Monograph 96

Total Page:16

File Type:pdf, Size:1020Kb

Monograph 96 ABOUT THE AUTHOR Jean Redpath is a research consultant specialising in criminal justice issues. As a contract researcher for the Institute for Human Rights and Criminal Justice Studies at Technikon SA (TSA), she conducted research inter alia on organised crime, and was briefly seconded from TSA to the “Scorpions” in 1999. She was formerly a parliamentary analyst for the South African Institute of Race Relations. She qualified as an attorney in Cape Town, and has degrees in Science and Law from the University of Cape Town. FOREWORD Together with the people of South Africa, the National Prosecuting Authority will this year be celebrating ten years of freedom and democracy. Apart from celebrating, we will also critically review and reflect upon the role the NPA currently plays in upholding the rule of law, protecting our constitu- tion and enhancing the depth and quality of our democracy. We will be examining how far we have come in fulfilling our vision of a just society where our people can live in safety and security, free from the fear of crime. In particular we will be examining the functioning of one of our newest and most important constituent parts, namely the Directorate of Special Operations, or the Scorpions, as they are more commonly known. The phenomenon of serious and organized crime, particularly in its trans- national manifestation, is one that poses a real and imminent threat to our democracy and economy. The ever increasing interconnectedness and dynamism of the world we occupy, means that organized crime is more sophisticated than ever in the manner it goes about its business. I am proud of the role the DSO is starting to play in countering this threat. It has already shown its sophistication, professionalism and organizational mettle by taking on some of the market leaders in crime, the big players who believe they can defraud, smuggle, murder, deceive, threaten and corrupt with impunity. The NPA welcomes this timely monograph by the Institute of Security Studies. It contains the outcome of an objective and arms-length examination to which we have willingly subjected ourselves. The reason we adhere to this level of transparency is that it is good for our organisation. It leaves us with a more acute and informed sense of our strengths and our weaknesses. Transparent scrutiny of this kind minimizes the risks of self-delusion. It ultimately makes us do our work better. For that we are grateful. Bulelani Ngcuka National Director of Public Prosecutions ACKNOWLEDGMENTS This monograph was funded by USAID, the United States Embassy in Pretoria and the Ford Foundation. The author gratefully acknowledges the contribu- tion made by all those interviewed, in particular members of the Directorate of Special Operations – without whom this publication would not have been possible. The enthusiasm and support of the national director of public pros- ecutions is also acknowledged. Finally, discussion with Martin Schönteich, Antoinette Louw, Darwin Franks and Anton du Plessis was invaluable. LIST OF TABLES AND FIGURES FIGURE 1 National Prosecuting Authority 42 FIGURE 2 Directorate of Special Operations 42 TABLE 1 Directorate of Special Operations Performance 51 TABLE 2 Comparative Budgets 57 TABLE 3a Countries’ Characteristics (general) 78 TABLE 3b Countries’ Characteristics (law enforcement) 78 GLOSSARY AFU Asset Forfeiture Unit, an entity within the NPA CIO chief investigating officer DSO Directorate of Special Operations, an entity within the NPA, also called the Scorpions DSO legislation NPA Amendment Act 61 of 2000 FBI Federal Bureau of Investigation (United States) IDOC Investigating Directorate: Organised Crime and Public Safety IDSEO Investigating Directorate: Serious Economic Offences ISS Institute for Security Studies national director national director of public prosecutions, NPA head NIA National Intelligence Agency NPA National Prosecuting Authority NPA Act National Prosecuting Authority Act 32 of 1998 NPS National Prosecuting Service, an entity within the NPA POC Act Prevention of Organised Crime Act 121 of 1998 SAPS South African Police Service SI special investigator SSI senior special investigator Scorpions nickname of the DSO EXECUTIVE SUMMARY The launch of the “Scorpions” was announced in September 1999, in the con- text of a world extremely concerned about the phenomenon of organised crime. The Scorpions became formally known as the Directorate of Special Operations (DSO), when the DSO officially came into existence 16 months later, in January 2001. The DSO is the investigative arm of South Africa’s National Prosecuting Authority. South Africa is quite distinctive in having this investigative component to a national prosecuting authority, as well as a national police force. Although international attention has shifted away from organised crime some- what since September 2001, onto the threat of terrorism, organised crime remains the focus of the DSO. High-profile since its inception four years ago, the organisation and its staff are generally viewed by the South