Reading Anti-Oedipus Politically
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Training's Ability to Improve Other Race Individuation
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2013 Recognizing the Other: Training's Ability to Improve Other Race Individuation W. Grady Rose Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the Psychology Commons, and the Race and Ethnicity Commons Recommended Citation Rose, W. Grady, "Recognizing the Other: Training's Ability to Improve Other Race Individuation" (2013). Electronic Theses and Dissertations. 47. https://digitalcommons.georgiasouthern.edu/etd/47 This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Running head: RECOGNIZING THE OTHER 1 RECOGNIZING THE OTHER: TRAINING’S ABILITY TO IMPROVE OTHER RACE INDIVIDUATION by W. GRADY ROSE (Under the Direction of Amy Hackney, Ph. D.) ABSTRACT Members of one race or ethnicity are less able to individuate members of another race compared to their own race peers. This phenomenon is known as the other race effect (ORE) or the cross race effect (CRE). Not only are individuals less able to identify members of the other race but they are also more likely to pick those individuals out of a crowd. The categorization- individuation model predicts that this deficit arises from a lack of motivated individuation; in which members of the other race are remembered at the category level as a prototype while own race members are remembered by name with individual characteristics. -
Foucault and Deleuze, April 2014 Nicolae Morar, Penn State University, Thomas Nail, University of Denver, and Daniel W
Nicolae Morar, Thomas Nail, and Daniel W. Smith 2014 ISSN: 1832‐5203 Foucault Studies, No. 17, pp. 4‐10, April 2014 INTRODUCTION Foucault Studies Special Issue: Foucault and Deleuze, April 2014 Nicolae Morar, Penn State University, Thomas Nail, University of Denver, and Daniel W. Smith, Purdue University Gilles Deleuze and Michel Foucault are widely accepted to be central figures of post‐war French philosophy. Philosophers, cultural theorists, and others have devoted considerable effort to the critical examination of the work of each of these thinkers, but despite the strong biographical and philosophical connection between Foucault and Deleuze, very little has been done to explore the relationship between them. This special issue of Foucault Studies is the first collection of essays to address this critical deficit with a rigorous comparative discussion of the work of these two philosophers. Deleuze’s Course Lectures on Foucault In particular, this special issue is motivated by the recent (2011) online publication of Gilles Deleuze’s course lectures on Michel Foucault (1985‐86) at the Bibliothèque Nationale de France (French National Library) in Paris. The BNF collected the available recordings of Deleuze’s seminar lectures at the University of Paris 8 and converted them into digital files. Needless to say, the task was a painstaking one, but the mp3 files have now been made accessible online through the Gallica search engine at the library.1 When Foucault died in 1984, Deleuze was so affected by the death of his friend, that he began lecturing and writing a book about Foucault’s philosophical corpus immediately. When asked why he wanted to write such a book, Deleuze was quite clear, “it marks an inner need of mine, my admiration for him, how I was moved by his death, and his unfinished work.”2 Deleuze’s desire for some kind of reconciliation with Foucault seems to have been a mutual one. -
A–Z Glossary
Page 279 16 A–Z Glossary Adorno A critical theorist, essayist, philosopher, musicologist and social critic, Theodor Wiesengrund Adorno (Frankfurt am Main 1903 – Visp 1969) is best known as a leading member of the Frankfurt School. Following the submission of his doctoral thesis on Husserl he studied composition and sought a career in music. Though by the end of the 1920s his essays on music had become more popular, Adorno’s early work as a composer and music critic was not well received and he came to devote more energy to philosophy, beginning his association with the Institute for Social Research in 1928. For Adorno, thought generally misrepresents reality by making it con- form to the instrumental human interests which dominate under capitalist modernity. Under Adorno’s analysis, modern society falsely understands the world as a totality of facts, when it can never be fully described or cognized in general terms. He was deeply critical of what he saw as the political conservativism of scientific positivism, and argued for dialectical method in philosophical research. Rejecting the idea that philosophy pro- vides access to a direct or unmediated set of truths, Adorno suggests that only dialectics can escape ‘identity thinking’: thought distorted by relations of social power which attempts to make objects conform to inadequate con- cepts. It is therefore in the anomalous – or ‘non-identical’ – that Adorno finds the strongest indictments of the poverty of the present state of things. Dialectics is ‘the consistent consciousness of nonidentity’, he writes in Negative Dialectics (1966). Though heavily indebted to Marx, Adorno remained sceptical about the revolutionary potential of the working class, preferring to speak of the way in which late capitalism permeates all levels of society with its own instru- mental logic. -
