Ó 4 ∑ œ Ó L.H. ¢ œ. . . . > . > >. > mf ‘>>> > > p > mf . f Ÿ “ mp “‘ > mf ◊ ° ° ° ° ° ° ° © 2017 by ONUR DÜLGER All rights reserved 2 38" 42" 46" 51" 56" 59" 1'01" 1'08" 1'12" s G s , 15 aoiry whistling o o o pppp f 8 9 nœ 10 #œo bœ˙ 11 œ #œo œo #œo 12 œ 13 14 16 ° 3 5 4 3 ™ 3 6 7 œ ™ 4 5 Voice & ∑ 4 4 4 4 ‰ Ó 8 ∑ 4 #œ 8 ‰ Ó ‰ 4 ∑ 4 pppp hm i

[g#6, a6] n e #n ee ™ # %% ™ # e [a#6, b6] [g#6, a6] 3 5 4 3 ‰™ Ó 3 ∑ 6 7 n O ‰™ Ó ‰ 4 ∑ 5 4 nO ™ 4 4 4 8 4 ~ ™3 8 4 4 Vln. œ & œ ™3 w™ n œ µ1 ™ µ 1 ~ ™ µ nœO bœO ™2 bw ™2 e 1 1

sub harmonic: slow bow 3 ™ 5 4 3 3 6 7 4 5 4 4 4 4 ‰™ Ó 8 ∑ 4 8 ‰™ Ó ‰ 4 ∑ 4 ¢ p f pppp ppp ff s G s , o pppp f ° 3 5 #œ 4 3 ™ 3 6 œ 7 ™ 4 5 Voice & ∑ 4 ∑ 4 Ó 4 4 ‰ Ó 8 ∑ 4 8 #œ ‰ Ó ‰ 4 ∑ 4 pppp hm e

slow bow on wrapped strings ™ ™ sub harmonic: slow bow ‰ 3 5 4 3 3 6 7 4 5 4 >. >. >. >™ 4 4 4 >. ‰™ Ó 8 ∑ 4 8 4 4 Œ ‰ f ppp ff ppp fff pp mp E E EE 3 5 4 3 3 6 EE 7 ≈ 4 ≈ III (sul G) 5 ? 4 4 4 4 ‰™ Ó 8 ∑ 4 8 G 6 4 G ‰™ Œ ‰ 4 Vc. ¢ 6 E œ œ™ E e™ s pppp æ ﬂutter ° 3 ™ 5 4 3 ™ 3 6 ﬂuœtter æ æ æ æ 7 æ ™ 4 æ æ æ æ 5 Voice & 4 ‰ Ó 4 ∑ 4 #œ 4 ‰ Ó 8 ∑ 4 æ 8 ‰ Ó ‰ 4 æ æ æ æ 4 œ œ œ œ œ æ æ œ œ p f hm ppp fff ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã reed tapping granulation: imitate the violin ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ‰™ œ clattering noise ã 3 5 4 3 3 6 µe 7 4 ã ã ã ã ã ã ã 5 4 ‰™ Ó 4 Ó e 4 e e 4 Ó 8 ∑ 4 8 ‰™ Ó ‰ 4 4 B. Cl. ¢& #e #e œ æ æ æ æ pppp æ æ æ æ æ æ æ prepared æ æ æ æ æ æ with carton \ f ppp fff p s s , oairy whistling œo o œo o œo o œo o œo o œo o œo o œo o G ° 3 #œ œ 5 #œ œ 4 #œ œ œ œ 3 #œ ™ 3 6 pppp 7 f ™ 4 5 Voice & ∑ 4 4 4 4 ‰ Ó 8 ∑ 4 œ 8 ‰ Ó ‰ 4 ∑ 4

pppp hm a hold both plectrum plectrum granulation on the treble bridge and bike tube in ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã granulation touch the node the hand! 3 5 4 3 ™ 3 6 7 ™ 4 ™ 5 ‰ 4 Ó 4 Ó Ó 4 4 ‰ Ó 8 Œ ≈ 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 8 ‰ Ó ≈ 4 Ó 4 ÍÍÍÍÍÍ ÍÍÍÍ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ %23,1 ~~~~~ %18,8 f pppp ppp fff Pno. “” > B>e. >. ã ã ã ã ã ã L.H. >. 6. [9+13+4] ã ã ã ã ã ã ã ã ã [6+11+5] 6 ∏ n6 e ã ã ã ã ã ã ã

∏ ∏ 6 (location) ã ã ã ≈ ∏ 3 ∏ 5 4 3 ?3 6 7 4 ? 5 & ‰ 4 ∏ Ó 4 Ó Ó 4 ∑ 4 ∑ 8 Œ ≈ e 4 b6 8 G ‰™ Ó ≈ µe 4 Ó™ 4 Ÿ & e p ◊ ne. ff > > > 6. >. > M E§ +55¢ 6 >. Bb +47¢ 3 5 #œ 4#œ 3 3 >. >. 6 > 7 6 M BœO 4 > 5 Pno. ? Ó™ ‰™ 6 4 ‰™ Ó 4 ∑ ‰™™ 4 Ó™ 4 ∑ ?8 Œ ≈ µœO 4 Œ ∑ 8 6 ‰ Ó ≈ 4 Ó™ 4 R.H. ¢ 6. . . & 6 ff >Ÿ> > mp fff p ◊ mp ◊Ÿ ° ° ° 1'17" 1'23" 1'29" 1'34" 1'39" 1'43" 1'48" 1'53" 1'55" 2'00" s 3 17 18 ppp 19 20 21 22 23 24 25 26 ° 5 6 ™ 4 œ œ 2 9 3 ™ 5 Voice & 4 ∑ 4 Ó œ 4 #œ œ #œ 4 œ 8 4 ‰ Ó 8

hm o e ã ã ã ã ã ã ã ã ã ã ã ã 5 œ 6 4 ™ ™ # 2 ™ 9 3 5 Vc. 4 œ 4 œ œ 4 ‰ Ó ∑ & 4 ‰ Œ 8 ∑ 4 6 8 e e e e ##œO bow speed: increase decrease sub harmonic: slow bow granulation: very slow bow ~~~~~~ 5 6 4 2 9 3 ~~~~~~~~~~~ ~~~~~~~5 4 4 4 ‰™ Ó™ ∑ 4 ‰™ Œ 8 ∑ 4 ~~ 8 ¢ mp f mp f mf ff ppp ppp p s ppp ° 5 6 4 œ œ œ œ œ œ œ œ œ œ 2 9 3 ™ 5 Voice & 4 ∑ 4 ∑ 4 œ œ œ œ œ œ œ œ œ œ 4 #œ 8 4 ‰ Ó 8 hm

5 6 4 2 9 3 5 4 4 4 ‰™ Ó™ ∑ 4 8 ∑ 4 8 ™ ‰™ Œ ppp f mp f ™ pp mp mp f mf ff o ã ã ã ã ã ã ã ã ã ã ã ã ã e B[e5+9+13+4] ã ã bœ ã ã ã ã ã ã ã ã II (sãul Dã ) ã ã #œ e Vc. 5 ã 6 ã IV (sul C) bœ ã ã ã 4 O 2 9 3 #e 5 ? 4 4 œ ™ œ 4 ‰™ Ó™ ∑ B œ 4 ‰™ Œ 8 ∑ 4 e 8 ¢ œ™ œ & M ˜O II (sul D) F# +55¢

