DOCSLIB.ORG

Read Ebook {PDF EPUB} Bay Area Blues by Lee Hildebrand Bay Area Blues by Lee Hildebrand

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Ebook {PDF EPUB} Bay Area Blues by Lee Hildebrand Bay Area Blues by Lee Hildebrand Read Ebook {PDF EPUB} Bay Area Blues by Lee Hildebrand Bay Area Blues by Lee Hildebrand. LOWELL FULSON / PERCY MAYFIELD Mark Naftalin's Blue Monday Party, Volume 1 with Ester Jones and Dr. Wild Willie Moore. JOHN LEE HOOKER / CHARLIE MUSSELWHITE Mark Naftalin's Blue Monday Party, Volume 2 with Francis Clay and Luther Tucker. Read Lee Hildebrand's review of the Winner videos from the San Francisco Chronicle , May 2, 1999. Blue Monday Party, Vol. 1 | Blue Monday Party, Vol. 2 | Poet Laureate Of The Blues LOWELL FULSON / PERCY MAYFIELD Mark Naftalin's Blue Monday Party, Volume 1 with Ester Jones and Dr. Wild Willie Moore (Winner 111) Video Info Sleeve Notes Back Cover Press Quotes. Mark Naftalin - Blue Monday Blues (1:35) Lowell Fulson - Thing (1:56) Lowell Fulson - You're Gonna Miss Me (2:32) Lowell Fulson & Ester Jones - Night Time Is The Right Time (3:31) Percy Mayfield - Strange Things Happening (4:30) Percy Mayfield - Please Send Me Someone To Love (3:06) Percy Mayfield - Life Is Suicide (2:37) Lowell Fulson - Guitar Shuffle (1:57) Lowell Fulson, guitar & vocals Percy Mayfield, vocals Ester Jones, vocals Dr. Wild Willie Moore, sax Mark Naftalin, piano Bobby Murray, guitar Henry Oden, bass Fred Casey, drums. Recorded at the Sleeping Lady Cafe, Fairfax, California, July 3, 1981 Timed for 30-minute television broadcast. Color. Produced by Michael Prussian Associate Producer - Starr Sutherland Directed by Elizabeth Randazzo Package Design - Virginia Lindsay. Mark Naftalin's Blue Monday Party was a weekly rhythm & blues show and dance held at two San Francisco Bay-Area nightclubs -- the Sleeping Lady Cafe in Fairfax and Uncle Charlie's in Corte Madera -- from March, 1979, through September, 1983. Produced and hosted by pianist-bandleader Mark Naftalin, the Blue Monday Party was the Bay Area's preeminent ongoing blues showcase of its day. Stars of the 237 Blue Monday Party dance-concerts include Buddy Ace, Carey Bell, Boogie Jake, Mel Brown, Roy Brown, Cool Papa, Big Joe Duskin, John Lee Hooker, Dottie Ivory, Lady Bianca, Frankie Lee, Little Joe Blue, J.J. Malone, Maurice McKinnies, Sonny Rhodes, Freddie Roullette, Luther Tucker and many more. The Blue Monday Party was the scene of three half-hour television specials, produced by Michael Prussian for Videotunes: Frankie Lee & Charles Houff (1980); Lowell Fulson & Percy Mayfield (1981); John Lee Hooker & Charlie Musselwhite (1981). The 1981 shows are available on Winner home video. From February, 1982, through September, 1983, the first hour of each week's show was broadcast live and heard throughout the Bay Area on KTIM-FM (San Rafael). Stars of the 86 Blue Monday Party broadcasts include Francis Clay, Albert Collins, Johnny Copeland, James Cotton, Pee Wee Crayton, Sugarpie DeSantos, Lowell Fulson, Johnny Littlejohn, Percy Mayfield, Jimmy McCracklin, Bobby Murray, Charlie Musselwhite, Queen Ida, Eddie Taylor, Irma Thomas, Mississippi Johnny Waters and many others. The broadcast was honored with the Billboard Radio Award for best locally-oriented special programming (1982) and is the source of two Winnder CDs: Percy Mayfield Live and Ron Thompson's Just Like A Devil . ". STRONG ENTRIES. " -- Anthony DeCurtis, Rolling Stone. ". INSPIRED