Collective Expression a Radical Pragmatics
_____________________________ Collective Expression A Radical Pragmatics Brian Massumi Department of Communication, University of Montreal _____________________________ Now it is undeniably conceivable that a beginningless series of successive utterers should all do their work in a brief interval of time, and that so should an endless series of interpreters. Still, it is not likely to be denied that, in some cases, neither the series of utterers nor that of interpreters forms an infinite collection. When this is the case, there must be a sign without an utterer and a sign without an interpreter. ... Neither an utterer, nor even, perhaps, an interpreter is essential to a sign. … I am led to inquire whether there be not some ingredient of the utterer and some ingredient of the interpreter which not only are so essential, but are even more characteristic of signs than the utterer or interpreter themselves. – C.S. Peirce (1998: 403-404) A Technique 1. Choose a generative text. 2. Choose a minor concept weaving through the generative text. 3. Ask each person in the group to count off as a 1 or a 2. 4. Instruct the 1s that they are “posts.” 5. Instruct the 2s that they are “flows.” 6. Ask the posts to find a post: a spot in the room where they would like to have a conservation. 7. Ask the flows to pair up with a post. 8. Direct everyone to a page in the text where the minor concept occurs. Brian Massumi. “Collective Expression: A Radical Pragmatics.” Inflexions 8, “Radical 59 Pedagogies” (April 2015). 59-88. www.inflexions.org 9. -
Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Vernon W
Philosophy Faculty Publications Philosophy 4-2014 Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Vernon W. Cisney Gettysburg College Follow this and additional works at: https://cupola.gettysburg.edu/philfac Part of the Philosophy of Mind Commons Share feedback about the accessibility of this item. Cisney, Vernon W. "Becoming-Other: Foucault, Deleuze, and the Nature of Thought." Foucault Studies 17 Special Issue: Foucault and Deleuze (April 2014). This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/philfac/37 This open access article is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. Becoming-Other: Foucault, Deleuze, and the Political Nature of Thought Abstract In this paper I employ the notion of the ‘thought of the outside’ as developed by Michel Foucault, in order to defend the philosophy of Gilles Deleuze against the criticisms of ‘elitism,’ ‘aristocratism,’ and ‘political indifference’—famously leveled by Alain Badiou and Peter Hallward. First, I argue that their charges of a theophanic conception of Being, which ground the broader political claims, derive from a misunderstanding of Deleuze’s notion of univocity, as well as a failure to recognize the significance of the concept of multiplicity in Deleuze’s thinking. From here, I go on to discuss Deleuze’s articulation of the ‘dogmatic image of thought,’ which, insofar as it takes ‘recognition’ as its model, can only ever think what is already solidified and sedimented as true, in light of existing structures and institutions of power. -
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A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/110900 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications THE BRITISH LIBRARY BRITISH THESIS SERVICE COPYRIGHT Reproduction of this thesis, other than as permitted under the United Kingdom Copyright Designs and Patents Act 1988, or under specific agreement with the copyright holder, is prohibited. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. REPRODUCTION QUALITY NOTICE Th e quality of this reproduction is dependent upon the quality of the original thesis. Whilst every effort has been made to ensure the highest quality of reproduction, some pages which contain small or poor printing may not reproduce well. Previously copyrighted material (journal articles, published texts etc.) is not reproduced. THIS THESIS HAS BEEN REPRODUCED EXACTLY AS RECEIVED FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY-FICTION Mark Fisher Presented for the degree of Doctor of Philosophy Department of Philosophy University of Warwick July 1999 Numerous Originals in Colour Abstract FLATLINE CONSTRUCTS: GOTHIC MATERIALISM AND CYBERNETIC THEORY- FICTION Cyberpunk fiction has been called “the supreme literary expression, if not of postmodernism then of late capitalism itself.” (Jameson) This thesis aims to analyse and question this claim by rethinking cyberpunk Action, postmodernism and late capitalism in terms of three - interlocking - themes: cybernetics, the Gothic and fiction. -
Affect, Trust, and Dignity: Ontological Possibilities and Material Consequences for a Philosophy of Educational Resonance Walter Gershon Kent State University
