404 Syllabus 2011
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A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History Is a Publication of the National Park Foundation and the National Park Service
Published online 2016 www.nps.gov/subjects/tellingallamericansstories/lgbtqthemestudy.htm LGBTQ America: A Theme Study of Lesbian, Gay, Bisexual, Transgender, and Queer History is a publication of the National Park Foundation and the National Park Service. We are very grateful for the generous support of the Gill Foundation, which has made this publication possible. The views and conclusions contained in the essays are those of the authors and should not be interpreted as representing the opinions or policies of the U.S. Government. Mention of trade names or commercial products does not constitute their endorsement by the U.S. Government. © 2016 National Park Foundation Washington, DC All rights reserved. No part of this publication may be reprinted or reproduced without permission from the publishers. Links (URLs) to websites referenced in this document were accurate at the time of publication. PRESERVING LGBTQ HISTORY The chapters in this section provide a history of archival and architectural preservation of LGBTQ history in the United States. An archeological context for LGBTQ sites looks forward, providing a new avenue for preservation and interpretation. This LGBTQ history may remain hidden just under the ground surface, even when buildings and structures have been demolished. THE PRESERVATION05 OF LGBTQ HERITAGE Gail Dubrow Introduction The LGBTQ Theme Study released by the National Park Service in October 2016 is the fruit of three decades of effort by activists and their allies to make historic preservation a more equitable and inclusive sphere of activity. The LGBTQ movement for civil rights has given rise to related activity in the cultural sphere aimed at recovering the long history of same- sex relationships, understanding the social construction of gender and sexual norms, and documenting the rise of movements for LGBTQ rights in American history. -
Esther Mccoy Research Papers, Circa 1940-1989 0000103
http://oac.cdlib.org/findaid/ark:/13030/c8d21wm4 No online items Finding Aid for the Esther McCoy research papers, circa 1940-1989 0000103 Finding aid prepared by Jillian O'Connor,Chris Marino and Jocelyne Lopez The processing of this collection was made possible through generous funding from The Andrew W. Mellon Foundation, administered through the Council on Library and Information Resources “Cataloging Hidden Special Collections and Archives” Project. Architecture and Design Collection, Art, Design & Architecture Museum Arts Building Room 1434 University of California Santa Barbara, California, 93106-7130 805-893-2724 [email protected] Finding Aid for the Esther McCoy 0000103 1 research papers, circa 1940-1989 0000103 Title: Esther McCoy research papers Identifier/Call Number: 0000103 Contributing Institution: Architecture and Design Collection, Art, Design & Architecture Museum Language of Material: English Physical Description: 4.0 Linear feet(2 boxes, 1 oversize box and 1 flat file drawer) Date (inclusive): circa 1940-circa 1984 Location note: Boxes 1-2/ADC - regular Box 3/ADC - oversize** 1 Flat File Drawer/ADC - flat files creator: Abell, Thornton M., (Thornton Montaigne), 1906-1984 creator: Bernardi, Theodore C., 1903- creator: Davidson, Julius Ralph, 1889-1977 creator: Killingsworth, Brady, Smith and Associates. creator: McCoy, Esther, 1920-1989 creator: Neutra, Richard Joseph, 1892-1970 creator: Rapson, Ralph, 1914-2008 creator: Rex, John L. creator: Schindler, R. M., (Rudolph M. ), 1887-1953 creator: Smith, Whitney Rowland, 1911-2002 creator: Soriano, Raphael, 1904-1988 creator: Spaulding, Sumner, 1892/3-1952 creator: Walker, Rodney creator: Wurster, William Wilson Access Open for use by qualified researchers. Custodial History note Gift of Esther McCoy, 1984. -
The Archive of Renowned Architectural Photographer
