11 71 126 Bruno Adler Lotte Collein Walter Gropius Weimar in Those

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11 71 126 Bruno Adler Lotte Collein Walter Gropius Weimar in Those Days Photography The Idea of the at the Bauhaus Bauhaus: The Battle 16 for New Educational Josef Albers 76 Foundations Thirteen Years Howard at the Bauhaus Dearstyne 131 Mies van der Rohe’s Hans 22 Teaching at the Haffenrichter Alfred Arndt Bauhaus in Dessau Lothar Schreyer how i got to the and the Bauhaus bauhaus in weimar 83 Stage Walter voxel 30 The Bauhaus 137 Herbert Bayer Style: a Myth Gustav Homage to Gropius Hassenpflug 89 A Look at the Bauhaus 33 Lydia Today Hannes Beckmann Driesch-Foucar Formative Years Memories of the 139 Beginnings of the Fritz Hesse 41 Dornburg Pottery Dessau Max Bill Workshop of the State and the Bauhaus the bauhaus must go on Bauhaus in Weimar, 1920-1923 145 43 Hubert Hoffmann Sandor Bortnyik 100 the revival of the Something T. Lux Feininger bauhaus after 1945 on the Bauhaus The Bauhaus: Evolution of an Idea 150 50 Hubert Hoffmann Marianne Brandt 117 the dessau and the Letter to the Max Gebhard moscow bauhaus Younger Generation Advertising (VKhUTEMAS) and Typography 55 at the Bauhaus 156 Hin Bredendieck Johannes Itten The Preliminary Course 121 How the Tremendous and Design Werner Graeff Influence of the The Bauhaus, Bauhaus Began 64 the De Stijl group Paul Citroen in Weimar, and the 160 Mazdaznan Constructivist Nina Kandinsky at the Bauhaus Congress of 1922 Interview 167 226 278 Felix Klee Hannes Meyer Lou Scheper My Memories of the On Architecture Retrospective Weimar Bauhaus 230 283 177 Lucia Moholy Kurt Schmidt Heinrich Kdnig Questions of The Mechanical Ballet: The Bauhaus: Interpretation A Bauhaus Work Yesterday and Today 244 291 181 Georg Muche Helene Richard Koppe Speech on the Schmidt-Nonne The New Bauhaus, Seventy-Fifth Birthday Interview Chicago of Johannes Itten 297 193 250 Lothar Schreyer Ferdinand Kramer Pius Pahl Hope for a The Bauhaus and Experiences of an New World New Architecture Architectural Student 304 198 257 Ursula Schuh Kurt Kranz GyulaPap In Kandinsky’s Bauhaus Pedagogy Liberal Weimar Classroom and Thereafter 260 309 215 Emil Rasch Gunta Stolzl Erich Lissner Working with Weaving Around the Bauhaus the Bauhaus at the Bauhaus in 1923 264 313 219 Karl Peter Rohl Ladislav Sutnar Gerhard Mareks The Idea, Form, and The Bauhaus My Short Stay Times of the State as Seen by a Neighbor in Weimar Bauhaus in Weimar to the South 221 267 319 Carl Marx Xanti Schawinsky Frank Trudel A Brief Moment bauhaus Memories of with Joost Schmidt metamorphosis a Bauhaus member 329 List of Names 334 Photo and Text Credits 336 Colophon.

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I would like to acknowledge the collaboration with Jeffrey Saletnik on the initial research of this essay’s subject matter, beginning in 2008 for the conference ‘Bauhaus Palimpsest: The Object of Discourse’ held at Harvard University Art Museums (14–15 March 2008) and published subsequently in the Images in Exile: Lucia Moholy’s ‘Introduction’ of Bauhaus Construct: Fashioning Identity, Discourse, and Modernism Bauhaus Negatives and the London: Routledge 2009. For invaluable assistance with the later research, I would especially like to thank Sabine Hartmann and Construction of the Bauhaus Legacy Wencke Clausnitzer-Paschold at the Bauhaus- Archiv, Berlin, and Laura Muir at the Busch- Reisinger Museum, Harvard University, all of whom responded to multiple queries Robin Schuldenfrei concerning their collection’s objects and documents and gave generously of both their time and expertise. I would like to express gratitude to the Institute of Art and Visual History at the Humboldt University, Berlin, for its support. This essay has also benefitted This article argues that photographs of the Bauhaus – its architecture and design from the assistance and thoughtful objects – taken by Lucia Moholy played a key role in establishing the school during suggestions of John Ackerman, Michael the short period of its existence, but that they took on heightened significance in Berkowitz, Kerstin Flasche, Louis Kaplan, exile, during the post-war period in which the Bauhaus’s legacy was solidified. As Elizabeth Otto, Rolf Sachsse, Pepper Stetler Bauhaus members fled Germany in the 1930s, what they were able to take with them and the audience members at the conference formed a disproportionate part of their oeuvre thereafter; what was no longer extant ‘Entfernt.
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