PAIRINGS. " -- Peter R. Aschoff, Living Blues. ". MAYFIELD TURNS OUT laconically hip and effective performances. Fulson's spare but driving guitar work is well displayed. " -- Tony Glover, Blues On Stage. ". ALL THREE VIDEOS boast crystal clear pictures and sound. " -- Kevin Toelle, Illinois Entertainer. *** Blue Monday Party, Vol. 1 | Blue Monday Party, Vol. 2 | Poet Laureate Of The Blues JOHN LEE HOOKER / CHARLIE MUSSELWHITE Mark Naftalin's Blue Monday Party, Volume 2 with Francis Clay and Luther Tucker (Winner 112) Video Info Sleeve Notes Back Cover Press Quotes. Charlie Musselwhite - Help Me (4:42) Charlie Musselwhite - Night Club (4:04) John Lee Hooker - So Cold In Chicago (5:36) John Lee Hooker - Worried Life Blues (4:21) John Lee Hooker - Voo Doo Woman (4:41) John Lee Hooker, guitar & vocals Charlie Musselwhite, harmonica & vocals Luther Tucker, guitar Francis Clay, drums Mark Naftalin, piano Bobby Murray, guitar Henry Oden, bass Gary Silva, drums. Recorded at the Sleeping Lady Cafe, Fairfax, California, July 6, 1981 Timed for 30-minute television broadcast. Color. Produced by Michael Prussian Associate Producer - Starr Sutherland Directed by Elizabeth Randazzo Package Design - Virginia Lindsay. Mark Naftalin's Blue Monday Party was a weekly rhythm & blues show and dance held at two San Francisco Bay-Area nightclubs -- the Sleeping Lady Cafe in Fairfax and Uncle Charlie's in Corte Madera -- from March, 1979, through September, 1983. Produced and hosted by pianist-bandleader Mark Naftalin, the Blue Monday Party was the Bay Area's preeminent ongoing blues showcase of its day. Stars of the 237 Blue Monday Party dance-concerts include Buddy Ace, Carey Bell, Boogie Jake, Mel Brown, Roy Brown, Cool Papa, Big Joe Duskin, John Lee Hooker, Dottie Ivory, Lady Bianca, Frankie Lee, Little Joe Blue, J.J. Malone, Maurice McKinnies, Sonny Rhodes, Freddie Roullette, Luther Tucker and many more. The Blue Monday Party was the scene of three half-hour television specials, produced by Michael Prussian for Videotunes: Frankie Lee & Charles Houff (1980); Lowell Fulson & Percy Mayfield (1981); John Lee Hooker & Charlie Musselwhite (1981). The 1981 shows are available on Winner home video. From February, 1982, through September, 1983, the first hour of each week's show was broadcast live and heard throughout the Bay Area on KTIM-FM (San Rafael). Stars of the 86 Blue Monday Party broadcasts include Francis Clay, Albert Collins, Johnny Copeland, James Cotton, Pee Wee Crayton, Sugarpie DeSantos, Lowell Fulson, Johnny Littlejohn, Percy Mayfield, Jimmy McCracklin, Bobby Murray, Charlie Musselwhite, Queen Ida, Eddie Taylor, Irma Thomas, Mississippi Johnny Waters and many others. The broadcast was honored with the Billboard Radio Award for best locally-oriented special programming (1982) and is the source of two Winnder CDs: Percy Mayfield Live and Ron Thompson's Just Like A Devil . ". STRONG ENTRIES. " -- Anthony DeCurtis, Rolling Stone. ". INSPIRED PAIRINGS. " -- Peter R. Aschoff, Living Blues. ". RARE AND WORTHWHILE . A pleasant addition to period footage. " -- Tony Glover, Blues On Stage. ". ALL THREE VIDEOS boast crystal clear pictures and sound. " -- Kevin Toelle, Illinois Entertainer. *** Blue Monday Party, Vol. 1 | Blue Monday Party, Vol. 2 | Poet Laureate Of The Blues Percy Mayfield -- Poet Laureate Of The Blues videodocumentary with Mark Naftalin (Winner 113) Video Info Back Cover Press Quotes. A visit with Percy Mayfield in his home. The