° 5 æ æ æ æ æ 6 æ 4 2 9 3 5 4 æ æ æ æ æ 4 æ æ æ æ æ æ 4 æ ‰™ Ó™ ∑ ∑ ∑ ∑ 4 ∑ 8 ∑ 4 ∑ 8 Voice & œ œ #œæ œ #œæ œ f mp f mp ff ã ã ã ã ã ã ã ã ã ã ã ã ãã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã Œ œ ™ µ œ 5 ã 6 ã ã ã ã ã ã ã ã 4 2 œ 9 3 ‰ #e 5 4 4 4 æ ‰™ Ó™ ∑ ∑ ∑ ∑ 4 8 4 Œ 8 B. Cl. ¢& æ æ æ æ æ æ æ æ æ æ æ œ ppp pp f mp f mp ff s ppp ° 5 6 ˙ 4 ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ 2 9 3 ™ 5 Voice & 4 ∑ 4 Ó Ó ˙ 4 ˙ ˙ ˙ ˙ ˙ ˙ ˙ 4 8 4 ‰ Ó 8

3 3 3 3 3 3 hm

granulation touch the node ~~ ~~~~~~~~~~~~~ ~~~~~ ~~~ ™ 5 ~~~~~~~~~~~~~~~~~~~~~~~~ ~~~6~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~~ 4 ™ ™ ∑ ∑ 2 ‰ 9 ∑ 3 5 4 Œ ~~~~~~~~~~~~~~~~~~~~ 4 ~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~~ 4 ‰ Ó 4 Œ 8 ® ™ 4 Ó 8 ~~~~~ ~~~~~~~~~~~~~ ~~~~~~~~~~~ ~~~ %23,1 mp f mp f mf ff ppp p ppp p ppp

ã ã ã ã ã ã ã ã ã ã e e ã ã ã ã ã ã ã ã ã ã ã [9>+13+>4] > > ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ≈ã Be. . . . ? 5 6 ã ã b 6 4 G ™ ™ 6 2 ™ 9 e 3 5 Pno. 4 Œ n6 nb66 4 #n66 n 6 4 ‰ Ó ∑ ∑ & 6 4 ‰ Œ 8 ∑ ® 4 Ó 8 L.H. ◊Ÿ e >. > 6™™ >. >. > œœ > . 6 6™™ 6 #nœœ # œ F# +55¢ Pno. ? 5 ™ ™™ 6 6 6 ™™ 6 6 ™™ 6™™ ™™ 6 4 ™ ™ ™ ™ ™ ™™ 2 9 ? ˜O 3 5 4 Ó ‰ 6 6 4 Œ ‰ 6 . ‰ ‰ 6 . ‰ 6 4 6 ‰ Ó Ó &‰ Ó ∑ Ó ‰ 4 Œ 8 ∑ ® œ. . . 4 . Ó 8 R.H. ¢ Ÿ . . > 6 6. > 6. 6 “‘> > > > ◊ > > ‘ 6 > > 6 pp M ° “ >. >. mp p ° mf ° ° ° ff 2'04" 2'06" 2'11" 2'16" 2'23" 2'27" 2'32" 2'36" 4 s Ÿo~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 27 28 ppp 29 30 31 #œ 32 33 34 ° 5 4 6 ™ 4 7 ‰™ 3 6 Voice & 8 ∑ 4 œ 4 ‰ Œ ∑ 4 8 Ó ‰ 4 ∑ 4 ppp mp hm ee e ee ee ee ee e ee ee e ee ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã EE ee ee e ee ee ≈e 5 4 6 6 6 G ≈ 4 6 6 7 G ™ 3 6 Vln. &8 4 6 6 6 4 6 4 6 6 8 ‰ Ó ‰ 4 ∑ & 4 E e e e e e e e e e e e e

increase ~~ ~~~~~~~~~~~ 5 ~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~4~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~6~~ 4 7 3 6 8 4~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4~~~~~~~ 4 8 ‰™ Ó ‰ 4 4 ™ ∑ ¢ ppp p ppp p mp p f

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿo~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œo œ ° 5 4 6 ™ ‰ 4 7 ™ 3 6 Voice & 8 ∑ 4 4 Œ ∑ 4 8 ‰ Ó ‰ 4 ∑ 4 pp p pp p pp ppp mp

5 4 6 4 7 3 6 8 ‰ Œ™ 4 ∑ ∑ 4 ‰ Œ 4 ∑ ∑ 8 4 ‰ Ó 4

pp p mf p mp f mp “” Be µ[6e+11+5] e e [5+9+13+4] ne Vc. 5 4 6 ne 4 7 e 3 6 8 ‰ Œ™ 4 ∑ ∑ ? 4 B ‰ Œ 4 ∑ ∑ 8 4 ‰ Ó 4 ¢& O µ O M III (sul G) Bb +47¢ M IV (sul C) E§ +55¢ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s œo ppp ° 5 4 6 ‰™ 4 bœ 7 ™ 3 6 Voice & 8 ∑ 4 Œ 4 Œ ∑ 4 Œ 8 ‰ ‰ #œ 4 4 pp p pp p pp hm p mf

ﬂutter #eœ œ 5 4 ‰ Ó™ ∑ 6 Ó™ µe 4 ‰ Ó™ ∑ 7 Œ ‰ µe 3 6 B. Cl. ¢&8 4 4 e 4 8 4 4 œ œ mp pp æ æ æ æ æ æ æ æ mp f p mf p s s ppp ppp ° 5 4 6 ™ 4 œ 7 ™ 3 6 Voice & 8 ∑ 4 bœ 4 ‰ Œ ∑ 4 8 ‰ Ó ‰ 4 ∑ 4

hm hm ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 5 4 ™ 6 4 7 3 6 8 4 ‰ ‰™ Ó ‰™ 4 Œ 4 ‰™ Ó™ Ó™ ‰™™ 8 Ó ‰ 4 4 %18,8 %23,1 ppp p ppp pp mp pp mp pp mp pp p plectrum granulation ee on the treble bridge ee e [B9>+e.13+4] >. ee [6+11+5] e 5 6 4 ™ bb66 ™ ™ µe 6 4 ? ™™ 7 3 6 Pno. &8 n6 4 ‰ ‰ Ó ‰ 4 ∑ Œ 4 ∑ Ó Œ ‰ e 8 Ó & ‰ 4 #b66 4 L.H. e ne. . . > > > > > b œ. > > M . >. > > œœ bœ. bœ. >œ™ Bb +47¢ bœœ œ . . >. M E§ +55¢ 5 4 6 4œ #œœ nbœœ#œœ 7 3 6 Pno. ? 8 Ó ≈ 4 Ó™ Ó™ ? ‰™ BO 4 ∑ ‰™ 4 Œ Ó Ó Œ ? ‰™™ 8 Ó ‰ 4 Ó ‰™ 4 R.H. ¢ & œ. . . & µO & mp >> > mf œ. . p ° mp pp > > mf “‘ °“‘ SACRAMENT 2'39" 2'46" 2'51" 2'55" 3'01" 3'08" 3'12" s Ÿo~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ G s , 5 35 œ 36 37 38 39 pppp 41 f ™ 40 ° 6 4 5 ‰ 6 œ 3 œ bœ 5 ™ 3 Voice & 4 4 4 ∑ 4 #œ œ 4 nœ 4 œ ‰ ∑ 4 p f hm e [f7,gob7] [f7,ogb7] o o [d#7, e7] o be [d7, eb7] [c7, db7] n ee bn ee eo ee n ee n e [g7, ab7] e ™ ™ n ee n #n e n [g#6, a6] bn e ™ bn ee ™ n [e7, f7] [e7, f7] #n %% ™ # O 6 #O # O nO # O 4 #O 5 œ 3 6 3 3 ™ 5 #O 3 # œ3 œ n œ # œ BO 1 ™ # O ™ # O ™ # œ ™ Vln. B O1 µ O # œ B O B O n œ 2 ‰ ∑ ~ 3™ n œ œ™ B O ‰ ∑ &4 #œ2 nœ µ O nœ 4 #œ 4 1 4 w™ 4 ˜ O ™ ™ 4 #œ 4 #œ 1 ™ nœ ™ µnœO ™ II 1 II µbw~ ™2 III III 1