African public as the ultimate crime fighters. The DSO investigation into the “arms deal” con- cluded by the South African government in 1999, and its investigation of the role of the deputy president in this deal, upped this public profile considerably. In the course of these investigations, the powerful position of the national director has come into the spotlight, and questions originally raised at incep- tion of the DSO have re-emerged. How does the DSO take on cases? Is it con- stitutional that the DSO is part of the National Prosecuting Authority and not part of the South African Police? Are there sufficient safeguards? Despite a high public profile, these uncertainties, along with limited public information about the DSO, have resulted in some confusion and misconcep- tion. For one, the national director of public prosecutions has been conflated in the public mind with the DSO. The aim of this monograph is to correct mis- conceptions about the DSO, and to provide information about an organisation which has rapidly become extremely important in South Africa. While the DSO is often likened to the US Federal Bureau of Investigation, South Africa is quite unlike the US in terms of its political and law enforcement struc- ture. International comparison and overview suggests some ways in which 8 The Scorpions oversight and accountability over the DSO could be better achieved. The infor- mation presented here was gathered through interviews with DSO staff and external stakeholders, and through research into internationally comparable institutions. INTRODUCTION The “Scorpions”, when referred to by this nickname, are probably, outside of the police, the most recognised law enforcement body in South Africa. The impact of the Scorpions on the South African public’s psyche after four years of operation cannot be underestimated. Yet very little is really known about the Scorpions – even their official name, “Directorate of Special Operations”, draws blank looks. This lack of understanding, along with the oft-mentioned problem of overlap with the work of the South African police force, and concerns that the DSO might use case-selection as a tool for political manipulation, make it important that information about the DSO be made more broadly accessible. Debates surrounding the Scorpion’s establishment, mandate, and operation are discussed in this monograph. It is hoped that through recording and explaining the agency’s functioning, the questions of the ordinary reader will be answered and misconceptions about the Scorpion’s role and operation will be dispelled. CHAPTER 1 METHODOLOGY This monograph made use of interviews conducted with DSO personnel as well as external DSO stakeholders. The results of these interviews were combined with other materials obtained from the DSO, such as their Annual Reports, and other data specifically requested from the DSO, such as information on person- nel and training. Other sources, such as newspaper reports, government docu- ments, and the work of other researchers, were also consulted. The author drew on her own experience in 1999–2000 of a brief secondment to the Cape Town DSO office, as well as discussion with research colleagues. An ISS research team selected the interviewees.1 In all, 78 interviews were held from December 2002 to late March 2003.2 The majority of the interviews (45) were held with internal DSO personnel, in all four DSO regions, and at head office, including prosecutors, investigators and analysts, both managers and non- managers. This constitutes 8% of the DSO staff complement in 2003. Of all internal interviews, 15% were at the DSO Head Office, 36% were with investigators, 29% with prosecutors (excluding head office and regional heads) and 9% with analysts. This means that of the internal interviews, investigators were somewhat under-represented, as they comprised 63% of the staff at the time the interviews were done, while analysts and prosecutors were slightly over-represented in terms of the staff composition of the DSO. With respect to the method of selection of internal DSO interviewees, this varied from region to region. In Gauteng and the Western Cape, the regional head provided a list of interviewees, covering a range of personnel from trainee to deputy director. In the Eastern Cape, the DSO employee’s com- mittee appointed persons to speak on their behalf. In KwaZulu-Natal, secre- tarial staff asked personnel who were available on the days the researcher was there, to attend interviews. The duration of interviews varied from 30 minutes to 2.5 hours. A further 33 interviews were held with key people among various stakeholders, ranging from other entities within the NPA, such as the National Prosecuting Jean Redpath 11 Service (NPS); to national and provincial police officials; selected members of Parliament; key people among relevant government bodies; and informed opin- ions outside of government. Interview notes were written up and distributed amongst the team. The ISS research team assisted with analysis. The monograph was intended to answer the ordinary reader’s questions about the DSO.