blues poet talks about his life, times and music -- and sings his famous compositions, including a rollicking rendition of his best-known song, "Hit The Road Jack." Pianist Mark Naftalin accompanies. Onstage, Mayfield sings "Please Send Me Someone To Love" (his "prayer for peace") and more. Plus -- testimonials from Ray Charles and B.B. King. SONGS AND MUSICIANS. Recorded at Percy Mayfield's home, Los Angeles, California, December 8-9, 1982. Percy Mayfield, vocal Mark Naftalin, piano. I Wouldn't Do The Same Thing To You (1:07) Lost Love (1:14) Louisiana (1:29) Loose Lips (:51) Life Is Suicide (2:19) River's Invitation (:44) Ha Ha In The Daytime (Boo Hoo Hoo All Night Long) (:39) The Flirt (:51) Never Say Naw (:32) Hit The Road Jack (3:17) Recorded at Mark Naftalin's Blue Monday Party Sleeping Lady Cafe, Fairfax, California, July 3, 1981. Percy Mayfield, vocal Mark Naftalin, piano Bobby Murray, guitar Henry Oden, bass Fred Casey, drums. Strange Things Happening (2:50) Please Send Me Someone To Love (2:49) Never Say Naw (1:07) Videodocumentary. Color. Timed for 30-minute television broadcast. Produced by Starr Sutherland Executive Producer - Michael Prussian Directed by J. Elizabeth Randazzo Piano Player/Interviewer - Mark Naftalin Testimonials - Ray Charles, B.B. King Package Design - Virginia Lindsay. ". UNAFFECTED INTIMACY. " -- Anthony DeCurtis, Rolling Stone. ". THERE'S A NICE SYNCOPATED SWING to this at-home version of 'Hit The Road Jack'. Rare and worthwhile footage. " -- Tony Glover, Blues On Stage. ". ALL THREE VIDEOS boast crystal clear pictures and sound. " -- Kevin Toelle, Illinois Entertainer. ". CONGENIALLY CAPTURES the final heyday of [the] charismatic blues balladeer. The club footage finds Mayfield totally in the groove, with his relaxed Creole phrasing and elegant style on disarmingly soulful display. " -- Gary Von Tersch, Blues & Rhythm (England) The Library Community. All locations will be closed Monday, May 31 for Memorial Day. The following locations will be closed Tuesday, June 1: AAMLO, Elmhurst, Piedmont Ave. and Temescal/Tool Lending. African Americans Music History. Posted by Marco Frazier on Wednesday, July 11th, 2018. Collections focused on music from our Archives and Library. African Americans in the Art of Music. Jenkins Photo Collection. African Americans have made significant contributions to the art of music in many genres. From gospel legends Shirley Ceasar, to Motown legends Diana Ross and the Supremes, Martha Reeves and the Vandellas and many more. The Bay Area has also produced many legends from Oakland born artist Sheila E., to rap/hip hop artists Too Short, M.C. Hammer, Digital Underground, and R&B artist Goapele. Seeing the need to have the accomplishments of African American music and its musicians recognized, music producer Kenny Gamble and broadcast executive Ed Wright, crafted an idea of celebrating the contributions of African Americans musicians to the art of music while also taking black music globally. Their efforts resulted in President Jimmy Carter proclaiming June as Black Music Month. History of African American Music. Jenkins Photo Collection. The music of African Americans can be traced back to the days of slavery. In the fields as slaves were working you could hear them singing songs to pass the time. These songs were a way for them to share their life stories. Many slave owners began to forbid their workers from using their own languages to chant or use drums.
