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This Is England Brochure
oiengland_brochure 5/6/05 9:42 AM Page 2 OI THIS IS ENGLAND THE NEW FILM FROM SHANE MEADOWS PRODUCED BY - WARP FILMS EXECUTED PRODUCED / UK DISTRIBUTION- OPTIMUM RELEASING FINANCE - FILM FOUR oiengland_brochure 5/6/05 9:42 AM Page 3 KNIGHT NICK BY SKINHEAD FROM SOURCED PHOTOS DIRECTED BY SHANE MEADOWS (Dead Man’s Shoes, Once Upon A Time In The Midlands, A Room For Romeo Brass, 24/7) Credits not contractual oiengland_brochure 5/6/05 9:42 AM Page 4 SYNOPSIS 1983 WAS A TIME BEFORE MTV, BEFORE GAMEBOY, AND BEFORE 2.4 CHILDREN. UNLIKE OUR CURRENT COUCH POTATO CULTURE, IN THE EARLY EIGHTIES THERE WAS VERY LITTLE TO KEEP THE DISENCHANTED YOUTH ANESTHETISED INDOORS, SO AS UNEMPLOYMENT FIGURES ROSE AND THE YTS SCHEMES FELL, THE KIDS REFUSED TO TOE THE FACTORY LINE AND SPILLED OUT ONTO THE STREETS. THE STAGE WAS SET FOR A REVOLUTION. Rockers, New Romantics, Mods, Punks, Casuals, Smoothies, Ska kids and Skinheads stood shoulder to shoulder, hissing and spitting in the discos, precincts and subways of the working class towns across the nation. Oi! This is England tells the story of SHAUN, an 11-year-old kid growing up without a father in the north of England. Set during the summer holidays of 1983, we chart his rites of passage from a shaggy haired ruffian grieving the loss of his father into a shaven headed thug whose anger and pain are embraced by the local skinhead fraternity and ultimately the National Front. With a shell of a mother and no father to guide him, Shaun seems set for certain destruction. -
Conference Reports – October 2010
Scope: An Online Journal of Film and Television Studies Issue 18 October 2010 Conference Reports – October 2010 Table of Contents Bloodlines: British Horror Past and Present Michael Ahmed. .................................................................................... 3 IMAGEing Reality Stefano Odorico. ................................................................................. 8 The Moving Image: Reconfiguring Spaces of Loss and Mourning in the 21st Century Jenny Chamarette. ............................................................................. 11 NECS 2009 3rd Annual Conference: Locating Media Andrea Virginás. ................................................................................ 17 New Waves: XII International Film and Media Conference Hajnal Kiraly ...................................................................................... 21 Open Graves, Open Minds: Vampires and the Undead in Modern Culture Darren Elliott-Smith. .......................................................................... 25 Re-Living Disaster Ozlem Koksal. ................................................................................... 29 SCMS @ 50/LA (Society for Cinema and Media Studies): Archiving the Future, Mobilizing the Past Jason Kelly Roberts,. .......................................................................... 32 SCMS @ 50/LA (Society for Cinema and Media Studies) Martin L. Johnson. ............................................................................. 35 1 Conference Reports Straight Outta Uttoxeter: -
Un Film Di SHANE MEADOWS
presenta Un film di SHANE MEADOWS con Thomas Turgoose, Stephen Graham, Joe Hartley, Andrew Shim, Vicky McClure, Joe Gilgun uscita Cinema 26 Agosto 2011 35mm - Colore - 101 minuti www.officineUBU.com Ufficio Stampa - Flavia Corsano 335.5344767 - [email protected] www.flaviacorsano.it CAST THOMAS TURGOOSE SHAUN STEPHEN GRAHAM COMBO JO HARTLEY CYNTHIA ANDREW SHIM MILKY VICKY MCCLURE LOL JOE GILGUN WOODY ROSAMUND HANSON SMELL ANDREW ELLIS GADGET PERRY BENSON MEGGY GEORGE NEWTON BANJO FRANK HARPER LENNY CAST TECNICO Regia e Sceneggiatura SHANE MEADOWS Produttore MARK HERBERT Fotografia DANNY COHEN Costumi JO THOMPSON Montaggio CHRIS WYATT Scenografia MARK LEESE Musiche LUDOVICO EINAUDI Officine UBU - v. Imbonati 4 Milano - tel. 0287383020 - www.officineubu.com - http://tv.officineubu.com 1 Produzione Warp Films Con il sostegno di Film4, UK Film Council, EM Media, Screen Yorkshire In Associazione con Big Arty Productions e Ingenious Film Partners Vendite Internazionali The Works International Distribuzione Italia Officine UBU via Imbonati, 4 - 20159 Milano tel. 0287383020 - fax 0287383024 [email protected] [email protected] www.officineUBU.com Location Nottingham e Grimsby (UK) foto in alta qualità scaricabili da: http://www.officineubu.com/thisisengland-foto.zip trailer, clips, poster, foto media qualità: http://www.officineubu.com/areapress login: user pw: pass PREMI e FESTIVAL Festa del cinema di Roma - Premio Speciale della giuria BAFTA - Miglior Film British Independent Film Award - Best Independent Film & Miglior Attore Emergente Gijón International Film Festiva - Young Audience Award London Film Festival - UK Film Talent Award Mons International Festival of Love Films - Miglior Film Europeo Newport International Film Festival - Miglior Regia Berlino Film Festival - Generation 14+ - In concorso Toronto Film Festival - In concorso Tribeca Film Festival - In concorso Officine UBU - v. -
Thomas Turgoose Och Andrew Shim Från This Is England
2015-11-13 12:16 CET Thomas Turgoose och Andrew Shim från This is England ’90 besöker Stockholm Shane Meadows livsverk This is England - en långfilm och tre miniserier - kan streamas i sin helhet på C More i samband med att senaste miniserien får Sverigepremiär. Dessförinnan besöker två av huvudrollsinnehavarna, Thomas Turgoose och Andrew Shim, Stockholms filmfestival där den nyaste miniserien This is England ’90 körs som maratonvisning med tillhörande Face2Face-intervju. This is England ’90 kommer till C More 1 december, och förhandsvisas innan dess på Stockholms Filmfestival som fredag 20 november får intervjubesök av Thomas Turgoose och Andrew Shim (Shaun och Milky i ”This is England”-sviten). Den 21 november gör Julia Skott en Face2Face-intervju med dem i samband med festivalens maratonvisning av hela This is England ’90 kl 12.00 på biografen Grand. This Is England ’90 , som får svensk premiär på C More, har importerats och distribueras av NonStop Entertainment. Shane Meadows fortsätter med This is England ’90 resan han gav sig in på med filmen ”This is England”, som utspelar sig 1983 bland vilsna brittiska arbetarklassungdomar. Han utvecklade berättelsen i miniserierna ”This is England ’86” och ”This is England ’88. I This is England ’90 sätter Mandela och Saddam rubrikerna medan pottklippningar och säckiga jeans sätter stilen. Man snortar speed eller tar ecstacy, och samlas på raves för att hålla vardagen stången. Thomas Thurgoose spelar åter Shaun, pojken vars pappa dödats i Falklandskriget. Nu är han en trulig skoltrött tonåring, olyckligt kär i Smell ( Rosamund Hanson ). Lol ( Vicky McClure ) jobbar i skolkök medan hennes Woody ( Joe Gilgun ) är hemmapappa åt deras son samt dottern som Lol har med Milky ( Andrew Shim ). -
Shane Meadows' Country: This Is England (2006)
SHANE MEADOWS’ COUNTRY: THIS IS ENGLAND (2006) Carla Ferreira de Castro Universidade de Évora Portugal [email protected] This Is England is social realist film portraying racism and poverty in 1980s Britain through the eyes of Shaun, a 12 year old boy, who has lost his father in the Falklands war and as to come to terms with his own identity, the difficult transition from childhood to adolescence and the need to fit in a determined group/tribe/gang. The following article aims at analysing relevant aspects depicted from the film emphasizing the so much debated reality of life during 80s. In This is England Shane Meadows manages to rediscover his own self geography, by revisiting his adolescent years. It is a biographical film about the importance of peer pressure and the results of an excess of nationalism, at the same time it typifies some issues related to the 80s youth culture. This is