6 4 5 6 3 5 3 4 4 4 ‰™ ∑ 4 4 4 ‰™ ∑ 4 ¢ p f ppp f Ÿo~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s G s , œ pppp f 3 ° 6 4 5 ™ 6 œ 3 #œ 3 œ 3 bœ 5 ™ 3 Voice & 4 4 4 ‰ ∑ 4 #œ 4 nœ #œ J 4 nœ ‰ ∑ 4 p f hm a

slow bow on wrapped strings ‰™ 6 4 5 6 3 5 3 4 ∑ 4 Œ 4 ‰™ ∑ 4 4 4 ∑ 4

p f ppp f µ e #Be ee ee ee e e ee e ee e ee [7+10+13+3] ee ≈ Vc. ? 6 4 ne 5 ™ 6 3 6 5 G ™ 3 ¢ 4 ∑ & 4 Œ B 4 ‰ ∑ 4 6 6 4 4 ‰ ∑ 4 O e e e e M I (sul A) Eb +37¢ e e e

flutter flutter 3 æ ° 6 4 æ æ æ 5 æ 6 æ æ æ æ æ 3 3 æ æ æ 3œ œ 5 æ 3 4 ‰ Œ ∑ 4 æ æ æ æ 4 ‰™ ∑ 4 æ æ æ æ æ æ 4 æ æ æ bœæ œ œ 4 œ ‰™ ∑ 4 Voice & œ œ #œ œ œ œ nœ æ æ æ p p f ppp f æ æ æ æ æ æ æ æ æ æ æ # æœ œ # œ ™ flutter overblow æ æ œ bœ ‰ ˜eœ Œ œ 6 µ e 4 5 ™ 6 3 5 3 B. Cl. &4 ‰ Œ µœ 4 4 ‰ ∑ 4 4 4 ∑ 4 ¢ æ æ æ æ æ ‰™ æ æ æ æ æ œ mp p f æ æ æ æ æ æ æ æ Ÿo~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ s G s , ° 6 4 5 ™ 6 pppp œ 3 #œ 5 f ™ 3 Voice & 4 4 4 ‰ ∑ 4 œ œ 4 #œ 4 nœ ‰ ∑ 4 2 p f hm i 2

granulation ~~granulation ~~ 6 4 ~~~~~~~~~~~~~~~~~~~~~~ 5 6 3 ~~~ ~~~~~~~~ 5 3 ‰™ Œ ∑ ~~~~~~~~~~~~~~~~~~~~~~ ‰™ Œ Ó™ ~ ~~~~~~~~~~~~ ~~~~~~~ ~~~~~ ~~~~~~~ ‰™ Œ™ 4 4 ~~~~~~~~~~~~~~~~~~~~~~ 4 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~4~~~~~ ~~~~~~~ ~~~~~ ~~~~~~4~~ j 4 ~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~ ~~~~~~ ~~~~~ ~~~~~~~~ %30,8 ~~~~~ ~~~ mf p ff place the glass ppp f between given [10+1>3+3] ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã µe. ã ã ã ã ã ã ã ã ã ã ã ã strings! ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã # e (location) ã ã ã ã ã ã ≈ã ã ã ã ã ã ã ã ã 6 ã Pno. 6 ™ ? 4 G ™ 5 ™ ? 6 3 6 # 5 ™ ™ 3 &4 ‰ Œ ∑ 4 6 ‰ & 4 Œ œ Ó 4 b6 n6 4 #6 4 G ≈ ‰ Œ & œ 4 L.H. e ◊Ÿ > ◊Ÿ 6. 6>6. bœ>œ 66 > >6. >. >6. œ 6 6 6. 6 6 6 6 4 M Eb +37¢ 5 6 >6. >. 6 >. 6 3 6 5 6 3 Pno. &4 Œ ? 6 ‰ Ó™ 4 Ó™ Ó™ ‰™ 4 6 ‰ Ó™ ?‰™ 6 4 ‰™ Ó™ ‰™™ 6 ‰™ 4 Ó ‰™™ 6 4 6 ‰™ Œ™ ¿ 4 R.H. ¢ 6. B O & 6 6 6 6 & ¿ > mp mf f 6 pp mf “‘ œ. ff . p > f ◊Ÿ ° “‘ > ° ° f ° 3'17" 3'21" 3'27" 3'34" 3'40" 3'44" 6 42 43 44 45 46 47 ° 3 5 6 3 4 6 Voice & 4 ∑ 4 ∑ 4 ∑ ∑ 4 ∑ 4 ∑ 4

o ã ã ã ã ã ã ã ã ã ã ã ã #e ã IV (sul C) ã ã ã II (sul D) ã ã µe pizz. ã œ ã ã ã ã ã ã ã ã ã #œ arco III (sul G) ã ã ã ã ™ 3 5 ‰™ Ó™ 6 œ bœ œ 3 ‰ Œ BO 4 6 Vln. &4 Bbœ 4 nœ 4 ™ 4 # œ2 4 4 #œ # O 1 #œ œ œ™ œ # œ4 mp mf mp mf 1 p

™ ™ 3 5 ‰™ Ó™ 6 3 ™ 4 ∑ 6 4 4 4 4 ‰ Ó 4 4 ¢ mp f mp f mp f mf ff

° 3 5 6 3 4 6 Voice & 4 ∑ 4 ∑ 4 ∑ ∑ 4 ∑ 4 ∑ 4

sub harmonic: slow bow 3 5 6 3 4 6 4 4 4 4 ™ 4 ™ 4 Ó ∑ ‰ ‰ Œ

mp f mp f mf ff p “” Be [5+9+13+4] µe n e pizz. Be e [6+11+5] e ne [5+9+13+4] Vc. 3 5 ne 6 œ 3 e 4 6 ? 4 ne Ó 4 BO ∑ 4 œ œ œ 4 ‰™ 4 ‰™ Œ 4 ¢ µ O e e e œ e µO M III (sul G) Bb +47¢ f M IV (sul C) E§ +55¢ f e M IV (sul C) E§ +55¢ ° 3 5 6 3 4 6 Voice & 4 ∑ 4 ∑ 4 ∑ ∑ 4 ∑ 4 ∑ 4 >. overblow Bœ œ œ n ˙ ˜˙ ˜œ Bnnœœ œ #e # E # E # e µœ 3 Ó 5 6 Œ nE 3 ne 4 ‰™ Ó ‰™™ 6 B. Cl. ¢&4 4 4 œ n˙ µ˙ 4 µœ 4 4 æ æ æ æ æ ppp mp æ æ æ æ æ \ p ff p f

° 3 5 6 3 4 6 Voice & 4 ∑ 4 ∑ 4 ∑ ∑ 4 ∑ 4 ∑ 4

granulation ~~~~~~ ~~~~~~ ~~~~~~~ 3 Ó 5 G ∑ 6 Ó™ ~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~ 3 ‰™ Ó 4 ∑ 6 4 G 4 4 ~~~~~~~~~~~~~™~~™~ ~~~~~~~~~~~~~~™~™~~ ~~~~~~~~~~~~~~~~~~~ 4 4 4 ~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~ pp mf p f mp ff place the book ã ã between given ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã G ‰ stœrings! ã ã ã ã ã ã ã ã ã ã ã ã ã Pno. 3 ? 5 6 ™ 3 ™ 4 6 &4 œ œ 4 œ G ∑ 4 Ó b6 n6 6 4 G ≈ ‰ Ó 4 ∑ & 4 L.H. œ ◊Ÿ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > 3 5 6 n¿ #¿ >¿. 3 ¿. 4 6 Pno. &4 n¿ ¿ 4 ‰™ Ó ‰™™ ‰™ 4 ‰™ Œ ? ¿ b¿ #¿ n¿ n¿ n¿ b¿ ¿™™ ¿ 4 ¿ ‰ Ó 4 Ó™ ≈™ n œ bœœ∫œœ 4 R.H. ¢ n¿ #¿ #¿ ¿ & ¿ ¿ ¿ ‹#œœ #nœœ œœ œœ œœ n¿ ¿ ¿ pp mf pp mf >. >. >. >. > ◊Ÿ ° mf ff mp f mp f mp mf ff ° ° ° ° ° f ° 3'49" 3'55" 4'02" 4'06" 4'13" 4'17" , G , s G s , 7 p mf mp f 48 49 50 51 52 53 ° 6 œ bœ œ 3 œ œ 6 ™ 4 7 Voice & 4 œ nœ #œ œ œ 4 #œ 4 nœ ‰ Œ ∑ 4 ∑ ∑ 8 e hm e

