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Classic Gray a Stylish Terrace at a New Italian Auditorium Secrets of Self-Levelers
2010/11 Decorative Concrete Buyer’s Guide Vol. 10 No. 4 • May/June 2010 • $6.95 ® Classic Gray A stylish terrace at a new Italian auditorium Secrets of Self-Levelers MARCH 15–18, 2011 NASHVILLE www.ConcreteDecorShow.com A Professional Trade Publications Magazine Have You Topp e d Yo u r s e l f Lately? Concrete Decor magazine is seeking submissions for the 2010 Concrete Countertop Design Competition. Submit your favorite projects today! Countertop submissions may be submitted in two categories: Residential and Commercial/Public. Each entry will be evaluated by a panel of experts on the following criteria: - Aesthetic appeal - Functionality - Creativity and originality - Design challenges that were overcome - How well the countertop complements its surroundings Each entry must include a brief explanation of the project, describing the ways in which it meets these criteria. Entries must also include print-quality photos of the finished project. Winners will receive prize packages worth more than $1,000 supplied by our industry- leading sponsors. Note: Only projects completed on or after January 1, 2009, are eligible. Deadline: All entries must be submitted by July 14, 2010. To enter: Access the nomination form at www.concretedecor.net/Forms/ Concrete_Countertop_Contest.cfm Questions? Contact: [email protected] (877) 935-8906 x204 SPONSORED BY Publisher’s Letter Dear Readers, I was talking with one of our advertisers this past week, and we agreed that business is steadily improving. Refl ecting on our days as contractors, May/June 2010 • Volume 10 we also were of the opinion that any contractor who Issue No. 4 • $6.95 wants to be busy will fi nd the work. -
The Life History of a Takasago Giyutai Survivor in Taitung, Taiwan
國立臺東大學公共與文化事務學系南島文化研究碩士班碩士論文 Master Thesis for the Institute of Austronesian Studies at National Taitung University The Life History of a Takasago Giyutai Survivor in Taitung, Taiwan 臺東縣高砂義勇隊一位倖存者的生命史 Chetze Lin(林哲次) Adviser Dr. Futuru C.L. Tsai(蔡政良 博士) June 12, 2014 Scanned by CamScanner Scanned by CamScanner Acknowledgements I am indebted to those professors of the Institute of Austronesian Studies, National Taitung University (school years 2011-2013) for their instruction—to Dr. Chang-kuo Tan, to Dr. Suling Yeh, to Dr. Chihchang Keh, and to my adviser, Dr. Futuru Tsai for his aid in offering various reading programs, focusing on the topic, analyzing the research, and editing and completing the thesis. I wish to acknowledge with warm appreciation the assistance of the two lady officials at the Household Registration Office in Tungho Township, who helped locate my informant Alianus, but who must go unnamed here. I also wish to thank Grazia Deng of CU, HK, who helped the final stages of the revision. I also benefited from the comments, arguments and criticisms of Dr. Chih-cheng Lin, my son, while forming and consolidating ideas about the topic at the initial stage. A special note of thanks is extended to Mincheng Chen for the technological assistance in typological arrangements of making wonderful PPT for oral presentations at the International PGSF6 at CU, HK and many others. I am grateful to Dr. Michael Huang for providing the vast and most valuable resources from Japan, and making the study extremely interesting and fruitful. To my wife, Hsiang-chun, I am a most grateful for her gracious assistance in accompanying me to pay numerous visits to the informant in Taiyuan, taking resourceful photos for the thesis, and constantly reminding the schedule of the advancement of the thesis writing. -
Die Figur Des Antagonisten in Den James Bond-Filmen - Film- Und Zeitgeschichtliche Kontexte Eines Öffentlichen Feindbildes"
