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Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
The Racialization of Jimi Hendrix Marcus K
Eastern Michigan University DigitalCommons@EMU Senior Honors Theses Honors College 2007 The Racialization of Jimi Hendrix Marcus K. Adams Follow this and additional works at: http://commons.emich.edu/honors Part of the African American Studies Commons Recommended Citation Adams, Marcus K., "The Racialization of Jimi Hendrix" (2007). Senior Honors Theses. 23. http://commons.emich.edu/honors/23 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses by an authorized administrator of DigitalCommons@EMU. For more information, please contact lib- [email protected]. The Racialization of Jimi Hendrix Abstract The period of history immediately following World War Two was a time of intense social change. The nde of colonialism, the internal struggles of newly emerging independent nations in Africa, social and political changes across Europe, armed conflict in Southeast Asia, and the civil rights movement in America were just a few. Although many of the above conflicts have been in the making for quite some time, they seemed to unite to form a socio-political cultural revolution known as the 60s, the effects of which continues to this day. The 1960s asw a particularly intense time for race relations in the United States. Long before it officially became a republic, in matters of race, white America collectively had trouble reconciling what it practiced versus what it preached. Nowhere is this racial contradiction more apparent than in the case of Jimi Hendrix. Jimi Hendrix is emblematic of the racial ideal and the racial contradictions of the 1960s. -
Remembering the Faces of Freedom Se Souvenir Des Visages De La Liberté
1 DECEMBER / DÉCEMBRE 2019 VOL. 53, NO. 12 Remembering the Faces of Freedom Se souvenir des visages de la liberté Photo credit: Corporal Rob Ouellette, 22 Wing Imagery Photo credit: Master Corporal Alana Morin, 22 Wing Imagery Photo credit: Private (T) Julianna Bullfrog-Wabanonik, 22 Wing Imagery Photo credit: Ginette Blaker (Teacher from Sunset Photo credit: Emmanuel Rick Park Elementary School) (Principal, St. Gregory School) Photo credit: Corporal Rob Ouellette, Photo credit: Private Julianna Bullfrog-Wabanonik, 22 Wing Imagery Photo submitted 22 Wing Imagery Article by: Second Lieutenant Sophie Quemeneur, speaker at St. Gregory and Mapleridge Schools. North Bay. En effet, des militaires de la 22e Escadre ont Public Affairs OJT VWSP is an incredible opportunity to actively engaging with partagé leurs expériences et leur temps avec plus de In 2019, Veterans’ Week commemorated the 75th the community, while keeping the memory of our past and 6 500 personnes lors de nombreuses présentations dans Anniversary of D-Day and the Battle of Normandy, the 75th current war heroes alive. Many meaningful initiatives such les écoles locales et d’autres organismes communautaires Anniversary of the Italian Campaign, the 70th Anniversary of as displaying military gear, speaking at their own children’s de Sudbury et les environs du 4 au 14 novembre. NATO, and the 5th Anniversary of the end of the Canadian school, and sharing personal wartime stories linked the past [Traduction] « Des enfants ont interprété la Sonnerie aux mission in Afghanistan. Nipissing First Nation’s Veterans to the present, strengthening community bonds in a very morts, alors je leur ai expliqué les raisons pour lesquelles were also highlighted and honoured this year, with the unique and personal way. -
Designing for the Ears As Well As for the Eyes
