Region Codes and the Territorial Mess
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Šta Znače Oznake CAM, WP, TS, SCR, TC, R5, DVDRIP, HDTV?
Šta znače oznake CAM, WP, TS, SCR, TC, R5, DVDRIP, HDTV? Ako vas zanima šta tačno označavaju skraćenice za kvalitet filmskog snimka: CAM, WP, TS, SCR, TC, R5, DVDRIP, HDTV, itd., pročitajte ovaj članak. Slijedi tabela kvaliteta filmskih snimaka, koja govori sa kog fizickog medija (kino snimak kamerom, original vhs kaseta, original dvd, itd) je film kopiran, u smjeru od najlošijeg kvaliteta ka najboljem. Tip Oznaka Rasprostranjenost Dosta čest format, mada se sve ređe Cam "CAM" pojavljuje, zbog postojanja DVD rip formata koji je daleko kvalitetniji Snimak filma napravljen kamerom u kinu, a zvuk je dobijen pomoću mikrofona na kameri, tako da se često vide i čuju i gledaoci u bioskopu. Ovaj kvalitet snimka se obično pojavi odmah nakon prve premijere filma u kinima Kvalitet video i audio zapisa je najčešće veoma loš. "WP" Workprint Vrlo rijedak "WORKPRINT" Kopija napravljena od nedovršene verzije filma. Uglavnom fale mnogi efekti i film može da se skroz razlikuje od konačne verzije filma. "TS" Telesync Vrlo čest "TELESYNC" Nasuprot popularnom vjerovanju, kvalitet kod TS video snimka ne mora da bude bolji od kvaliteta CAM snimka. Naziv Telesync ne označava bolji kvalitet VIDEO zapisa, nego bolji kvalitet AUDIO zapisa. Uglavnom je video snimak isti kao i CAM, a audio snimak bolji. Zbog toga se CAM veoma često brka sa TS. R5 "R5" Vrlo čest R5 Line je DVD verzija za region 5. Region 5 čine Istočna Evropa, (bivši SSSR), Indija, Afrika, Severna Koreja i Mongolija. Kvalitet R5 snimka se razlikuje od kvaliteta normalnog DVD-a po tome što je video snimak odličnog kvaliteta (kopiran sa DVD-a), a audio snimak je lošeg kvaliteta (kopiran sa Telecyne snimka, da bi se dobio zvuk originala, pošto je R5 DVD verzija obično prilagođena/sinhronizovana na jezik nekog od tih 5 regiona). -
The Broadcast Flag: It's Not Just TV
Federal Communications Law Journal Volume 57 Issue 2 Article 7 3-2005 The Broadcast Flag: It's not just TV Wendy Seltzer Electronic Frontier Foundation Follow this and additional works at: https://www.repository.law.indiana.edu/fclj Part of the Administrative Law Commons, Antitrust and Trade Regulation Commons, Communications Law Commons, Intellectual Property Law Commons, and the Legislation Commons Recommended Citation Seltzer, Wendy (2005) "The Broadcast Flag: It's not just TV," Federal Communications Law Journal: Vol. 57 : Iss. 2 , Article 7. Available at: https://www.repository.law.indiana.edu/fclj/vol57/iss2/7 This Essay is brought to you for free and open access by the Law School Journals at Digital Repository @ Maurer Law. It has been accepted for inclusion in Federal Communications Law Journal by an authorized editor of Digital Repository @ Maurer Law. For more information, please contact [email protected]. The Broadcast Flag: It's not just TV Wendy Seltzer* I am not much of a TV person. My only set, non-HD, still picks up its channels through rabbit ears. The broadcast flag still gets me steamed, though, so much so that I recently built a high-definition digital video recorder just to beat the flag mandate. It is not about the TV. Rather, it is not about TV as broadcast to the passive consumer, to be received on single-purpose boxes. It is about TV as it could be, with innovative companies and tinkerers making TV broadcasts a core part of the converged home media network. The crippling of this kind of TV is an early warning against a pervasive technology regulation. -
WGAW Reply Comments to the FCC on Set-Top Box Competition
Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Expanding Consumers’ Video Navigation Choices ) MB Docket No. 16-42 ) Commercial Availability of Navigation Devices ) CS Docket No. 97-80 ) REPLY COMMENTS OF WRITERS GUILD OF AMERICA, WEST, INC. Marvin Vargas Senior Research & Policy Analyst Ellen Stutzman Senior Director, Research & Public Policy Writers Guild of America, West, Inc. 7000 West 3rd Street Los Angeles, CA 90048 (323) 951-4000 May 23, 2016 Summary It is often the case that when new technology emerges incumbent providers make alarmist predictions about guaranteed harms resulting from these innovations. While some concerns may be reasonable, the overwhelming majority of outlined harms are never realized. As CBS Chairman and CEO Les Moonves said in 2015, “All these technology initiatives that supposedly were going to hurt us have actually helped us. SVOD has helped us. DVR has helped us. The ability to go online with our own content, CBS.com, and the trailing episodes – all have helped us.”1 With the entertainment industry currently dominated by a handful of companies that have never been more profitable, it is clear that new technology and forms of content distribution have helped, not hurt the industry. While new technology can create some business uncertainty, there is strong evidence that pro-consumer developments that make legal content more accessible to viewers benefits both consumers and content creators. The Federal Communications Commission’s proposed rules for a competitive navigation device market follow this path. The current pay-TV set-top box market is controlled by incumbent distributors who charge consumers high fees and exercise their gatekeeping power to limit content competition. -