Load more

Recommended publications
  • And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
    POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. This is just a beginning to document this important field of study. [email protected] ------------------------------ 1967-06-18 P-1 --------- 1967-06-18 / CP010340 / CS05917 Jimi Hendrix at Monterey Pop Festival - Monterey, CA Artist: Randy Tuten Venue: Monterey Pop Festival Items: Original poster (Original artwork) Edition 1 / CP010340 / CS05917 (14 x 20) Performers: 1967-06-18: Monterey Pop Festival Jimi Hendrix ------------------------------ 1967-06-18 P --------- 1967-06-18 / CP060692 / CP060692 Monterey Pop Festival (Original Art) Notes: Original Art Artist: Randy Tuten Venue: Monterey Pop Festival Items: Original poster / CP060692 / CP060692 (14 x 20) Performers: 1967-06-18: Monterey Pop Festival Jimi Hendrix ------------------------------ FW-BG-159 1968-02-06 P-1 --------- 1968-02-06 / FW BG-159 CP007260 / CP02510 Byrds, Michael Bloomfield at Fillmore West - San Francisco, CA Private Notes: BG-CD(+BG-158) BG-OP-1-Signed-Tuten A- 50- Artist: Randy Tuten Venue: Fillmore West Promoter: Bill Graham Original Series Items: Original poster FW-BG-159 Edition 1 / CP007260 / CP02510 Description: 1 original (14 x 21-3/4) Price: 100.00 Postcard FW-BG-159 Edition 1 / CP007858 / CP03102 Description: original, postal variations, double with BG158 (7
    [Show full text]
  • November / December 2017
    November / December 2017 See Page 21 2 Love The Blues? Live The Blues? The Detroit Blues Society’s Lifetime Achievement Award Honorees Board of Directors 2017 President Steve Soviak 2013: [email protected] 2008: Vice President / Editor Jane Cassisi [email protected] 2006: 2005: Secretary William Toll [email protected] Director At Large Cynthia Davis [email protected] Director At Large Blues Horizon Award Winners Luther Keith [email protected] Joe Von Battle Director At Large Victoria Linsley 1993: [email protected] 1992: 2008: Committee Chairs - 2017 James S. Henry Award Winners 2010: Bryan Iglesias/Zerapath Membership - Tom McNab 2009: Jake Bishop 2005: Jeremy Haberman [email protected] Volunteer - Jane Cassisi New & Renewed Members from [email protected] August 10, 2017 to October 11, 2017 Blue Notes - Jane Cassisi [email protected] Street Team - Victoria Linsley Daniel & Deanna Adams, Elaine & Gerald Arnold, [email protected] B.J. Belcoure, Larry “Mugs” Benedict, Lars Bjorn, Website - William Toll [email protected] Alan Chunn, Larry Everhart, Ken Gilbert, Thomas Keating, Lynne Martinez, Doug Montgomery, Publicity – Cynthia Davis [email protected] Surayyah R Muwwakkil, Russ & Cindy Ortisi, Har- old Price, Robert Stevens and Randy Schwartz Blues Challenge - Steve Soviak [email protected] Youth Challenge - Cheri Lowe Our sincere appreciation goes out to all new and [email protected] renewing members. Daniel & Deanna Adams, B.J. Monthly Meetings/Jams - Jane Cassisi Belcoure, Lars Bjorn, Larry Everhart, Ken Gilbert [email protected] and Thomas Keating all took advantage of the dis- Victoria Linsley [email protected] count available with a multiple year membership.
    [Show full text]
  • May-June 293-WEB
    May-June 2007 Issue 293 jazz Free &blues report www.jazz-blues.com now in our 33rd year KOKO TAYLOR KOKO TAYLOR Old School Published by Martin Wahl A New CD... Communications On Tour... Editor & Founder Bill Wahl & Appearing at the Chicago Blues Festival Layout & Design Bill Wahl The last time I saw Koko Taylor Operations Jim Martin she was a member of the audience at Pilar Martin Buddy Guy’s Legends in Chicago. It’s Contributors been about 15 years now, and while I Michael Braxton, Mark Cole, no longer remember who was on Kelly Ferjutz, Dewey Forward, stage that night – I will never forget Chris Hovan, Nancy Ann Lee, Koko sitting at a table surrounded by Peanuts, Wanda Simpson, Mark fans standing about hoping to get an Smith, Dave Sunde, Duane Verh, autograph...or at least say hello. The Emily Wahl and Ron Weinstock. Queen of the Blues was in the house that night...and there was absolutely Check out our costantly updated no question as to who it was, or where website. Now you can search for CD Reviews by artists, titles, record she was sitting. Having seen her elec- labels, keyword or JBR Writers. 15 trifying live performances several years of reviews are up and we’ll be times, combined with her many fine going all the way back to 1974. Alligator releases, it was easy to un- derstand why she was engulfed by so Koko at the 2006 Pocono Blues Festival. Address all Correspondence to.... many devotees. Still trying, but I still Jazz & Blues Report Photo by Ron Weinstock.