England é um filme social e realista que descreve o racismo e a pobreza na Grã-Bretanha dos anos 80 através do olhar de Shaun, um rapaz de 12 anos, que perdeu o pai a Guerra das Maldivas e tem de gerir a busca pela sua identidade, a transição da infância para adolescência e a necessidade de pertencer a um determinado grupo/tribo/gang. O presente artigo visa analisar aspectos relevantes extraídos do filme enfatizando a tão debatida realidade da vida nos anos 80. Em This is England Shane Meadows reencontra a geografia do ser, através do revisitar dos seus anos enquanto adolescente. É um filme biográfico acerca da importância da pressão exercida pelos pares e o resultado de um nacionalismo excessivo, ao mesmo tempo que tipifica alguns aspectos relacionados com a cultura dos anos 80. -
Rannual Report 2019
ANNUAL REPORT 2019 3 Dorset Rise, London EC4Y 8EN 020 7822 2810 – [email protected] www.rts.org.uk RtS PATRONS PRINCIPAL PATRONS BBC ITV Channel 4 Sky INTERNATIONAL PATRONS A+E Networks International Netflix Discovery Networks The Walt Disney Company Facebook Viacom International Media Networks Liberty Global WarnerMedia NBCUniversal International YouTube MAJOR PATRONS Accenture IMG Studios All3Media ITN Amazon Video KPMG Audio Network Motion Content Group Avid netgem.tv Boston Consulting Group NTT Data BT OC&C Channel 5 Pinewood TV Studios Deloitte S4C EndemolShine Sargent-Disc Enders Analysis Spencer Stuart Entertainment One STV Group Finecast The Trade Desk Freeview UKTV Fremantle Vice Gravity Media Virgin Media IBM YouView RTS PATRONS Autocue Lumina Search Digital Television Group Mission Bay Grass Valley PriceWaterhouseCoopers Isle of Media Raidió Teilifís Éireann 2 BOARD OF TRUSTEES REPORT TO MEMBERS Forewords by RTS Chair and CEO 4 I Achievements and performance 6 1 Education and skills 8 2 Engaging with the public 16 3 Promoting thought leadership 24 4 Awards and recognition 30 5 The nations and regions 36 6 Membership and volunteers 40 7 Financial support 42 8 Our people 44 9 Summary of national events 46 10 Centre reports 48 II Governance and finance 58 1 Structure, governance and management 59 2 Objectives and activities 60 3 Financial review 60 4 Plans for future periods 62 5 Administrative details 62 Independent auditor’s report 64 Financial statements 66 Notes to the financial statements 70 Who’s who at the RTS 84 Royal Television Society AGM 2020 In light of the restrictions in place due to the Covid-19 crisis, the Society is reviewing the timing and logistics involved in holding its 2020 AGM. -
SOMERS TOWN Generation SOMERS TOWN 14Plus SOMERS TOWN Regie: Shane Meadows
K14_4976:K14_ 24.01.2008 20:39 Uhr Seite 308 Berlinale 2008 SOMERS TOWN Generation SOMERS TOWN 14plus SOMERS TOWN Regie: Shane Meadows Großbritannien 2008 Darsteller Marek Piotr Jagiello Länge 75 Min. Tomo Thomas Turgoose Format HD, 1:1.85 Marius Ireneusz Czop Schwarzweiß Maria Elisa Lasowski Graham Perry Benson Stabliste Jane Kate Dickie Buch Paul Fraser Cafébesitzer Huggy Leaver Kamera Natasha Braier Polnische Freunde Mariusz Gajewski Schnitt Richard Graham Tomasz Kamola Ton, Nojaech Magenyuski Mischung Danny Crowley Sebastian Palka Musik Gavin Clarke Polnische Kundin Anna Jenson Production Design Lisa Marie Hall Nachbarskinder Ryan Ford Ausstattung Emma Davis Levi Hayes Requisite TYrone Hyman Risadé Campbell Kostüm Jo Thompson Angestellte Ben Porter Maske Sarah Grundy Jamie Belman Regieassistenz Robert Blishen Franzose Eddy Hasson Casting Sue Pocklington Louise Knight Produktionsltg. Erica Bensly SOMERS TOWN Produzent Barnaby Spurrier Mit seinem 16. Geburtstag ist die Fürsorge nicht mehr für Tomo zuständig. Ausführende Produzenten Greg Nugent Das ist ein Grund mehr, dem einsamen und harten Leben in den Midlands Nick Mercer den Rücken zu kehren und nach London zu ziehen. Hier lebt Marek, der aus Polen eingewandert ist. Er wohnt noch bei seinem Vater, der die meisten Produktion Abende mit seinen Kumpels auf der Baustelle vertrinkt. Marek ist ruhig, sen- Tomboy Films sibel und interessiert sich für Fotografie, in der Welt seines Vaters fühlt er 13A Hewer Street GB-London W1O 6DU sich nicht zu Hause. Tomo und Marek sind auf der Suche. Nur eines wissen Tel.: +44 208 96234-36 sie – so wie ihre Väter wollen sie nicht leben. Im Londoner Stadtteil Somers Fax: +44 208 96234-57 Town stoßen die Jungen zufällig aufeinander und werden Freunde. -
