TheNew 13 tPolishh polish Cinema film festival 8 april— 29 may 2015 1

In London at the BFI Southbank, FESTIVAL GUIDE ICA, Tate Modern and more... kinoteka.org.u k Welcome to Kinoteka 13! 2 Welcome to Kinoteka 13! 3 contents WELCOME TO KINOTEKA 13!

Welcome to KINOTEKA 13!...... 3 This year KINOTEKA Polish Film Festival Pawlikowski will present a special weekend returns to the capital for an extended bumper of screenings of his acclaimed documentaries Special Guests...... 4 13th edition. Encompassing all aspects of Polish at the ICA (18th / 19th April), including From film culture, an enticing mix of film, music Moscow to Pietushki and Dostoevsky’s Travels. SCREENINGS & EVENTS and visual arts is on offer with an outstanding Wojciech Wiszniewski Rediscovered Opening Night Gala...... 8 selection of screenings, UK premieres, curated at the ICA on 12th April celebrates the short retrospectives, exhibitions, concerts, interactive career of influential documentarian Wojciech New Polish Cinema ...... 10 workshops and industry masterclasses with Wiszniewski. He made just 12 films in total Documentary Screenings...... 13 special guests. before his premature death at the age of 34. Polish Cinema Classics...... 18 KINOTEKA is partnering with Filmhouse He is now considered to be one of the most Martin Scorsese Presents Masterpieces of Polish Cinema ...... 20 Edinburgh and BFI Southbank on an exciting outstanding personalities of his generation. new collaboration for the UK tour of Martin The documentary strand also celebrates Martin Scorsese Presents... Talks & Workshops ...... 31 Scorsese Presents Masterpieces Of the work of emerging Polish documentary Cinema Meets Art...... 34 Polish Cinema: 24 masterpieces, chosen filmmakers who studied at the Wajda Film Poster Exhibition...... 35 by Scorsese himself, all brilliantly restored School and who have both been Oscar® and digitally remastered to 2K resolution. nominated for this year’s Best Documentary Music Event ...... 36 The season showcases films made during Short Film category. Talks and Workshops...... 38 a particularly fertile and creative time in In conjunction with 'Martin Scorsese Closing Night Gala...... 40 post-war Poland by directors such as Andrzej Presents Masterpieces of Polish Cinema', Kinoteka on Tour...... 42 Wajda, Krzysztof Zanussi, Andrzej Munk, Jerzy KINOTEKA and BFI Southbank will host an Kawalerowicz, Wojciech J. Has, Aleksander exhibition of original poster artwork celebrating Ford, Krzysztof Kieślowski, and others. The the films of renowned director Andrzej Wajda. CALENDAR & booking UK season launches at KINOTEKA’s Opening Tate Modern will screen The Performer, a Calendar of Events, Booking & Venues...... 43 Night Gala on 8th April at BFI Southbank dynamic story full of punk energy based on the Credits & Thanks...... 48 with a screening of Camouflage, with director life of Oskar Dawicki one of the most original Krzysztof Zanussi in attendance. contemporary Polish artists currently working. The ICA plays host to KINOTEKA’s New This year KINOTEKA will draw to a close Polish Cinema strand from 10th April with with a special screening of cult Polish comedy a selection of both popular and critically The Cruise (Rejs, 1970), marking Second Run’s acclaimed contemporary Polish films from the release of the film on DVD. Taking inspiration past year. The strand includes the UK premieres from the film, festivities continue with a of the festival special guest Krzysztof Zanussi’s boat ride on the Thames for a 70’s-themed Foreign Body and Jerzy Stuhr’s Citizen. The interactive, improvised performance created latest film from KINOTEKA favourite Wojciech by immersive UK theatre group Gideon Reeling. Organised by Co-financed by In partnership with Smarzowski (Traffic Department, The Dark We hope you will enjoy all the events House) The Mighty Angel will be presented during the 13th KINOTEKA and we look alongside one of the year’s most interesting forward to seeing you there. directorial debuts, Krzysztof Skonieczny’s Hardkor Disko. Anna Godlewska Supported by KINOTEKA showcases the breadth of Polish Cultural Institute Director original, innovative documentary that has come Marlena Lukasiak out of Poland. Oscar©-winning filmmaker Paweł Kinoteka Programmer and Producer

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OSKAR DAWICKI (born 1971) band of the legendary Polish trumpeter Tomasz JACEK PETRYCKI (born 1948) Polish multimedia artist, his work includes Stańko. Wania, last year’s double winner of Cinematographer, director and screenwriter. performance art, video works, photography, prestigious Fryderyk Polish music award, is one He collaborated with Krzysztof Kieślowski, documentation, objects and installations. All of the most important jazz musicians of young Marcel Łoziński and Agnieszka Holland. In 1996 of his works have a post-conceptual character generation in Poland. he received a BAFTA award for Photography and emanate a slightly grotesque, ironic and for Clive Gordon’s Betrayed. He was also even absurd aura. He introduces into his MICHAŁ OLESZCZYK (born 1982) nominated for the Polish Film Award 'Orły' works a romantically tragic component, highly Internationally acclaimed Polish film expert for Photography for Mariusz Malec’s Człowiek saturated with his own existential dilemmas. and critic, scholar, and translator based in wózków. In his video works he uses ironic self-reflection Warsaw. He contributes to RogerEbert.com (I’m sorry, 2005). and works as the artistic director of Gdynia KRZYSZTOF PIESIEWICZ (born 1945) Film Festival, as well as a programmer for Polish screenwriter, lawyer, advocate and Gideon Reeling Polish Filmmakers NYC. He wrote the first politician. Co-author of award winning A London based group of artists that make Polish book on the work of Terence Davies and screenplays for 17 films directed by Krzysztof interesting, made to measure and truly has contributed to a number of Polish outlets Kieślowski, including Three Colours: Blue interactive theatrical experiences. They invite ('Kino', 'FilmWeb', 'Dwutygodnik'). He runs a (1993), Three Colours: White (1994), Three their audiences to become players, participants Sławomir Idziak blog at oleszczyk.blogspot.com. Co-author Colours: Red (1994), No End (1985) and The and adventurers through their stories, with fresh, of published interviews (together with Jakub Double Life of Veronique (1991). His screenplay imaginative and highly varied word. And at the with T-Mobile New Horizons International Mikurda) with Guy Maddin and Quay Brothers. for Three Colours: Red was nominated for the heart of what they do is a sense of inclusive Film Festival. The winner of Polish edition of Academy Award in 1995. His screenplays were playfulness and a sensitivity to the level that International Young Screen Entrepreneur of PAWEŁ PAWLIKOWSKI (born 1957) translated into ten languages and published audiences are comfortable to be immersed into the Year organized by British Council. Together Oscar®-winning Polish/British film director who as books. He is a Member of the American their imaginary worlds. with Michał Oleszczyk published an interview has lived and worked most of his life in the UK. Academy of Motion Pictures. with Quay Brothers and Guy Maddin. He has His filmsLast Resort (2000) and My Summer of SŁAWOMIR IDZIAK (born 1945) translated, edited and prefaced books on Terry Love (2004) both won the BAFTA award. His ŁUKASZ RONDUDA (born 1976) Polish cinematographer, known for his Gilliam and Tsai Ming-liang. low budget black-and-white drama Ida (2013) Polish film director, writer, curator at the Center collaboration with Krzysztof Zanussi with won the 2015 Oscars® Academy Award for Best for Contemporary Art in Warsaw, curator at the whom he has made 14 films. He worked on Obara International Foreign Language Film and BAFTA Award for Archive of Polish Experimental Film and New all the early films of Krzysztof Kieślowski, A fresh and unique project on the European Best Film Not In the English Language, and was Media Project, academic lecturer on history including Three Colours: Blue. In 1998 he won jazz scene that has already been internationally nominated for the Oscars® Academy Award for of art, media theory and aesthetic theory, both an Honourable Mention at the 48th Berlin recognised. Its leader Maciej Obara, Polish Achievement in Cinematography. at Polish and foreign universities, including International Film Festival for his work for composer and alto saxophonist, is undeniably Princeton University and Columbia University Michael Winterbottom’s I Want You. In 2002 one of the brightest and most acclaimed in New York. He was a curator of exhibitions he was nominated for the Academy Award musicians of the young Polish jazz scene. Since Analogue: Polish video art from the 70s and as well as the BAFTA award for Best Cinema- 2012 Obara has been touring extensively around 80s (Tate Modern, London 2006), and 1, 2, 3… tography in Ridley Scott’s Black Hawk Down. the world presenting his music at the most Awangarda (Tate Modern, London 2008) . important jazz festivals, such as London Jazz, KUBA MIKURDA (born 1981) Molde Jazz, Tokyo Jazz, Jarasum Jazz, Jazz EUGENIUSZ RUDNIK (born 1932) Polish journalist, film expert, doctor of Souls Les Pommiers, Akbank Jazz, Skopje Jazz Multi award-winning Polish composer, Philosophy. Deputy Head of Canal+ TV, co- and many others. Obara met his fellow pianist electronics engineer and sound engineer. founder of think-tank 'Restart’. Cooperates Dominik Wania while playing together in the Ida, 2013 Pioneer of electronic and electro-acoustic