    [Show full text]
  • Golden Gate Grooves, January 2014
    Golden Gate Grooves, January 2014 CD REVIEWS Billy Boy Arnold, Charlie Musselwhite, The singers/harmonica players under whose names Remembering Little Walter was issued are an enviable Mark Hummel, Sugar Ray Norcia, James all-star assemblage: Hummel, Harman, Charlie Harman, Remembering Little Walter Musselwhite, Billy Boy Arnold, and Sugar Ray Norcia. Together they make up something like 50% of any by Tom Hyslop reasonable person’s list of the pre-eminent living Latter-day harp men talk harmonica players, and the environment, as one might about Big Walter’s tone, expect, makes for committed and spirited emulate the conversational performances. Sugar Ray’s intense “Mean Old World” is styles of both Sonny Boys, dynamite, as is Musselwhite’s take on the up-tempo admire the power and “One Of These Mornings,” a relative rarity, which also playfulness of Cotton, and features a daredevil guitar break. Tone and dynamics dig Junior Wells’s attitude. are at an impossibly high level throughout—Hummel Some may work on Jimmy and the band dial in a perfect late-night mood on “Blue Reed’s high-end approach, Light,” and the way Harman drives “Crazy Mixed Up or give lip service to Snooky World” hard before breaking it down to a whisper at Pryor or even Louis Myers. But Marion Walter Jacobs the end is masterly. Billy Boy’s “Can’t Hold Out Much was The Man, the player whose stylistic innovations Longer” is splendid on every level. revolutionized the way the instrument was played, and whose technique, taste, and tones continue to baffle That recaps only about half of the program, but the rest and inspire musicians more than 60 years after his of the songs (each performer sings two) are excellent as debut, and nearly 45 years after his untimely death.
    [Show full text]
  • March CALENDAR of EVENTS
    March CALENDAR 2014 of EVENTS 2020 Addison Street • Berkeley, California • (510) 644-2020 • www.freightandsalvage.org SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY Remember the Children Winter II Classes start the week of March 10 family show & sing-along see back page for details w/ linda tillery & friends 1pm show $11/$13 Mar 1 Banjo • ‘Ukulele • Guitar • Dulcimer • String Band • Voice House Songwriting • Music Theory • Folk Repertoire • Bluegrass Jamming Jacks “the rock band Singing Circle • Mandolin • Fiddle • Bass • Music Theory • Blues • Swing without instruments” $25/$27 Mar 1 Freight an evening with Rita Hosking Willy Just Like Kapala Tom Open Trio, Hawaiian music Andy Porter A Woman with a groove Brosseau, Mic Cahalen smart songs with Lady Bianca, Statman & mesmerizing Rhonda Benin, with special guest groove driven Patrick Landeza Shelby Earl Morrison guitar gymnastics Ashling Cole, gorgeous, gritty, an adventure American roots, Valerie Troutt, jazz, and klezmer on Martyn Joseph eclectic songwriting every time & Eli West opens Destiny Muhammad, clarinet and mandolin mountain bluegrass Veronica Klaus and 7:30 showtime & old time music MZSwitched $21/$23 Mar 2 $15/$17 mar 3 $5/$7 Mar 4 $29/$31 mar 5 $18/$20 mar 6 $21/$23 Mar 7 $25/$27 mar 8 DANCE FLOOR! San francisco Chamber Sourdough Lisa Ferraro Michael orchestra presents Magnolia & Erika & Shay Classical Slim w/ Väsen @ the Freight Robert Sisters Luckett Black Sweden’s leading blockbuster virtuosic guitar playing, brothers from folk revivalists Squid, Inc. Armstrong louisiana Cajun soulful singing, and ireland’s foremost ensemble uplifting lyrics family of song ben Simon, the last of the host vaudeville cowboys $23/$25 mar 9 $9/$11 Mar 10 $21/$23 Mar 12 $21/$23 mar 13 $21/$23 Mar 14 $26/$28 mar 15 patchwork kids Show Can’t make it Green Room Trubitt & Cole The to the Freight? Freight The Bill a morning of story & song Watch the show live, 11am show Open Sessions $8/$10 Claire Lynch wherever you are.
