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Since I Began Reading the Work of Steve Ditko I Wanted to Have a Checklist So I Could Catalogue the Books I Had Read but Most Im
Since I began reading the work of Steve Ditko I wanted to have a checklist so I could catalogue the books I had read but most importantly see what other original works by the illustrator I can find and enjoy. With the help of Brian Franczak’s vast Steve Ditko compendium, Ditko-fever.com, I compiled the following check-list that could be shared, printed, built-on and probably corrected so that the fan’s, whom his work means the most, can have a simple quick reference where they can quickly build their reading list and knowledge of the artist. It has deliberately been simplified with no cover art and information to the contents of the issue. It was my intension with this check-list to be used in accompaniment with ditko-fever.com so more information on each publication can be sought when needed or if you get curious! The checklist only contains the issues where original art is first seen and printed. No reprints, no messing about. All issues in the check-list are original and contain original Steve Ditko illustrations! Although Steve Ditko did many interviews and responded in letters to many fanzines these were not included because the checklist is on the art (or illustration) of Steve Ditko not his responses to it. I hope you get some use out of this check-list! If you think I have missed anything out, made an error, or should consider adding something visit then email me at ditkocultist.com One more thing… share this, and spread the art of Steve Ditko! Regards, R.S. -
Reefer Madness in Federal Court: an Overview of How Federal Courts Are Dealing with Cannabis Litigation and Why It Is Necessary to “Dig Into the Weeds”
Marvis Formatting Complete (Do Not Delete) 7/27/2019 4:36 PM REEFER MADNESS IN FEDERAL COURT: AN OVERVIEW OF HOW FEDERAL COURTS ARE DEALING WITH CANNABIS LITIGATION AND WHY IT IS NECESSARY TO “DIG INTO THE WEEDS” by Blake Marvis* Litigation stemming from the state-legal cannabis industry has presented many unique questions for federal courts to grapple with. Can federal courts provide equitable relief to state-legal cannabis litigants, despite being in violation of federal law? Can workers in the state-legal cannabis industry sue their employ- ers to recover required minimum wage under federal statutes? Is a contract that is made in a state-legal cannabis market automatically void? This Com- ment examines the precarious nature of state-legal cannabis litigation in fed- eral courts through a dissection of how litigation has progressed. It also exam- ines the framing of the arguments made in cannabis disputes. Although the litigation related to the state-legal cannabis industry has been very diverse, this Comment attempts to provide a synthesis of the fundamental principles courts are viewing these disputes from. This Comment argues that two relatively dis- tinct views have emerged as a result of the unclear legal status of the state-legal cannabis industry. One view, the “Broad View,” focuses on how federal ille- gality creates broad barriers to otherwise clear legal rights that “normal” busi- ness industry participants would have. The other view, the “Narrow View,” focuses on the uniqueness of the state-legal cannabis industry and attempts to navigate the issues carefully and narrowly. This Comment further argues for adoption of the Narrow View from both a legal and policy perspective. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Policing Knowledge in the War on Drugs: a Foucauldian Analysis of the Marijuana Discourse in the Late 1960S and Early 1970S
POLICING KNOWLEDGE IN THE WAR ON DRUGS: A FOUCAULDIAN ANALYSIS OF THE MARIJUANA DISCOURSE IN THE LATE 1960S AND EARLY 1970S A Thesis by ETHAN RICE BA, Texas A&M University-Corpus Christi, 2013 Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER of ARTS in HISTORY Texas A&M University-Corpus Christi Corpus Christi, Texas May 2017 © Ethan Cody Rice All Rights Reserved May 2017 POLICING KNOWLEDGE IN THE WAR ON DRUGS: A FOUCAULDIAN ANALYSIS OF THE MARIJUANA DISCOURSE IN THE LATE 1960S AND EARLY 1970S A Thesis by ETHAN RICE This thesis meets the standards for scope and quality of Texas A&M University-Corpus Christi and is hereby approved. Sandrine Sanos, PhD Laura Muñoz , PhD Chair Committee Member Anthony Quiroz, PhD Committee Member May 2017 ABSTRACT Many histories of marijuana prohibition see the 1960s and 1970s as a time of relatively lax attitudes towards marijuana use, with scholars pointing to a softening of the penalties for low- level offenses. However, focusing solely on policy and failing to scrutinize how the discourse on drugs worked to marginalize users and underwrite enforcement efforts overlooks the extent to which this era represents a time of increasing obsession with controlling marijuana and other drug use. Michel Foucault’s work on the relationship between knowledge and power provides a useful framework through which this discourse can be elucidated. Foucault describes discourse as both productive and disciplinary: it produces categories of knowledge and simultaneously regulates what can be known through what it includes, excludes, or limits. Thus, it exerts a power distinct from the coercive power of the law: the power to determine the acceptability of a behavior and what is known about it. -