[a7, bb7] ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ [e#7, f#7] [g#7, a7] Ÿ be ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ [f#7, g7] e [d7, eb7] Ÿ n# ee n e bn e G [a#6, b6] nb %% ™ G be ## ee # e . nb ee . . bO™ n O n O # O nO pizz. bO™ 6 ™ 3 # O n œ bœ # œ G 3 6 ™ 4 7 #~ ™ 4 O n œ µ O µ O #O ™ nO Vln. w™ 1 G µ O b œ bB œO n œ œ ‰ Ó Œ ∑ œ &4 B ~ ™ 2 nœ 4 4 B O µœ 4 8 nw 1 nœ #œ µœ 2 2 p mf mp ™ 6 3 6 ‰ Ó 4 7 4 4 4 Œ 4 ∑ 8 ¢ p f mp f s G s , G , s p f p 3 ° 6 nœ #œ 3 nœ b3œ bœ 3 3 6 ™ 4 7 Voice & 4 #œ nœ bœ nœ nœ 4 4 œ ‰ Œ ∑ 4 ∑ ∑ 8 hm a hm

slow bow on wrapped strings ™ 6 3 6 4 7 4 4 4 4 8 ‰™Ó ® ™™ ∑

p mp p mp p f mp f e µ e ee ee ee ee ee e Be # e ee ee e e e e ee e e ee Be [7+10+13+3] ee ee e e e ee ee I (sul A) e ee II (sul D) e n O™™ ee e e e ee #œ e pizz. Vc. e ee nœ œ [5+9+13+4] bO™™ 6 6 6 3 6 6 ™ #e ? µœ ™™ 4 ne ? ˜œ 7 4 6 6 & 4 & 4 ‰ Ó & ® œ O 4 ∑ & ® 8 ¢ e e e œ e e e œ #O™™ B O µœ e e e e e e e e e I (sul A) Eb +37¢ e e ˜O M mp M p f mp mf ﬂutter 3 3 ° 6 œ bœ æ æ æ œæ æ æ œ # œ æ æ æ æ æ æ ™ 3 6 4 7 Voice & 4 œ bœ nœ nœ œ#œ œ œ nœ ‰ 4 ∑ 4 ∑ 4 ∑ ∑ 8 æ æ æ æ æ æ æ æ mf 3 3 p æ æ æ æ æ Bœ æ æ æ æ æ æ B œœ æ æ æ ™ ™ ˙ #˙ #˙ #˙ µœ ‰ Ó µ˙ ˙ n ˙ # ˙ 6 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3 ∑ 6 4 7 B. Cl. ¢&4 4 4 4 8 \ ‰™ Ó pp mp pp mp æ æ æ æ æ æ æ æ æ f p , G , s f p ° 6 ™ 3 6 4 7 Voice & 4 œ œ œ bœ ‰ Œ ∑ 4 ∑ 4 ∑ 4 ∑ ∑ 8 2 i hm pluck 6 3 6 > 4 > 7 4 ‰™ Œ ∑ 4 ∑ 4 Œ - ∑ 4 - Ó™ ∑ 8 > b œ. >. >. >. >. Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ œœ#œœnbœœ#œœ 6 3 6 >6 >6 4 >6 7 Pno. 4 . ‰™ Œ ∑ 4 ∑ 4 Œ Ó™ ‰™™ 4 Ó™ Ó ‰™ 8 L.H. & œ ¿ #¿ ¿ ¿ #¿ & G œ ¿ ¿ #¿ #¿ mp G mf mp f mp Ÿ~~~~~~~~~~~~~~~~~~~~ ? 6 3 6 4 67 Pno. 4 b∫∫œœ ‰™ Ó™ ∑ 4 Ó ‰™™œ 4 œ Ó ? ‰ Ó 4 ∑ ‰ Ó ‰™™ 68 R.H. ¢ #‹œœ & . #œ 6. >. n¿ n¿ > > #œ > n¿ #¿ mf mp f “‘ ° ° mf ° ° mp ° 4'22" 4'26" 4'33" 4'40" 4'47" 4'54" 5'01" Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 8 s s G s , s G s , 54 55 ppp pp 57 pp mp p mp 60 ° 59 7 ∑ 6 56 ‰™ Œ ∑ Ó™ 58 œ bœ œ 7 Voice & 8 4 bœ œ #œ œ #œ 8 hm hm a hm uouoaii a uouoai ≤ ≤ ≤ ≤ ≥ ≤ ≤ ≤ ≥ ≤ ≤ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ e≥ e≤ ≤ #e ne #e≤ ne #e Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ e e e n% e #e ne # ≥ ≥ e e≥ ≥ ≥ e ≥ ≥ e #e G ne #e e e G e ne≥ ≥ ≥ ≥ b #e≥ b ne arco e e e b% e be be e . e e e . # O n O O # O ~ # O n O n œO # O Oœ b O bœ ##œO bbOœ n O nœ 7 6 O O O n 3 œ bœ3 O nO #œ œ bœ #O b œ 7 ™ O 3 #O 3 3 # O O O b w n O nœ µœ ‰ Ó ‰ b œ œ bOœ 1 n œ bOœ n œ bOœ n œ ~ 1 # O1 œ n œ # œ Vln. &8 4 b O 1 O 1 B 4 O O O 4 BO n œ 4 8 4 4 O G #œ bœ œ G œ 1 œ œ œ œ œ #w 1 1 1 1 2 2 II- III II I f 7 ‰™ 6 7 8 Ó ‰ 4 8 ¢ ppp p pp mp p mf p mf p mf mp f mf ff f Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s G s , s G s , ° pp p mp p mf mp 7 ∑ 6 ∑ Ó™ ‰™ Ó™ Ó™ œ bœ 7 Voice & 8 4 bœ œ #œ nœ #œ 8 hm a hm uouoaii a uouoai ≥ ≤ ≥ ≤ ≥ ≤ ≥ 7 6 7 8 4 8 ‰™ Ó ‰ ™ ™ ‰™ ∑ Œ ‰™ Œ