Shane Meadows' Children
`Stick that knife in me': Shane Meadows' children Article (Published Version) Lebeau, Vicky (2013) ‘Stick that knife in me’: Shane Meadows’ children. Journal of British Cinema and Television, 10 (4). pp. 878-889. ISSN 1743-4521 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/id/eprint/20805/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. http://sro.sussex.ac.uk ‘Stick that knife in me’: Shane Meadows’ Children Vicky Lebeau Abstract: This article brings Shane Meadows’ Dead Man’s Shoes (2004) into dialogue with the history of the depiction of the child on film. -
Made in Britain: Warp Films at 10
13/14 Made in Britain: Warp Films at 10 A 10th Anniversary celebration at BFI Southbank In spring last year BFI Southbank launched Made in Britain, an annual exploration of contemporary British Cinema. In April the strand returns with a selection of the most ground- breaking titles from Warp Films, as we celebrate this seminal production companyǯ ͳͲ anniversary. Warp Films have in their way defined a decade and are helping to shape the future of British cinema, offering the opportunity for highly original and exciting talent to make films that might otherwise be overlooked. BAFTA-winning films such as the This is England (2006), Four Lions (2010) and Tyrannosaur (2011) will all feature, but the season will launch with what promises to be a truly awesome event when ǯ (2004), directed by Shane Meadows, will screen with a live music accompaniment Ȃ featuring musicians from UNKLE and Clayhill plus Jah Wobble - at the Queen Elizabeth Hall on Friday 29 March. There will also be a Warp Films Shorts Programme, including work by Lynne Ramsay, Chris Cunningham and Paddy Considine plus a BUG: Warp Records Special, followed by an aftershow in benugo with Warp DJs hitting the decks. To complement this amazing showcase there will be an exhibition of newly designed Warp Film posters, by Sheffield-based artist Pete McKee, displayed exclusively in The Atrium at BFI Southbank. Warp Films have been at the heart of a new wave of filmmaking in the UK and have provided a platform for fresh, radical ideas and emerging talent from film and TV. -
HA1114 Realism and the Cinema | Readinglists@Leicester
09/27/21 HA1114 Realism and the Cinema | readinglists@leicester HA1114 Realism and the Cinema View Online [1] R. Armstrong, ‘What is Realism?: Chapter’, in Understanding realism, vol. Understanding the moving image, London: BFI, 2005, pp. 1–10. [2] Hallam, Julia and Marshment, Margaret, Realism and popular cinema, vol. Inside popular film. Manchester: Manchester University Press, 2000. [3] S. Hayward, ‘Realism: Chapter’, in Cinema studies: the key concepts, 2nd ed., vol. Key concepts series, London: Routledge, 2000, pp. 334–334. [4] R. Lapsley and M. Westlake, ‘Realism: Chapter’, in Film theory: an introduction, vol. Images of culture, Manchester: Manchester University Press, 1988, pp. 156–180 [Online]. Available: https://blackboard.le.ac.uk/bbcswebdav/pid-727207-dt-content-rid-1815038_5/library/eRes erves/HA1114/HA1114_24151.pdf [5] A. Tudor, ‘The Many Mythologies of Realism’, Screen, vol. 13, no. 1, pp. 27–36, Mar. 1972, doi: 10.1093/screen/13.1.27. [6] 1/50 09/27/21 HA1114 Realism and the Cinema | readinglists@leicester R. Williams, ‘Realism: Chapter’, in Keywords: a vocabulary of culture and society, Rev. and expanded ed., London: Fontana, 1988, pp. 216–221. [7] Williams, Christopher, Realism and the cinema: a reader, vol. BFI readers in film studies. London: Routledge and Kegan Paul [for] British Film Institute, 1980. [8] D. Vertov and Y. Tsivian, ‘Chelovek s kinoapparatom =: Man with a movie camera.’ BFI, [S.l.]. [9] R. Stam, ‘The Soviet Montage Theorists’, in Film theory: an introduction, Oxford: Blackwell, 2000, pp. 37–47 [Online]. Available: https://blackboard.le.ac.uk/bbcswebdav/pid-1025236-dt-content-rid-2569821_5/library/eRe serves/HA1114/HA1114_34953.pdf [10] Bordwell, David, The cinema of Eisenstein. -
