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												List of Bodies Who Have Been Granted Charitable Tax Exemption @ 25Th May 2016 Under Section 207, Taxes Consolidation Act, 1997
List of bodies who have been granted Charitable Tax Exemption @ 25th May 2016 under Section 207, Taxes Consolidation Act, 1997. QUERIES TO: Charities Section Revenue Commissioners, Government Offices, Nenagh, Co. Tipperary. LoCall: 1890 666 333 Telephone: 067 63377 Chy No Charity Name Charity Address Mullingar Active Retirement Centre 46 Dominick 13778 1428 CLUB Street Mullingar Co. Westmeath 17647 22Q11 Ireland Support Group Limited 6 Marino Green Marino Dublin 3 2nd Ray Presbyterian Church- 251 Manorcunningham, Co. Donegal. Manorcunningham. 15710 3 T'S Limited 3 Arkle Road Sandyford Dublin 18 21206 3U Collaboration Limited 123 St Stephens Green Dublin 2 80:20 Educating And Acting For A Better World 11995 36 Putland Road Bray Co. Wicklow Limited Gurteen House Bothar Bui Ballaghaderreen Co. 19252 A and C Foundation Roscommon c/o Martina Roche Parkstown Lower Glenmore Co. 18640 A Dogs Life Kilkenny 18 Orion Business Campus Rosemount Business Park 11507 A Little Lifetime Foundation Ballycoolin Blanchardstown Dublin 15 19066 A Pint a Month 57 Upper Grand Canal Street Dublin 4 A Sense of Cork Mid-Summer Arts Festival 19295 Civic Trust House 50 Popes Quay Cork Limited 9000 A.C.E. Trust-Active Christian Evangelism Trust 94 Upper Georges Street Dun Laoghaire Co Dublin C/o Michael Feehan AIB 1/4 Lower Baggot Street 7315 A.I.B. Group Staff Florin Fund Dublin 2 A I.B. Group Pensions Scheme P.O. Box 953 6597 A.I.B. Widows Charitable Trust. Bankcentre, Ballsbridge Dublin 4 13607 A.K. Ilen Company Limited Br.Anthony Glenstal Abbey Murroe Co. Limerick 18547 A.S.T.O.D.J.S. - 
											
Dreams and Responsibilities
Dreams and Responsibilities The State and the Arts in Independent Ireland Brian P Kennedy ISBN 0 906627 32 X © Brian P. Kennedy All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Design: Bill Murphy Cover: Lagganstown Panorama 11 (1995 monoprint) by Cork-based artist, Brian Kennedy Cover Design: Boyle Design Group Printed in Ireland by Criterion Press, Dublin Published by The Arts Council/An Chomhairle Ealaíon Re-printed: 1998 First printed: Dublin 1990 The Arts Council gratefully acknowledges the generous financial support of : The Electricity Supply Board and Coopers and Lybrand towards the publication of this book CONTENTS PLATES vii ACKNOWLEDGEMENTS ix ABBREVIATIONS xi INTRODUCTION xiii CHAPTER 1 The State and the Arts: Some Preliminary Observations 1 CHAPTER 2 False Starts: 1922–32 5 CHAPTER 3 Private Initiatives and Official Pipedreams 29 CHAPTER4 Cautious Beginnings — The Seeds of Progress: 1940–8 45 CHAPTER 5 The Bodkin Report and the Formation of ‘An Chomhairle Ealaíon’: 1948–51 65 CHAPTER 6 Limited Means and Ambitious Ends: 1951–6 95 CHAPTER 7 All Changed, Changed Utterly: 1956–66 119 CHAPTER 8 Patronage Under Fire: 1967–73 149 CHAPTER 9 Expansion and Development: 1973–82 179 CHAPTER 10 Epilogue 209 CONCLUSION 225 NOTES 227 APPENDIX A The Arts Act, 1951 251 APPENDIX B The Arts Act, 1973 257 APPENDIX C Government Grants to the Arts Council: 1951–88 264 APPENDIX D List of Directors/Chairmen, Members and Secretaries/Directors of the Arts Council: 1951– 265 NOTE ON SOURCES AND BIBLIOGRAPHY 267 INDEX 281 ACKNOWLEDGEMENTS This study was commissioned by the Arts Council whose Chairman, Professor Colm O hEocha, members and staff gave me every assistance in bringing it to completion. - 
												