ppp p pp mf mp f mf µe ™ µe Be[5+9+13+4] Be ™ n e ™ “”[6+11+5] e [7+10+13+3]µe n e e e ™ #e ™ e n e µe arco #e #e ™ e ™ e #e ˜e Vc. e e ™ e M #e ? 7 nœ ‰™ Ó ‰ 6 ˜ ™ ‰™ ∑ Œ nµœO‰™ Œ #e µ O 7 ¢ 8 4 Õ Õ ™ œO ™ #µœO µ O # œ 8 œ œ™ #œ same on M IV IV(sul C) f same on III M III (sul G) B +47¢ IIIth string IV (sul C) F# +55¢ III G +37¢ IIIth string IV III III III ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~I~~V~~~~~~~~~I~V~~~~ IV IV s Ÿ flutter mp ° 7 6 pp mp æ æ æ æ 7 8 ∑ 4 Ó ‰™ Ó ∑ ‰™ æ æ æ bœ œæ nœ 8 Voice & bœ œ #œ œ #œ œ æ æ pp mf æ æ hm æ æ æ æ æ æ Bœ œ overblow æ æ Bœ œ #œ œ œ œ œ # œ œ ˜œ nœ nœ Œ µœæ œ œ œ œ eœ b e eœ ˜e #e # e e #œ 7 ‰™ Ó ‰ 6 œ ‰™ µe Be e ‰™ ∑ Ó Œ ne ‰™ ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 7 B. Cl. ¢&8 4 œ œ µœ nœ nœ 8 p œ bœ œ ppp p f œ æ æ æ æ æ pp mp æ æ æ æ æ mf æ æ æ æ æ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ s Ÿ Ÿs s , ° pp mp p mp G 7 ∑ 6 ‰™ ∑ ∑ œ bœ œ 7 Voice & 8 4 bœ œ #œ œ #œ #œ 8 hm hm a uouoai 7 6 7 8 Ó™ ‰ 4 ™ ® ™ ® ‰ ∑ ∑ ∑ Ó™ 8 L.H. ppp mp e ee ee >. ee ee ee ee #œœ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Pno. 7 ™ 6 bœ ‰ ™ 7 &8 ‰ Ó ‰ & 4 ‹#œœ nœ b œ ∑ ∑ ∑ Ó R.H.. G œ¿ #¿ n¿ #¿ ¿ #¿ ¿ #¿ n¿ #¿ n¿ #¿ 8 L.H. G œ ¿ ¿ #¿ ¿ #¿ ¿ G f G mp … 7 6 7 8 ∑ 4 ∑ Œ ™™ ™™ ™™ ‰™Ó™ ∑ Ó ‰ 8

pp mp ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 7 6 ¿ 6 ¿ Ÿ 7 Pno. ? 8 6 ‰ Ó ≈™ ¿ 4 ¿ ‰∑ Ó™ ∑ Ó ‰ ¿ b¿ n¿ b¿ n¿ 8 R.H. ¢ 6. ¿. ¿. nœ nœœ œœ œœ nœœ L.H. n¿ b¿ > ◊Ÿ> > ° ° ° ° ◊Ÿ f p ° ° mf SACRIFICE

5'08<" >~~~~~~~~~~~ 5'12" 5'15" 5'22" Ÿ 9 f 62 63 64 °61 7 ™ 3 6 4 6 Voice & 8 #œ ‰ Ó ‰ 4 ∑ 4 ∑ 4 ∑ 4 #e≤ be≥

pizz. ™ O #nœO µœ™ µ œ . . . 7 nœ 3 6 b œ ™ bœ Bœ 4 bœ ™ µœ . . . . . 6 Vln. & 8 ‰ Ó ‰ 4 ∑ 4 bœ™ ‰ Bœ ...... œ . . . 4 ‰ Œ . . . . 4 œ...... nœ™ . µœ ...... µœ. nœ µœ...... II-III . n œ II-III IVp . mf p mf mp p 7 ™ 3 6 ‰™ 4 ‰™ Œ 6 8 ‰ Ó ‰ 4 ∑ 4 4 4 ¢ fff <Ÿ>~~~~~~~~~~~~~~~~~ ° 7 fœf ™ 3 6 4 6 Voice & 8 ‰ Ó ‰ 4 ∑ 4 ∑ 4 ∑ 4

7 3 6 4 6 8 4 4 4 4 ™ ™ ‰™ ‰ ® ™ ‰™ Ó

p fff ™ ™ Be #Be ™ ™ nµe µe ™ ™ ne ™ ™ . ne pizz. µ œ ...... nœ . Vc. 7 BO ™ ™ 3 6 #œ œ . . . . . µœ...... µœ 4µ œ µœ...... 6 ? 8 B O nœ™ ™ 4 4 ‰™ œ œ ‰ ® nœ ˜œ. 4 ˜œ ‰™ Ó ˜œ. 4 ¢ n œ ...... nœ # œ IV . . . . . II-III p mf mp II-IIImf p mf ff ° 7 ™ 3 6 4 6 Voice & 8 #œ ‰ Ó ‰ 4 ∑ 4 ∑ 4 ∑ 4

slap bœ ˜>. >. ˜ ™ ˜ e µ eeœ µ eeœ™ #e 7 ã ‰™ Ó ‰ 3 Ó ‰™ 6 ‰™ Œ ≈ ≈ 4 Ó 6 B. Cl. ¢& 8 4 µœ 4 µœ™ ˜œ 4 ‰™ 4

™ ‰™ sfz sfz p mf p mf fff p <Ÿ>~~~~~~~~~~~~~ ° 7 œff ™ 3 6 4 6 Voice & 8 ‰ Ó ‰ 4 ∑ 4 ∑ 4 ∑ 4

7 ™ 3 ∑ 6 4 6 8 ‰ Ó ‰ 4 4 - Ó ÍÍÍÍÍÍÍÍÍ ÍÍÍÍÍÍÍ Ó 4 Œ 4 ” < > “ b66 Ÿ~~~~~~~~~~~~ ∏ 6

∏ 6 ∏ b66 ∏ 7 3 6 ∏ 4 6 Pno. ‰™ Ó ‰ ∑ Ó ∏ Ó Œ ® b¿ ¿n¿ b¿n¿b¿ b¿n¿b¿ ¿ ¿ L.H. & 8 n¿ 4 4 4 ¿#¿n¿ n¿#¿ ¿ n¿#¿ ¿ n¿ #¿ ¿ 4 mp fff mf f p … 7 3 6 4 6 8 ‰™ Ó ‰ 4 ∑ 4 ∑ 4 4

<Ÿ>~~~~~~~¿ Pno. ? 7 ¿ ‰™ Ó ‰ 3 ∑ 6 ∑ 4 ¿#¿ n¿#¿ ¿#¿ n¿#¿n¿#¿ ¿ ¿#¿ ® ‰ ‰ ®n¿#¿n¿ 6 R.H. ¢ 8 ¿ 4 4 4 ¿#¿ ¿ #¿ ¿ ¿ 4 p :◊; ° ◊Ÿ mf mp fff ° ° ° ° 10 5'27" 5'34" 5'38" 5'43" 5'50" 5'57"

65 66 67 68 69 70 ° 6 4 9 6 3 Voice & 4 ∑ 4 ∑ 8 ∑ 4 ∑ ∑ ∑ 4 µ>O™ > B >O µ>O . . O™ BO b O 6 . µœ 4 µœ. #O™ nO bO 9 bO 6 3 Vln. . . µœ. ≈ ‰ . ™ Œ ‰ n O nO ‰ ‰ Ó™™ ∑ ∑ ∑ &4 µœ ...... 4 ˜œn O O 8 nO 4 4 .µœ ...... #O III-IV . f p f fff ™ ≈ 6 ‰ 4 9 ‰ Ó™™ 6 3 4 4 Œ ‰ ‰ 8 4 ∑ ∑ ∑ 4 ¢

° 6 4 9 6 3 Voice & 4 ∑ 4 ∑ 8 ∑ 4 ∑ ∑ ∑ 4

6 4 9 6 3 4 4 8 Ó™™ 4 ™ 4 ‰™ Œ ‰™™ ‰ ‰ ‰ Œ ∑

p f p p f B arco Be µ e BO O e #Be ...... ˜œ. n O b O ne Vc. 6 ...... µœ. 4 . . . nO 9 nO 6 e ne 3 ? 4 ‰™ Œ 4 . . . . .µœ . #O‰™™ O 8 O ‰ Ó™™ 4 ‰ ‰™ Œ ∑ 4 ¢ Bœ...... µœ# O ˜ O µ O & B O III-IV µœ ...... µO I (sul A) Eb +37¢ . . . . . IV (sul C) E§ +55¢ M f p fff ° æ æ 6 ‰™ Œ 4 9 œ‰™ Ó™™ 6 ∑ ≈ æ æ æ æ æ æ æ æ æ æ æ ‰™ Œ 3 Voice & 4 œ #œ 4 nœ 8 4 nœ™ æ ˜œ 4 pp mf mf pp pp mf æ æ æ æ æ æ æ æ æ œæ Bœæ™ æ æ æ æ æ æ æ overblow æ æ æ Bœ # œ™ æ æ æ æ #œ µ œ ˜œ æ œæ Bœ œ B# œ™ æ æ æ‰™ Œ #Bn ee ™ ˜e µ e Œ µœ #œ™ 6 ‰ Œ 4 9 ‰™ Ó™™ 6 ããã ã ããã ã ãã ã ãã ã ã 3 B. Cl. ¢&4 Bæœ æ æ æ 4 µœ œ 8 4 4 æ æ æ æ æ p mf œ #œ™ p f æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ æ p f ° 6 4 9 6 3 Voice & 4 ∑ 4 ∑ 8 ∑ 4 ∑ ∑ ∑ 4