Inspicio architecture 26 Sushi & Tapas restaurant, Surfside, Florida, 2015. Photo: WSDG Designing for the Ears as Well as for the Eyes By Howard Sherman orris J. Kaplan is a very hands-on businessman. A successful real estate developer and innovative res- M taurateur/entrepreneur, his career track is marked by imaginative ventures. Last year, Kaplan and his wife Sandra began laying the groundwork for a new Miami-area restaurant. A longtime fan of master chef Fernando Chang’s culinary tal- ents, Kaplan was confident there would be a strong demand for Chef Chang’s specialty—Kosher sushi and Peruvian dishes. Kaplan invested considerable time collaborating on the bill of fare and the interior design of his new restaurant. In addition to the menu, one of his primary concerns was acoustics. An avid “foodie,” Kaplan had long avoided dining in restaurants with noise levels so high they intruded on his guests’ ability to enjoy a simple conversation along with their meal. Kaplan made a promise to himself. Diners at his new restaurant would be able to discuss their food (and other topics) without having to shout at the top of their lungs. Coincidentally, as he formulated his plans for what was to be- come “26 Sushi & Tapas” in Surfside, Florida, Kaplan was also involved in building two new Miami area synagogues. During the course of a series of visits to those construction sites, he became aware of an unusually quiet ambience. Building sites are typically noisy environments and neither of these work sites would ever be mistaken for a library, but Kaplan discovered a sound clarity that was unusual enough to spark an investiga- tion. -
Resolution Magazine
Craft Rest; recorded Florence Welch for Florence and The Machine’s ‘Wish That You Were Here’ song Phil Joly for the Tim Burton film Miss Peregrine’s Home for Peculiar Children and recorded The Kills’ Ash & Ice release. Resolution Magazine caught up RUSSELL COTTIER talks to the Grammy-winning with Joly in amongst the hustle and bustle of SXSW Austen, Texas to talk studios, mics and Electric Lady man management. hil Joly has recently broken out as a producer/mixer, but he has a wealth of experience and more major label artist P credits than you could shake a stick at. The Strokes, Lana Del Rey, Daft Punk, John Legend and The Rolling Stones to name a few. With nine years under his belt at the world- famous Electric Lady Studios, working his way up to Chief Engineer, Joly certainly has the chops and a fresh take on how larger studios fit into the modern workflow. In 2017, Phil won both a Latin Grammy and a Grammy for recording Residente’s self-titled album in the Best Urban Album category and in the Best Latin Rock, Alternative or Urban Album respectively. Most recently, Joly has been engineering with August Greene (a ‘supergroup’ composed of rapper Common, jazz pianist Robert Glasper and drummer Karriem Riggins). He also mixed Gabriel Garzón-Montano Golden Wings, mixed five songs on Coyle Girelli’s Love Kills; recorded Paul McCartney for the Charlotte Gainsbourg album / ‘If I sit under this Chic album cover, one day I’ll get to record Nile Rogers…’ 34 / April 2019 I worked for Electric Lady for nine years You had built up a good credits list by this total, I was chief engineer for five. -
T 15 Tips for Career Success in the New Music Industry
t 15 Tips for Career Success in the New Music Industry CHAPTER ONE Pursuing a Career in the New Music Industry 15 Tips for Career Success “The music business is a cruel and shallow money trench; a long plastic hallway where thieves and pimps run free, and good men die like dogs. There’s also a negative side.” —Hunter S. Thompson Let there be no mistake—pursuing a career in the music industry in the 2020s may look easy, but its highly competitive. The successful musicians you see today in the media—getting millions of hits on YouTube, performing before large audiences at the coolest music festivals, or getting streamed on popular playlists— represent only a