Television a La Carte: American Broadcasting Cos
THIS VERSION DOES NOT CONTAIN PAGE NUMBERS. PLEASE CONSULT THE PRINT OR ONLINE DATABASE VERSIONS FOR THE PROPER CITATION INFORMATION. NOTE TELEVISION A LA CARTE: AMERICAN BROADCASTING COS. V. AEREO AND HOW FEDERAL COURTS’ INTERPRETATIONS OF COPYRIGHT LAW ARE IMPACTING THE FUTURE OF THE MEDIUM Andrew Fraser I. INTRODUCTION Somewhere in Brooklyn, a large warehouse holds a bundle of over one thousand rabbit-ear antennas.1 In many ways these antennas resemble the ones that rested on top of generations of older television sets before the advent of cable, except for one small fact—these rabbit-ear antennas are each roughly the size of a dime.2 It is ironic that this ancient, seemingly outdated piece of television technology might signal the medium’s newest direction, but with Aereo at the helm, this may actually be the case. Aereo is a technology platform currently available exclusively in New York City that airs live broadcast television through the Internet to a subscriber’s mobile device, computer, or web-enabled television.3 When an Aereo subscriber wishes to watch a broadcast, he or she instructs an assigned Aereo antenna to capture signals from the public airwaves and to transmit them over the Internet to the subscriber’s mobile device.4 No two subscribers ever use the same antenna at the same time, and Aereo also offers DVR recording technology, so subscribers can watch shows live or recorded.5 With this incredible merging of both old and new technology, Aereo could have an enormous impact on the way consumers watch television, assuming that it can first survive what promise to be some intense legal challenges. -
Advexl10 a 10.1" Overhead Led Backlit Lcd Monitor With
ADVEXL10 A 10.1" OVERHEAD LED BACKLIT R LCD MONITOR WITH DVD PLAYER S PUSH OWNER'S MANUAL ® TABLE OF CONTENTS FCC Statement .......................................................................................3 TV TYPE .................................................................................................. 22 Important Notice ................................................................................. 4 PASSWORD ........................................................................................... 23 Warnings ................................................................................................. 4 DDFAULT-RESTORE ............................................................................ 23 Congratulations ................................................................................... 5 LANGUAGE SETUP ............................................................................. 24 Safety Precaution ................................................................................ 5 OSD LANGUAGE ................................................................................. 24 Features .................................................................................................. 5 AUDIO LANG ........................................................................................ 24 Controls and Indicators Diagram (Front View) ........................... 6 SUBTITLE LANG ................................................................................... 24 Controls and Indicators Diagram (Side Views) -
The Broadcast Flag: Compatible with Copyright Law & Incompatible with Digital Media Consumers
607 THE BROADCAST FLAG: COMPATIBLE WITH COPYRIGHT LAW & INCOMPATIBLE WITH DIGITAL MEDIA CONSUMERS ANDREW W. BAGLEY* & JUSTIN S. BROWN** I. INTRODUCTION Is it illegal to make a high-quality recording of your favorite TV show using your Sony digital video recorder with your Panasonic TV, which you then edit on your Dell computer for use on your Apple iPod? Of course it’s legal, but is it possible to use devices from multiple brands together to accomplish your digital media goal? Yes, well, at least for now. What if the scenario involved high-definition television (“HDTV”) devices? Would the answers be as clear? Not as long as digital-content protection schemes like the Broadcast Flag are implemented. Digital media and Internet connectivity have revolutionized consumer entertainment experiences by offering high-quality portable content.1 Yet these attractive formats also are fueling a copyright infringement onslaught through a proliferation of unauthorized Internet piracy via peer-to-peer (“P2P”) networks.2 As a result, lawmakers,3 administrative agencies,4 and courts5 are confronted * Candidate for J.D., University of Miami School of Law, 2009; M.A. Mass Communication, University of Florida, 2006; B.A. Political Science, University of Florida, 2005; B.S. Public Relations, University of Florida, 2005 ** Assistant Professor of Telecommunication, University of Florida; Ph.D. Mass Communica- tions, The Pennsylvania State University, 2001 1 Andrew Keen, Web 2.0: The Second Generation of the Internet has Arrived. It's Worse Than You Think, WEEKLY STANDARD, Feb. 13, 2006, http://www.weeklystandard.com/ Con- tent/Public/Articles/000/000/006/714fjczq.asp (last visited Jan. -
DRM) Technology in Contemporary Copyright