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music in Poland. He was one of the first (Melville House 2014). From 1995 – 2001, he Polish electro-acoustic music producers hosted his own talk show. Together with and co-founder of the so-called 'Polish Wojciech Tochman and Paweł Goźliński, he school of electro-acoustic music' and author runs the Polish Reportage Institute in Warsaw. of innovative solutions of spatial sound projection, composer of Skalary (1966). He was also author of the one of the world’s first poliversional tracks to tape, and the first Polish quadraphonic track Vox Humana (1968), carried out in Studio WDR in Cologne. PIOTR SOBOCIN´ SKI (born 1983) screenings Polish cinematographer. Nominated for an 'Orły' for Best Photography at the 2012 Polish Gottland. Mostly True Stories Film Award, for Wojciech Smarzowski’s Rose. from Half of Czechoslovakia, 2014 His work includes photography for the most & events important Polish productions of recent years: KRZYSZTOF ZANUSSI (born 1939) Wojciech Smarzowski’s Traffic Department Polish film director, screenwriter, producer (2013), Ryszard Bugajski’s The Closed Circuit and actor. One of the most famous and award (2013), Łukasz Palkowski’s Gods (2014). winning Polish artists abroad. He received the Jury Prize and the Prize of the Ecumenical Jury WITOLD SOBOCIN´ SKI (born 1929) at the 1980 Cannes Film Festival for Constans/ Polish cinematographer, academic teacher The Constant Factor (1980). He was also the and former jazz musician. He cooperated with recipient of four Venice Film Festival awards several notable directors, including Andrzej for: Imperativ (1982, Best Film), Imperativ Wajda (Promised Land, 1975; The Shadow Line, (1982, Special Jury Prize), A Year of the Quiet 1976), Krzysztof Zanussi (Family Life, 1970) Sun (1984, Best Film) and A Year of the Quiet and Roman Polański (Frantic, 1988; Pirates, Sun (1984, Golden Lion). 1986). Since 1980 he has been a lecturer at the Film School in Łódź. Sobociński was awarded several prizes; he also co-produced a number of notable movies.

MARIUSZ SZCZYGIEŁ (born 1966) Polish reporter for Gazeta Wyborcza since 1990 and one of Europe’s most preeminent investigative journalists. He is the recipient of numerous awards for his writing on Poland The Constant Factor, 1980 and Czechoslovakia, including the Europe Book Prize and the Prix l’Amphi for Gottland. Mostly True Stories from Half of Czechoslovakia

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GALA SCREENING CAMOUFLAGE WEDNESDAY 8 APRIL (BARWY OCHRONNE) nft 1 Dir. Krzysztof Zanussi 6.00PM ——bfi Cast: Piotr Garlicki, Zbigniew Zapasiewicz, Christine Paul Poland, 1976, 101 min Krzysztof Zanussi is known for exploring the A linguistics competition at a university’s complexity of moral choices and metaphysical summer camp is the backdrop for a wittily questions in everyday life. We’re delighted that satirical drama about the elusiveness of this award-winning director, screenwriter and language. An idealistic teacher and his producer will join us in conversation, following manipulative older colleague assess not only a screening of his filmCamouflage to launch each entry’s intrinsic merit, but also whether the 13th Kinoteka Polish Film Festival and the it ticks sufficient official boxes to be prize 'Martin Scorsese Presents Masterpieces of worthy – an experience Polish filmmakers Polish Cinema' programme in the UK. were all too ruefully familiar with.

For other Camouflage screenings as part of Martin Scorsese Presents Masterpieces of Polish Cinema series please see page 22

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FRIDAY 10 APRIL SATURDAY 11 APRIL SATURDAY 11 APRIL SUNDAY 12 APRIL 6 . 3 0 P M —— I C A 4 . 3 0 P M —— I C A 8.20PM —— ICA 7.50pM —— ICA the MIGHTY ANGEL HARDKOR DISKO CITIZEN FOREIGN BODY Dir. Wojciech Smarzowski Dir. Krzysztof Skonieczny Dir. Jerzy Stuhr Dir. Krzysztof Zanussi Cast: Robert Więckiewicz, Julia Kijowska Cast: Marcin Kowalczyk, Janusz Chabior Cast: Jerzy Stuhr, Maciej Stuhr, Cast: Agnieszka Grochowska, Agata Buzek Poland, 2014, 105 min Poland, 2014, 85 min Sonia Bohosiewicz Poland / Italy, 2014, 117 min The Mighty Angel joins a long line of cinematic In a modern-day metropolis, Marcin, a Poland, 2014, 108 min Angelo and Kasia met in Italy in the Focolare masterpieces that focus on alcoholic writers, mysterious lone ranger, steps into the younger The newest picture of Jerzy Stuhr shows sixty Movement where their love and faith in God including The Lost Weekend (1945) and Ola’s world, which revolves around parties, years of an ‘average citizen’ with many events brought them together. Their relationship is Leaving Las Vegas (1995). Jerzy is a talented alcohol, and drugs. Having met her parvenu from the modern history of Poland including broken by the girl’s return to Poland and her writer with a massive drinking problem. He parents, he starts to take terrifying steps. Made 1956, March 1968, 1970, martial law, the first decision to enter a convent. Angelo arrives in checks into a rehabilitation clinic regularly, on a small budget this completely professional- free elections and free Poland up until the year Warsaw in order to persuade Kasia to change only to relapse again each time. When he falls looking film has divided audiences and critics 2014. The film tells the story of Jan Bratek who her mind. The company that employs him is in love with a young woman he decides to quit alike, with some hailing the arrival of a new regretfully always finds himself at the heart managed by ruthless and cynical Kris with the drinking for her sake, but he fails again. After directorial talent and naming Hardkor Disko of events and becomes entangled in a plot support of her assistant Mira. In this corporate another night of drinking at the bar called as one of the most interesting Polish debuts of absurd circumstances and unpredictable reality Angelo, a believer, falls victim to ridicule 'The Mighty Angel', he ends up in intensive care in recent years. events – not helped by his own clumsiness. and harassment. Kris, using her power, plays and finally back at the rehabilitation clinic. with Angelo and wants to force him to break his moral principles, and yet at the same time is fascinated by his faith.

Followed by a Q&A with Krzysztof Zanussi

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FRIDAY 24 APRIL TALK & SCREENING SATURDAY 11 APRIL 7.00PM —— frontline club 6 . 3 0 P M —— I C A

GOTTLAND This event combines the literary and the JOANNA OUR CURSE Dir. Lukáš Kokeš, Petr Hátle, Viera cinematic versions, presenting a screening of Dir. Aneta Kopacz OSCAR NOMINEE Dir. Tomasz Śliwiński OSCAR NOMINEE Čákanyová, Rozálie Kohoutová, Klára Tasovská, the film preceded by a discussion with Mariusz Poland, 2013, 45 min Poland, 2014, 27 min Radovan Síbrt Szczygieł about the source of inspiration for Thanks to her blog, Joanna has become an This painfully sincere short documentary Czech Republic / Poland / Slovakia his moving and at times shocking accounts icon to many people across Poland, a symbol portrays the parents of a baby boy born with 2014, 100 min of the life stories of the film star who was of strength in the face of adversity. The blog a rare and incurable disease. Leo Hueckel- After reading his prize-winning book about Goebbels’ mistress, the despotic founder of a describes her daily life simply and honestly, Śliwiński is affected by Ondince’s Curse. their compatriots, a group of young Czech shoe-making empire, the sculptor who lost his recounting days spent with her family at the The illness causes the complete cessation filmmakers approached the Polish author, life creating the world’s biggest monument to lake, the joy of seeing her son's first successful of breathing while he is asleep, meaning he Mariusz Szczygieł, to ask for his thoughts and Stalin, the writer who reinvented himself for bike ride and the day-to-day struggles of must be attached to a ventilator for the rest advice for their film projects based on five of political survival, and the 'human torch' who living with terminal cancer. The blog first of his life. the true stories he tells in it. Szczygieł replied copied Jan Palach’s fateful gesture as recently began when Joanna was diagnosed and given that for a film-maker, the best author is a dead, as 2003. just three months to live. This tender portrait or at least a silent one, and that he would follows Joanna in her attempts to prepare her prefer to leave them to interpret his stories in Screening preceded by a discussion with family for a world without her in it. their own way. The result is a film in five very Mariusz Szczygieł different parts, each episode a spin-off from FOLLOWED BY: Szczygieł’s originals, rather than a retelling. In partnership with Czech Centre London