minuscule percentage of all the musicians in, or trying to break into, the music business today. Knowing these odds, why would anyone continue to pursue a career in the music business? The love of playing music, the tools and technology of the digital age, and the success stories of hardworking artists inspire plenty of people to try. After all, why can’t you be one of the lucky ones who achieves tremendous success, or at least makes ends meet, doing what you love as an independent musician? You’re talented, you’re smart, and you’re reading this book to better understand the inner workings of the music industry. You’ve already got a lot going in your favor! While there are no rules or set guidelines that can guarantee a prosperous and long-lasting career, I’ve outlined 15 general tips for career success—from visualizing your dreams to being proactive. -
Bearsville Theater
BEARSVILLE Heartbeat of Woodstock The 15 acre Bearsville site was designed and built by legendary music impresario Albert Grossman in the 1960’s and 70’s. Albert managed Bob Dylan, Janis Joplin, The Band and countless other remarkable artists. He chose Bearsville because of its pastoral setting alongside the banks of the Sawkill Creek. He saw Bearsville as a utopian home for his artists to live, write, record, and perform new music in a relaxed bucolic environment, just two hours from NYC. Albert was aided by John Storyk, the architect of acoustic spaces architect who famously designed Jimi Hendrix’s Electric Lady Studios in NYC. The studios and record label thrived and were successful, even after Albert’s early and Utopia unexpected passing in 1986. Both enterprises have since closed. At the heart of the Center today stands Bearsville Theater, long enjoyed by musicians and music lovers who want to experience the sights and sounds that inspired some of music’s most important writers, singers and performers. Although the Theater opened in 1989, there followed more than 25 years of ownership changes, and the complex never fulfilled Albert’s complete vision. OVERLEAF x BEARSVILLE THEATER 277-297 Tinker Street • Woodstock, NY 12498 BearsvilleTheater.com In 2019 the social entrepreneur Lizzie Vann purchased the Center and began a wholesale renovation, rebuilding Bearsville back into a place for artist development – as Albert wanted it to be. The goal today is to encourage and support future generations of artists, in the same way that Albert saw the need for a whole-person approach to nurturing the creative spirit of his artists. -
Jimihendrixexperience Original.Pdf
JHE Manual v4.1 9/19/05 3:12 PM Page 1 JHE Manual v4.1 9/19/05 3:12 PM Page 2 DECLARATION OF CONFORMITY Warning Manufacturer’s Name: DigiTech® Manufacturer’s Address: 8760 S. Sandy Parkway Sandy, Utah 84070, U.S.A. For your protection, please read the following: declares that the product: Important Safety Instructions ™ Product name: Jimi Hendrix Experience 1. Read these instructions. Product option: all (requires Class II power 2. Keep these instructions. adapter that conforms to the 3. Heed all warnings. requirements of EN60065, EN60742, or equivalent.) 4. Do not use this apparatus near water. 5. Clean only with dry cloth. conforms to the following Product Specifications: 6. Do not block any ventilation openings. Install in Safety: IEC 60065 (1998) accordance with the manufacturer’s instructions. 7. Do not install near any heat sources such as radiators, EMC: EN 55013 (1990) heat registers, stoves, or other apparatus (including EN 55020 (1991) amplifiers) that produce heat. Supplementary Information: 8. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, The product herewith complies with the requirements of the Low and the point where they exit from the apparatus. Voltage Directive 73/23/EEC and the EMC Directive 89/336/EEC 9. Unplug this apparatus during lightning storms or when as amended by Directive 93/68/EEC. unused for long periods of time. Vice-President of Engineering - MI 10. No user serviceable parts inside. Refer all servicing to 8760 S. Sandy Parkway qualified service personnel. Servicing is required when Sandy, Utah 84070, U.S.A. -