The Role of Digital Rights Management (DRM) Technology in Contemporary Copyright Joseph Straus Munich International Forum on the Centennial of Chinese Copyright Legislation Renmin University of China, Beijing October 15, 2010 © J. Straus 2010 -1- Points to Consider • Copyright & technology – two old companions – dialectic relationship • Technology promoter of (re)production and distribution of works & challenge of copyright • Digitization – new quantitative & qualitative challenge • Legal & technical response • Where is the right balance of interests: creators & publishers v. users, hardware manufacturers, etc. → social progress? © J. Straus 2010 -2- Copyright & Technology – Two Old Companions China, the Technological Frontrunner • 105 AD - Lun Cai invents paper manufacturing technique • 1041 AD – Sheng Bi invents movable type printing • No legal impact – due to social/intellectual environment [no revolution] and due fragmented to agricultural economy [Chao Xu] © J. Straus 2010 -3- Copyright & Technology – Two Old Companions Europe – the Late(r) Commer • 1439 – Johannes Gutenberg invents movable type printing • 1469 – Johann von Speyer granted printing privilege by the city of Venice • Etching technique (copper engraving) invented – privileges for reproduction granted (Albrecht Dürer) • 15th-17th Century – numerous such privileges granted in Europe Social Revolution (Renaissance, humanism, reformation) & technology & market → protection against copying → printers & publishers, i.e. industry prime beneficiary • Idea of intellectual property -
NSF-S2b-79-0078E
DOCUMENT RESUME ED 229 236 . SE 041,436 AUTHOR BrandtlAichard C.; Knapp, Barbara H t TITLE Extension'Ibf 11VCAI Project to Inclu e Demonstration of IntelligentFideodisc System. Hardware, Software, and CoursewarltImplementation Component. Final Report. INSTITUTION Utah Univ., Salt Lake City. Dept. of Computer/ .Scidnce. SPONS AGENCY National Science Foundation,'Oashington, D.C. REPORT NO SED-82022 % PUB DATE 82 GRANT NSF-S2b-79-0078e . NOTE 34p. , PUB TYPE Reports - Research/Technicaf (143) EDRS PRICE MF01/PCO2 Plus Postage°. DESCRIPTORS *College Science;, Computer Assisted Instruction; *Computer Oriented Programs; *Computer Programs; Electronics; Higher Education; *Material Developmentr Microcomputers; Physics;'Science Education; *Videodisc Recordings , IDENTIFIERS Science Eddcation Research ABSTRACT This project, stemming from work started under the National Science Foundation grant "Development of a Television Computer Assisted Instruction (TVCAI) System" SER-7806412, called for the transfer to videodisc of some of the.videotape materials developed under the grant. Three efforts were included in the proposal: deSign and development of hardware-and software for the intelligent videodilc system, design and selegtion of courseware for thec-systen,4and coueseware evaluation. This report contains a summary of the work completed in support of-intelligent videodisc systems. Hardware and goftware developed, the videodisc.produced (which contains physics materials), and the demonstrations given of the intelligent videodisc system are discussed. In addition,'the report contains a description of current work.both in extedding the , usefulness of the intelligent videodisc system and in.support of other users..General remarks.concerning the appropriate use of intelligent video systems in education are also included.'Timing differences, Video-computer Courseware Implementation System (VCIS) viddv documentation, and lists of demonstratiods/workshops and publicati-ons are included in appendicei. -
Ms. Marlene H. Dortch, Secretary Federal Communications Commission 445 12Th St., SW Washington DC 20554
aai American Antitrust Institute Ms. Marlene H. Dortch, Secretary Federal Communications Commission 445 12th St., SW Washington DC 20554 October 21, 2003 Dear Chairman Powell: Subject: Digital Broadcast Copy Protection, MB Docket No. 02-230 We are writing to urge the Commission to carefully consider the consumer effects, the anticompetitive impacts, and the extensive costs that a Broadcast Flag scheme will impose on a wide-range of consumer-electronics devices and personal computers. Despite our efforts to raise these questions about the Broadcast Flag approach—efforts that predate even the Commission’s decision to create a Broadcast Flag docket—they remain unanswered to this day, except by unsupported generalizations that the scheme will cost “pennies.”1 Because the proponents of the Broadcast Flag scheme have yet to address these issues—issues that may not only affect consumer pocketbooks but also may slow or even halt the transition to digital television—we believe the Commission does not yet have the complete record necessary to decide whether and how to implement this scheme. Below we suggest potential remedies to these deficiencies. Here are three of the major questions that remain unanswered in the existing record: After the flag is adopted, will consumers have the same reasonable and customary uses with their digital television content that they enjoy in today’s analog world? The proposal offered by the Motion Picture Association of America makes clear that the Flag scheme will tether user-recorded content in new ways. It will not allow consumers to watch that content on machines other than new, compliant devices (but it is unclear if it will permit recordings to be shared within a user’s own “personal digital network”). -
