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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
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Gaylord Opryland Y Nashville, Tn
RAYMOND JAMES FINANCIAL SERVICES ELEV TE NATIONAL CONFERENCE FOR PROFESSIONAL DEVELOPMENT GAYLORD OPRYLAND Y NASHVILLE, TN 1 NATIONAL CONFERENCE FOR PROFESSIONAL DEVELOPMENT 2016 Y NASHVILLE, TENNESSEE TABLE OF CONTENTS 4 2016 Education & Marketing Partners 5 Welcome Letter 6 Highlights 8 General Information 10 Conference at a Glance 12 Map – Gaylord Opryland 13 Maps – Convention Center 14 Map – Resource Center & Exhibitors 16 Map – Technology Center & Exhibitors 17 App Info 18 Monday Events & Sessions 30 Tuesday Events & Sessions 44 Wednesday Events & Sessions 52 Thursday Events & Sessions 62 Chairman’s Council 72 Director’s Council 2 HITS ARE MADE EVERY DAY IN MUSIC CITY, USA. LET’S ELEVATE YOUR PRACTICE TO THE TOP OF THE CHARTS. They say that country music is “three chords and the truth,” and everything else is just an elevation of that simple premise. The same can be said of the financial advising business, in which you take the foundation of the advisor/client relationship and seek new ways to build tempo, increase volume and elevate harmony in an ever-growing practice. As the composer of your own success, you must take advantage of all the instruments available to you – practice management tools and resources, advisor-driven technology, expert product and service support, marketing expertise, products and support for high-net-worth clients, and succession and acquisition guidance and planning – to create a masterwork of a practice to benefit your clients, your associates and your family, today and in the future. This week at the magnificent Gaylord Opryland Resort in Nashville – Music City, USA and the birthplace of country music – you’ll enjoy access to the people dedicated to helping you elevate your practice, from product experts to home office support, industry leaders and senior managers.
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Eyez on Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad at Cha 2PAC Feat
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Iamxthe Alternative Full Album Zip
IAMX-The Alternative Full Album Zip IAMX-The Alternative Full Album Zip 1 / 2 La versión inglesa del disco "The Alternative" fue remasterizada (los temas ... Los archivos fueron subidos a Mediafire, comprimidos con WinRAR y en formato MP3. ... Chris Corner is currently working on the third proper IAMX album, which .... Download | Watch. IAMX-The Alternative Full Album Zip. Alternative/Nu-metal Emocore Gothic Rock/Dark Folk . MP3 Music Albums PixTale .... IAMX event in Dallas 75226 can be found using Local Happenings Finder. ... Metanoia, Corner's sixth studio album as IAMX, is a milestone for the multifarious ... Addiction, Volatile Times and The Unified Field, plus the in- concert Live In Warsaw and the ... Nearby Zip Codes ... $589,000, 3 Bed(s), 2 Full & 1 Half Bath(s).. iamx the alternative full album iamx the alternative vinyl iamx the alternative album download iamx the alternative zip 33e5841960. 画像・動画.. The Alternative is the second album by English musical artist IAMX, released on 28 April 2006 in Europe and a year later in the UK and Ireland. It was re-issued .... Tracklist. 1. IAMX. 2. Kiss and Swallow. 3. Sailor. 4. Naked But Safe. 5. Simple Girl. 6. Mercy. 7. Your Joy Is My Low ... 2006, 61 Seconds · IAMX : The Alternative .... Quality: MP3 320kbps CBR and FLAC Lossless IAMX - Discography ... Chris' old life quickly faded as his theatrical and gender-bending alias emerged with full force. ... including 2011's Volatile Times and 2013's The Unified Field albums, the ... Tracklist: IAMX – Alive In New Light Stardust (04:56min) – MP3. Ariana Grande's "sweetener" Explained.