    [Show full text]
  • OBHOF INDUCTEES Why We Honor Them 2104
    OBHOF INDUCTEES 2104 Why We HonorThem: Dr. Harold Aldridge March 3, 2014 Aldridge sings the blues Dr. Harold Aldridge is a retired professor of psychology at NSU in Tahlequah. Tahlequah Daily Press By RENEE FITE Special Writer TAHLEQUAH — The gray is beginning to cover his once-black hair, and it shows when the tall, lanky musician adjusts his black felt cowboy hat. He’s admits to being a little nervous. To keep his hands busy and mind occupied before the show begins, he tunes his guitar, glancing around the room, waving or nodding to friends. “An Evening of Blues Music,” presented at Webb Tower by Dr. Harold Aldridge, professor emeritus of psychology at Northeastern State University, was in observance of Black History month. After a brief introduction and enthusiastic applause, Aldridge began with a joke. “As the milk cow said to the dairy man, ‘Thanks for the warm hand,’” he said. For the next hour, the audience was taken on a journey through black history via the blues, from deep in the Mississippi Delta, to Alabama, the East Coast, Kansas City, Oklahoma, Texas and California. “I’m going to tell you the history of blues, and hopefully, it will be entertaining,” Aldridge said. “I stick with the old stuff, from Memphis, Mississippi, Alabama, and Tennessee.” According to Aldridge, blues music is evolving. “It’s almost like rock in some places; I guess next we’ll have rap blues,” he said. As his story unfolded, the audience learned the blues has changed with varying locations and situations. “The blues originated in West Africa and came here as a feeling, the soul of it, the spirit of high John the Conqueror,” said the Aldridge.
    [Show full text]
  • August 2016 Washington Blues Society Calendar
    In This Issue... Larry Williams Bobby Rush! Bobby Rush! Bobby Rush! Larry Williams and Suzanne Swanson (Photo Art by Dan Hill) (Photo by Suzanne Swanson) (Photo by Theresa Southwick) Letter from the President 2 On the Cover 4 2016 Blues Music Awards 9 Letter from the Editor 3 Honoring Larry Williams 6 July Blues Bash Review 12 Thanks to Our Advertisers 4 Preview: Taste of Music 8 August Blues Bash Reminder 14 Officers and Directors 4 Blues Bash Preview 8 Membership Opportunities 14 Letter from Washington Blues Society President Tony Frederickson Hi Blues Fans, Mark Riley (Solo/Duo), and Brett Benton (Solo/ A new development with the Grammys! Thanks Duo). With the talent in the finals the state of to the hard the hard work of one of my Blues I’m sitting here at the Winthrop Rhythm & Blues Washington, the Washington Blues Society will Foundation board members, Michael Freeman, Festival as I write this month’s Letter from the be well represented once again! I highly recom- the “Blues” now has two different album catego- President, and going through the first half of the mend making plans ahead of time to see our finals ries! One for Traditional Blues Album and one for Blues Festival season in my mind. What a year at the very least if not the entire Taste of Music. Contemporary Blues album. This is big news for it’s been so far! From early in February at the At only $10 per day it will prove to be one of the our world. The Blues Music Awards are wonder- Coeur D’Alene Blues Festival, to the Walla Walla best values of the second half of the Blues Festi- ful and do a great job recognizing the musicians, Guitar Festival, on to the Untapped Music Fes- val season.