												Professor James Dooge Papers P270 Ucd Archives
PROFESSOR JAMES DOOGE PAPERS P270 UCD ARCHIVES [email protected] www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2015 University College Dublin. All Rights Reserved ii CONTENTS CONTEXT Biographical History iv Archival History v CONTENT AND STRUCTURE Scope and Content vi System of Arrangement viii CONDITIONS OF ACCESS AND USE Access x Language x Finding Aid x DESCRIPTION CONTROL Archivist’s Note x iii CONTEXT Biographical history James Dooge was born in Birkenhead, England in 1922. After his family moved to Dublin he went on to study in University College Dublin, where he was awarded the Pierce Malone Scholarship. Once qualified as an engineer, Dooge worked firstly with the Office of Public Works and then, in 1946, with the Electricity Supply Board. A period of study at the University of Iowa in the mid-1950s led to an MA. In 1958, Dooge became Professor of Civil Engineering at University College Cork and in 1970, he moved to University College Dublin. In the 1980s Dooge also spent time working at the Department of Engineering Hydrology at University College Galway. Dooge is often credited with turning hydrology into the science it is today, being instrumental in the establishment of the International Commission on Water Resource Systems. He served as its President for several years. As well as being an engineer and hydrologist, he was also a climatologist and served as the chairman of the Scientific Advisory Committee of the World Climate Impact Advisory Committee. Apart from his illustrious academic career, Dooge led an active political life. - 
												
												Annual Annual Review
final cover to print_Layout 1 13/01/2012 12:36 Page 1 ANNUAL ANNUAL REVIEW 2010/2011 Royal Irish Academy • Acadamh Ríoga na hÉireann 2010/2011 rTOWARDS THE NEXT STRATEGYv STATEMENT iew Luke Drury addresses the role and character of the Academy IRELAND AND HORIZON 2020 Tom Brazil looks to the future of EU research funding Royal Irish Academy • Acadamh Ríoga na hÉireann • Academy Irish Royal RESEARCH IN IRELAND: MEETING THE CHALLENGE Eugene Kennedy on maintaining vibrancy for science in Ireland STATES OF FEAR Michael Cronin considers individual freedom in a culture of fear RIA RIA www.ria.ie Connect with us Royal Irish Academy, 19 Dawson Street, Dublin 2. Tel: +353 1 676 2570 RIA final cover to print_Layout 1 13/01/2012 12:36 Page 2 CONTENTS } Key Achievements 2010/2011...................................................................................1 } President’s Report—‘Towards the next strategy statement’................................................2 } Secretary’s Report—‘Ireland and Horizon 2020’.............................................................6 } Science Secretary’s Report—‘Research in Ireland: meeting the challenge’.............................10 } PL&A Secretary’s Report—‘States of fear’...................................................................16 } New Members.....................................................................................................22 } Distinctions conferred on Members...........................................................................29 } ‘Just Garret’: Remembering Garret - 
												
												Focus Theatre Papers
Leabharlann Naisiunta na hEireann National Library of Ireland Collection List No. 140 Focus Theatre Papers (MSS 44,831 – 44,959 & 49,492; MS L 130) (Accession No. 5905) Papers of the Focus Theatre including programmes, posters, flyers, newspaper reviews, correspondence, photographs, administrative documents, financial and business papers, invitations, photographs, scripts, and tapes, (1965 – 2001). Also includes personal papers belonging to Deirdre O’Connell. Compiled by Avice-Claire McGovern, December 2008 & August 2012 1. TABLE OF CONTENTS INTRODUCTION............................................................................................................. 5 PRODUCTIONS AT THE FOCUS THEATRE, 1967 – 2001.................................... 10 I. Plays.............................................................................................................................. 19 I.i. 1960s........................................................................................................................ 19 I.ii. 1970s ...................................................................................................................... 20 I.iii. 1980s ..................................................................................................................... 24 I.iv. 1990s...................................................................................................................... 30 I.v. 2000s...................................................................................................................... - 
												
												Designing Modern Ireland: the Role of Graphic Design in the Construction of Modern Ireland at Home and Abroad (1949-1979).’
‘Designing Modern Ireland: The Role of Graphic Design in the Construction of Modern Ireland at Home and Abroad (1949-1979).’ Mary Ann Bolger A thesis submitted in partial fulfilment of the requirements of the Royal College of Art for the degree of Doctor of Philosophy Royal College of Art October, 2017 1 This text represents the submission for the degree of Doctor of Philosophy at the Royal College of Art. This copy has been supplied for the purpose of research for private study, on the understanding that it is copyright material, and that no quotation from the thesis may be published without proper acknowledgement. 2 Abstract Designing Modern Ireland: The negotiation of tradition and modernity in Irish graphic design (1949-1979) As the modernising Irish state sought to project a positive image of post-war Ireland, a paradox emerged: how could the symbolism of national distinctiveness (heretofore synonymous with the past) be reconciled with modernity? This thesis outlines the role which graphic design played in attempts to resolve tensions between the national and the modern. The thesis examines how design was mobilised as a symbol and agent of modernisation in Ireland in the run-up to and immediate aftermath of the 1958 ‘Programme for Economic Expansion’, widely considered to be the manifestation of an explicit state-led programme of modernisation. It examines the gradual replacement of the outward symbols of Republican Nationalism with a pervasive symbolism of modern efficiency, suggesting that this was a visual manifestation of the drive towards ‘organisation’ and rational management that gripped the civil service. It examines the paradoxical situation whereby designers in Ireland sought to present themselves and the nation as modern and professional, while the Irish Trade Board (charged with both design and export promotion) looked to professional designers abroad to present Ireland and her exports as traditional.