The Dysphoric Style in Contemporary American Independent Cinema David C
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2005 The Dysphoric Style in Contemporary American Independent Cinema David C. Simmons Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA By DAVID C. SIMMONS A Dissertation submitted to the Program in the Humanities in partial fulfillment of the requirements for the degree of Doctorate of Philosophy Degree Awarded: Spring Semester, 2005 Copyright (c) 2005 David C. Simmons All Rights Reserved The members of the Committee approve the dissertation of David C. Simmons defended on April 11, 2005. ____________________________________ Karen L. Laughlin Professor Co-Directing Dissertation ____________________________________ Mark Garrett Cooper Professor Co-Directing Dissertation ____________________________________ Valliere Richard Auzenne Outside Committee Member ____________________________________ William J. Cloonan Committee Member Approved: ___________________________________ David F. Johnson Director, Program in the Humanities The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGMENTS This dissertation would not have been possible without the assistance of Sandefur Schmidt and my mother, Rita Simmons. I gratefully acknowledge both of them for the immense kindness and help they’ve provided me. iii TABLE OF CONTENTS Abstract ................................................................... v INTRODUCTION: THE DYSPHORIC STYLE IN CONTEMPORARY AMERICAN INDEPENDENT CINEMA ................. 1 1. TRYING TO HOLD ONTO A PIECE OF PI: THE DYSPHORIC STYLE’S STRUCTURING OF CAUSAL RELATIONS ......... 7 2. FACT OR PULP FICTION: THE DYSPHORIC STYLE AND TEMPORAL RELATIONS .................... 26 3. “THE COOKIE STAND IS NOT PART OF THE FOOD COURT”: THE DYSPHORIC STYLE AND SPATIAL RELATIONS ...................... -
The Mysteries of Robert Arthur
RADIO RECALL. October 2017, Volume 34, No. 5 THE MYSTERIES OF ROBERT ARTHUR Robert Arthur once wrote that “suspense is Many of these stories were recycled for that quality in a story which makes you want radio programs including Dark Destiny, to keep on reading it to find out what happens. Just Five Lines and Murder by Experts. He By this definition any good story, of course, also recycled plots and characters from his has suspense in it. A love story can have published short stories for The Shadow, suspense – does it end happily? A mountain Nick Carter, Master Detective and climbing story can have suspense – does the Suspense. What adds to the confusion is hero get to the top or does he slip and fall over deciphering which came first… the radio a cliff?” Such was the brief exploration in the play or the short story? Answer? Both. mind of a writer who today is synonymous with The Mysterious Traveler radio program. “Calling All Corpses,” published in the Together with producer-director David October 1948 issue of Dime Mystery Kogan, Arthur scripted more than half of the Magazine, was an adaptation of an original stories for the eerie program that was radio play, “Welcome Home,” dramatized broadcast weekly over the Mutual on both The Mysterious Traveler in 1943 Broadcasting System. and The Sealed Book (circa 1945). Robert Arthur’s accomplishments, however, extended beyond a single radio program. Prior to his radio career he was a prolific writer of hundreds of short stories and novellas for pulp magazines. From science-fiction to detective fare, Arthur made a living hammering the keys of his typewriter and submitting stories to the editors of national magazines. -
Movies and Mental Illness Using Films to Understand Psychopathology 3Rd Revised and Expanded Edition 2010, Xii + 340 Pages ISBN: 978-0-88937-371-6, US $49.00