Recommended publications
  • View Or Download Full Colour Catalogue May 2021
    VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental
    [Show full text]
  • Dover Police
    PORT OF DOVER POLICE “Delivering Safety and Security for Our Customers” Our ref: FOI 2021-046 16th March 2021 [email protected] Dear Arthur Coulter, FREEDOM OF INFORMATION ACT REQUEST I refer to your Freedom of Information Act request dated 25th February 2021 in which you requested: Dear Port of Dover Police, Please provide the following information relevant to the driving authority held by your officers: - Are Port of Dover Police officers trained to operate vehicles under emergency conditions (equivalent to 'response/standard' level driving in Home Office forces)? - If so, who carries out this training – whether it is provided in house, by Kent Police or outsourced – and how many officers are trained to said level? Please also include copies of driving policies relevant to the operation of police vehicles. In response to your Freedom of Information Act request, I would draw your attention to:- Port of Dover Police Officers are nominated and appointed as ‘special constables’ under section 79 of the Harbours, Docks and Piers clauses Act of 1847 which was subsequently modified by Part IV of the Dover Harbour Revision Order 2006 (S.I. 2167) and section 7 of the Marine Navigation Act 2013. Schedule 1, Part V, Section 64 of the Freedom of Information Act which applies to:- Any person who- (a) By virtue of any enactment has the function of nominating individuals who may be appointed as special constables by Justices of the Peace, and, (b) Is not a public authority by virtue of any other provision of the Act, in respect of information relating to the exercise by any person appointed on his nomination of the functions of a special constable.
    [Show full text]
  • St 9617 2004 Dcl 1
    Council of the European Union Brussels, 30 November 2020 (OR. en) 9617/04 DCL 1 LIMITE SCH-EVAL 33 COMIX 344 DECLASSIFICATION of document: 9617/04 RESTREINT UE dated: 17 May 2004 new status: LIMITE Subject: Questionnaire – Questions to UK on data protection arrangements relating to the UK’s national implementation of the Schengen Information System. - Answers from the UK Delegations will find attached the declassified version of the above document. The text of this document is identical to the previous version. 9617/04 DCL 1 KAL SMART 2.C.S1 LIMITE EN RESTREINT UE COUNCIL OF Brussels, 17 May 2004 THE EUROPEAN UNION 9617/04 RESTREINT UE SCH-EVAL 33 COMIX 344 NOTE from : UK delegation to : Schengen Evaluation Working Party No. prev. doc. : 9227/04 SCH-EVAL 25 COMIX 308 + ADD 1 Subject : Questionnaire – Questions to UK on data protection arrangements relating to the UK’s national implementation of the Schengen Information System. - Answers from the UK The United Kingdom has asked the Schengen Evaluation Group to undertake an evaluation of the data protection arrangements which it has in place to support the introduction of the Schengen Information System to the UK. As the UK’s technical solution to the SIS has not yet been finalised, the questions relate only to data protection arrangements. Questions relating to the management and handling of the data will be answered in the context of the full SIS evaluation which will take place once the UK’s national solution has been fully implemented. 1. Provide the list of services with access to SIS data See Annex A and Annex B 9617/04 WvdR/kve 1 DG H RESTREINT UE EN RESTREINT UE 2.
    [Show full text]
  • A Discography of Robert Burns 1948 to 2002 Thomas Keith
    Studies in Scottish Literature Volume 33 | Issue 1 Article 30 2004 A Discography of Robert Burns 1948 to 2002 Thomas Keith Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Keith, Thomas (2004) "A Discography of Robert Burns 1948 to 2002," Studies in Scottish Literature: Vol. 33: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol33/iss1/30 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Thomas Keith A Discography of Robert Bums 1948 to 2002 After Sir Walter Scott published his edition of border ballads he came to be chastised by the mother of James Hogg, one Margaret Laidlaw, who told him: "There was never ane 0 my sangs prentit till ye prentit them yoursel, and ye hae spoilt them awthegither. They were made for singing an no forreadin: butye hae broken the charm noo, and they'll never be sung mair.'l Mrs. Laidlaw was perhaps unaware that others had been printing Scottish songs from the oral tradition in great numbers for at least the previous hundred years in volumes such as Allan Ramsay's The Tea-Table Miscellany (1723-37), Orpheus Caledonius (1733) compiled by William Thompson, James Oswald's The Cale­ donian Pocket Companion (1743, 1759), Ancient and Modern Scottish Songs (1767, 1770) edited by David Herd, James Johnson's Scots Musical Museum (1787-1803) and A Select Collection of Original Scotish Airs (1793-1818) compiled by George Thompson-substantial contributions having been made to the latter two collections by Robert Burns.