Contemporary British Coming-Of-Age Films (1979 to the Present)
1 Contemporary British Coming-of-Age Films (1979 to the Present) Philippa Zielfa Maslin A thesis submitted to Royal Holloway, University of London, in accordance with the requirements of a Ph.D. in the Department of Media Arts 2 Declaration of Authorship I declare that the work in this thesis was carried out in accordance with the regulations of Royal Holloway, University of London. This work is original, except where indicated by special reference in the text, and no part of the thesis has been submitted for any other academic award. Any views expressed in the thesis are those of the author. Signed: Philippa Zielfa Maslin Date: 19th January 2018 3 Abstract Locating itself in relation to existing work on youth in, primarily American, cinema, the thesis questions the analytical usefulness of conceptualising the ‘youth/teen film’ as a genre and, instead, seeks to establish the value of analysing the ‘coming-of-age film’ as a genre involving the employment of adolescent protagonists. In setting out to do so, it focuses on films which are set in Britain, made from 1979 onwards, and rarely discussed as coming-of-age films (or, indeed, youth/teen films), but which may be seen to benefit from such a critical approach. Following a survey of a range of anthropological, biological, historical, juridical, psychoanalytic, psychological and sociological approaches to adolescence, as well as scholarship on the literary precursor of the coming-of-age film, the Bildungsroman, and on the relationship between adolescence and cinema, a working definition of the coming-of- age genre is proposed. -
Representation of Englishness in Skinhead Subculture In
REPRESENTATION OF ENGLISHNESS IN SKINHEAD SUBCULTURE IN SHANE MEADOWS’ FILM THIS IS ENGLAND A THESIS BY: KHAIRUNNISA REG. NO. 1007050690 SUPERVISOR CO-SUPEPVISOR Dr. Siti Norma Nasution, M.Hum Dr. Hj. Nurlela, M.Hum Submitted to the Faculty of Cultural Studies University of Sumatera Utara Medan in partial fulfillment of the requirement for the degree of Sarjana Sastra from Department of English DEPARTMENT OF ENGLISH FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2014 Universitas Sumatera Utara Approved by the Department of English, Faculty of Cultural Studies University of Sumatera Utara (USU) Medan as thesis for The Sarjana Sastra Examination. Head, Secretary, Dr. H. Muhizar Muchtar, M.S Rahmadsyah Rangkuti, MA. Ph.D Universitas Sumatera Utara Accepted by the Board of Examiners in partial fulfillment of requirements for the degree of Sarjana Sastra from Department of English, Faculty of Cultural Studies University of Sumatera Utara, Medan. The examination is held in Department of English Faculty of Cultural Studies University of Sumatera Utara on 2014 Dean of Faculty of Cultural Studies University of Sumatera Utara Dr. H. Syahron Lubis, MA NIP.19511013 197603 1 001 Board of Examiners Dr. H. Muhizar Muchtar, M.S ___________________ Rahmadsyah Rangkuti, MA. Ph.D ___________________ Dra. Redita Lubis, Dipl Appl. Ling. M.Hum ___________________ Dr. Siti Norma Nasution, M.Hum ___________________ Universitas Sumatera Utara AUTHOR’S DECLARATION I, KHAIRUNNISA, DECLARE THAT I AM THE SOLE AUTHOR OF THIS THESIS EXCEPT WHERE REFERENCE IS MADE IN THE TEXT OF THIS THESIS. THIS THESIS CONTAINS NO MATERIAL PUBLISHED ELSEWHERE OR EXTRACTED IN WHOLE OR PART FROM A THESIS BY WHICH I HAVE QUALIFIED FOR OR AWARDED ANOTHER DEGREE.