DATE: August 18, 2005 FOR IMMEDIATE RELEASE THE GETTY ACQUIRES ARCHIVE OF JULIUS SHULMAN, WHOSE ICONIC PHOTOGRAPHS HELPED TO DEFINE MODERN ARCHITECTURE Acquisition makes the Getty one of the foremost centers for the study of 20th-century architecture through photography LOS ANGELES—The Getty has acquired the archive of internationally renowned architectural photographer Julius Shulman, whose iconic images have helped to define the modern architecture movement in Southern California. The vast archive, which was held by Shulman, has been transferred to the special collections of the Research Library at the Getty Research Institute making the Getty one of the most important centers for the study of 20th-century architecture through the medium of photography. The Julius Shulman archive contains over 260,000 color and black-and-white negatives, prints, and transparencies that date back to the mid-1930s when Shulman began his distinguished career that spanned more than six decades. It includes photographs of celebrated monuments by modern architecture’s top practitioners, such as Richard Neutra, Frank Lloyd Wright, Raphael Soriano, Rudolph Schindler, Charles and Ray Eames, Gregory Ain, John Lautner, A. Quincy Jones, Mies van der Rohe, and Oscar Niemeyer, as well as images of gas stations, shopping malls, storefronts, and apartment buildings. Shulman’s body of work provides a seminal document of the architectural and urban history of Southern California, as well as modernism throughout the United States and internationally. The Getty is planning an exhibition of Shulman’s work to coincide with the photographer’s 95th birthday, which he will celebrate on October 10, 2005. The Shulman photography archive will greatly enhance the Getty Research Institute’s holdings of architecture-related works in its Research Library, which -more- Page 2 contains one of the world’s largest collections devoted to art and architecture. -
Topics in Modern Architecture in Southern California
TOPICS IN MODERN ARCHITECTURE IN SOUTHERN CALIFORNIA ARCH 404: 3 units, Spring 2019 Watt 212: Tuesdays 3 to 5:50 Instructor: Ken Breisch: [email protected] Office Hours: Watt 326, Tuesdays: 1:30-2:30; or to be arranged There are few regions in the world where it is more exciting to explore the scope of twentieth-century architecture than in Southern California. It is here that European and Asian influences combined with the local environment, culture, politics and vernacular traditions to create an entirely new vocabulary of regional architecture and urban form. Lecture topics range from the stylistic influences of the Arts and Crafts Movement and European Modernism to the impact on architecture and planning of the automobile, World War II, or the USC School of Architecture during the 1950s. REQUIRED READING: Thomas S., Hines, Architecture of the Sun: Los Angeles Modernism, 1900-1970, Rizzoli: New York, 2010. You can buy this on-line at a considerable discount. Readings in Blackboard and online. Weekly reading assignments are listed in the lecture schedule in this syllabus. These readings should be completed before the lecture under which they are listed. RECOMMENDED OPTIONAL READING: Reyner Banham, Los Angeles: The Architecture of Four Ecologies, 1971, reprint ed., Berkeley; University of California Press, 2001. Barbara Goldstein, ed., Arts and Architecture: The Entenza Years, with an essay by Esther McCoy, 1990, reprint ed., Santa Monica, Hennessey and Ingalls, 1998. Esther McCoy, Five California Architects, 1960, reprint ed., New York: -
NEH Coversheet: GRANT00129740
NATIONAL ENDOWMENT FOR THE HUMANITIES SAMPLE APPLICATION NARRATIVE _________________________________________________________ Grants to Preserve and Create Access to Humanities Collections In stitution: University of California – Santa Barbara THE MODERN HOUSE AND GARDEN IN CALIFORNIA AND ACROSS THE UNITED STATES: PRESERVING AND PROVIDING ACCESS TO THE MAYNARD L. PARKER PHOTOGRAPHIC ARCHIVE PROJECT DESCRIPTION The Huntington Library seeks funding to arrange, preserve and describe the architectural and garden archive of Maynard L. Parker (1900-1976). For more than three decades beginning in 1935, Parker photographed notable residences, buildings, and gardens in California and across the United States for a client roster that included the leading publishers, architects, and designers of the era. The Parker Collection is comprised of nearly 90 linear feet of material, and includes approximately 80,000 film negatives and color transparencies, 17 document boxes of ledger books, invoices, correspondence, and loose photographs, and 35 project presentation albums. The Parker Collection is the intact archive of an important American photographer who