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught up in You .38 Special Hold on Loosely 3 Doors Down Here Without
Artist Song Weird Al Yankovic My Own Eyes .38 Special Caught Up in You .38 Special Hold On Loosely 3 Doors Down Here Without You 3 Doors Down It's Not My Time 3 Doors Down Kryptonite 3 Doors Down When I'm Gone 3 Doors Down When You're Young 30 Seconds to Mars Attack 30 Seconds to Mars Closer to the Edge 30 Seconds to Mars The Kill 30 Seconds to Mars Kings and Queens 30 Seconds to Mars This is War 311 Amber 311 Beautiful Disaster 311 Down 4 Non Blondes What's Up? 5 Seconds of Summer She Looks So Perfect The 88 Sons and Daughters a-ha Take on Me Abnormality Visions AC/DC Back in Black (Live) AC/DC Dirty Deeds Done Dirt Cheap (Live) AC/DC Fire Your Guns (Live) AC/DC For Those About to Rock (We Salute You) (Live) AC/DC Heatseeker (Live) AC/DC Hell Ain't a Bad Place to Be (Live) AC/DC Hells Bells (Live) AC/DC Highway to Hell (Live) AC/DC The Jack (Live) AC/DC Moneytalks (Live) AC/DC Shoot to Thrill (Live) AC/DC T.N.T. (Live) AC/DC Thunderstruck (Live) AC/DC Whole Lotta Rosie (Live) AC/DC You Shook Me All Night Long (Live) Ace Frehley Outer Space Ace of Base The Sign The Acro-Brats Day Late, Dollar Short The Acro-Brats Hair Trigger Aerosmith Angel Aerosmith Back in the Saddle Aerosmith Crazy Aerosmith Cryin' Aerosmith Dream On (Live) Aerosmith Dude (Looks Like a Lady) Aerosmith Eat the Rich Aerosmith I Don't Want to Miss a Thing Aerosmith Janie's Got a Gun Aerosmith Legendary Child Aerosmith Livin' On the Edge Aerosmith Love in an Elevator Aerosmith Lover Alot Aerosmith Rag Doll Aerosmith Rats in the Cellar Aerosmith Seasons of Wither Aerosmith Sweet Emotion Aerosmith Toys in the Attic Aerosmith Train Kept A Rollin' Aerosmith Walk This Way AFI Beautiful Thieves AFI End Transmission AFI Girl's Not Grey AFI The Leaving Song, Pt. -
Backstage Auctions, Inc. Proudly Presents the 2004 Classic Rock Auction Featuring the Private Collection of Eddie Kramer End of Auction Summary
Backstage Auctions, Inc. Proudly Presents The 2004 Classic Rock Auction Featuring the private collection of Eddie Kramer End of Auction Summary Lot # Realized Price Title 1 $462.00 JIMI HENDRIX 1970 "DOLLY DAGGER"/"NIGHT BIRD FLYING" ACETATE 2 $333.96 JIMI HENDRIX "DOLLY DAGGER" VERSION 1 ACETATE 3 $338.06 JIMI HENDRIX "DOLLY DAGGER" VERSION 2 ACETATE WITH FADE 4 $258.00 JIMI HENDRIX "DOLLY DAGGER" MONO DJ ACETATE 5 $366.02 JIMI HENDRIX "JOHNNY B. GOODE" MONO-STEREO ACETATE 6 $366.02 JIMI HENDRIX "LOVER MAN" STEREO ACETATE 7 $700.00 JIMI HENDRIX "LAUGHING SAM" ACETATE WITH B-SIDE 8 $400.01 JIMI HENDRIX "STAR SPANGLED BANNER" STUDIO VERSION ACETATE 9 $360.00 JIMI HENDRIX 1971 "LIVE IN THE WEST" ALBUM ACETATE 10 $200.00 JIMI HENDRIX 1971 "LIVE IN THE WEST" B-SIDE ACETATE 11 $300.00 JIMI HENDRIX 1971 "RAINBOW BRIDGE" ALBUM ACETATE 12 $300.00 JIMI HENDRIX 1972 "WAR HEROES" ALBUM ACETATE VERSION 1 13 $300.00 JIMI HENDRIX 1972 "WAR HEROES" ALBUM ACETATE VERSION 2 15 $275.00 JIMI HENDRIX 1996 "FIRST RAYS" ALBUM 'MASTER' PLATE 17 $100.00 JIMI HENDRIX 1997 "FIRST RAYS" SET OF 4 TEST PRESSING RECORDS 18 $401.72 JIMI HENDRIX 1997 "AXIS: BOLD AS LOVE" SET OF 8 TEST PRESSINGS 19 $250.00 JIMI HENDRIX 1997 "ELECTRIC LADYLAND" SET OF 12 TEST PRESSINGS 20 $152.00 JIMI HENDRIX 1997 "ELECTRIC LADYLAND" SET OF 4 TEST PRESSINGS 21 $175.00 JIMI HENDRIX 1997 "ARE YOU EXPERIENCED" SET OF 7 TEST PRESSINGS 22 $225.00 JIMI HENDRIX 1997 "BAND OF GYPSYS" SET OF 6 TEST PRESSINGS 23 $100.00 JIMI HENDRIX 1997 "BAND OF GYPSYS" SET OF 2 TEST PRESSINGS 25 $150.00 JIMI HENDRIX 1998 "BBC SESSIONS" SET OF 6 TEST PRESSING RECORDS 26 $200.00 JIMI HENDRIX 1998 "FILMORE EAST" SET OF 8 TEST PRESSINGS 27 $200.00 JIMI HENDRIX 2000 "JIMI HENDRIX EXPERIENCE" 8 TEST PRESSINGS 28 $50.00 JIMI HENDRIX 2002 "SMASH HITS" SET OF 2 TEST PRESSINGS 29 $150.00 JIMI HENDRIX 2002 "BLUE WILD ANGEL" SET OF 6 TEST PRESSINGS 32 $175.00 JIMI HENDRIX COLLECTORS DREAM: 11 SEALED LTD. -