6 4 9 6 3 4 ‰™ Œ 4 ‰ Ó™ 8 ∑ ≈ 4 Œ ∑ Œ ∑ ∑ 4 %30,8 >%23,1 ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ Be. >. >. [10+>13+3] Ÿ Ÿ Ÿ e µe. 6 4 9 6 # e 3 Pno. &4 n¿ ‰™ Œ ® ¿#¿ ¿ ® n¿#¿ ¿™ ¿ ® n¿b¿n¿b¿ 4 b¿ ‰ Ó™ 8 ∑ ? ≈ e 4 Œ ∑ Œ ∑ ∑ 4 L.H. n¿#¿ n¿#¿ n¿#¿ e f mf fff

6 4 9 6 ™™ ™™ 3 4 4 ‰™ Ó™ 8 ∑ 4 ∑ Ó™ 4

pp mp p mf mp Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ M E§ +55¢ b¿ >> > M Eb +37¢ Pno. ? 6 n¿#¿ ¿ ¿ ¿ ™ ™ ¿b¿n¿ 4 ¿ ™ ™ 9 µ. . 6 . 3 4 #¿¿ ‰ ‰ ¿b¿n¿b¿n¿¿b¿ 4 ¿ ‰ Ó 8 ∑ ≈ œO 4 Œ ∑ Ó 4 R.H. ¢ : ; B O b œ ◊ f mp œ nœ nnœœ n œ ff mf fff ◊Ÿ >. ° ° ° ° ° ° ° ° 6'04" 6'08" 6'12" 6'18" 6'23" 6'27" 6'32" 6'39" 6'46" 11 s s s s , 75 s , 77 s 73 s pp mp p mf mp f 71 72 74 mf pp 76 p mf 78 79 ° 3 4 ppœ 5 mp ™ 4 6 ™ ™ Voice & 4 ∑ 4 4 ‰ ∑ 4 ≈ 4 ‰ Œ ∑ œ œ ® #œ ™ #œ ® nœ ™ œ ® #œ œ ™ œ hmm a hmm hmm hmm hmm arcobœ œ Bbœ œ µ 3 ∑ 4 ∑ 5 #œ 4 œ ‰™ Ó™ ∑ 6 ‰™ Œ ∑ œ ™ œ®#œ ™ œ® nœ ™bœ® Vln. &4 4 4 4 bœ 4 œ

3 4 5 4 6 ™ ™ ™ ™ 4 ∑ 4 ∑ 4 4 ‰™ Ó™ ∑ 4 ‰ Œ ∑ ® ® ® ¢ pp mf p mf pp mp p mf mp f s s s s s , s , s s , pp mp p mf mp f p pp ° pp mp mf p mf 3 ∑ 4 bœ 5 ‰™ ∑ 4 ≈ 6 ‰™ Ó Œ ™ ® ™ ® ™ ® Voice & 4 4 4 4 œ ™ œ 4 #œ œ #œ nœ œ #œ #œ nœ hmm hmm hmm hmm hmm a hmm a

3 4 5 4 6 ™ ™ 4 ∑ 4 ∑ 4 4 ‰™ Ó™ ∑ 4 ‰™ Ó Œ ® ™ ® ®

pp mf p mf pp mp p mf mp f p

Vc. arco œ œ ™ œ bœ 3 4 5 nœ bœ µœ nœ #œ 4 µœ ™ ™ ? 6 ™ œ ™ œ #œ ™#œ nœ ¢&4 ∑ 4 ∑ 4 4 ‰ Ó ∑ 4 ‰ Ó Œ ® ® ®

s s pp ° pp mp mf 3 ∑ 4 œ 5 ‰™ ∑ 4 ≈ 6 ‰™ Œ ® ® ™ ® ™ ® Voice & 4 4 4 4 œ ™ œ 4 nœ œ ™ œ #œ ™ #œ œ #œ #œ #œ œ hmm p mf hmm pp mp p mf mp f p f p bœ ™ œ nœ ™#œ œ ™ œ #œ ™ œ œ 3 ∑ 4 ∑ 5 ∑ 4 ∑ ∑ œ 6 #œ ‰™ Œ ® ® ® ® B. Cl. ¢&4 4 4 4 4 p ™ mf mp p p æ ‰ Ó pp mp p mf f f p s s s s s , s , s , s pp mp p mf mp f p f p f pp mp mf pp ° 3 4 5 ™ 4 6 ™™ Voice & 4 ∑ 4 #œ 4 ‰ ∑ 4 bœ ™ ≈ ∑ 4 œ ™™ ®#œ ™™ ® œ ™™ ® #œ ™™ ® œ ® hmm hmm hmm hmm hmm a hmm a hmm a

3 ∑ 4 ™ 5 ∑ 4 ∑ ™ 6 ™ ™ ™ ™ 4 4 ~~~~~ Ó 4 ~~~~~ 4 ~~~~~ Œ Ó ~~~ Ó 4 ® ® ™ ® ® ®

pp mp p mf mp f p f p f f > e ee 6 e ee ee ee ee

∏ 6 > ∏ 6 mf b6 p ∏ b6 3 4mp > 5 6 4 ∏ 6 Pno. ? 6 ™ ∏ 6 ™ ™ bœ ∑ b6 Ó ∏ ∑ Ó ∑ f Ó nœ b œ 4 &4 ∏ 4 ∏ 4 4 # œ

∏ 6 L.H. ∏ ∏ ‹œ

∏ 6

p p ∏ 6 p ∏ > 3 4 5 4 6 ™ 4 4 ‰™ Ó™ 4 ∑ 4 ∑ ∑ ∑ 4 ∑ ™ ® ® ™ ® ™ ®

f p f p f p f p f p 3 4 5 4 6 6 Pno. ? 4 4 ≈ ‰™ Ó™ 4 ∑ 4 ∑ ∑ Ó™ ‰™™ 6 4 ‰™ Œ ∑ R.H. ¢ G 6. 6 b œ n œ œœ f > 6 #œ œœ n œ # œ “‘ >. ° ° ° ° ° 12 6'53" 6'59" 7'06" 7'11" 7'17" s , , 81 mp ff 80 mf fff 82 83 84 ° ™ 4 5 3 Voice & #œ ™ #œ® nœ nœ ‰ Œ ∑ 4 ∑ 4 ∑ ∑ 4 hmm a uouoaii #e ™™ arco arco #n ee e ™™ [g#6, a6] 4 5 # œO ™™ 3 ™ ™ ™ ™ O 3 ™™ Vln. nœ œ®bœ bœ ‰ Œ Ó n O 4 4 ‰ Ó œ 1 ™™ ® 4 & & œ 3 4 µ 1 O 1 bœ 2 II- III 1