documented tastes and trends in building and interiors in the modern era of design. Once arranged and made accessible, the collection’s vast holdings –representing both iconic and little-known architectural and landscape sites—will offer humanities scholars, designers, local historians, students, and the interested public an unparalleled opportunity to study the aesthetics of an important period in United States history. Consistent inquiries regarding the archive’s use drive this proposal. The collection is haphazardly arranged, improperly housed, and poorly identified, making access extremely difficult. Despite these limitations (and with virtually no publicity), the Parker Collection has garnered significant research interest and has been consulted for numerous book, exhibition, and restoration projects. -
The Making of the Panama-California Exposition, 1909-1915 by Richard W
The Journal of San Diego History SAN DIEGO HISTORICAL SOCIETY QUARTERLY Winter 1990, Volume 36, Number 1 Thomas L. Scharf, Editor The Making of the Panama-California Exposition, 1909-1915 by Richard W. Amero Researcher and Writer on the history of Balboa Park Images from this article On July 9, 1901, G. Aubrey Davidson, founder of the Southern Trust and Commerce Bank and Commerce Bank and president of the San Diego Chamber of Commerce, said San Diego should stage an exposition in 1915 to celebrate the completion of the Panama Canal. He told his fellow Chamber of Commerce members that San Diego would be the first American port of call north of the Panama Canal on the Pacific Coast. An exposition would call attention to the city and bolster an economy still shaky from the Wall Street panic of 1907. The Chamber of Commerce authorized Davidson to appoint a committee to look into his idea.1 Because the idea began with him, Davidson is called "the father of the exposition."2 On September 3, 1909, a special Chamber of Commerce committee formed the Panama- California Exposition Company and sent articles of incorporation to the Secretary of State in Sacramento.3 In 1910 San Diego had a population of 39,578, San Diego County 61,665, Los Angeles 319,198 and San Francisco 416,912. San Diego's meager population, the smallest of any city ever to attempt holding an international exposition, testifies to the city's extraordinary pluck and vitality.4 The Board of Directors of the Panama-California Exposition Company, on September 10, 1909, elected Ulysses S. -
Gregory Ain Papers, 1926-1972 0000104
http://oac.cdlib.org/findaid/ark:/13030/kt5c6036jh No online items Finding Aid for the Gregory Ain papers, 1926-1972 0000104 Finding aid prepared by Alex Hauschild The finding aid for this collection was made possible by a Getty Foundation Archival Arrangement & Description Grant. Architecture and Design Collection, Art, Design & Architecture Museum Arts Building Room 1434 University of California Santa Barbara, California, 93106-7130 805-893-2724 [email protected] 2010 Finding Aid for the Gregory Ain 0000104 1 papers, 1926-1972 0000104 Title: Gregory Ain papers Identifier/Call Number: 0000104 Contributing Institution: Architecture and Design Collection, Art, Design & Architecture Museum Language of Material: English Physical Description: 49.5 Linear feet(6 boxes, 13 flat file drawers, and 2 models) Date (bulk): Bulk, 1935-1971 Date (inclusive): 1926-1972 creator: Ain, Gregory, 1908-1988 -- Archives Access Open for use by qualified researchers. Custodial History note Gift of Gregory Ain, 1978. Preferred Citation note Gregory Ain papers, Architecture and Design Collection. Art, Design & Architecture Museum; University of California, Santa Barbara. Biographical/Historical note Gregory Ain (1908-1988) was born in Pittsburgh, Pennsylvania, the son of a Russian-born socialist. His family moved to Los Angeles in 1911 and for a year lived in the experimental farming collective, Llano del Rio, in the Antelope Valley. Ain attended UCLA and went on to study architecture at the University of Southern California. In 1927 Ain left without graduating, due to his frustrations with the school’s Beaux Arts teaching methods. He worked for Schindler intermittently in the early 1930s and Richard Neutra between 1930 and 1935. -
Art, Design, & Architecture Museum, UC Santa