A La Venta El 8 De Septiembre De 2020
A la venta el 8 de septiembre de 2020 STONE FREE DE LONDRES A MONTERREY: LOS NUEVE MESES QUE CAMBIARON LA HISTORIA DEL ROCK Una biografía imprescindible para conocer a JIMI HENDRIX, el guitarrista que revolucionó el sonido del rock. El libro se publica en el 50 aniversario de la muerte de Hendrix, el 17 de septiembre de 1970. Stone Free es el extraordinario retrato del guitarrista más grande del rock de todos los tiempos en el momento de su ascenso, el primer libro que se centra exclusivamente en el periodo más feliz y productivo en la vida de Jimi Hendrix, los nueve meses que pasó en Londres: era el héroe del swinging London, un icono de la moda, creador de tendencias, el rockero más fascinante de Londres según Mick Jagger y se convirtió en la estrella más brillante que pisó el escenario del histórico Festival Internacional de Música Pop de Monterey. Esta narración de la deslumbrante transformación del guitarrista proporciona nuevos detalles sobre la personalidad de Hendrix, sus relaciones, sus composiciones, las innovaciones que introdujo en la guitarra, las grabaciones en el estudio y el lanzamiento de sus discos. El autor, el periodista Jas Obretch bucea por los recuerdos de músicos, amigos, periodistas, representantes, técnicos de sonido, técnicos de gira y, por supuesto, a través de las palabras del propio Jimi Hendrix. «Jas Obrecht captura el frenesí y la emoción del momento más extraordinario en la historia de la guitarra, cuando Jimi Hendrix reinventa la guitarra eléctrica, se convierte en una superestrella internacional.» Joe Satriani, guitarrista estadounidense Este libro celebra los que seguramente fueron los meses más felices y productivos en la vida de Jimi Hendrix. -
Does War Belong in Museums?
Wolfgang Muchitsch (ed.) Does War Belong in Museums? Volume 4 Editorial Das Museum, eine vor über zweihundert Jahren entstandene Institution, ist gegenwärtig ein weltweit expandierendes Erfolgsmodell. Gleichzeitig hat sich ein differenziertes Wissen vom Museum als Schlüsselphänomen der Moderne entwickelt, das sich aus unterschiedlichen Wissenschaftsdisziplinen und aus den Erfahrungen der Museumspraxis speist. Diesem Wissen ist die Edition gewidmet, die die Museumsakademie Joanneum – als Einrichtung eines der ältesten und größten Museen Europas, des Universalmuseum Joanneum in Graz – herausgibt. Die Reihe wird herausgegeben von Peter Pakesch, Wolfgang Muchitsch und Bettina Habsburg-Lothringen. Wolfgang Muchitsch (ed.) Does War Belong in Museums? The Representation of Violence in Exhibitions An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative ini- tiative designed to make high quality books Open Access for the public good. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 (BY-NC-ND). which means that the text may be used for non-commercial purposes, provided credit is given to the author. For details go to http://creativecommons.org/licenses/by-nc-nd/3.0/. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Natio- nalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.d-nb.de All rights reserved. No part of this book may be reprinted or reproduced or uti- lized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any infor- mation storage or retrieval system, without permission in writing from the publisher.