™ 4 5 3 ® ‰™ Œ Ó 4 4 ‰™ Ó™ ™™ ® 4 ¢ mp ff mf fff mp mf p mf s , , mf fff ° f mp ™ ff ™ 4 5 3 Voice & ™ œ ® #œ #œ ® nœ œ ‰ Œ ∑ 4 ∑ 4 ∑ ∑ 4

hmm a uouoaii

™ 4 5 3 ™ ® ® ‰™ Œ ∑ 4 ∑ 4 ‰™ ∑ 4

f mp ff mf fff p mf “µ”e Vc. œ nœ ™#œ nœ œ ne ? ™ ® ™ 4 5 ™ ? 3 ¢ ® ‰ Œ ∑ 4 ∑ 4BO ‰ ∑ 4

M III (sul G) Bb +47¢ ° ™ 4 5 3 Voice & ™ #œ ® #œ ™ œ ® œ #œ ‰ Œ ∑ 4 ∑ 4 ∑ ∑ 4

f mp ff mf fff œ sl>ap ™ œ #œ ™ œ œ #eœ œ. ® ® ‰™ Œ ∑ 4 ∑ 5 Ó™ µe ‰™ ‰™ µe 3 B. Cl. ¢& 4 4 e 4 œ œ f mp ff mf fff p mf sfz s , p ° œ œf ™ ™ 4 5 3 Voice & ‰ Ó ∑ 4 ∑ 4 ∑ ∑ 4 hmm a

4 5 3 ‰™ Ó™ ∑ 4 ∑ 4 ∑ ∑ 4

p f e “” >. >. >. >. >. ee >. >. >. >. b >œ. n >œ. nœœ >œ. œœ >œ. œœ >œ. œœ >œ. œœ ee > >. >. >. >. n >œ. bœœ #nœœbœœ#nœœ œ # œ œ œ œ œ >. >. >. >. >. >. œ. bœœ#nœœbœœ#nœœ œ n >œ. bœœbnœœ bœœ#nœœbœœ#nœœ œ Pno. ∫ œ ‰™ Ó ≈n œ 4 ‰™ Ó™ 5 ∑ ∑ 3 L.H. & 4 4 & 4

mp ff plectrum granulation on the treble bridge ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 4 5 3 ‰™ Œ ∑ ∑ 4 ∑ 4 4

f ” p mp p mp p >. > “ nœbœ bœœ œ. >. >. >. >. >. nœ nœbœnœbœ œ nœ #œœnbœœ #œœbœœ œ >. >. >. >. >. >. nœbœnœ nœbœnœbœ œ nœ œ #œœnbœœ #œœnbœœ#œœnbœœ >œ. nœ bœnœ Pno. ? ‰™ Ó Œ ‰™ nœ ‰™ ® ®Œ ® ®® 4 ‰™ Œ Ó 5 ∑ ∑ ? 3 R.H. ¢ & 4 4 4 mp f ° ff 7'23" 7'26" 7'29" 7'35" 7'39" 13

vocal fry granulation: imitate the violin 85 86 87 88 89 ° 3 5 3 ã ã ã ã 4 4 ∑ ∑ 4 ∑ 4 ∑ Ó 4 Voice & e pp ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3 5 6 6 3 ™ 6 4 Vln. &4 6 4 4 ‰ Œ 4 6 G ≈ granulation: very slow bow winding granulation ~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 3 4 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~4~~~~~ ‰™ Œ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 ¢ p mf fff mp p

vocal fry granulation: imitate the violin ° 3 ã ã ã ã ã ã ã ã 5 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 4 4 ∑ Œ 4 4 4 Voice & e mp p mp p mp p

winding granulation 3 5 3 4 4 ∑ ∑ 4 ∑ 4 ∑ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4

“” Be #µ e mp p Be [5+9+13+4] µe Be pizz. e e [6+11+5] n e arco Vc. 3 ne [5+9+13+4] #e 5 [7+10+13+3] ne 3 6ã ã ã ã ã ã ã ã ã ã ã ã 4 ? 4 nne Ó B Œ ‰ e 4 ‰™ Ó™ ‰™™ 4 Ó 4 ¢ µ O O & ® B O & III (sul G) Bb +47 M IV (sul C) E§ +55¢ M ¢ ˜O II (sul D)F# +55¢ fff f M M I (sul A) Eb +37¢

f ff ° 3 5 3 4 Voice & 4 ∑ ∑ 4 ∑ 4 ∑ ∑ 4

slap >. >. >. >. reed tapping granulation: imitate the violin œ #eœ ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 3 µe ‰™ Œ ≈ ‰ 5 ‰™ Ó bE 3 E 4 B. Cl. ¢&4 œ nœ 4 & 4 n #e nE 4 æ æ æ æ p mp p mp 3 3 p mf f ff

° 3 5 3 4 Voice & 4 ∑ ∑ 4 ∑ 4 ∑ ∑ 4

plectrum granulation on the treble bridge ã ã ã ã ã ã ã ã 3 5 3 4 4 4 4 ‰™ Ó Œ 4

ppp mf fff p e ee ee 3 5 3 ee 4 Pno. &4 b6 4 4 6 ‰™ Ó ∑ 4 L.H. 6 6 ã 3 ™ 5 ∑ 3 ∑ ∑ 4 4 ‰ Ó ≈ ™ÍÍÍÍ Ó 4 ‰ ÍÍÍÍÍÍÍÍ 4 4

mp b“”6™ “” ∏ 66™ 66 ∏ 6 6 # ∏ #

∏ ™ ‹6

∏ 6 3 ∏ 5 b 6 3 4 Pno. ? ∏ n 6 ™ ? ™ ™ ∑ ≈ Ó ∏ ‰ Ó ‰ bœ ‰ Ó Ó ‰ œ R.H. ¢ 4 & 4 bn œœ 4 # œ œœ œœ 4 >. >. >. ‹œ. œ. œ. œ. ff fff ◊Ÿ ◊Ÿ > > > > f ° ° 7'42" 7'47" 7'51" 7'56"

14 91 93 90 92 ° 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 Voice & 4 4

mp p mf p mf p mf p

4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 Vln. &4 4

4 2 4~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 ¢ mp p mp p mp p mp p

° 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 Voice & 4 4 mp p mp p mp p mp p

mp p mp p mp p mp p

Vc. 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 ¢&4 4

vocal fry granulation: imitate the violin ° 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 4 4 Voice & e p mp p mp p mp p mp

4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 B. Cl. &4 #E nE 4 ¢ E bE E bE ˙ p mp p mp p ˙ mp p mp

vocal fry granulation: imitate the violin ° 4 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 4 Œ 4 Voice & e mp p mp p mp p ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 4 2 4 4

mp p mp p mp p mp p

Pno. ? 4 ‰™ Œ Ó ∑ ∑ ∑ 2 4 #bœœ 4 R.H. ¢ ‹œ. :◊; > COVENANT 8'01" 8'03" 8'06" 8'10" 8'13" 8'17" 8'20" 8'24" 8'31" 8'35" 15 s 95 96 97 G s , 94 ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 98 99 100 101 pppp 102 f 103 ° 2 3 3 ™ 6 4 œ ™ ™ 4 Voice & 4 4 4 ‰ Ó ∑ ∑ ∑ 4 #œ 4 ‰ Ó ∑ 4 hm i mf p mf p mp [g#6, a6] e # %% ™ n# e [a#6, b6] ã ã ã ã ã ã ã ã ã ã ã ã ã ã ™ 2 ≈ ‰™ Œ 3 ∑ ∑ 3 ∑ ≈ ‰™ Ó ∑ 6 4 n O ‰™ Ó™ ∑ 4 Vln. &4 G 4 4 6 G 4 w~ ™3 4 n œ 4 µ 1 ~ ™ µ nœO bw ™2 1 granulation: very slow bow ~~~~~~~~~~~ 2 3 3 ~~~~~~~~~~~~~~~~~~~~~~ ‰™ Ó 6 4 4 4~~~~~~~~ ‰™ Œ 4 ∑ ∑ 4 ∑ ~~~~~ ∑ 4 4 ‰™ Ó™ ∑ 4 ¢ mp ppp mf ppp ff

s G s , ã ã ã ã ã ã ã ã ã ‰™ pppp f ° 2 3 3 6 œ 4 ™ ™ 4 Voice & 4 4 Ó ∑ 4 ∑ ∑ ∑ ∑ 4 4 #œ ‰ Ó ∑ 4 hm e mp p

slow bow on wrapped strings 2 3 3 ™ 6 4 ™ ™ 4 4 4 ‰™ Ó 4 ∑ ‰ Ó ∑ 4 4 ‰ Ó ∑ 4

ppp mp p mp ppp mf fff “µ”e [6+11+5] E Vc. ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ne EE 2 3 ™ 3 ? ™ 6 4 G ≈ ™ ™ 4 ¢&4 4 G≈ ‰ Ó 4 ∑ BO ‰ Ó ∑ 4 6 4 ‰ Ó ∑ 4 M III (sul G) Bb +47¢ E

ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ‰™ æ ° 2 3 3 6 ﬂuœtter æ æ æ æ 4 æ æ æ æ æ æ æ æ 4 Voice & 4 4 4 Ó ∑ ∑ ∑ 4 æ 4 æ æ æ æ æ nœ æ #œ æ 4 æ æ œ œ™ #œ #œ p mp p mp p ppp fff p mf ﬂŒutter æ æ æ æ æ #œæ æ æ æ ™™ ® œ æ æ ã ã ã ã ã ã ã ã ã ‰™ œ ™™ #e æ ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 2 3 Ó ∑ 3 ∑ ∑ æ æ æ æ æ 6 4 4 B. Cl. ¢&4 4 4 æ æ æ æ æ æ 4 œ 4 æ æ æ æ æ æ æ 4 b˙ æ æ æ æ æ æ æ æ æ æ æ æ æ pp mf æ æ æ æ æ æ p mp pp fff œ™ p mf s s , ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã G ° 2 3 3 ™ 6 pppp 4 f ™ ™ 4 Voice & 4 4 4 ‰ Ó ∑ ∑ ∑ 4 œ 4 ‰ Ó ∑ 4

mp p mp p mp hm a

ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã pluck granulation ~~~~~~~~~~~~~~~~~~~~~~~ 2 3 3 ™ ™ 6 ~~~~~~~~~~~~~~~~~~~~~~~ 4 ™ ™ ™ ™™ 4 4 4 4 ‰ Œ ‰ ® ™ Ó ‰ - Ó Ó ‰ 4 ~~~~~~~~~~~~~~~~~~~~~~~ 4 ‰ Ó Ó ‰ 4 ~~~~~~~~~~~~~~~~~~~~~~~ %18,8 %23,1 ~~~~ %18,8 mp p mp p mp ppp fff >. >. [6+11+5] Be ã ã ã ã ã ã ã ã ã e ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã [6+11+5] 2 3 3 µe 6 ? ™ 6 (location) 4 ≈ ™ ™ ™ ™™ µe 4 Pno. &4 ∑ 4 ∑ ∑ 4 Ó ‰ ® Ó ‰ Ó Ó ‰ e 4 n6 4 G ‰ Ó Ó &‰ 4 L.H. e ne >. >.>. > mp ◊Ÿ >.

Bb +47¢ M M Bb +47¢ 2 3 3 E§ +655¢ 4 6 4 Pno. ? 4 ∑ 4 ∑ ∑ 4 Ó ‰ ® BO Œ ‰™™ œ œ Ó Ó ? ‰™ 4 Œ ∑ 4 6 ‰ Ó™ Ó™ ‰™™ BO 4 R.H. ¢ œ. . . & . > µO 6 œ. M mf ‘>>> > > mf œ 6 p > “ mp . . > fff 6. ‘ ° ° “‘ >> > “ ° ° 16 8'40" 8'44" 8'49" 8'54" 8'58" 9'03" 9'08" 9'12" 9'19"

110 104 105 106 107 108 s 109 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 111 112 ° 4 ™ œ ™ ™ 6 2 Voice & 4 ∑ ∑ ∑ ∑ œ bœ œ ‰ Ó 4 ∑ 4 ∑ o p mf p mf #µe seagull eﬀect O 4 ∑ arcoBO ‰™ Ó™ ∑ ∑ ∑ 6 2 œ Œ Vln. &4 # œ 2 #O 4 4 # O 1 ‰™ # œ 4 # œ 1 press & rotate bow hair

™ mid bright 4 ‰ back 6 2 ™ 4 ∑ plate ‰™ 4 4 ‰ Œ

¢ frog dark mp p p f p mf p ff

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ° s 4 ∑ ∑ ∑ ∑ ‰™ Ó™ 6 ∑ 2 ∑ Voice & 4 œ œ œ™ œ 4 4 p mf p mf press & rotate bow hair

mid bright 4 ™ 6 2 4 back ‰ 4 4 ‰™ Œ ‰™ Ó™ plate frog dark mp pp p f p mf p ff “[6”+1µ1e+5] e Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ B e Vc. 4 ne 6 2 nœ . ? 4BO ‰™ Ó™ ∑ ∑ ∑ ∑ . 4 4 ‰™ Œ ¢ e M III (sul G)Bb +47¢ µœB

ﬂutter 3 3 ° 4 æ ™ ™ æ æ æ æ œ bœ æ æ æ œæ æ æ œ #œ æ ™ nœ ™ 6 2 ™ Voice & 4 œ ‰ Ó ∑ ≈ æ œ bœ nœ nœ œ œ œ œ ‰ œ bœ œ nœ ‰ Œ 4 4 ‰ Œ œ™ æ æ æ #œ æ æ æ æ æ œ #œ æ p f p 3 3 mf p p mf p mp µ œ ˜œ ã µ#eeœ ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ˜e µ e # œ œe #˜œenœe nœ 4 ™ ™ ™ ™ ˜e # ne 6 2 #œ ™ B. Cl. 4 æ‰ Ó µ æ‰ µœ œ ‰ 4 4 ‰ Œ ¢& œ æ æ æ æ æ æ æ æ æ æ æ œ œ µœ nœ nœ p p mf œ™ f æ p mf p æp f mp mf Ÿs ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ° 4 ™ ™ 6 2 Voice & 4 ∑ ∑ ∑ ∑ bœ œ œ™ œ ‰ Ó 4 ∑ 4 ∑ p mf p mf

ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã ã 4 6 ™ 2 4 ‰™ Ó ‰™™ ‰™ Ó ‰™™ ‰™ Ó™ ‰™ Ó™ ™ ® 4 ® ™ ® 4 ‰™ Œ %30,8 %23,1 > > p mp p mf p f p f p f p f [10+13+3] Be. . e 4 µe [9+13+4] 6 2 Pno. &4 ‰™ Ó ‰™™ # e ‰™ Ó ? ‰™™ ne ‰™ Ó™ ∑ ∑ ∑ 4 4 ≈ ‰™ Œ L.H. b œ n œ G > e #œ œœ n œ # œ >. >. ~~~~g~~r~anulation 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Brutally, but slowly and equally 6 2 ∑ ∑ ∑ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰™ Ó™ Ó™ ∑ ∑ 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ÍÍÍÍÍÍÍÍÍÍÍÍÍ p mp p mf ã ã ã M Eb +37¢ ã ã ã ã ã ã M E§ +55¢ ã ã ã ã ã ã ã ã ã ã ã (location) ã ã ã ã ã ã ã ã ã ã ã ã ã 6 ? 4 ≈ )6 6 2 Pno. ‰™ Ó ‰™™ BO ‰™ Ó ‰™™ ‰™ Ó™ G ‰™ Ó™ ∏ )6 Ó™ ∑ ∑ 4 6 ∏ )6 4 4 R.H. œ b ∏ )6 ¢ . . ∏ )6 µO ∏ )6 > mp > > mf œ Ÿ ∏ )6 : ; . . ◊ ∏ 6

“ ∏ > > ff ° ° °f ° °