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HEART ATTACK communicate and perceive impact on the level of 1967, 7 min the world and traditions. demand for woodwork. DOCUMENTA RY SHORTS Wiszniewski’s first under- Tradition is dead, communica- graduate film which won an tions between people have FOREMAN ON A FARM award at Oberhausen. We are become ossified; we know all 1978, 14 min WOJCIECH WISZNIEWSKI REDISCOVERED observing the main character the letters of the alphabet Portrait of a real person pre- driving a car through expres- but cannot put them into the sented through a storyline sionistic photography (by sentences which would which alludes to folk art Slawomir Idziak), hardcore express our true selves. poetics and is commented SUNDAY 12 APRIL jazz and associative editing. off-screen with a witty but THE CARPENTER bitter song. A retired miner, 4 . 0 0 p m —— ica A STORY OF A MAN 1976, 13 min who moves with his fam- WHO FILLED 552% OF The film features a fictional ily to the country to start Wojciech Wiszniewski has been regarded breaking the conventions by employing THE QUOTA character whose curriculum his own business, suffers a as the most radical representative of the bold techniques of framing, distorting sound 1973, 25 min vitae (Wiszniewski’s own defeat, rejected by the local so-called ‘creational’ movement in Polish and methaphoric use of editing, special Bernard Bugdoł is a miner creation read by Jan community. The fiasco of the documentary of the 70’s. This school effects and most of all orchestrating scenes and legendary leader of Himilsbach) is illustrated by stereotypes perpetuated by renounced the documentary attributes such and creating the reality before the camera socialist labour in the 40’s genuine footage showing 1970s propaganda. as: cognitive passivity and minimalism of form was a huge novelity. and 50’s. Showing few signs historical events. The carpen- and putting film maker as a mere observer Wiszniewski was a pioneer of these of artistic intervention, this ter appears to be completely Introduction by Jacek and recorder of reality with a use of the approach and even though his film legacy film consists of commentar- indifferent to politics, to him Petrycki, renowned fraction of available means of expression. consists of only 10 short films made before ies by Bugdoł himself, other political changes are mean- Director of Photography Today ‘creational’ documentaries are fully he died at the age of 35, he became one of miners, his wife and children, ingful only if they have and friend of Wiszniewski accepted and acknowledged, however in the most influential Polish documentary interspersed with fragments the 70s that was still a new territory, where directors and the ‘filmmaker of filmmakers’. from a variety of socialist realist material.

WANDA GOS´CIMIN´SKA. A WEAVER 1975, 21 min About a female socialist leader and weaver from Łódź. The weaver’s life is thrown onto the socio-political can- vas of pre-war and post-war communist Poland. The alle- gorical and symbolic imagery illustrates subsequent periods of history and draws from socialist realism iconography.

THE PRIMER 1976, 9 min Portrayal of the state of the Polish soul in the mid 70s. The reciated primer symbol- izes a key to the way people

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DOUBLE-BILL DOUBLE-BILL SATURDAY 18 april SUNDAY 19 april 6 . 0 0 P M —— I C A 6 . 0 0 P M —— I C A FROM MOSCOW TO PiETUSHKI SERBIAN EPICS From Moscow to Pietushki is a poetic journey Highly original and most formally constructed into the world of the Russian cult writer filmSerbian Epics (1992) was made at the Venedikt Yerofeev, as he is slowly dying height of the Bosnian war, using the siege of of cancer after 40 years of principled and Sarayevo as its central image. It includes close heroic alcohol consumption. Pawlikowski uses up footage of Bosnian Serb politician Radovan elements of Yerofeev's cult novel Moscow Karadžic and General Ratko Mladič, both later Pietushki to paint a powerful and complex wanted by the international court of justice picture of Russia of the time. The film won an for war crimes. This multi-layered, ironic, Emmy and Royal Television Society Award imagistic and at times almost hypnotic study among others. of myth-making and murder aroused a storm of controversy, including questions in the house FOLLOWED BY: of commons, at the time of its broadcast.

DOSTOEVSKY’S TRAVELS FOLLOWED BY: Dmitri Dostoevsky, Leningrad tram driver and great-grandson of Fyodor Dostoevsky, travels TRIPPING WITH ZHIRINOVSKY to western Europe following the footsteps of Tripping with Zhirinovsky, is a surreal boat his great-grandfather's own journey in 1862. journey down the Volga with the Russian To celebrate the recent successes of Paweł Emmy International. Pawlikowski’s distinctive Dmitri hopes his efforts will help him realise his nationalist politician Vladimir Zhirinovsky and Pawlikowski’s Ida, winner of this year Oscars® mixing of facts with elements of the personal dream of owning a Mercedes. his retinue, as he campaigns to win the Russian Academy Award for Best Foreign Language and poetic has challenged the boundaries of presidency in 1994. He travels from Moscow Film, BAFTA Award for Best Film Not In the the television documentary and influenced his Introduction by Paweł Pawlikowski to the Caspian Sea, trying to raise the spirits English Language, and Oscar® nominee for later cinematic work. of the impoverished masses assembled at the Achievement in Cinematography, KINOTEKA KINOTEKA invites you to a weekend with Screenings supported by DocHouse quayside, promising the re-conquest of Alaska, presents a programme of documentary films Paweł Pawlikowski and his documentaries: a access to the Indian Ocean and free nylon which commenced Pawlikowski’s career in journey into the tragi-comic and absurd life stockings. The film won the Grierson award for filmmaking. These highly poetic and imagistic of characters including Vladimir Zhirinovsky the Best British Documentary in 1995. pieces won him fans and awards around the or the only living descendant of Fyodor world, including the Grierson Award and Dostoevsky. Followed by a Q&A with Paweł Pawlikowski

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WEDNESDAY 8 APRIL SUNDAY 29 MAY 6.00PM —— bfi nft 1 6.30pm —— ICA CAMOUFLAGE THE CRUISE (BARWY OCHRONNE) (REJS) Written and directed by Krzysztof Zanussi Directed by Marek Piwowski Cinematography: Edward Kłosiński Photography: Marek Nowicki Music: Wojciech Kilar Music: Wojciech Kilar Cast: Piotr Garlicki, Christine Paul-Podlasky, Cast: Stanisław Tym, Jolanta Lothe, Poland, 1976, 97 min Wanda Stanisławska-Lothe Zbigniew Zapasiewicz, Mariusz Dmochowski Poland, 1970, 65 min Krzysztof Zanussi’s Camouflage was one of Regarded as Polish cinema’s first ‘cult film’, the founding works of Poland’s 'cinema of Piwowski’s The Cruise is also considered moral concern'. With a background in physics, by many to be a satirical masterpiece. Shot Zanussi brought a unique sensibility to Polish in a quasi-documentary style, with a cast cinema - observant and analytical, humane featuring mostly non- professional actors, the yet utterly unsentimental in probing of the absurd plot parodies life in the (then) People's characters’ weaknesses and self-deceptions. Republic of Poland, reducing a weekend Kinoteka Polish Film Festival and the Polish We are delighted that both Camouflage Camouflage is regarded as one of his finest river cruise to a hilarious satire of the entire Cultural Institute in London continue their and The Cruise will screen during Kinoteka achievements, and takes place during a Communist system. collaboration and association with Second 2015, book-ending the Festival as opening University summer seminar that functions as Piwowski's gift of observation, his sense Run DVD to release a third volume of their (Camouflage – 8 April) and closing-night a microcosm of the power games played in of humour and an acute awareness of national acclaimed and successful POLISH CINEMA (The Cruise – 29 May) screening events. business, politics, or any other arena based pathology have made The Cruise one of CLASSICS series. This 3-DVD set includes on hierarchy and advancement. Jarek is an Poland’s most popular and widely-known three of the finest Polish films of the 1970s Second Run's Polish Cinema Classics Volume III idealistic junior faculty member who comes films of the 1970s. and 90s – including newly restored versions DVD Box Set will be released in May 2015. under the influence of Jakub, a Machiavellian of Krzysztof Zanussi’s 1976 filmCAM OUFLAGE professor whose attachment to the younger Followed by a cruise on the Thames with (Barwy ochronne), Wojciech Marczewski's To find out more visit: man is ambiguous. Is he nurturing him as a Maciej Obara International and Gideon Reeling. SHIVERS (Dreszcze) and Polish cult classic THE www.secondrundvd.com young talent or seeking ways to destroy him? See page 41 for details. CRUISE (Rejs). All three films are presented www.polishculture.org.uk from new HD digital transfers with restored Followed by a Q&A with Krzysztof Zanussi picture and sound and feature new English subtitle translations. For other Camouflage screenings see page 22

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PART 1: APRIL This year Kinoteka is delighted to host Martin Scorsese Presents Masterpieces of Polish Polish cinema seemed to come out Every film in this two-part season, curated Cinema, a selection of 24 of the legendary of nowhere. After a painful period of by Martin Scorsese and screening in pristine director's favourite Polish films of the 20th reconstruction post-WWII and the abolition of digital restoration, is regarded as a classic at Century, to be screened across April and May. a creatively stifling policy of Socialist Realism, home. Some already enjoy that status here, the country’s filmmakers were more than but others are undeservedly littleknown; To introduce the series, film critic and ready to spread their wings. They did so to Masterpieces of Polish Cinema hopes to writer Michael Brooke talks us through the spectacular effect from the late 50s onwards, change that. collection and its historical relevance... exploring Poland’s war-torn landscapes, the more fantastical worlds of the imagination and, as the cracks began to show towards the end of the 70s, the ‘moral anxiety’ of existing within a corrupt Communist society that few Poles actively supported.