    [Show full text]
  • Metronome Magazine-Boston
    •Our 35th Year Proudly Promoting All Things Music• FREE! January 2020 Sparky John Larson & The Silver Fields One Dime Band Paul Gabriel Metro•Scene BERKLEE BULL RUN CITY WINERY 1/8- Stars in Our Midst PERFORMANCE CENTER RESTAURANT Boston, MA. 1/9- Culomba album release Boston, MA Shirley, MA. (617) 933-8047 1/10- Meg Toohey album release (617) 747-2261 (978) 425-4311 1/11- Americana 1/1- Chris Trapper; Sarah Borges 1/12- Masters of Hawaiian Music w/George 1/11- Juan de Marcos and the Afro-Cuban All 1/5- Past Life Regression Circle Brunch w/ 1/2- Lyfe Jennings Kahumoku Jr, Led Kaapana and Kawika Kahiapo Stars Brandie Wells 1/3- Kashmir - Live Led Zeppelin Show; Chad 1/13-Kora Feder and Bella White 1/18- Terence Blanchard and The E-Collective 1/9- the Subdudes Perrone 1/14- Lauren Balthrop & Sean Trischka 1/28- Marcus Prince: Hearts on Fire—I Won’t Be 1/10- Sarah Borges & the Broken Singles 1/4- Wanted: DOA – Bon Jovi Tribute 1/15- Rachel Sumner Band; Pretty Saro Silent 1/16- Kerrville North 1/5- Kindred the Family Soul 1/16, 17 & 18- Boston Celtic Music Festival 1/30- Soundscapes of Spain: From Flamenco 1/17- Ellis Paul 1/7- Jake Clemons (E Street Band) 1/19- Billy, Jimmy & Dave Roots to Fusion featuring Sonia Olla, Ismael 1/18- Steve Forbert; Offtet’s “Midlife 1/8- Avery Sunshine 1/20- Massmouth Story Slam Fernández & Olivia Pérez Monkeyshine” CD release (Ballroom) 1/10- Marc Cohn; Jesse Valenzuela (of the Gin 1/22- Hayley Jane; Giovanina Bucci 1/19- Albert Lee Band Blossoms) 1/23- Taarka 1/24- Deadbeat w/ Guest Mark Karan 1/11- Marc Cohn 1/24- Kemp Harris BLUE OCEAN 1/25- The Fools 1/12- Jon B (Early Show) - 1/12/20 1/25- Les Sampou; Jay Psaros; Julian Rundlett MUSIC HALL 1/13- Chris Mann: Gershwin to Gaga ; Cheikh Lô & Gail Finnie Rundlett Salisbury Beach, MA.
    [Show full text]
  • Mark Hummel Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8r216s6 No online items Guide to the Mark Hummel Papers Sean Heyliger African American Museum & Library at Oakland 659 14th Street Oakland, California 94612 Phone: (510) 637-0198 Fax: (510) 637-0204 Email: [email protected] URL: http://www.oaklandlibrary.org/locations/african-american-museum-library-oakland © 2013 African American Museum & Library at Oakland. All rights reserved. Guide to the Mark Hummel MS 223 1 Papers Guide to the Mark Hummel Papers Collection number: MS 223 African American Museum & Library at Oakland Oakland, California Processed by: Sean Heyliger Date Completed: 2018-04-27 Encoded by: Sean Heyliger © 2013 African American Museum & Library at Oakland. All rights reserved. Descriptive Summary Title: Mark Hummel papers Dates: 1978-2012 Collection number: MS 223 Creator: Hummel, Mark Collection Size: .25 linear feet(1 box) Repository: African American Museum & Library at Oakland (Oakland, Calif.) Oakland, CA 94612 Abstract: The Mark Hummel Papers consist of photographs, blues show flyers, blues music publications, audio recordings, and newspaper clippings documenting the career of blues musician Mark Hummel and the San Francisco Bay Area blues scene in the 1970s-1990s. Languages: Languages represented in the collection: English Access No access restrictions. Collection is open to the public. Access Restrictions Materials are for use in-library only, non-circulating. Publication Rights Permission to publish from the Mark Hummel Papers must be obtained from the African American Museum & Library at Oakland. Preferred Citation Mark Hummel papers, MS 223, African American Museum & Library at Oakland, Oakland Public Library. Oakland, California. Acquisition Information Donated by blues musician Mark Hummel to the African American Museum & Library at Oakland on March 30, 2018.