DIPLOMARBEIT Titel der Diplomarbeit "Die Figur des Antagonisten in den James Bond-Filmen - Film- und zeitgeschichtliche Kontexte eines öffentlichen Feindbildes" Verfasserin Daniela Müller angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2012 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: Univ.-Prof. Mag. Dr. habil Ramón Reichert Eidesstattliche Erklärung Ich erkläre hiermit an Eides Statt, dass ich die vorliegende Arbeit selbstständig und ohne Benutzung anderer als der angegebenen Hilfsmittel angefertigt habe. Die aus fremden Quellen direkt oder indirekt übernommenen Gedanken sind als solche kenntlich gemacht. Die Arbeit wurde bisher in gleicher oder ähnlicher Form keiner anderen Prüfungsbehörde vorgelegt und auch noch nicht veröffentlicht. Wien, am Unterschrift: 2 Danksagung Mein besonderer Dank gilt meinem Betreuer Prof. Ramón Reichert, der mich während des Schreibens meiner Diplomarbeit gut betreut hat, indem er mich über den "Tellerrand" hinausblicken hat lassen und mich immer wieder motiviert hat. Weiters gab er mir die Möglichkeit über ein Thema zu schreiben, welches mir immer schon am Herzen lag. Ein weiterer und besonders großer Dank gilt meinen Eltern, die es mir ermöglicht haben, meine Leidenschaft zu studieren - Theater und Film. Besonders meine Mama, Eva Müller, möchte ich hervorheben, die meine komplette Arbeit gelesen und mir immer wieder neue mögliche Ansätze aufgezeigt hat. Auch meinen Freunden soll an dieser Stelle gedankt werden, die mich immer wieder motiviert und mit Interesse meine Arbeit verfolgt haben. Last but definitely not least, danke ich von ganzem Herzen meiner besten Freundin, Eszter Anghi, fürs Korrekturlesen. 3 4 Inhaltsverzeichnis 1. Einleitung S. 7 2. Zur Entstehung der Bond-Romane S. -
Most Requested Songs of 2019
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2019 RANK ARTIST SONG 1 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 2 Mark Ronson Feat. Bruno Mars Uptown Funk 3 Journey Don't Stop Believin' 4 Cupid Cupid Shuffle 5 Neil Diamond Sweet Caroline (Good Times Never Seemed So Good) 6 Walk The Moon Shut Up And Dance 7 Justin Timberlake Can't Stop The Feeling! 8 Earth, Wind & Fire September 9 Usher Feat. Ludacris & Lil' Jon Yeah 10 V.I.C. Wobble 11 DJ Casper Cha Cha Slide 12 Outkast Hey Ya! 13 Black Eyed Peas I Gotta Feeling 14 Bon Jovi Livin' On A Prayer 15 ABBA Dancing Queen 16 Bruno Mars 24k Magic 17 Garth Brooks Friends In Low Places 18 Spice Girls Wannabe 19 AC/DC You Shook Me All Night Long 20 Kenny Loggins Footloose 21 Backstreet Boys Everybody (Backstreet's Back) 22 Isley Brothers Shout 23 B-52's Love Shack 24 Van Morrison Brown Eyed Girl 25 Bruno Mars Marry You 26 Miley Cyrus Party In The U.S.A. 27 Taylor Swift Shake It Off 28 Luis Fonsi & Daddy Yankee Feat. Justin Bieber Despacito 29 Montell Jordan This Is How We Do It 30 Beatles Twist And Shout 31 Ed Sheeran Thinking Out Loud 32 Sir Mix-A-Lot Baby Got Back 33 Maroon 5 Sugar 34 Ed Sheeran Perfect 35 Def Leppard Pour Some Sugar On Me 36 Killers Mr. Brightside 37 Pharrell Williams Happy 38 Toto Africa 39 Chris Stapleton Tennessee Whiskey 40 Flo Rida Feat. -
Historical Dictionary of Air Intelligence
Historical Dictionaries of Intelligence and Counterintelligence Jon Woronoff, Series Editor 1. British Intelligence, by Nigel West, 2005. 2. United States Intelligence, by Michael A. Turner, 2006. 3. Israeli Intelligence, by Ephraim Kahana, 2006. 4. International Intelligence, by Nigel West, 2006. 5. Russian and Soviet Intelligence, by Robert W. Pringle, 2006. 6. Cold War Counterintelligence, by Nigel West, 2007. 7. World War II Intelligence, by Nigel West, 2008. 8. Sexspionage, by Nigel West, 2009. 9. Air Intelligence, by Glenmore S. Trenear-Harvey, 2009. Historical Dictionary of Air Intelligence Glenmore S. Trenear-Harvey Historical Dictionaries of Intelligence and Counterintelligence, No. 9 The Scarecrow Press, Inc. Lanham, Maryland • Toronto • Plymouth, UK 2009 SCARECROW PRESS, INC. Published in the United States of America by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.scarecrowpress.com Estover Road Plymouth PL6 7PY United Kingdom Copyright © 2009 by Glenmore S. Trenear-Harvey All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Trenear-Harvey, Glenmore S., 1940– Historical dictionary of air intelligence / Glenmore S. Trenear-Harvey. p. cm. — (Historical dictionaries of intelligence and counterintelligence ; no. 9) Includes bibliographical references. ISBN-13: 978-0-8108-5982-1 (cloth : alk. paper) ISBN-10: 0-8108-5982-3 (cloth : alk. paper) ISBN-13: 978-0-8108-6294-4 (eBook) ISBN-10: 0-8108-6294-8 (eBook) 1. -