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CAMOUFLAGE ILLUMINATION THE CONSTANT FACTOR EROICA BLIND CHANCE A SHORT FILM ABOUT (BARWY OCHRONNE) (ILUMINACJA) (CONSTANS) (EROICA) (PRZYPADEK) kILLING (KRÓTKI Dir. Krzysztof Zanussi Dir. Krzysztof Zanussi Dir. Krzysztof Zanussi Dir. Andrzej Munk Dir. Krzysztof Kieślowski FILM O ZABIJANIU) Cast: Piotr Garlicki, Zbigniew Cast: Stanisław Latałło, Monika Cast: Tadeusz Bradecki, Cast: Edward Dziewoński, Cast: Bogusław Linda, Tadeusz Dir. Krzysztof Kieślowski Zapasiewicz, Christine Paul Dzienisiewicz-Olbrychska, Zofia Mrozowska, Małgorzata Kazimierz Rudzki, Barbara Łomnicki, Zbigniew Cast: Mirosław Baka, Krzysztof Poland, 1976, 101 min Małgorzata Pritulak Zajączkowska Połomska Zapasiewicz Globisz, Jan Tesarz A linguistics competition at Poland, 1972, 93 min Poland, 1980, 91 min Poland, 1957, 81 min Poland, 1981, 123 min Poland, 1987, 86 min a university’s summer camp This dazzlingly original film- A man obsessed by the Black comedies about WWII Banned for years for getting A grimly confrontational study is the backdrop for a wittily essay combines an intensely impending death of his were understandably thin too close to the political of the protracted process of satirical drama about the intimate portrait of a young mother and a dream of on the ground in post-war knuckle, Kieślowski’s three- ending someone’s life, elusiveness of language. would-be scientist with climbing mountains retreats Poland, but this brilliantly part narrative hinges on whether through casual An idealistic teacher and a quizzical analysis of his into mathematics, trying to incisive two-part dissection of whether medical student murder or meticulously his more manipulative older sincere (if fumbling and naive) discover a ‘constant factor’ ‘courage’ and ‘valour’ offers Witek catches a train, and calibrated execution. colleague assess not only attempts at grasping the very that will make sense of the a decidedly subversive take on what happens afterwards. Kieślowski’s masterpiece each entry’s intrinsic merit, meaning of life. Its frequent world’s apparently random on the traditional image of Will he be recruited by contributed to a national but also whether it ticks scholarly digressions into both capriciousness. It’s one of Polish heroism. In the first the government, become debate that ultimately ended sufficientofficial boxes to be art and science anticipated Zanussi’s most mordantly half, a hapless incompetent a political protester, or capital punishment in Poland. prizeworthy – an experience Peter Greenaway by many clear-eyed films about the becomes a Resistance hero; in continue studying in neutral Cinematographer Sławomir Polish filmmakers were all years. moral challenges posed by the second, Polish POWs are isolation? And can he control Idziak’s inspired use of bilious too ruefully familiar with. trying to maintain a normal life anything but keen to escape. these outcomes, or is his life coloured filters turns 1980s 9 April screening will be in a corrupt bureaucracy. dictated by fate? Warsaw into a living hell. 8 April screening will be introduced by the director, 23 April screening will be followed by a Q&A with the Krzysztof Zanussi 9 April screening will be introduced by Dr César Tuesday 14 April, 6.00pm 15 April screening will be director, Krzysztof Zanussi introduced by the director, Ballester, Senior Film Lecturer BFI Southbank NFT 2 followed by a Q&A with screen- Thursday 9 April, 6.15pm Krzysztof Zanussi + writer Krzysztof Piesiewicz Wednesday 8 April, 6.00pm BFI Southbank NFT 3 Monday 13 April, 8.30pm Saturday 18 April, 6.10pm BFI Southbank NFT 1 + Thursday 9 April, 8.50pm BFI Southbank NFT 3 BFI Southbank NFT 1 Wednesday 15 April, 8.30pm + Sunday 12 April, 8.30pm BFI Southbank NFT 3 + BFI Southbank NFT 3 Tuesday 14 April, 8.30pm BFI Southbank NFT 3 + Thursday 23 April, 8.30pm + BFI Southbank NFT 3 Sunday 12 April, 6.20pm BFI Southbank NFT 3 Saturday 18 April, 8.50pm BFI Southbank NFT 3 BFI Southbank NFT 1 + Friday 24 April, 6.30pm BFI Southbank NFT 1

kinoteka.org.u k kinoteka.org.u k Martin Scorsese Presents Masterpieces of Polish Cinema 24 Martin Scorsese Presents Masterpieces of Polish Cinema 25

KNIGHTS OF THE THE SARAGOSSA THE HOURGLASS JUMP TO KILL THIS LOVE THE LAST DAYS bLACK CROSS MANUSCRIPT SANATORIUM (SALTO) (TRZEBA ZABIC´ TE˛ oF SUMMER (KRZYZ˙ ACY) (RE˛KOPIS ZNALEZIONY (SANATORIUM POD Dir. Tadeusz Konwicki MIŁOS´C´) (OSTATNI DZIEN´ LATA) Dir. Aleksander Ford W SARAGOSSIE) KLEPSYDRA˛) Cast: Zbigniew Cybulski, Jerzy Dir. Janusz Morgenstern Dir. Tadeusz Konwicki Cast: Urszula Modrzyńska, Dir. Wojciech J. Has Dir Wojciech J. Has Block, Włodzimierz Boruński Cast: Jadwiga Jankowska- Cast: Irena Laskowska, Grażyna Staniszewska, Andrzej Cast: Zbigniew Cybulski, Cast: Jan Nowicki, Tadeusz Poland, 1965, 105 min Cieślak, Andrzej Malec, JanMachulski Szaławski, Władysław Kowalski Iga Cembrzyńska, Elżbieta Kondrat, Irena Orska In this rich and subtle dream- Władysław Kowalski Poland, 1958, 62 min Poland,1960, 165 min Czyżewska Poland, 1973, 125 min play a man arrives in a small Poland, 1972, 97 min Already an important novelist, One of Poland’s biggest Poland, 1964, 184 min A hallucinatory head-swiveller country town and demands Magda and Andrzej are young Konwicki used his position as hits, this lavish widescreen You wouldn’t expect a rip- of a film, which turns Bruno sanctuary from an unspecified lovers in early 1970s Poland, the Kadr Film Unit’s literary epic was based on Henryk roaring widescreen Napoleonic Schulz’s novella into a threat, but who is he, why notionally a socialist paradise, advisor to make his directing Sienkiewicz’s much-loved adventure crammed with floridly baroque journey of do people remember him in reality anything but as they debut for a tiny budget, with novel The Teutonic Knights. duels, damsels and cryptic a man visiting a mysterious differently, and can he really find themselves constantly no script and a cast of two – Set at the turn of the 15th manuscripts to be the sanatorium. He enters a world perform miracles? Many buffeted by official obstacles a revolutionary gesture at a century, it depicts the tension favourite film of the Grateful based as much on his anxieties Poles consider this Cybulski’s and supposedly non-existent time of rigorously pre-vetted between the Poles and Dead’s Jerry Garcia. But this is and long-buried memories greatest performance and he’s class barriers as they try to projects. A man and a woman Lithuanians and their Teutonic actually one of the great 1960s as it is on objective reality, a on riveting form, especially find a place to live together. meet on a deserted beach, neighbours, culminating in a ‘head-trips’ – an adaptation world crammed with exotic when performing a ‘salto’ folk The film was formally criticised their obvious attraction thrilling reconstruction of the of Count Jan Potocki’s birds, mechanical automata of dance towards the end of the for its pessimism, but the undermined by traumatic 1410 Battle of Grunwald (a legendarily labyrinthine 1814 historical figures and haunting film. feeling was very much shared wartime memories. pivotal event in Polish history) novel into a bewildering but images of Poland’s now- by its audience. which featured thousands of exhilarating lattice of stories vanished Jewish past. Saturday 25 April, 6.20pm Sunday 26 April, 8.50pm extras. within stories within stories. BFI Southbank, NFT 2 Sunday 26 April, 3.15pm BFI Southbank NFT 2 30 April screening will be + BFI Southbank NFT 2 + 16 April screening will be Monday 20 April, 7.40pm introduced by film expert Tuesday 28 April, 8.50pm + Tuesday 28 April, 6.20pm introduced by critic and BFI Southbank NFT 1 Michael Goddard BFI Southbank, NFT 3 Wednesday 29 April, 8.45pm BFI Southbank NFT 2 filmmaker Kuba Mikurda + BFI Southbank NFT 2 Saturday 25 April, 7.30pm, Tuesday 21 April, 8.30pm Thursday 16 April, 8.00pm BFI Southbank NFT 1 BFI Southbank NFT 1 BFI Southbank NFT 3 + + Thursday 30 April, 8.20pm Sunday 26 April, 4.40pm BFI Southbank NFT 1 BFI Southbank NFT 1

kinoteka.org.u k kinoteka.org.u k Martin Scorsese Presents Masterpieces of Polish Cinema 26 Martin Scorsese Presents Masterpieces of Polish Cinema 27