    [Show full text]
  • I] ~ ::F.1 PAUL LE MAT and JASON ROBARDS Wee Frees to 1 Buccleuch Place by SWSO Social
    NEWBATTLE CILTOD f~ ABBEY **'***STUDIOS COLLEGE Until Saturday 13th. Progs. 6.00 & 8.30 l'OETS AND PEOPLE­ JACK LEMMON in A RESIDENTIAL POETRY TRIBUTE (AA) WEEKEND Friday/ Saturday 11 pm (27th-28th March) JOHN H URT as THE ELEPHANT MAN (AA) wHl1 From Monday 15th March Progs. 7 pm only EDWIN MORGAN (Tr.rn slation) A double bill of \ORI FY MAC LEAN (Gaeli c) ROCKY HORROR PICTURE SHOW (AA) 1)0:--JA Lll CAM PBELL ( Lallans) with TIM CURRY and SUSAN SARENDON RORY WATSON ( English) and PHANTOM OF THE PARADISE (AA) /)n11ik Director: BRIAN DE PALMA with PAUL WILLIAMS. WILLIAM FINLEY and JESSICA HARPER Dr M. ROSS, Ncwbarrlc Abbey College, Dall..cich. Midlothian. EH22 3LL. Backstage Bar and Resta urant open Monday to Saturday. Lunches and evening meal•. Jazz backs tage every Wednesday night. JAZZ AT THE QUEEN'S HALL Every Friday 10 p.m.-12.30 a.m. Real Ale and Food till late. Details every Friday in the Evening News. Don't Miss The New Orleans Night This Friday AL TON PURCELL PIANIST FROM NEW ORLEANS With BARRY MARTIN (Drums) and the LOUISIANA RAGTIME BAND Dancing Fancy Dress Optional Tickets £2.00 ..~ Lothian Road 228 2688 ~~~M~~"~~,~l','1 ~ ~ ~ i] ~ ::f.1 PAUL LE MAT and JASON ROBARDS Wee Frees to 1 Buccleuch Place by SWSO Social. this Saturday (i.e. 1n the brilliant noonTuesday.bitte.DankeSchon. 13th March) at Potterrow, 7.30- MELVIN AND HOWARD (AA) 12.00. Band and Disco. £1 .50 Monday 15th March: Edinburgh unwaged. University Latin American Cinema 1 Monday 15-Wednesday 17 7.00 pm only Solidarity Campaign are showing Found: Pink leather glove, heavily " El Salvador -Another Vietnam?" soiled.
    [Show full text]
  • Ministerial Correspondence Template
    Caroline Wall Maritime Security Compliance and Ports Policy Maritime Security & Resilience Division Department for Transport Zone 2/32 Great Minster House 33 Horseferry Road London SW1P 4DR Mr D Llewelyn Tel: 020 7944 6252 E-Mail: [email protected] e-mail: Web site: www.gov.uk/dft [email protected] Our Ref : P0015467 15 December 2017 Dear Mr Llewelyn FREEDOM OF INFORMATION REQUEST REGARDING PORT POLICE FORCES’ USE OF SECTION 7 OF THE MARINE NAVIGATION ACT Thank you for your information request of 20 November. You requested the following information: “On the 3rd July 2014 a written question was asked of the Secretary of State for Transport in relation to Ports Police and section 7 of the Marine Navigation Act 2013. The reply was made by the Parliamentary Under-Secretary on 9th July. I have copied the relevant extract from Hansard below: "Police: Ports:Written question - 203891 Q Asked by Tom Blenkinsop (Middlesbrough South and East Cleveland) Asked on: 03 July 2014 Department for Transport Police: Ports 203891 To ask the Secretary of State for Transport, what assessment he has made of the extent to which chief officers of territorial police forces have used the Marine Navigation Act 2013 to permit port constables to act outside their port area for policing purposes connected with the port constable's police area. A Answered by: Stephen Hammond Answered on: 09 July 2014 Of the six English port police forces, able to use the Marine Navigation Act, the port police forces for Bristol, Dover and Teesport have sought and received the consent of the Chief Constable of the relevant territorial police force to exercise certain powers outside their port area, while a fourth, Liverpool Port Police, is currently seeking it." Please provide any relevant correspondence/information/documents that were used to assist the Parliamentary Under-Secretary in giving this answer.