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Paul Tonka Chapman
Brevard Live Live July 2020 - 1 2 - Brevard Live July 2020 Brevard Live Live July 2020 - 3 4 - Brevard Live July 2020 Contents July 2020 FEATURES NEW MANAGMENT AT KC PAUL TONKA CHAPMAN ASM Global, a national leader in pre- Columns Paul Chapman, the Welsh rock guitar- senting live entertainment, has been ist best known for his work in UFO and hired to manage the King Center for the Charles Van Riper WAYSTED, passed away on his 66th Performing Arts. A 5-year contract goes 14 Political Satire birthday last month. The rock world lost into effect July 1st. Start Practicing a legend. We remember his life and his Page 10 friendship. Calendars Page 7 17 At least there IS a LIVE MUSIC IS BACK calendar! Our Entertainment calendar is growing THE NOUVEAUX HONKIES again, from no calendar in April and Local Lowdown Whether they are doing straight up coun- May, to 1.5 pages in June, and now 2 20 by Steve Keller try, or bluesy soul or folk rock, their pages in July. Venues are slowly hiring musicians. Be safe, keep social distance, sounds comes through as a couple of re- I Am Nomad wash your hands, don’t touch your face. laxed musicians who don’t have to an- 22 by Bill Stanley swer to anybody, who don’t have to be Page 17 anywhere they don’t want to be. Rock Your Health Page 10 JAYVO SCOTT by Richard Hendry Much like most of his roles so far, Scott’s 24 Times.... MIKE ZITO tattoos and menacing appearance some- He is one of the most lauded artists in what typecast him but got him work.
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2011) Jindra Zemanová (Od 1
obsah: • o MeetFactory úvodem (2) • galerie (5) • rezidenční program (24) • hudba (28) • divadlo (37) • další akce, vzdělávání a dobročinnost (43) • partneři (48) • finanční přehled (50) 1 Základní fakta Obecně prospěšná společnost MeetFactory byla založena 15. března 2001 za účelem: provozovat mezinárodní ateliérový rezidenční program provozovat galerii organizovat kulturní, vzdělávací a osvětové akce. MeetFactory o.p.s. je zapsána v rejstříku obecně prospěšných společností u Městského soudu v Praze oddíl O, vložka č.219 Správní rada Členové: Alice Nellis David Koller Předseda: David Černý Statutární orgán Ředitelka Pavlína Bartoňová Dozorčí rada Václav Dejčmar Sebastian Georg Pawlowski Ivana Bursíková (do 1. 6. 2011) Jindra Zemanová (od 1. 6. 2011) Zakladatelé David Černý (Na základě smlouvy o převodu zakladatelských práv došlo 8. 7. 2010 k výmazání Heleny Wiegandové z rejstříku obecně prospěšných společností.) IČO 26466708 DIČ CZ-26466708 Sídlo Ke Sklárně 3213/15 150 00 Praha 5 web www.meetfactory.cz O prostoru Industriální budova MeetFactory ve vlastnictví magistrátu hl.m. Prahy stojí v sevření dálnice a osmikolejiště na jižní hranici Smíchova: Celková užitná plocha cca 5100 m2 ateliery, zkušebny, studia, deposit 3500 m2 foyery + zázemí 450 m2 velký multifunkční sál 600 m2 malý multifunkční sál 150 m2 galerie hlavní trojsálí 300 m2 galerie Kostka 100 m2 2 Vážené dámy a pánové, předně mi dovolte, abych za své spolupracovníky a spokojené návštěvníky MeetFactory poděkovala všem, kteří nás podporují. Bez grantové podpory hl.m. Prahy, státních dotací, bez pomoci mezinárodních partnerů, sponzorů, přátel a dobrovolníků bychom nenaplnili poslání obecně prospěšné společnosti MeetFactory – „podporovat a rozvíjet současné umění a kulturu vůbec, s důrazem na umění výtvarné a jeho zpřístupnění veřejnosti“.