NIGHT TRAIN MAN OF IRON MOTHER JOAN (POCIA˛G) (CZŁOWIEK Z Z˙ ELAZA) oF THE ANGELS Dir. Jerzy Kawalerowicz Dir. Andrzej Wajda (MATKA JOANNA Cast: Lucyna Winnicka, Cast: Jerzy Radziwiłowicz, oD ANIOŁÓW) Leon Niemczyk, Teresa Krystyna Janda, Marian Opania Dir. Jerzy Kawalerowicz Szmigielówna Poland, 1981, 147 min Cast: Lucyna Winnicka, Poland, 1959, 93 min Andrzej Wajda’s masterly Mieczysław Voit, Anna Psychological thriller about study of the excitement of Ciepielewska the passengers on an the Solidarity years. As the Poland, 1961, 103 min overnight Baltic express. Solidarity protests swelled A stark psychological drama A sleeper train rockets in 1980, Wajda grabbed about demonic possession through the night, its camera and crew, pulled in a convent. Notionally, passengers possibly including ready-made characters off this is based on the same a murderer. Although the shelf (from his earlier Man historical events that this isn’t quite as overtly of Marble) and filmed this inspired Ken Russell’s The Hitchcockian as that sounds, story of government-backed Devils, but Kawalerowicz’s as Kawalerowicz was primarily espionage against a real-life treatment is subtler and interested in the quirks that backdrop of world-changing more psychologically acute. people show in artificial history unfolding: even Lech His wife Lucyna Winnicka part 2: MAY social environments. Leon Wałęsa has a cameo. It won plays an allegedly possessed Niemczyk (Knife in the Water) both the Palme d’Or and a abbess whose bona fides are The retrospective continues with a closer look at a key document of the Solidarity upheavals. and the director’s wife Ludyna domestic ban when martial investigated by a hapless some of Poland’s greatest postwar directors. But their contribution to their national film Winnicka are strangers law was declared in 1981. investigator who finds himself A dozen more Polish film classics, some familiar, culture went well beyond their own films. As sharing a compartment while hopelessly out of his depth but others much rarer, says Michael Brooke: the head of the Kadr Film Unit, Kawalerowicz studiously hiding personal Sunday 3 May, 2.00pm when confronted with forces also produced many Polish cinema classics secrets. BFI Southbank NFT 1 that he does not understand. When Polish cinema first made an international (including more than a third of the films in + splash in the late 1950s, it was headlined this two-part season), while Wajda mentored Saturday 2 May, 6.10pm Saturday 23 May, 5.30pm Sunday 3 May, 5.30pm by the work of Andrzej Wajda and Jerzy numerous younger talents at a very early BFI Southbank NFT 3 BFI Southbank NFT 1 BFI Southbank NFT 3 Kawalerowicz, who each had long and stage of their careers, including future giants + + fascinating careers (Wajda’s continuing to this Roman Polański, Jerzy Skolimowski and Saturday 9 May, 8.45pm Friday 8 May, 8.30pm day) that consistently took the temperature Agnieszka Holland, each represented here BFI Southbank NFT 3 BFI Southbank NFT 3 not only of Polish cinema but also wider by a key early work. national issues – Wajda’s Man of Iron is also

kinoteka.org.u k kinoteka.org.u k Martin Scorsese Presents Masterpieces of Polish Cinema 28 Martin Scorsese Presents Masterpieces of Polish Cinema 29

WALKOVER PHARAOH INNOCENT AUSTERIA ASHES AND DIAMONDS PROVINCIAL (WALKOWER) (FARAON) SORCERERS Dir. Jerzy Kawalerowicz (POPIÓŁ I DIAMENT) ACTORS Dir. Jerzy Skolimowski Dir. Jerzy Kawalerowicz (NIEWINNI Cast: Franciszek Pieczka, Dir. Andrzej Wajda (AKTORZY Cast: Aleksandra Cast: Jerzy Zelnik, Wiesława CZARODZIEJE) Wojciech Pszoniak, Cast: Zbigniew Cybulski, PROWINCJONALNI) Zawieruszanka, Jerzy Mazurkiewicz, Barbara Brylska Dir. Andrzej Wajda Jan Szurmiej Ewa Krzyżewska, Wacław Dir. Agnieszka Holland Skolimowski, Krzysztof Poland, 1965, 175 min Cast: Tadeusz Łomnicki, Poland, 1982, 102 min Zastrzeżyński Cast: Halina Łabonarska, Chamiec A vast ancient Egyptian Krystyna Stypułkowska, A moving and politically Poland, 1958, 107 min Tadeusz Huk, Iwona Biernacka Poland, 1965, 70 min epic that’s as much about Zbigniew Cybulski controversial tale of anti- The ‘Polish James Dean’ stars Poland, 1978, 104 min Jerzy Skolimowski’s politics as spectacle. Poland, 1960, 91 min Semitic persecution during in a complex, morally knotty Agnieszka Holland’s debut: characteristically wayward Ancient Egyptians speaking An affectionate but caustic WWI. Kawalerowicz spent masterpiece. Wajda’s film an ensemble piece about tale of a washed-up amateur Polish? Well, why not – they look at early Sixties Polish decades trying to realise vividly captures the turbulence warring actors. After an boxer. Skolimowski’s second didn’t speak English either. youth culture. After three his most personal project, and confusion immediately apprenticeship as Wajda’s feature (and first full-length Kawalerowicz spent three successive films about that allowed him to suggest following WWII, as a former assistant, Agnieszka Holland narrative) cemented his status years making what was once Polish history, Wajda turned without tackling the Holocaust resistance hero turns made her solo debut with this as a one-man Polish New Poland’s most expensive film, his attention to the (then) directly that the culturally- anti-Communist assassin. ambitious ensemble piece, Wave, the rhythms of his films a huge widescreen epic about present, enlisting younger engendered pacifism and Audiences were officially both an allegorical study at least as influenced by jazz the struggle between Rameses colleagues Roman Polański passivity of Poland’s Jews supposed to empathise of cultural interference (a and (his own) poetry as more XIII and his high priests. But and Jerzy Skolimowski to sowed the seeds of their later with his intended victim, trendy young theatre director conventional storytelling. this is no Cecil B. DeMille add verisimilitude to this destruction. This was, to put it but Zbigniew Cybulski’s is attempting a politically Skolimowski himself plays spectacle: co-screenwriter study of disaffected twenty- mildly, a controversial notion, astonishingly charismatic controversial reinterpretation a dropout turned itinerant Tadeusz Konwicki regarded it somethings. Newly qualified but Kawalerowicz’s sympathy performance as the morally of a Polish stage warhorse) amateur boxer who is as 'a penetrating analysis of a doctor and jazz fanatic Bazyli and sincerity is evident and politically riven killer and a lacerating portrait distracted from his bouts system of power'. (Łomnicki) has so little time throughout. crystallised the fears and of a withering marriage, when Teresa, an old university for emotional engagement uncertainties of an entire its participants actively friend, re-enters his life. Thursday 7 May, 8.00 pm that when he actually falls in Wednesday 13 May, 8.50 pm generation. contemplating suicide or BFI Southbank NFT 2 love he doesn’t know how to BFI Southbank NFT 3 murder as an escape route. Monday 4 May, 8.45 pm + handle it. + Thursday 14 May, 8.45 pm BFI Southbank NFT 2 Sunday 10 May, 3.00 pm Saturday 23 May, 3.30 pm BFI Southbank NFT 1 Friday 15 May, 6.10 pm + BFI Southbank NFT 2 Friday 8 May, 6.20 pm BFI Southbank NFT 2 + BFI Southbank NFT 2 Sunday 17 May, 6.20 pm BFI Southbank NFT 2 Tuesday 19 May, 6.20 pm + BFI Southbank NFT 3 + BFI Southbank NFT 2 Saturday 16 May, 8.40 pm Sunday 17 May, 8.30 pm + BFI Southbank NFT 2 BFI Southbank NFT 3 Monday 25 May, 8.30 pm BFI Southbank NFT 3