    [Show full text]
  • Dover Police
    PORT OF DOVER POLICE “Delivering Safety and Security for Our Customers” Our ref: FOI 2017-059 Diane Amos [email protected] 29th March 2017 Dear Diane Amos, FREEDOM OF INFORMATION ACT REQUEST I refer to your Freedom of Information Act request dated 5th March 2017 in which you requested: please provide an organisational chart that shows the current make-up and rank structure of your police force (including post holder details). I addition, please provide details of the professional and nationally accredited rank specific qualifications, including dates obtained, that allows the role holders (for clarity, Sergeants, Inspectors and above, ) to comply with all national legislation and guidance that is applicable to all police forces. In response to your Freedom of Information Act request, I would draw your attention to:- Port of Dover Police Officers are nominated and appointed as ‘special constables’ under section 79 of the Harbours, Docks and Piers clauses Act of 1847 which was subsequently modified by Part IV of the Dover Harbour Revision Order 2006 (S.I. 2167) and section 7 of the Marine Navigation Act 2013. Schedule 1, Part V, Section 64 of the Freedom of Information Act which applies to:- Any person who- (a) By virtue of any enactment has the function of nominating individuals who may be appointed as special constables by Justices of the Peace, and, (b) Is not a public authority by virtue of any other provision of the Act, in respect of information relating to the exercise by any person appointed on his nomination of the functions of a special constable.
    [Show full text]
  • Table of Contents
    1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis­ A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas.
    [Show full text]
  • SCOTTISH COUNTRY DANCING and MUSIC Began in Boston in 1947
    Qelebrate J^ifty Tears of dancing with the Boston Brancli of the Royal Scottish Country Dance Society 1. Auld Reekie Hornpijje 8 X 32 Reel 4:37 2. Anna's Wedding Cake 3 X 32 Strathspey 3:07 3. Flights of Fancy 8x32 Jig 4:40 4. The Maine Medley 8 X 32 Medley 6:34 5. Hal Robinson's Rant 5 x 40 Reel 3:45 6. The Monmouth Ramble 4 X 32 Strathspey 4:14 7. Stoner House 4x32 Jig 2:22 8. Highland Schottischc 2.08 9. Burns Night 8x32 Jig 4:38 10. The Earl of Northampton 8 X 32 Strathspey 8:28 11. The 25th Reel 4x32 Reel 2:26 12. The Latvian Lass 8 X 32 Medley 6:11 13. Northern Harmony 8x32 Jig 4:43 14. Fill the Fetters 4 X 32 Strathspey 4:11 15. The Sprig of Ivy 8 X 32 Reel 4:42 16. Waltz 4:38 Total Playing Time: 72:20 Performed by Boston Hospitality, Carfiiffle Ceilidh Band, Fiddlers Tlircc, Highland Wliisky, \joc»\, Pipes Awa', Sprig of Ivy, Tile Strathspey & Reel Society of New Hampshire, Tullochgorum, Tlie White Cockade. Ensembles led by Earl Caddis, Anne Hooper, Beth Murray, Tom Pixton, Duncan Smith, Susan Worland. COTTISH COUNTRY DANCING AND MUSIC began in Boston in 1947 1. AULD REEKIE HORNPIPE 8x32 Reel by Marianne Taylor Swith Edinburgh-born Jeannie Robertson Buchanan Carmichael as teacher and Auld Reekie ty Barbara McOwen © }992 mentor. In April 1950, Boston was granted the first overseas Branch status by the New High Level Hornpipe by James Hill (ca 1815-1858) Royal Scottish Country Dance Society.
    [Show full text]
  • Print Version (Pdf)
    Special Collections and University Archives UMass Amherst Libraries Broadside (Mass.) Collection Digital 1962-1968 1 box (1.5 linear foot) Call no.: MS 1014 About SCUA SCUA home Credo digital Scope Inventory Broadside, vol. 1 Broadside, vol. 2 Broadside, vol. 3 Broadside, vol. 4 Broadside, vol. 5 Broadside, vol. 6 Broadside, vol. 7 Broadside and Free Press, vol. 8 Broadside and Free Press, vol. 9 Admin info Download xml version print version (pdf) Read collection overview When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances. Assembled by Folk New England, the Broadside collection contains a nearly complete run of the Boston- and Cambridge-based folk music periodical, The Broadside, with the exception of the first issue, which has been supplied in photocopy. See similar SCUA collections: Folk music Massachusetts (East) Printed materials Background When The Broadside first appeared in March 1962, it immediately became a key resource for folk musicians and fans in New England. Written by and for members of the burgeoning scene, The Broadside was a central resource for information on folk performances and venues and throughout the region, covering coffeehouses, concert halls, festivals, and radio and television appearances. The rapid growth of the folk scene in Boston during the mid- 1950s was propelled in part by the popularity of hootenannies held at the YMCA and local hotels, and by a growing number of live music venues, catching on especially in the city's colleges.