New Resources for Clinicians Visit www.hogrefe.com for • Free sample chapters • Full tables of contents • Secure online ordering • Examination copies for teachers • Many other titles available Danny Wedding, Mary Ann Boyd, Ryan M. Niemiec NEW EDITION! Movies and Mental Illness Using Films to Understand Psychopathology 3rd revised and expanded edition 2010, xii + 340 pages ISBN: 978-0-88937-371-6, US $49.00 The popular and critically acclaimed teaching tool - movies as an aid to learning about mental illness - has just got even better! Now with even more practical features and expanded contents: full film index, “Authors’ Picks”, sample syllabus, more international films. Films are a powerful medium for teaching students of psychology, social work, medicine, nursing, counseling, and even literature or media studies about mental illness and psychopathology. Movies and Mental Illness, now available in an updated edition, has established a great reputation as an enjoyable and highly memorable supplementary teaching tool for abnormal psychology classes. Written by experienced clinicians and teachers, who are themselves movie aficionados, this book is superb not just for psychology or media studies classes, but also for anyone interested in the portrayal of mental health issues in movies. The core clinical chapters each use a fabricated case history and Mini-Mental State Examination along with synopses and scenes from one or two specific, often well-known “A classic resource and an authoritative guide… Like the very movies it films to explain, teach, and encourage discussion recommends, [this book] is a powerful medium for teaching students, about the most important disorders encountered in engaging patients, and educating the public. -
Marijuana Australiana
Marijuana Australiana Marijuana Australiana: Cannabis Use, Popular Culture, and the Americanisation of Drugs Policy in Australia, 1938 - 1988 John Lawrence Jiggens, BA Centre for Social Change Research Carseldine Campus QUT Submitted in requirement for the degree, Doctor of Philosophy, April 2004 1 Marijuana Australiana KEY WORDS: Narcotics, Control of—Australia, Narcotics and crime—Australia, Cannabis use— Australia, Popular Culture—Australia, Drugs policy—Australia, Organised crime— Queensland, New South Wales, Cannabis prohibition—Australia, Police corruption—Queensland, New South Wales, the counter-culture—Australia, Reefer Madness—Australia, the War on Drugs—Australia, Woodward Royal Commission (the Royal Commission into Drug Trafficking), the Williams Royal Commission (Australian Royal Commission into Drugs), the Fitzgerald Inquiry, the Stewart Royal Commission (Royal Commission into Nugan Hand), Chlorodyne, Cannabis— medical use, cannabis indica, cannabis sativa, Gough Whitlam, Richard Nixon, Donald Mackay, Johannes Bjelke- Petersen, Terry Lewis, Ray Whitrod, Fast Buck$, Chris Masters, John Wesley Egan, the Corset Gang, Murray Stewart Riley, Bela Csidei, Maurice Bernard 'Bernie' Houghton, Frank Nugan, Michael Jon Hand, Sir Peter Abeles, Merv Wood, Sir Robert Askin, Theodore (Ted) Shackley, Fred Krahe, James (Jimmy) Bazley, Gianfranco Tizzoni, Ken Nugan, Brian Alexander. 2 Marijuana Australiana ABSTRACT The word ‘marijuana’ was introduced to Australia by the US Bureau of Narcotics via the Diggers newspaper, Smith’s Weekly, in 1938. Marijuana was said to be ‘a new drug that maddens victims’ and it was sensationally described as an ‘evil sex drug’. The resulting tabloid furore saw the plant cannabis sativa banned in Australia, even though cannabis had been a well-known and widely used drug in Australia for many decades. -
AN ILLUSTRATED HISTORY by ANTHONY TOLLIN Horrorbookletrevise:Horrorb.Qxd 7/28/2008 1:38 PM Page 3
horrorbookletREVISE:horrorb.qxd 7/28/2008 1:38 PM Page 1 Who’s Who in HORROR IN THE AIR ERNEST CHAPPELL (Quiet Please) began his broadcasting career at Syracuse’s WFBI. His deep tones introduced Orson Welles’ Campbell Playhouse broadcasts and Edward R. Murrow’s wartime newscasts, and Chappell also served as Pall Mall’s commercial spokesman for 17 years . WYLLIS COOPER (Lights Out and Quiet Please) created radio’s premier horror series, and later wrote the screenplay for the classic 1939 horror film Son of Frankenstein, several Mr. Moto movies and the final season of Orson Welles’ Campbell Playhouse. Cooper returned to radio in 1947 to create the critially-acclaimed Quiet Please. WALTER GIBSON (Strange) was one of the most prolific authors of the 20th Century. The creator of The Shadow authored some 30 million words during his long career, including 283 Shadow novels, 300 syndicated newspaper features, more than 500 magazine stories and articles, hundreds of radio and comic scripts, and dozens of books on the occult and psychic phenomena. A ghost-writer and publicist for such famous magicians as Houdini, Blackstone and Thurston, Gibson made his radio debut over Philadelphia’s WIP in 1923, and later plotted many popular radio series including Nick Carter –Master Detective, Chick Carter, The Adventures of Frank Merriwell, The Avenger and Blackstone, Magic Detective. RAYMOND EDWARD JOHNSON (Inner Sanctum) began his career in Chicago radio where he voiced a variety of character roles on Lights Out . After moving to New York, he was heard in dozens of series including Crime Club and Arch Oboler’s Plays. -
Rifftrax Live: BIRDEMIC” Flocks to Movie Theaters