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THE WEDDING THE PROMISED LAND KNIFE IN THE WATER (WESELE) (ZIEMIA OBIECANA) (NÓZ˙ W WODZIE) Dir. Andrzej Wajda Dir. Andrzej Wajda Dir. Roman Polański Cast: Daniel Olbrychski, Ewa Cast: Daniel Olbrychski, Cast: Leon Niemczyk, Jolanta Ziętek, Andrzej Łapicki Wojciech Pszoniak, Andrzej Umecka, Zygmunt Malanowicz Poland, 1972, 106 min Seweryn Poland, 1961, 101 min Nineteenth-century Poland Poland, 1974, 179 min Polański’s first feature spun imagined as a grotesque and Lavish and shocking portrait of ostensibly simple ingredients raucous wedding party. First ruthless entrepreneurs during – two men, a woman, a yacht, performed in 1901, Stanisław Poland’s industrial revolution... a vast expanse of water and Wyspiański’s play turns the Władysław Reymont’s Nobel- a haunting jazz score by the marriage of a poet and a winning novel is Poland’s great Krzysztof Komeda – peasant into a state-of-the- equivalent of ‘Hard Times’ into not just one of the most nation allegory about the or ‘Germinal’, a ruthlessly psychologically gripping attractions and pitfalls of clear-eyed anatomising of films of its era but also national self-determination the industrial revolution from Poland’s first Oscar© nominee. at a time when independent the perspective of three Polański’s riveting first feature Poland didn’t exist. Wajda’s young entrepreneurs. Wajda’s established him as a world- TUESDAY 14 APRIL WEDNESDAY 22 APRIL splendidly grotesque viscerally vivid adaptation class talent. NFT 3 NFT 3 adaptation pulls out every is intoxicated by this brave 6.15PM —— BFI 6.10PM —— BFI cinematic stop in emphasising new world (the factory Saturday 23 May, 8.45 pm the piece’s phantasmagorical sequences have a you-are- BFI Southbank NFT 1 DISCOVERING THE MASTERPIECES KEY SCHOLARS IN FILM STUDIES: elements as his camera hurtles there immediacy) without ever + oF POLISH CINEMA WITH EWA MAZIERSKA ON THE POLISH from reality to fantasy. losing sight of the appalling Monday 25 May, 6.10 pm kUBA MIKURDA CINEMATIC CANON human cost. BFI Southbank NFT 1 To introduce Martin Scorsese’s survey of the The latest in this series of lectures featuring Wednesday 20 May, 8.30 pm + greatest Polish cinema, critic and filmmaker the world’s best film scholars sees Ewa BFI Southbank NFT 3 Thursday 21 May, 5.40 pm Tuesday 26 May, 6.20 pm Kuba Mikurda will sketch the historical contexts Mazierska (University of Central Lancashire) + BFI Southbank NFT 3 BFI Southbank NFT 2 that inform the films and examine the aesthet- join us to discuss the challenges associated Thursday 28 May, 8.30 pm + ic, cultural and political concerns shared by the with recounting Polish cinematic history. She’ll BFI Southbank NFT 3 Sunday 24 May, 2.00 pm auteurs that made them. Richly illustrated with raise fascinating questions such as ‘how has BFI Southbank NFT 1 clips, photos, posters and archive documents, the desire to project a particular national Followed by a Q&A with this talk will introduce key figures and cultural identity affected the Polish critical Witold Sobociński and Piotr movements in Polish film history, and indicate establishment’s approach to cinema from the Sobociński the season’s unmissable highlights. period of state socialism?’

kinoteka.org.u k kinoteka.org.u k Martin Scorsese Presents Masterpieces of Polish Cinema 32 BFI Studio 23 APRIL —— 14 MAY

Exploring Polish Cinema In this five session BFI Studio course, run in conjunction with the Masterpieces of Polish Cinema season, enjoy a series of in-depth, illustrated lectures in our digital studio and gain a deeper understanding and appreciation of the films and of their time.

Kuba Mikurda on "Knights of the black cross" followed by a screening of the film Thursday 16 April, 6.00pm – 7.30pm BFI Studio

Dr. César Ballester on Krzysztof KieS´lowski Thursday 23 April, 6.30pm – 8.30pm BFI Studio

Michael Goddard on Wojciech Has, Tadeusz Konwicki and Andrzej Munk Thursday 30 April, 6.30pm – 8.30pm BFI Studio

Michał Oleszczyk on Jerzy Kawalerowicz Thursday 7 May, 6.30pm – 8.30pm BFI Studio

Matilda Mroz on Andrzej Wajda Thursday 14 May, 6.30pm – 8.30pm BFI Studio

All five sessions = £50 (£40 concs) or normal ticket price for individual sessions. For more information and booking contact the BFI Box Office: 020 7928 3232

kinoteka.org.u k Arts 34 Arts 35 cinema meets art poster exhibition FREE ENTRY!

2 APRIL —— 3 1 M A Y BFI Southbank Atrium Andrzej Wajda's Films IN World Film Posters Selected works from the original Andrzej Wajda’s Films in World Film Posters exhibition on loan from the archives of the Film Museum in Łódź, Poland presents archival materials related to the life and work of the Polish artist. The abundant archive of the Museum includes the world biggest set of posters connected with Andrzej Wajda’s works. The collection includes items printed in very small print runs, coming from various sides of the world, among others, from Japan, Argentina, Germany and France. Many of the SATURDAY 23 MAY posters presented are considered works of STARR art and are made by great artists, Polish and 6.30PM —— TATE MODERN AUDITORIUM foreign graphic artists (Wiesław Wałkuski, Jakub Erol, Cyprian Kościelniak, Andrzej THE PERFORMER Pągowski, Marek Freundenreich, Marcin Dir. Maciej Sobieszczański, Łukasz Ronduda Oskar has one more complicated relationship in Mroszczak, Rafał Olbiński, Rosław Szaybo, Poland, 2015, 63 min his life: a love affair with his Art Dealer (Agata Peter Strausfeld, Alain Lynch, Dominique An insight into the contemporary art world. Buzek). Similar to previous works from Dawicki Guillotin, Otto Kummert, Milan Grygar, Based on the life of one of the most original – the established norms of moral, spiritual and Pierre Collier, M. Ogasawar, Erhard Grutter), performance artists alive – Oskar Dawicki. The social order are challenged and put on trial. The as well as the representatives of the Polish main theme of his art is the search for an answer Perfomer is the first-ever art exhibition in the poster school: Roman Cieślewicz, Wojciech to the question of whether... Oskar Dawicki ex- form of a feature film: Oskar Dawicki’s works are Zamecznik, Wojciech Fangor, Franciszek ists at all. The trademark of his performances is connected on the screen not only by time and Starowieyski, Wiktor Górka, Waldemar his blue shining jacket. space, but also by narrative, drama and emotion. Świerzy and Jan Lenica. We meet Oskar at a turning point of his life, when he learns that his Mentor Zbigniew Followed by a Q&A with Łukasz Ronduda and Exhibition curators: Krystyna Zamysłowska Warpechowski (himself) is dying. Warpechowski Oskar Dawicki & Piotr Kulesza was also mentoring the Dearest (Andrzej Chyra), Oskar’s childhood friend and a rival, who devot- Official selection International Film Festival ed himself to more commercial art and became Rotterdam 2015 and the 65th International Film the most profitable Polish contemporary artist. Festival Berlin: Forum Expanded

kinoteka.org.u k kinoteka.org.u k Music 37 music event Eugeniusz Rudnik & Polish experimental music

This project, organised together with the ICA, celebrates the Polish father of experimental FRIDAY 10 APRIL and electronic music, Eugeniusz Rudnik. The pretext for the project is the release of the doc- 8.30pm — ICA umentary film15 Corners of the World written and directed by Zuzanna Solakiewicz. The film 15 CORNERS OF THE WORLD received the Best Film award at the Locarno Dir. Zuzanna Solakiewicz Film Festival last year (2014) and translates the Cast: Weronika Pelczyńska, Anna Wojnarowska, world of Rudnik’s sounds into a visual interpre- Romuald Krężel, tation of the sensual and emotional percep- Poland, 2014, 79 min tion of music. The director says: 'The film is an attempt to hear the music of Eugeniusz Rudnik Screening of the film will be accompanied by a with your eyes. I have made a film that gives Q&A with Eugeniusz Rudnik hosted by Frances priority to the sound more than to the picture Morgan (The Wire), and an exclusive live perfor- – a film that gives interpretation to the music in mance of Rudnik's compositions, including his order to capture it in pictures – to show sound.' piece written for Arne Nordheim.

37 kinoteka.org.u k Talks & Workshops 38 Talks & Workshops 39 talks & Workshops

Sunday 12 April WEDNESDAY 15 APRIL Monday 20 April —— Wednesday 22 April 6 . 0 0 P M —— I C A 6.10PM —— BFI NFT 3 london film academy KISSINGER TWINS: Cinematic BAFTA MASTERCLASS kinoteka & London film Labyrinths Interactive Films WITH SŁAWOMIR IDZIAK ACADEMY studio: workshops and Transmedia Storytelling Sławomir Idziak is one of Europe's most For scriptwriters The Kissinger Twins (Dawid Marcinkowski and acclaimed cinematographers. He has worked An intensive three day lab-based programme Organised and supported by Polish Cultural Kasia Kifert) are at the forefront of creating an with Polish directors such as Andrzej Wajda, aimed at scriptwriters with proven experience Institute London, T-Mobile New Horizons Film exciting new highly interactive web based on Krzysztof Zanussi and Krzysztof Kieślowski, who wish to move from shorts to features, Festival and London Film Academy cinematic storytelling. and internationally with Ridley Scott, John or who are working on their first feature During 90 minutes of presentation, Dawid Sayles, Michael Winterbottom and John script. Ten selected scriptwriters will have the and Kasia explain idea of Cinematic Labyrinths Duigan. In 2002, he was nominated for an opportunity to polish their skills in pitching, and take the audience on a journey through Academy Award and BAFTA for Black Hawk story development and story editing during their multiple award winning projects ranging Down. His latest project is The Tale of Love and practical lectures, case studies and master from 2002 until future present including The Darkness, directed by Natalie Portman and due classes with industry professionals, such as: Trip, Sufferrosa, the biggest independent for release this year. Gavin Humphires, Olivier Kaempfer and Paweł interactive film ever made, and the latestThe Pawlikowski amongst many others. Network Is Watching (campaign for Channel 4 Throughout the workshops there will be series Utopia). plenty of opportunity to network with film / TV industry professionals, and learn more about how to pitch your script to the industry.