Radio Essentials 2012
Artist Song Series Issue Track 44 When Your Heart Stops BeatingHitz Radio Issue 81 14 112 Dance With Me Hitz Radio Issue 19 12 112 Peaches & Cream Hitz Radio Issue 13 11 311 Don't Tread On Me Hitz Radio Issue 64 8 311 Love Song Hitz Radio Issue 48 5 - Happy Birthday To You Radio Essential IssueSeries 40 Disc 40 21 - Wedding Processional Radio Essential IssueSeries 40 Disc 40 22 - Wedding Recessional Radio Essential IssueSeries 40 Disc 40 23 10 Years Beautiful Hitz Radio Issue 99 6 10 Years Burnout Modern Rock RadioJul-18 10 10 Years Wasteland Hitz Radio Issue 68 4 10,000 Maniacs Because The Night Radio Essential IssueSeries 44 Disc 44 4 1975, The Chocolate Modern Rock RadioDec-13 12 1975, The Girls Mainstream RadioNov-14 8 1975, The Give Yourself A Try Modern Rock RadioSep-18 20 1975, The Love It If We Made It Modern Rock RadioJan-19 16 1975, The Love Me Modern Rock RadioJan-16 10 1975, The Sex Modern Rock RadioMar-14 18 1975, The Somebody Else Modern Rock RadioOct-16 21 1975, The The City Modern Rock RadioFeb-14 12 1975, The The Sound Modern Rock RadioJun-16 10 2 Pac Feat. Dr. Dre California Love Radio Essential IssueSeries 22 Disc 22 4 2 Pistols She Got It Hitz Radio Issue 96 16 2 Unlimited Get Ready For This Radio Essential IssueSeries 23 Disc 23 3 2 Unlimited Twilight Zone Radio Essential IssueSeries 22 Disc 22 16 21 Savage Feat. J. Cole a lot Mainstream RadioMay-19 11 3 Deep Can't Get Over You Hitz Radio Issue 16 6 3 Doors Down Away From The Sun Hitz Radio Issue 46 6 3 Doors Down Be Like That Hitz Radio Issue 16 2 3 Doors Down Behind Those Eyes Hitz Radio Issue 62 16 3 Doors Down Duck And Run Hitz Radio Issue 12 15 3 Doors Down Here Without You Hitz Radio Issue 41 14 3 Doors Down In The Dark Modern Rock RadioMar-16 10 3 Doors Down It's Not My Time Hitz Radio Issue 95 3 3 Doors Down Kryptonite Hitz Radio Issue 3 9 3 Doors Down Let Me Go Hitz Radio Issue 57 15 3 Doors Down One Light Modern Rock RadioJan-13 6 3 Doors Down When I'm Gone Hitz Radio Issue 31 2 3 Doors Down Feat. -
A Queer Analysis of the James Bond Canon
MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester A Dissertation Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL May 2019 Copyright 2019 by Grant C. Hester ii MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Jane Caputi, Center for Women, Gender, and Sexuality Studies, Communication, and Multimedia and has been approved by the members of his supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Khaled Sobhan, Ph.D. Interim Dean, Graduate College iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to Jane Caputi for guiding me through this process. She was truly there from this paper’s incubation as it was in her Sex, Violence, and Hollywood class where the idea that James Bond could be repressing his homosexuality first revealed itself to me. She encouraged the exploration and was an unbelievable sounding board every step to fruition. Stephen Charbonneau has also been an invaluable resource. Frankly, he changed the way I look at film. His door has always been open and he has given honest feedback and good advice. Oliver Buckton possesses a knowledge of James Bond that is unparalleled. I marvel at how he retains such information. -
REMEMBER THIS SONG? a 2003 Musical Quiz Manus: Claes Nordenskiöld Producent: Claes Nordenskiöld Sändningsdatum: 19/11, 2003 Längd: 14’51