“RiffTrax Live: BIRDEMIC” Flocks to Movie Theaters NCM® Fathom Events, RiffTrax and IGN Present Sidesplitting Modern Cult Classic with Live Comedic Commentary from the Stars of “Mystery Science Theater 3000” Broadcast to Select Movie Theaters Nationwide October 25 Centennial, Colo. – August 20, 2012 – NCM® Fathom Events, RiffTrax and IGN present “RiffTrax Live: BIRDEMIC” in movie theaters for only one night on Thursday, October 25 at 8:00 p.m. ET / 7:00 p.m. CT and tape delayed at 7:00 p.m. MT / 8:00 p.m. PT. The famed comedians from the cult classic “Mystery Science Theater 3000” (MST3K)—Michael J. Nelson, Kevin Murphy and Bill Corbett—will reunite on the big screen to fire off their wisecracking commentary on “BIRDEMIC,” a modern classic in the pantheon of so-bad- it's-good cinema. The hilarious riffing on this spine-tingling "thriller" will be broadcast LIVE from Nashville to participating movie theaters across the country—just in time for Halloween. Tickets for “RiffTrax Live: BIRDEMIC” are available at participating theater box offices and online at www.FathomEvents.com. For a complete list of theater locations and prices, visit the NCM Fathom Events website (theaters and participants are subject to change). The event will be broadcast to more than 550 select movie theaters across the country through NCM’s exclusive Digital Broadcast Network. “I don’t know what it is about ‘BIRDEMIC’—terrible acting, terrible sound, terrible directing, terrible editing—and yet there’s some sort of secret bad movie ingredient I can’t put my finger on that makes this simply one of the most fun bad movies of all time,” said Michael J. -
Cannabis Prohibition and Substantive Due Process
RE-THINKING LIBERTY: CANNABIS PROHIBITION AND SUBSTANTIVE DUE PROCESS By Matthew J Routh* I. INTRODUCTION What is Liberty? The venerated word appears in the famous Declaration of Independence as an inalienable right.' Likewise, liberty appears in the langua e of the 14'h Amendment to the Constitution, which was ratified on July 9 , 1868 and forbids states from denying any person "life, liberty or property, without due process of law." 2 However, the Constitution never explicitly defines the word. John Stuart Mill, the influential 19 h century British philosopher, economist, and feminist conceives of liberty in his political essay On Liberty as essentially rooted in personal autonomy, balanced against the government's interest of protecting society at large: That the only purpose for which power can be rightfully exercised * Matthew is a 2016 graduate of CUNY School of Law. While attending CUNY, Matthew participated in an interdisciplinary array of experiences spanning family, youth, LGBT+, HIV/AIDS, criminal, civil, housing, immigration, and public assistance legal issues. Moreover, Matthew participated in CUNY's Family Law Practice Clinic, where he assisted parents in child welfare cases and also participated in a summer legal fellowship at Yale Law School representing children. Currently, Matthew is awaiting admission to become a licensed attorney in New York and working as a law clerk at Anderson, Bowman & Zalewski PLLC in Kew Gardens, Queens. Lastly, Matthew would like to thank the faculty and staff of CUNY Law as well as his colleagues and family for all of their support. 1. THE DECLARATION OF INDEPENDENCE para. 2 (U.S. 1776) ("We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness."). -
Racial Myths of the Cannabis War
RACIAL MYTHS OF THE CANNABIS WAR GEORGE FISHER* ABSTRACT Modern histories of the drug war coalesce around the premise that early antidrug laws took rise from racial animus. Lawmakers banned opium, the theory goes, because Chinese miners and railroad workers brought it here; cocaine because African Americans made it their drug of choice; and marijuana because migrant Mexicans cast its seeds north of the border. Close study of the earliest American laws against all these substances proves this premise misguided. Race does play a role in the history of the American drug war, but not the role commonly claimed. For our earliest antidrug laws were not about the Chinese, African Americans, or Mexicans sometimes linked with opium, cocaine, and marijuana. These were laws about Whites. The lawmakers who erected America’s earliest drug bans acted first and foremost to protect the morals of their own racial kin. And because the morals of most importance to White lawmakers were those of their own offspring, they acted fastest and most forcefully when a drug took White youth in its clutches. This essay, drawn from a larger project that traces the history of early laws against opium, cocaine, and cannabis, focuses on the early cannabis war. This war, begun in the states, long predates the much-studied federal assault on marijuana led by Harry J. Anslinger, America’s first drug czar. Here too modern histories often go astray. For they draw from evidence of Anslinger’s personal racism the conclusion that he deployed race when propagandizing in favor of the first federal assault on marijuana.