    [Show full text]
  • Bill Staines at Coffeehouse Concert! 1971 When a Reviewer from the Boston 65,000 Miles Annually
    A Newsletter for Columbia, Snake, and Yakima River Folk Vol. 23, Issue 2 October 2011 Ferintosh Blurs Boundaries addition of some vocals, old time fid- breaking work in the revival of the Friday, 7 October, 7:30 PM dling and humor, their concerts are cello in American and Scottish tradi- I want to help the 2012 Member Application Ferintosh performs the vibrant folk eclectic and entertaining. tional music. She has composed cello 2012 Tumbleweed Your membership gives you voting rights in folklife music of Scotland, America, and Cape Kim Robertson is a renowned per- parts for over seventy-five recordings Y e s ! elections, $3 off most concerts, and is tax deductible! Breton, Nova Scotia. The group fea- former and instructor who has by a variety of folk artists on both Music Festival You’ll even get a nifty membership card to show your friends and neighbors! tu r es cellist Abby Newton, Celtic harp- stretched the boundaries of the harp sides of the Atlantic, including I would like to contribute ist Kim Robertson, and guest fiddler, for a new generation of performers Scottish singer, Jean Redpath. Abby at this level ___Bronze $50.00 ____ Individual ($15) or ____ Family ($20) Renewal? Y N Rosie Newton. From soulful songs and audiences. As a pioneer in the has performed on NPR’s A Prairie and airs to sprightly strathspeys and American folk harp movement, she ___Silver $100.00 Name___________________________________________________ Home Companion and The Thistle Address _________________________________________________ reels, their spirited arrangements combines an improvisational spirit and Shamrock. Abby has brought the ___Gold $250.00 showcase their virtuosity and the with a passionate sense of tradition, instrument back into the fold in her ___Platinum $1000.00 City___________________________ State _______ Zip __________ rhythmic energy of this timeless music.
    [Show full text]
  • CARRY on STREAMIN from EDINBURGH FOLK CLUB Probably the Best Folk Club in the World! Dateline: Wednesday 11 November 2020 Volume 1.13
    CARRY ON STREAMIN from EDINBURGH FOLK CLUB Probably the best folk club in the world! Dateline: Wednesday 11 November 2020 Volume 1.13 Hovey when he came to Edinburgh CONTENTS CARRYING STREAM researching the original eighteenth-century Page 1 Lead story FESTIVAL – HAMISH tunes favoured by Burns, which he was to Page 2 Hot News 1 and Hot News 2 go on to arrange. Page 3 Fraser Bruce: The Folk River HENDERSON ANNUAL Hamish introduced Jean Redpath to Hovey Page 5 Scots Traditional Hall of Fame: LECTURE recommending her as the voice to record Mary MacInnes his arrangements. Thus began an unlikely Page 6-7 Scots Traditional Hall of Fame: working relationship between a classical Kevin Findlay composer and arranger from the USA with Page 7 Celtic Connections Festival 2021 a Scottish folk singer, used to singing Page 8 Blas Winter Festival 2021, unaccompanied or to her own guitar, and Turning (Byre Theatre), Winter unable to read music. Festival (Shropshire) Encouraged by Hamish, the two Page 9, 10, 11 CD Reviews exchanged cassettes across the Atlantic, as Page 10 Crossword (compiled by The Jean learned Hovey’s arrangements by ear. Bairn) By 1976, when Jean began recording the Page 11-12 Wee Bits and Pieces, complete songs of Robert Burns, Hovey Music Waves, Gigs Online had researched and arranged 324 songs for Page 12-13 Gigs Online, Cyber Print, the project but died before the project English / Welsh Folk Magazines could be completed, leaving only seven of Page 14 Reminders, Festivals, Hamish Henderson the planned 22 volumes. Crossword solutions THIS YEAR’S Edinburgh Folk Club Professor McCue illustrates her lecture annual Carrying Stream Festival (#19) is with performances of these versions of massively simplified.
    [Show full text]