kinoteka.org.u k kinoteka.org.u k Closing Night Gala 40 Closing Night Gala 41 closing night gala screening and boat cruise

FRIDAY 29 MAY CULT SCREENING THAMES CRUISE! This year, KINOTEKA Closing Night event will involve the screening of the cult Polish comedy The Cruise (1970) at the Institute of 6.30pm —— I ca 8.15PM—— TOWER PIER Contemporary Arts, launching the first UK release of the film by Second Run DVD. After THE CRUISE A CRUISE DOWN THE ABSURD: the show, the audience will experience an (REJS) LIVE BOAT CRUISE EXPERIENCE authentic boat ride on the River Thames with Dir. Marek Piwowski WITH GIDEON REELING AND OBARA a specially commissioned immersive theatre Cast: Stanisław Tym, Jolanta Lothe, Wanda INTERNATIONAL performance and live music. Stanisławska-Lothe The cruise, inspired by the iconic film and its Poland, 1970, 65 min absurd humour will immerse the audience in a Regarded as Polish cinema’s first ‘cult film’, specially commissioned theatre performance Piwowski’s The Cruise is also considered by by the upcoming British theatre group, Gideon many to be a satirical masterpiece. Shot in a Reeling. Their act will be part scripted and part quasi-documentary style, with a cast featuring improvised for the duration of the evening and mostly non-professional actors, the absurd plot will be set in the era of the cult film, building parodies life in the (then) People's Republic of on the aesthetic and the characters of The Poland, reducing a weekend river cruise to a Cruise and the 1970s. The performance will be hilarious satire of the entire Communist system. accompanied by live music inspired by Polish Piwowski's gift of observation, his sense film music from the 60s and 70s, as well as of humour and an acute awareness of national a DJ set presenting a mixture of 70s party pathology have made The Cruise one of music, film music and comedic music. The Poland’s most popular and widely-known films performance will be accompanied by live music of the 1970s. including the world-famous Obara International with their project Komeda, and some new, UK Premiere of the newly restored version specially commissioned works. in collaboration with Second Run DVD Immerse yourself in the feelings of surreality, confusion and the absurd!

8.15 pm Boarding the boat 8.45 pm Departure from Tower Pier

There will be a bus transfer arranged for joint ticket holders from the ICA to the Tower pier. No late comers will be admitted on the boat. There will be two bars selling drinks on the boat.

kinoteka.org.u k kinoteka.org.u k Kinoteka on Tour 42 Calendar & Booking 43 kinoteka on tour CALENDAR & BOOKING APRIL 2015 —— SEPTEMBER 2015

Thursday 2 April – POSTER EXHIBITION: BFI Southbank www.bfi.org.uk Sunday 31 May Andrzej Wajda's Films in World Film Free entry Posters

Wednesday 8 April OPENING NIGHT GALA: BFI Southbank www.bfi.org.uk 6.00 pm Camouflage dir. Krzysztof Zanussi 020 7928 3232

Thursday 9 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 6.15 pm Illumination dir. Krzysztof Zanussi 020 7928 3232

Thursday 9 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 8.50 pm The Constant Factor dir. Krzysztof Zanussi 020 7928 3232

Friday 10 April NEW POLISH CINEMA: ICA www.ica.org.uk 6.30 pm The Mighty Angel dir. Wojciech Smarzowski

Friday 10 April MUSIC EVENT: ICA www.ica.org.uk 8.30 pm 15 Corners of the World dir. Zuzanna Solakiewicz

Saturday 11 April KINOTEKA is proud to be partnering with The confirmed cinemas: NEW POLISH CINEMA: ICA www.ica.org.uk 4.30 pm Hardkor Disko dir. Krzysztof Skonieczny Filmhouse Edinburgh and BFI Southbank on an Filmhouse, Edinburgh exciting new collaboration for the UK tour of BFI Southbank Saturday 11 April DOCUMENTARIES (DOUBLE BILL): ICA www.ica.org.uk Martin Scorsese Presents Masterpieces of Polish Showroom, Sheffield 6.30 pm Our Curse dir. Tomasz Śliwiński Cinema, 24 masterpieces, chosen by Scorsese Clwyd Theatr Cymru Joanna dir. Aneta Kopacz himself, all brilliantly restored and digitally Ucheldre Centre, Anglesey re-mastered to 2K resolution. Chapter, Cardiff Saturday 11 April NEW POLISH CINEMA: ICA www.ica.org.uk Martin Scorsese Presents Masterpieces Neuadd Dwyfor Pwllheli 8.20 pm Citizen dir. Jerzy Stuhr of Polish Cinema, takes place at Filmhouse Eden Court, Inverness Sunday 12 April DOCUMENTARIES: ICA www.ica.org.uk Edinburgh and BFI Southbank throughout Dundee Contemporary Arts 4.00 pm Wojciech Wiszniewski Rediscovered April and May as part of KINOTEKA Polish Glasgow Film Theatre Film Festival. The national tour presented by Belmont Filmhouse, Aberdeen Sunday 12 April TALKS AND WORKSHOPS: ICA www.ica.org.uk Filmhouse Edinburgh continues at venues Quad, Derby 6.00 pm Cinematic Labyrinths by Kissinger Twins across the UK until the end of September. Watershed, Bristol The season will include a host of special guests Broadway, Nottingham Sunday 12 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk to introduce and explore the lasting influence Phoenix, Leicester 6.20 pm The Constant Factor dir. Krzysztof Zanussi 020 7928 3232 and inspiration of these masterpieces on Polish Gulbenkian, Canterbury Sunday 12 April NEW POLISH CINEMA: ICA www.ica.org.uk and UK filmmakers, and beyond. QFT, Belfast 7.50 pm Foreign Body dir. Krzysztof Zanussi

To check the full list of cinemas go to Sunday 12 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk www.kinoteka.org.uk or mspresents.com/uk 8.30 pm Illumination dir. Krzysztof Zanussi 020 7928 3232

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Monday 13 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Tuesday 21 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 8.30 pm Eroica dir. Andrzej Munk 020 7928 3232 8.30 pm The Hourglass Sanatorium 020 7928 3232 dir. Wojciech Has Tuesday 14 April TALKS AND WORKSHOPS: BFI Southbank www.bfi.org.uk 6.15 pm Discovering the Masterpieces of Polish 020 7928 3232 Wednesday 22 April TALKS AND WORKSHOPS: BFI Southbank www.bfi.org.uk Cinema with Kuba Mikurda 6.10 pm Key Scholars in Film Studies: Ewa 020 7928 3232 Mazierska on the Polish Cinematic Canon Tuesday 14 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 6.00 pm Blind Chance dir. Krzysztof Kieślowski 020 7928 3232 Thursday 23 April TALKS AND WORKSHOPS: BFI Southbank www.bfi.org.uk 6.30 pm – 8.30 pm BFI Studio: Exploring Polish Cinema. 020 7928 3232 Tuesday 14 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Dr César Ballester on Krzysztof Kieślowski 8.30 pm Camouflage dir. Krzysztof Zanussi 020 7928 3232 Thursday 23 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Wednesday 15 April TALKS AND WORKSHOPS: BFI Southbank www.bfi.org.uk 8.30 pm Eroica dir. Andrzej Munk 020 7928 3232 6.10 pm Bafta Masterclass With Sławomir Idziak 020 7928 3232 Friday 24 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Wednesday 15 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 6.30 pm A Short Film About Killing 020 7928 3232 8.30 pm A Short Film About Killing 020 7928 3232 dir. Krzysztof Kieślowski dir. Krzysztof Kieślowski Friday 24 April SPECIAL TALK & SCREENING: Frontline Club frontlineclub.com Thursday 16 April TALKS AND WORKSHOPS: BFI Southbank www.bfi.org.uk 7.00 pm Gottland dir. Lukáš Kokeš et al. 020 7479 8940 6.00 pm – 7.30 pm BFI Studio: Exploring Polish Cinema. Kuba 020 7928 3232 Mikurda on The Knights of the Black Cross Saturday 25 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 6.20 pm Jump dir. Tadeusz Konwicki 020 7928 3232 Thursday 16 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 8.00 pm Knights of the Black Cross 020 7928 3232 Saturday 25 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk dir. Aleksander Ford 7.30 pm The Saragossa Manuscript 020 7928 3232 dir. Wojciech Has Saturday 18 April DOCUMENTARIES (DOUBLE BILL): ICA www.ica.org.uk 6.00 pm From Moscow To Pietushki Sunday 26 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk dir. Paweł Pawlikowski 3.15 pm To Kill This Love 020 7928 3232 Dostoevsky’s Travels dir. Janusz Morgenstern dir. Paweł Pawlikowski Sunday 26 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Saturday 18 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 4.40 pm Knights of the Black Cross 020 7928 3232 6.10 pm Blind Chance dir. Krzysztof Kieślowski 020 7928 3232 dir. Aleksander Ford