University of California, Santa Barbara For Immediate Release Santa Barbara, California 93106-7130 Outside In: The Architecture of Smith and Williams April 13 - June 16, 2013 Outside In: The Architecture of Smith and Williams examines the work of Whitney Smith (1911-2002) and his firm with his partner Wayne Williams (1919-2007) as a quintessential expression of postwar California ideas about the relationship of architecture to environment, of building to site, of inside to outside. Between 1936 and 1973 Smith and his firm designed residential, commercial, and public buildings as well as housing tracts, multi-use complexes, parks, and master plans for cities. Widely published in the popular and architectural press from the 1940s through the 1960s, the work received more than 40 awards and yet there has never been a monograph or comprehensive exhibit about the Smith and Williams firm. The crises of the Depression and world war and government and private responses to these tumultuous events form the backdrop of Smith and Williams’ work. The large number of houses and commercial buildings designed by Smith and Williams in the post-war years speaks to the growing opportunity and prosperity in southern California. Their work illustrates their success in selling modernism to a growing middle-class. Smith wrote, in 1957, “[T]he architect…begins with the premise that his main problem is to make [a] congenial, convenient, and effective environment for better living.” What sets their designs apart are the refined and subtle ways in which landscape is incorporated into the architecture. The designs deserve, and reward, close scrutiny. -
All the Arts, All the Time
5/6/2015 PST, A to Z: ‘Eames’ at A+D Museum, ‘Sympathetic’ at MAK Center | Culture Monster | Los Angeles Times ALL THE ARTS, ALL THE TIME « Previous Post | Culture Monster Home | Next Post » OCTOBER 11, 2011 | 2:00 PM Pacific Standard Time will explore the origins of the Los Angeles art world through museum exhibitions throughout Southern California over the next six months. Times art reviewer Sharon Mizota has set the goal of seeing all of them. This is her latest report. Text is a central component of two Pacific Standard Time exhibitions, both focused on design: “Eames Designs: The Guest Host Relationship” at the A+D Museum, and “Sympathetic Seeing: Esther McCoy and the Heart of American Modernist Architecture and Design” at the MAK Center. The former whimsically uses everyday objects to illustrate quotes from midcentury designers Charles and Ray Eames; the latter is an engaging exploration of the life and work of McCoy, a writer and historian who, during her 40-plus-years career, championed and pretty much defined modern architecture in California. The linchpin of each show is the way in which text interacts with the data:text/html;charset=utf-8,%3Cdiv%20id%3D%22blog-header%22%20style%3D%22border-bottom-width%3A%201px%3B%20border-bottom-style%3A%20soli… 1/6 5/6/2015 PST, A to Z: ‘Eames’ at A+D Museum, ‘Sympathetic’ at MAK Center | Culture Monster | Los Angeles Times objects or spaces on view, providing fresh perspectives on icons of Southern California design and architecture. Throughout the A+D Museum, curators Deborah Sussman and Andrew Byrom have splashed the walls with quotes from husband and wife designers Charles and Ray Eames. -
CHUEY RESIDENCE 2380-2460 Sunset Plaza Drive; 9058-9060 Crescent Drive CHC-2017-4333-HCM ENV-2017-4334-CE
CHUEY RESIDENCE 2380-2460 Sunset Plaza Drive; 9058-9060 Crescent Drive CHC-2017-4333-HCM ENV-2017-4334-CE Agenda packet includes: 1. Final Determination Staff Recommendation Report 2. Categorical Exemption 3. Under Consideration Staff Recommendation Report 4. Historic-Cultural Monument Application 5. Letters from Owners’ Representatives 6. Letters from Members of the Public Please click on each document to be directly taken to the corresponding page of the PDF. Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2017-4333-HCM ENV-2017-4334-CE HEARING DATE: January 18, 2018 Location: 2380-2460 Sunset Plaza Drive; TIME: 10:00 AM 9058-9060 Crescent Drive PLACE: City Hall, Room 1010 Council District: 4 - Ryu 200 N. Spring Street Community Plan Area: Hollywood Los Angeles, CA 90012 Area Planning Commission: Central Neighborhood Council: Bel Air – Beverly Crest EXPIRATION DATE: January 30, 2018 Legal Description: Lookout Mountain Park Tract, Lot PT D PROJECT: Historic-Cultural Monument Application for the CHUEY RESIDENCE REQUEST: Declare the property a Historic-Cultural Monument OWNERS: Paul and Gigi Shepherd 2460 Sunset Plaza Drive Los Angeles, CA 90069 APPLICANT: Adrian Scott Fine Los Angeles Conservancy 523 West 6th Street, Suite 826 Los Angeles, CA 90014 PREPARER: Jenna Snow PO Box 352297 Los Angeles, CA 90035 RECOMMENDATION That the Cultural Heritage Commission: 1. Declare the subject property a Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.7. 2. Adopt the staff report and findings. VINCENT P. BERTONI, AICP Director of Planning [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. -