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Weyes Blood Titanic Rising Cd / Lp / Digital Sp 1232 Release Date: April 5Th, 2019
WEYES BLOOD TITANIC RISING CD / LP / DIGITAL SP 1232 RELEASE DATE: APRIL 5TH, 2019 TRACKLISTING: 1. A Lot's Gonna Change 2. Andromeda 3. Everyday 4. Something to Believe 5. Titanic Rising 6. Movies 7. Mirror Forever 8. Wild Time 9. Picture Me Better 10. Nearer to Thee GENRE: Alternative Rock The phantom zone, the parallax, the upside down—there is a rich cultural history of exploring in-between places. Through her latest, Titanic Rising, Weyes Blood, a.k.a. Natalie Mering, has designed her own universe to soulfully navigate life’s mysteries. Maneuvering 0 9 8 7 8 7 1 2 3 2 2 709 8 7 8 7 1 2 3 2 1 0 through a space-time continuum, she plays the role of melodic, CD Packaging: LP Packaging: Single-pocket jacket sometimes melancholic, anthropologist. Gatefold jacket with with custom dust sleeve dust sleeve Includes mp3 coupon Tellingly, Mering classifies Titanic Rising – which was written and NON-RETURNABLE recorded during the first half of 2018, after three albums and years of touring - as the Kinks meet WWII or Bob Seger meets Enya. The latter captures the album’s willful expansiveness (“You can tell there’s not a guy pulling the strings in Enya’s studio,” she notes, admiringly). The former relays her imperative to connect with listeners. “The clarity of Bob Seger is unmistakable. I’m a big fan of conversational songwriting,” she adds. “I just try to do that in a way that uses 0 9 8 7 8 7 1 2 3 2 4 1 abstract imagery as well.” CS Packaging: Four-panel The Weyes Blood frontwoman grew up singing in gospel and madrigal J-card in clear case.
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College Voice Vol. 32 No. 16
Connecticut College Digital Commons @ Connecticut College 2007-2008 Student Newspapers 2-27-2008 College Voice Vol. 32 No. 16 Connecticut College Follow this and additional works at: https://digitalcommons.conncoll.edu/ccnews_2007_2008 Recommended Citation Connecticut College, "College Voice Vol. 32 No. 16" (2008). 2007-2008. 5. https://digitalcommons.conncoll.edu/ccnews_2007_2008/5 This Newspaper is brought to you for free and open access by the Student Newspapers at Digital Commons @ Connecticut College. It has been accepted for inclusion in 2007-2008 by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. PUBliSHED WEEKLY BY THE STUDENTS OF CONNECI1CUT COLLEGE THE First Class u.s. Postage PAID Permit '35 COLLEGE VOICE New London, cr NEW LONDON, CONNECTICUT VOLUME xxxn . ISSUE 16 WEDNESDAY, FEBRUARY 27,2008 Conn Students Practicing Safe Sex BY KATHERINE SHUSHTARI '11 staff writer Whether it is a drunken mistake from the night before, the prospect of contracting an STD, or sexual assault, people on college campuses across the country are talking about sex. With adulthood on the horizon, no supervision, and possibly alcohol, college students can easily find themselves in the high-risk situation of having unprotected sex with a stranger. By the age of twenty-four, one in three sexually active people will have contracted an STD. S'TDs are, in fact, most corn- men in college students. Conn's Health Services and Counseling Services are well aware of college culture and have made Conn's campus well-equipped to han- dle many sexual issues.