Saturday 18 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Sunday 26 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 8.50 pm A Short Film About Killing 020 7928 3232 8.50 pm The Last Day of Summer 020 7928 3232 dir. Krzysztof Kieślowski dir. Tadeusz Konwicki

Sunday 19 April DOCUMENTARIES (DOUBLE BILL): ICA www.ica.org.uk Tuesday 28 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 6.00 pm Serbian Epics dir. Paweł Pawlikowski 6.20 pm The Last Day of Summer 020 7928 3232 Tripping With Zhirinovsky dir. Tadeusz Konwicki dir. Paweł Pawlikowski Tuesday 28 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Monday 20 April – TALKS AND WORKSHOPS: London Film londonfilmacademy 8.50 pm Jump dir. Tadeusz Konwicki 020 7928 3232 Wednesday 22 April Workshop for Scriptwriters Academy .com Wednesday 29 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Monday 20 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 8.45 pm To Kill This Love 020 7928 3232 7.40 pm The Saragossa Manuscript 020 7928 3232 dir. Janusz Morgenstern dir. Wojciech Has

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Thursday 30 April TALKS AND WORKSHOPS: BFI Southbank www.bfi.org.uk Friday 15 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 6.30 pm – 8.30 pm BFI Studio: Exploring Polish Cinema. 020 7928 3232 6.10 pm Provincial Actors dir. Agnieszka Holland 020 7928 3232 Michael Goddard on Wojciech J. Has, Tadeusz Konwicki and Andrzej Munk Saturday 16 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 8.40 pm Provincial Actors dir. Agnieszka Holland 020 7928 3232 Thursday 30 April MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 8.20 pm The Hourglass Sanatorium 020 7928 3232 Sunday 17 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk dir. Wojciech Has 6.20 pm Walkover dir. Jerzy Skolimowski 020 7928 3232

Saturday 2 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Sunday 17 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 6.10 pm Night Train dir. Jerzy Kawalerowicz 020 7928 3232 8.30 pm Innocent Sorcerers dir. Andrzej Wajda 020 7928 3232

Sunday 3 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Tuesday 19 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 2.00 pm Man of Iron dir. Andrzej Wajda 020 7928 3232 6.20 pm Ashes and Diamonds dir. Andrzej Wajda 020 7928 3232

Sunday 3 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Wednesday 20 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 5.30 pm Mother Joan of the Angels 020 7928 3232 8.30 pm The Wedding dir. Andrzej Wajda 020 7928 3232 dir. Jerzy Kawalerowicz Thursday 21 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Monday 4 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 5.40 pm The Promised Land dir. Andrzej Wajda 020 7928 3232 8.45 pm Walkover dir. Jerzy Skolimowski 020 7928 3232 Saturday 23 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Thursday 7 May TALKS AND WORKSHOPS: BFI Southbank www.bfi.org.uk 3.30 pm Austeria dir. Jerzy Kawalerowicz 020 7928 3232 6.30 pm – 8.30 pm BFI Studio: Exploring Polish Cinema. 020 7928 3232 Michał Oleszczyk on Jerzy Kawalerowicz Saturday 23 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 5.30 pm Man of Iron dir. Andrzej Wajda 020 7928 3232 Thursday 7 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 8.00 pm Pharaoh dir. Jerzy Kawalerowicz 020 7928 3232 Saturday 23 May CINEMA MEETS ARTS: Tate Modern www.tate.org.uk 6.30 pm The Performer dir. Maciej Sobieszczański, Friday 8 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Łukasz Ronduda 6.20 pm Innocent Sorcerers dir. Andrzej Wajda 020 7928 3232 Saturday 23 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Friday 8 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 8.45 pm Knife in the Water dir. Roman Polański 020 7928 3232 8.30 pm Mother Joan of the Angels 020 7928 3232 dir. Jerzy Kawalerowicz Sunday 24 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 2.00 pm The Promised Land dir. Andrzej Wajda 020 7928 3232 Saturday 9 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 8.45 pm Night Train dir. Jerzy Kawalerowicz 020 7928 3232 Monday 25 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 6.10 pm Knife in the Water dir. Roman Polański 020 7928 3232 Sunday 10 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 3.00 pm Pharaoh dir. Jerzy Kawalerowicz 020 7928 3232 Monday 25 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 8.30 pm Ashes and Diamonds dir. Andrzej Wajda 020 7928 3232 Wednesday 13 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 8.50 pm Austeria dir. Jerzy Kawalerowicz 020 7928 3232 Tuesday 26 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk 6.20 pm Knife in the Water dir. Roman Polański 020 7928 3232 Thursday 14 May TALKS AND WORKSHOPS: BFI Southbank www.bfi.org.uk 6.30 pm-8.30 pm BFI Studio: Exploring Polish Cinema. 020 7928 3232 Thursday 28 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Matilda Mroz on Andrzej Wajda 8.30 pm The Wedding dir. Andrzej Wajda 020 7928 3232

Thursday 14 May MARTIN SCORSESE PRESENTS: BFI Southbank www.bfi.org.uk Friday 29 May KINOTEKA CLOSING NIGHT: ICA www.ica.org.uk 8.45 pm Ashes and Diamonds dir. Andrzej Wajda 020 7928 3232 6.30 pm The Cruise dir. Marek Piwowski 8.15 pm A Cruise Down the Absurd Tower Pier

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KINOTEKA Supporters:

Festival Production Team: With Special Thanks: Maciej Kornacki, Filmoteka Anna Godlewska Agnieszka Odorowicz, Narodowa Polish Cultural Institute Director Polish Film Institute Maggi Hurt, BFI Southbank Marlena Lukasiak Anna MacDonald, London Mariayah Kaderbhai, BAFTA Kinoteka Programmer Film Academy Marjolein Den Bakker, and Producer Annie Rudnick, ICA Filmhouse Edinburgh Magdalena Grabianowska Antonia Lloyd-Jones Mehelli Modi, Second Run DVD Polish Cultural Institute Chris Barwick, Michael Keckes, DFDS Seaways Deputy Director Second Run DVD Monika Sidorowicz, Boiler Karolina Kołodziej David Edgar, BFI Southbank Room Poland Organised by: Marketing & PR Coordinator David Somerset, BFI Southbank Monika Wróbel, Forest & Ray Agnieszka Ciepłucha Elizabeth Wood, DocHouse Naomi Crowther, ICA Marketing Assistant and Helen de Witt, BFI Southbank Nico Marzano, ICA Kinoteka Guests Coordinator George Clark, Tate Modern Paweł Jodłowski, Project Dobrosława Świtalska Gregor Muir, ICA London Production In co-operation with: Fundraising Izabela Kiszka, Polish Piotr Kulesza, Film Museum Darek Tomaszewski Film Institute in Łódź Logistics and Guest Support Jakub Górski, DFDS Seaways Renata Clark, Czech Centre Anna Gruszka Jan Naszewski, T-Mobile Rod White, Filmhouse Music Event & Closing Gala New Horizons International Edinburgh Coordinator Film Festival Sebastian Stern, BFI Southbank Paulina Latham Jenny Horwell, DocHouse Simon Duffy, BFI Southbank Film Poster Exhibition and Joanna Łapińska, T-Mobile Tadeusz Kowalski, Filmoteka Events Coordinator New Horizons International Narodowa UK Tour in partnership with: Supported by: Magda Raczyńska Film Festival Tereza Porybná, Czech Centre Gottland Screening Coordinator Joanna Stachyra, Ministry Tomasz Opasiński Anna Aładja / Sara Komaiszko of Foreign Affairs of Poland Tomasz Szeratics, Ministry Support John Woroniecki, Baltic of Foreign Affairs of Poland Restaurant Wotienkie Vermeer, Frontline Poster ARTWORK: Julianne Rooney, Frontline Club Club Tomasz Opasiński Julie Pearce, BFI Southbank Zeljka Marosevic, Melville House Laura Adams, BFI Southbank Graphic Design: Liz Parkinson, BFI Southbank Luke Gould Krystyna Zamysłowska, Film Museum in Łódź Festival Trailer: Łukasz Pawlak, Requiem Kamil Dobrosielski Records Łukasz Ronduda, Filmoteka PR: Muzeum, Museum of Modern Margaret London Art in Warsaw Zena Howard

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UK-EUROPE Celebrating the best of Polish Cinema, music, design and visual arts, this year’s programme offers an enticing mix of screenings, exhibitions, concerts, interactive workshops, masterclasses and special guests.

In London at the BFI Southbank, ICA, Tate Modern and more. Full venue information below.

www.kinoteka.org.uk

Follow us: facebook.com/PolishFilmFestivalKinoteka @PLinst_London #kinoteka2015

BFI Southbank The Frontline Club ICA Belvedere Road 13 Norfolk Place, The Mall London SE1 8XT London W2 1QJ London SW1Y 5AH 020 7928 3232 020 7479 8940 020 7930 3647 bfi.org.uk frontlineclub.com ica.org.uk

London FIlm Academy Tate Modern 52a Walham Grove Bankside London SW 1QR London SE1 9TG 020 7386 7711 020 7887 8888 londonfilmacademy.com tate.org.uk/modern