Los Angeles Department of City Planning RECOMMENDATION REPORT
Los Angeles Department of City Planning RECOMMENDATION REPORT CULTURAL HERITAGE COMMISSION CASE NO.: CHC-2019-4766-HCM ENV-2019-4767-CE HEARING DATE: September 5, 2019 Location: 2421-2425 North Silver Ridge Avenue TIME: 10:00 AM Council District: 13 – O’Farrell PLACE : City Hall, Room 1010 Community Plan Area: Silver Lake – Echo Park – 200 N. Spring Street Elysian Valley Los Angeles, CA 90012 Area Planning Commission: East Los Angeles Neighborhood Council: Silver Lake Legal Description: Tract 6599, Lots 15-16 PROJECT: Historic-Cultural Monument Application for the HAWK HOUSE REQUEST: Declare the property an Historic-Cultural Monument OWNER/ Bryan Libit APPLICANT: 2421 Silver Ridge Avenue Los Angeles, CA 90039 PREPARER: Jenna Snow PO Box 5201 Sherman Oaks, CA 91413 RECOMMENDATION That the Cultural Heritage Commission: 1. Take the property under consideration as an Historic-Cultural Monument per Los Angeles Administrative Code Chapter 9, Division 22, Article 1, Section 22.171.10 because the application and accompanying photo documentation suggest the submittal warrants further investigation. 2. Adopt the report findings. VINCENT P. BERTONI, AICP Director of PlanningN1907 [SIGNED ORIGINAL IN FILE] [SIGNED ORIGINAL IN FILE] Ken Bernstein, AICP, Manager Lambert M. Giessinger, Preservation Architect Office of Historic Resources Office of Historic Resources [SIGNED ORIGINAL IN FILE] Melissa Jones, City Planning Associate Office of Historic Resources Attachment: Historic-Cultural Monument Application CHC-2019-4766-HCM 2421-2425 Silver Ridge Avenue Page 2 of 3 SUMMARY The Hawk House is a two-story single-family residence and detached garage located on Silver Ridge Avenue in Silver Lake. Constructed in 1939, it was designed by architect Harwell Hamilton Harris (1903-1990) in the Early Modern architectural style for Edwin “Stan” Stanton and Ethyle Hawk. -
Los Angeles Bibliography
A HISTORICAL BIBLIOGRAPHY OF THE BUILT ENVIRONMENT IN THE LOS ANGELES METROPOLITAN AREA Compiled by Richard Longstreth 1998, revised 16 May 2018 This listing focuses on historical studies, with an emphasis is on scholarly work published during the past thirty years. I have also included a section on popular pictorial histories due to the wealth of information they afford. To keep the scope manageable, the geographic area covered is primarily limited to Los Angeles and Orange counties, except in cases where a community, such as Santa Barbara; a building, such as the Mission Inn; or an architect, such as Irving Gill, are of transcendent importance to the region. Thanks go to Kenneth Breisch, Dora Crouch, Thomas Hines, Greg Hise, Gail Ostergren, and Martin Schiesl for adding to the list. Additions, corrections, and updates are welcome. Please send them to me at [email protected]. G E N E R A L H I S T O R I E S A N D U R B A N I S M Abu-Lughod, Janet, New York, Chicago, Los Angeles: America's Global Cities, Minneapolis: University of Minnesota Press, 1999 Adler, Sy, "The Transformation of the Pacific Electric Railway: Bradford Snell, Roger Rabbit, and the Politics of Transportation in Los Angeles," Urban Affairs Quarterly 27 (September 1991): 51-86 Akimoto, Fukuo, “Charles H. Cheney of California,” Planning Perspectives 18 (July 2003): 253-75 Allen, James P., and Eugene Turner, The Ethnic Quilt: Population Diversity in Southern California Northridge: Center for Geographical Studies, California State University, Northridge, 1997 Avila, Eric, “The Folklore of the Freeway: Space, Culture, and Identity in Postwar Los Angeles,” Aztlan 23 (spring 1998): 15-31 _________, Popular Culture in the Age of White Flight: Fear and Fantasy in Suburban Los Angeles, Berkeley: University of California Pres, 2004 Axelrod, Jeremiah B.