Over to You 2003/2004 Remember This Song? Programnr:31495ra5 REMEMBER THIS SONG? A 2003 Musical Quiz Manus: Claes Nordenskiöld Producent: Claes Nordenskiöld Sändningsdatum: 19/11, 2003 Längd: 14’51 Music: Eminem “Lose Yourself ” Claes Nordenskiöld: Welcome to Remember This Song? – the yearly program that gives you a chance to remember a few of the hits of the past year – A 2003 Musical Quiz. What you heard in the opening was of course Eminem in “Lose Yourself ” from the soundtrack to the movie “8 Mile”. Now, whatever kind of music you like, whether it’s hip-hop, heavy metal, rock or pop, there’ll hopefully be something for you in this program – because there’s so much good music out there. You need a piece of paper and a pencil. I’m looking for a name with 11 letters, which make up the answer. Just write the numbers 1 to 11 on the left-hand side of your paper. And as always, I will play parts of several songs. Each part is a clue to the answer. The clues may be the title of a song, the name of a group or a singer, and so on. You may not be able to answer every single question, but you’ll still have a chance to get the final answer, which I’ll give, at the end of the show. So, let’s get started with the clue for number 3. The members of Outlandish have different ethnic backgrounds – Morocco, Pakistan and Honduras. But the band really comes from Denmark. For number 3, I’m looking for the title of their first super-hit. -
2016 James Bond Archives - Spectre Edition Checklist
2016 James Bond Archives - Spectre Edition Checklist Base Cards Card # Card Title 01 Spectre 02 Spectre 03 Spectre 04 Spectre 05 Spectre 06 Spectre 07 Spectre 08 Spectre 09 Spectre 10 Spectre 11 Spectre 12 Spectre 13 Spectre 14 Spectre 15 Spectre 16 Spectre 17 Spectre 18 Spectre 19 Spectre 20 Spectre 21 Spectre 22 Spectre 23 Spectre 24 Spectre 25 Spectre 26 Spectre 27 Spectre 28 Spectre 29 Spectre 30 Spectre 31 Spectre 32 Spectre 33 Spectre 34 Spectre 35 Spectre 36 Spectre 37 Spectre 38 Spectre 39 Spectre 40 Spectre 41 Spectre 42 Spectre 43 Spectre 44 Spectre 45 Spectre 46 Spectre 47 Spectre 48 Spectre 49 Spectre 50 Spectre 51 Spectre 52 Spectre 53 Spectre 54 Spectre 55 Spectre 56 Spectre 57 Spectre 58 Spectre 59 Spectre 60 Spectre 61 Spectre 62 Spectre 63 Spectre 64 Spectre 65 Spectre 66 Spectre 67 Spectre 68 Spectre 69 Spectre 70 Spectre 71 Spectre 72 Spectre 73 Spectre 74 Spectre 75 Spectre 76 Spectre Diamond Are Forever Throwback Cards (1:6 packs) Card # Card Title 01 Diamond Are Forever Throwback Set 02 Diamond Are Forever Throwback Set 03 Diamond Are Forever Throwback Set 04 Diamond Are Forever Throwback Set 05 Diamond Are Forever Throwback Set 06 Diamond Are Forever Throwback Set 07 Diamond Are Forever Throwback Set 08 Diamond Are Forever Throwback Set 09 Diamond Are Forever Throwback Set 10 Diamond Are Forever Throwback Set 11 Diamond Are Forever Throwback Set 12 Diamond Are Forever Throwback Set 13 Diamond Are Forever Throwback Set 14 Diamond Are Forever Throwback Set 15 Diamond Are Forever Throwback Set 16 Diamond Are Forever -
The UK Top 200 Most Requested Songs in 2018 This List Is Compiled Based on Over 2 Million Song Requests Made Using the DJ Event Planner Song Request System
The UK Top 200 Most Requested Songs In 2018 This list is compiled based on over 2 million song requests made using the DJ Event Planner song request system. Rank Artist Song Title 1 Killers Mr. Brightside 2 Whitney Houston I Wanna Dance With Somebody (Who Loves Me) 3 Mark Ronson feat. Bruno Mars Uptown Funk 4 Bon Jov i Livin' On A Prayer 5 ABBA Dancing Queen 6 Walk The Moon Shut Up And Dance 7 Bryan Adams Summer Of '69 8 Kings Of Leon Sex On Fire 9 Pharrell Williams Happy 10 Black Eyed Peas I Gotta Feeling 11 Dexys Midnight Runners Come On Eileen 12 Justin Timberlake Can't Stop The Feeling! 13 Luis Fonsi feat. Daddy Yankee Despacito 14 Journey Don't Stop Believin' 15 Queen Don't Stop Me Now 16 Bruno Mars Marry You 17 Neil Diamond Sweet Caroline 18 Oasis Wonderwall 19 Toploader Dancing In The Moonlight 20 Beyonce feat. Jay-Z Crazy In Love 21 Beyonce Single Ladies (Put A Ring On It) 22 Arctic Monkeys I Bet You Look Good On The Dancefloor 23 Rihanna feat. Calv in Harris We Found Love 24 DJ Casper Cha Cha Slide 25 Wham! Wake Me Up Before You Go-go 26 Taylor Swift Shake It Off 27 Ed Sheeran Shape Of You 28 Mark Ronson feat. Amy Winehouse Valerie 29 Van Morrison Brown Eyed Girl 30 Foundations Build Me Up Buttercup 31 Cyndi Lauper Girls Just Want To Have Fun 32 John Trav olta & Oliv ia Newton-John Grease Megamix 33 R. Kelly Ignition (Remix) 34 September 34 Earth, Wind and Fire September 35 B-52's Love Shack 36 Los Del Rio Macarena 37 Guns N' Roses Sweet Child O' Mine 38 Kenny Loggins Footloose 39 Maroon 5 Moves Like Jagger 40 Bill Medley & Jennifer Warnes (I've Had) The Time Of My Life 41 Stev ie Wonder Superstition 42 Creedence Clearwater Rev iv al / Tina Turner Proud Mary 43 Snap! Rhythm Is A Dancer 44 Usher Yeah! 45 Spice Girls Wannabe 46 OutKast Hey Ya! 47 Robin S Show Me Love 48 Michael Jackson Billie Jean 49 House Of Pain Jump Around 50 Beatles Twist And Shout 51 Village People Y.M.C.A. -