Numerical Modelling of Near Field Optical Data Storage
ESPOO 2005 VTT PUBLICATIONS 570 VTT PUBLICATIONS 570 In this thesis, two future generation optical data storage techniques are studied using numerical models. Direct semiconductor laser readout (DSLR) system employs external cavity configuration and super resolution (SR) technique an optically nonlinear material layer at the optical disc for Numerical modelling of near field optical data storage recording and readout operation. Work with the DSLR system is focused on the studying and optimisation of the writing performance of the system, while work with the SR system has focused on explaining the physical phenomena responsible for SR readout and writing performance. Both techniques enable the writing and readout of the data marks smaller than the resolution limit of the conventional optical pickup head. Using SR technique 4x increase in the data density in comparison to DVD disk can be obtained. Because the studied structures are in the order of the wavelength, ray tracing and scalar methods cannot be used to model the system. But, the solution of Maxwell's vector equations is required in order to study these structures. Moreover, analytical solutions usually do not exist for such complex structures, thus the numerical methods have to be used. In this thesis the main modelling tool has been the Finite Difference Time Domain method. Kari J. Kataja Numerical modelling of near field optical data storage Tätä julkaisua myy Denna publikation säljs av This publication is available from VTT TIETOPALVELU VTT INFORMATIONSTJÄNST VTT INFORMATION SERVICE Kari J. Kataja PL 2000 PB 2000 P.O.Box 2000 02044 VTT 02044 VTT FI–02044 VTT, Finland Puh. -
Content Supplier's Perspective
CONTENT SUPPLIER’S PERSPECTIVE: HOME NETWORKS AND RIGHTS MANAGEMENT Robert M. Zitter, Craig D. Cuttner Home Box Office Abstract subsequent distribution windows such as home video, pay-per-view, etc. – each Copyright Protection, Digital Rights window and its attendant revenue stream is Management, Home Networks and other critical to the total revenue stream that buzzwords are all swirling around in a makes theatrical movie production a viable frenzy that has seemingly pitted content ongoing business. providers against operators and all seem to make consumers appear to be felons. If video programs are available on the Internet at no charge, once the Internet is This paper defines the scope of the issue connected to a digital home network, and discusses the pro- and con-attributes of consumers will be less likely to pay for the a Home Network. services MVPDs offer. Beginning in the first-steps of initial Distribution Security implementation of “simple” Copy Control Information (CCI) and how that may Over time, cable distribution technology evolve into sophisticated Digital Rights has evolved to thwart the capabilities of the Management (DRM) systems. “consuming public” to circumvent the collection of fees and protect revenues. BACKGROUND Non-standard channel (“mid-band” placement for pay channel security in the Content Value and Cable Value ‘70s) was succeeded by block converter devices and, later, by the cable-ready TV, The ‘sale’ of access to video content has which necessitated trapping. Higher value been a hallmark of the cable television premium TV led to channel scrambling and industry since its inception. Technology fixed (programmed) descrambling STB’s. -
1 Digital Movie Piracy
Digital Movie Piracy; A Perspective on Downloading Behaviour through Social Cognitive Theory Ruud S. Jacobs Abstract The current article attempts to refine and specify a model based on other researchers' applications of the Social Cognitive Theory originally posited by Bandura to allow the behaviour and attitudes downloaders exhibit to be analysed and compared to the amount of movies they consume (measured as an monthly average estimate). The new model is then tested against data obtained from college students as well as from a technological lifestyle forum. After the revisions these analyses suggested were applied, the model explained nearly 23% of the variance in the number of movies downloaded. The most important factors in this model were, among others: the drives to see many different and new movies, the social environment and its perceived attitude toward the behaviour, and the degree to which downloading has embedded itself in the daily routine. Because the Dutch government and lobbyists are superficially unclear about the current legislature, the unique opportunity existed to study the impact of knowing about legislature on the behaviour. Other results indicate an unexpected openness to an alternative film-distribution method where both the producers and the consumers get an honest deal, presenting options to release the current political and social tension without prosecuting an increasing portion of the population. Introduction When groundbreaking new technologies find their way into the commercial markets and end users' hands, unforeseen psychological and sociological consequences have often surprised both legislators and analysts alike. The World Wide Web is a prime example of a technological breakthrough that upset social status quo.