Walter Gershon 461 Affect, Trust, and Dignity: Ontological Possibilities and Material Consequences for a Philosophy of Educational Resonance Walter Gershon Kent State University INTRODUCTION This essay articulates a philosophy of resonance in education, from some of its theoretical possibilities through their material consequences. Contemporary under- standings in educational philosophy have a tendency to utilize ocular metaphors, epistemological constructions that provide frames for seeing the world. There are at least the following three difficulties with such a reliance on the ocular. First, they are easily interrupted by nonocular metaphors. While this may seem to be a rather surface concern, it points to a deep philosophical set of problems. For example, what happens when the augenblick, a construct around which much philosophizing has been accomplished, is pressed slightly to become a “blink of an ear”?1 This move not only questions the veracity of ocular-centric constructions from blinks to texts — for what does it say about an idea if it falls apart by shifting senses — but it also presses at the feasibility of framing, its inherently bounded nature as well as the large number of possibilities excluded by its gaze. Second, the sonic provides another avenue for wonder. Sound is omnipresent and questions of hearing or listening are as much about physical anatomy as they concern sociocultural constructs about what sounds can mean. Unlike sight that is necessarily directional and constantly interrupted (for example, by blinking), sound is omnidirectional, creating a context in which focus requires a particular kind of attentive filtering rather than a reframing or panning directionality. Finally, sound is and always has been. -
The Being of Analogy Noah Roderick Noah Roderick the Being of Analogy
Noah Roderick The Being of Analogy Noah Roderick Noah Roderick The Being of Analogy The Being of Modern physics replaced the dualism of matter and form with a new distinction between matter and force. In this way form was marginalized, and with it the related notion of the object. Noah Roderick’s book is a refreshing effort to reverse the consequences of this now banal mainstream materialism. Ranging from physics through literature to linguistics, spanning philosophy from East to West, and weaving it all together in remarkably lucid prose, Roderick intro- duces a new concept of analogy that sheds unfamiliar light on such thinkers as Marx, Deleuze, Goodman, Sellars, and Foucault. More than a literary device, analogy teaches us something about being itself. OPEN HUMANITIES PRESS Cover design by Katherine Gillieson · Illustration by Tammy Lu The Being of Analogy New Metaphysics Series Editors: Graham Harman and Bruno Latour The world is due for a resurgence of original speculative metaphysics. The New Metaphys- ics series aims to provide a safe house for such thinking amidst the demoralizing caution and prudence of professional academic philosophy. We do not aim to bridge the analytic- continental divide, since we are equally impatient with nail-filing analytic critique and the continental reverence for dusty textual monuments. We favor instead the spirit of the intel- lectual gambler, and wish to discover and promote authors who meet this description. Like an emergent recording company, what we seek are traces of a new metaphysical ‘sound’ from any nation of the world. The editors are open to translations of neglected metaphysical classics, and will consider secondary works of especial force and daring. -
Rhizomatic Cities in Italo Calvino's Invisible Cities Sambit Panigrahi
Rhizomatic Cities in Italo Calvino’s INVISIBLE CITIES Sambit Panigrahi Abstract: Italo Calvino’s highly successful novel Invisible Cities thoroughly explains Deleuze and Guattari’s famous postmodern concept of rhizome. The cities in the novel do not possess a fixed and coherent structure; rather they exude a structurality that is immensely fleeting and continually evolving. Calvino’s novelInvisible Cities which ironically precedes Deleuze and Guattari’s book A Thousand Plateaus clearly demonstrates the defining characteristic features of rhizome through the unusual and seemingly incomprehensible structure of the individual cities. There have been scanty critical responses in the past regarding the rhizomatic behavior of Calvino’s cities, despite an extraordinary abundance of critical works existing on Calvino’s writing. The rhizomatic patterns of Calvino’s cities, it is believed by the author, need further critical attention. Rhizome, through its perpetually unstable structural modeling, perhaps most effectively demonstrates our utterly disarrayed postmodern condition of existence where any desired structural stability and coherence is a virtual impossibility, and of this trait, Calvino’s cities in the said novel are the principal demonstrators. Based on these precepts, this article intends to analyze how Calvino’s cities in the novel, with their perpetual and immense structural variabilities, exude before the readers a typical postmodern world that wholesomely discards the very idea of structural coherence and stability. Deleuze and Guattari’s collaboratively introduced concept of ‘rhizome’ in their classic philosophical treatise A Thousand Plateaus is a suitable demonstrator of our disarrayed condition of postmodernity. As is well known, rhizome is their devised model that explains the relentlessly fluctuating nature of a postmodern structure. -
Manning What Things Do When They Shape Each Other