Re a Kite Dancing in a Hurricane, Mr Bond’ the Elemental Encounters of James Bond
‘You’re a kite dancing in a hurricane, Mr Bond’ The Elemental Encounters of James Bond LISA FUNNELL AND KLAUS DODDS What would it mean to describe James Bond as a man in his element? As an ex- pression in English, being “in one’s element” usuall refers to someone or some- thing well suited to what the are doing. #he term often con%e s, when a human actor is in%ol%ed, a sense of comfort, en&o ment, and e%en pleasure. 'on%ersel , when we note that someone or something is “out of their element”, we highlight other emotions and sensations such as discomfort, dislocation, and distress. (ore often than not, this phrase is used to describe social and professional cir- cumstances li)e embar)ing on a new &ob and*or socialising with people outside of our usual sphere. But we can also mobilise this phrase to draw attention to a relationship with something more elemental, describing human and non-human interactions with water, air, earth, and +re. While being in our element is usu- all seen as a good thing, we use elemental expressions li)e “out of our depth” and “!eel the atmosphere” to suggest that social and ph sical pressures and !orces ma ha%e got the better of us. As a hero, James Bond is defined b his actions, masculinit , and libidinal con,uests that are !ramed in a particular geopolitical context shaped b 'old War, post-Cold War, and, in the -aniel 'raig era, War on #error coordinates. Bond’s missions ha%e seen him tra%el the earth and be ond in his ,uest to !oil the e%il designs of ad%ersaries, ranging !rom crooked So%iet and 'hinese operat- Lisa Funnell is Assistant Professor in the Women’s and Gender Studies Programme and Co-Director of the Centre for Social Justice at the University of Oklahoma. -
Aerial Photography Part 3 – Developments During World War Ii
SOUTH AUSTRALIAN AVIATION MUSEUM SIGNIFICANT AVIATOR & AVIATION EVENTS PROFILES AERIAL PHOTOGRAPHY PART 3 – DEVELOPMENTS DURING WORLD WAR II In September 1910, when Captain Bertram Dickson used his Bristol Boxkite to demonstrate, to high- ranking British military officers and the then Home Secretary Winston Churchill, the potential for aeroplanes to perform a military reconnaissance role from the air and report back, far quicker than cavalry forces of the day, it must have been hard to imagine that in less than a decade, further developments would bring superior aircraft, partly automated cameras capable of capturing fine detail, the ability to produce up-to-date photomaps in the form of mosaics, and the ability to view the lay of the land stereoscopically. Early in WWI, observation balloons were still in use, but within six days of arriving in France, Royal Flying Corps (RFC) aviators flew their first aerial reconnaissance mission. Within six weeks of British aircraft arriving in France and after the armies fighting on both fronts moved into defensive positions in trenches, as well as locating and reporting on enemy movements, Allied aviators also took on an artillery observation role. Initially, reconnaissance aircraft were unarmed and generally remained on their side of the lines. Both sides quickly realized the great advantages to be gained by mobile aerial reconnaissance, the value of seeing what was going on behind enemy lines, and obviously, the need to suppress the enemy from doing likewise. Aircrews began carrying revolvers and rifles, and a practice soon began of taking potshots at enemy aircraft, to scare them away from their role of observing respective enemy positions.