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The Arts Today
VOLUME 3 ELECTRONIC JOURNALS OF THE U.S. INFORMATION AGENCY NUMBER 1 The Arts Today JUNE 1998 FROMFROM THETHE EDITORSEDITORS he 20th century has been one in which artists in the United States have broken free from Old World antecedents, taking the various cultural disciplines in new directions with impressive, innovative results. Music, film, theater, Tdance, architecture and other artistic expressions have been enhanced and transformed by the creative drive of American men and women, particularly in the years following World War II. A rejuvenation in music, new directions in modern dance, drama drawn from the U.S. heartland, independent filmmaking across the landscape, the globalization of the visual arts — all of these are part of the contemporary scene in the United States. With the approach of the new century and the new millennium, the arts in the United States are often on the cutting edge. They are in ferment with no dominant interpretations. The articles in this Journal reflect that diversity of artistry and thought, in the assessments of each discipline, the style of the respective critiques, and even in the sense of what art and culture are within our society. While the arts and culture in the United States continue to engage substantial attention, energy and resources of this society, this happens largely outside the direction of government. The United States has no “ministry of culture,” thus reflecting the conviction that there are important areas of national life where government should have little or no role. This series of articles, sidebars on exemplary trends and lists of sources is offered as a gateway through which readers may begin their own journey of exploration.
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The Early Years the Early by Phil Woods
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Hip Happenings Minister’S Musings
HIGH PLAINS CHURCH UNITARIAN UNIVERSALIST NURTURE | INSPIRE | ACT March 2021 Vol. 28 No. 3 HiP Happenings Minister’s Musings... Dear HiP Church Family, Maybe that is the word we can use instead of “commitment.” When we embrace any path of transformation, it takes “Devotion” somehow grabs at my heart. It seems that commitment. devotion can turn a commitment from something that feels like a trap into something that is liberating. Yet, I agree with a colleague from the Non-Violent Communication What does it do to our hearts to think about working for (NVC) community, Miki Kashtan, the accumulated liberation of all people? An example who writes that commitment can of devoted action might be doing a power analysis in Rev. Julia McKay be a word that we shy away from each challenging human exchange we find ourselves HPCUU Minister because it connotes a “should,” in by asking: who is the person here who has the most to lose in this situation? an obligation, or duty. It is true, that often we can end up feeling trapped by a commitment we make. Dr. Takiyah Nur Amin spoke so completely into this place of devotion during the Side With Love Service If not commitment, then what word do we use? Miki on Sunday when she called upon us to remember: continues describing her struggle to find a word that “In every moment, life gives us an invitation to do the is not too strong, but strong enough: loving and life affirming thing.” “Intention” is not strong enough to carry the unwavering force of staying the course even when the going gets hard…I want to somehow capture the unpredictability of life… that every single one of us at some point or another will not find sufficient inner resources to IN THIS ISSUE follow through.” It IS hard to face the realities that we are living in – Minister’s Musing 1 especially now.
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Machair Chapter Hayes
Time and Tide: Ecological Transformation and Restoration on Scotland’s Coastline Kathryn Lang PhD Candidate, Ohio State Department of History In 2006, a new record label was established to distribute the Scottish folk music of husband and wife team, Julie Fowlis and Éamon Doorley. Fowlis, who was featured on the soundtrack for Disney’s Brave, is likely the most famous Scottish Gaelic musician in the world. Described as a “quiet torchbearer for her native tradition,” her pure and evocative voice has brought the songs of her childhood North Uist home to the masses.1 The connection to her Hebridean roots is apparent in the name of the label that produces her work: Machair Records. A distinctive type of coastal grassland, machair is a landscape found exclusively in the north and west of Scotland and Ireland. This habitat is shaped and supported by crofting communities, which, in turn, are strongly associated with Gaelic culture in the Hebrides. Yet, as Machair Records explains, “it is a fragile environment which is under threat, a little like the music which is produced on this label.”2 Thus, just as Gaelic acts as auditory proof of the persistence of Hebridean and Highland heritage, machair acts as a visual barometer of the survival of these same traditional Scottish cultures. As Fowlis says, “When I go to Uist I can see and hear songs and stories in the landscapes. I hear them in the lochs, on the machair, by the shore.”3 Yet, if crofting were to disappear, so too could machair and the songs inspired by it.
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