Erin Manning WHAT THINGS DO WHEN THEY SHAPE EACH OTHER The Way of the Anarchive In order to discover some of the major categories under which we can classify the infinitely various components of experience, we must appeal to evidence relating to every variety of occasion. Nothing can be omitted, experience drunk and experience sober, experience sleeping and experience waking, experience drowsy and experience wide-awake, experience self- conscious and experience self-forgetful, experience intellectual and experience physical; experience religious and experience sceptical, experience anxious and experience care-free, experience anticipatory and experience retrospective, experience happy and experience grieving, experience dominated by emotion and experience under self-restraint, experience in the light and experience in the dark, experience normal and experience abnormal (Whitehead 1967: 222) Bolder adventure is needed - the adventure of ideas, and the adventure of practice conforming itself to ideas (Whitehead 1967: 259) 1. METHOD "Every method is a happy simplification," writes Whitehead (1967: 221). The thing is, all accounting of experience travels through simplification - every conscious thought, but also, in a more minor sense, every tending toward a capture of attention, every gesture subtracted from the infinity of potential. And so a double-bind presents itself for those of us moved by the force of potential, of the processual, of the in-act. How to reconcile the freshness, as Whitehead might say, of processes underway with the weight of experience captured? How to reconcile force and form? This was the challenge SenseLab (www.senselab.ca) gave itself when we decided, a few years ago, to develop a concept we call "the anarchive." For us, the concept was initially an attempt to reconsider the role documentation plays in the context of the event. -
Thought in the Act: Passages in the Ecology of Experience Pdf Free
THOUGHT IN THE ACT: PASSAGES IN THE ECOLOGY OF EXPERIENCE PDF, EPUB, EBOOK Erin Manning,Brian Massumi | 224 pages | 01 May 2014 | University of Minnesota Press | 9780816679676 | English | Minnesota, United States Thought in the Act: Passages in the Ecology of Experience PDF Book Want to Read Currently Reading Read. Sign in. Greg marked it as to-read Jan 19, To paint: a thinking through color. Lisa Banu rated it it was amazing Dec 18, N Filbert rated it it was amazing Sep 09, Manning and Massumi, however, depart from the vast scope of their predecessors, limiting their sources to a narrow range, predominantly William James and Alfred North Whitehead, engaged as much for their poetics as for their ideas. Explores the intimate connections between thinking and creative practice. The result is a thinking-with and a writing-in-collaboration-with these processes and a demonstration of how philosophy co-composes with the act in the making. This book feels very timely. Thanks for telling us about the problem. Average rating 4. Kate rated it really liked it Aug 09, Daniella rated it it was amazing Feb 04, We have a verbal travel through the experience of receiving their work, experiencing their re-configuration of spaces and intervention into the physicality of our lives. Keywords: philosophy of art , process philosophy , art and activism , political philosophy , neurodiversity , embodied cognition , art-based research. Drawing from the idiosyncratic vocabularies of each creative practice, and building on the vocabulary of process philosophy, the book reactivates rather than merely describes the artistic processes it examines. Search Site only in current section. -
Affect Theory As a Methodology for Design
Affect Theory as a Methodology for Design Author Nandita Baxi Sheth & Kristopher Holland University of Cincinnati, College of Design, Architecture, Art, and Planning In Ordinary Affects (2010), Katherine Stewart, writes, Affect is the commonplace, labor-intensive process of sensing modes of living as they come into being. It hums with the background noise of obstinacies and promises, ruts and disorientations, intensities and resting points. It stretches across real and imaginary social fields and sediments, linking some kind of everything (p. 340). ‘Linking some kind of everything’, affects are intensities, resonances, force fields that exist and travel in in between bodies and spaces. Affect shines a light on what happens in that unknowable space that is the gap between an event and its cognitive signification. These embodied intensities occur through the automatic functions of our bodies--the membrane of the skin, the beating of the heart, and the rhythm of the breath (Massumi, 2002, p. 26). Imaginative Interlude: Imagine if you will an experience of awe or wonder—such as the much clichéd sunset on the beach. The salty smell in the air. The changing temperature of the skin as the sun’s warmth dissipates The ever so gradual color changes in the sky The liquid melding of sky and sea at the horizon line The rhythmic sounds of moving water There is gap, fractions of second, between the body’s experience of this event and the application of language to label that experience. Thinking about this gap- between experience itself and representation of that experience is the space of inquiry that is explored by Affect Theory.