    [Show full text]
  • Etta James 2012
    February 2012 www.torontobluessociety.com Published by the TORON T O BLUES SOCIE T Y since 1985 [email protected] Vol 28, No 2 1938 Etta James 2012 CANADIAN PUBLICATIONS MAIL AGREEMENT #40011871 MBA winners Event Listings John’s Blues Picks & more Loose Blues News TORON T O BLUES SOCIE T Y Upcoming TBS Events 910 Queen St. W. Ste. B04 Toronto, Canada M6J 1G6 Tel. (416) 538-3885 Toll-free 1-866-871-9457 Email: [email protected] Website: www.torontobluessociety.com MapleBlues is published monthly by the Toronto Blues Society ISSN 0827-0597 2012 BOARD OF DIRECTORS Derek Andrews (President), Jon Arnold (Executive), Gord Brown, Lucie Dufault (Secretary), Sharon Evans, Sarah French, Julian Fauth and Paul Reddick will appear Thursday, February 2 at the Gladstone Sharon Kate Grace, Michael Malone (Treasurer), Hotel's Melody Bar as part of the Toronto Blues Society First Thursday series. The Ed Parsons (Executive), Norman Robinson, Toronto Blues Society presents the best in blues talent the first Thursday of each month Paul Sanderson, Mike Smith (Executive), John at the recently renovated Melody Bar in The Gladstone Hotel. Performances are Valenteyn (Executive) free to the public and begin at 9pm. The next show in the series is on March 1, and Musicians Advisory Council: Lance Anderson, features a performance by Rick Taylor and Carlos del Junco. Check back soon Brian Blain, Gary Kendall, Al Lerman, Lily Sazz, to find out about upcoming performances including Layla Zoe (April 5), and Mark Stafford, Suzie Vinnick Morgan Davis (May 3). Membership Committee: Mike Malone, Lucie Default, Gord Brown, Sarah French, Mike Smith, Debbie Brown, Ed February 11, 1pm-4pm at Lula Lounge (1585 Dundas St Parsons, Norm Robinson, Rick Battision, W) - Digital Dollars: The second Digital Dollars seminar.
    [Show full text]
  • DB Music Shop Must Arrive 2 Months Prior to DB Cover Date
    05 5 $4.99 DownBeat.com 09281 01493 0 MAY 2010MAY U.K. £3.50 001_COVER.qxd 3/16/10 2:08 PM Page 1 DOWNBEAT MIGUEL ZENÓN // RAMSEY LEWIS & KIRK WHALUM // EVAN PARKER // SUMMER FESTIVAL GUIDE MAY 2010 002-025_FRONT.qxd 3/17/10 10:28 AM Page 2 002-025_FRONT.qxd 3/17/10 10:29 AM Page 3 002-025_FRONT.qxd 3/17/10 10:29 AM Page 4 May 2010 VOLUME 77 – NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Ed Enright Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]
  • Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites
    Jan. 24, 1970 – Mike Bloomfield & Nick Gravenites – 750 Vallejo In North Beach, SF “The Jam” Mike Bloomfield and friends at Fillmore West - January 30-31-Feb. 1-2, 1970? Feb. 11, 1970 -- Fillmore West -- Benefit for Magic Sam featuring: Butterfield Blues Band / Mike Bloomfield & Friends / Elvin Bishop Group / Charlie Musselwhite / Nick Gravenites Feb. 28, 1970 – Mike Bloomfield, Keystone Korner, SF March 19, 1970 – Elvin Bishop Group plays Keystone Korner , SF Bloomfield was supposed to show for a jam. Did he? March 27,28, 1970 – Mike Bloomfield and Nick Gravenites, Keystone Korner ***** MICHAEL BLOOMFIELD AND FRIENDS 1970. Feb. 27. Eagles Auditorium, Seattle 1. “Wine” (8.00) This is the encore from Seattle added on the bootleg as a “filler”! The rest is from Long Beach Auditorium Apr. 8, 1971. 1970 1 – CDR “JAMES COTTON W/MIKE BLOOMFIELD AND FRIENDS” Bootleg 578 ***** JANIS JOPLIN AND THE BUTTERFIELD BLUES BAND 1970. Mar. 28. Columbia Studio D, Hollywood, CA Janis Joplin, vocals - Paul Butterfield, hca - Mike Bloomfield, guitar - Mark Naftalin, organ - Rod Hicks, bass - George Davidson, drums - Gene Dinwiddle, soprano sax, tenor sax - Trevor Lawrence, baritone sax - Steve Madaio, trumpet 1. “One Night Stand” (Version 1) (3.01) 2. “One Night Stand” (Version 2) wrong speed 1982 1 – LP “FAREWELL SONG” CBS 32793 (NL) 1992 1 – CD “FAREWELL SONG” COLUMBIA 484458 2 (US) ?? 2 – CD-3 BOX SET CBS ***** SAM LAY 1970 Producer Nick Gravenites (and Michael Bloomfield) Sam Lay, dr, vocals - Michael Bloomfield, guitar - Bob Jones, dr – bass ? – hca ? – piano ? – organ ? Probably all of The Butterfield Blues Band is playing. Mark Naftalin, Barry Goldberg, Paul Butterfield 1.
    [Show full text]