IKSV XVI-XVII 1 IKSV XVI-XVII 1
DIPLOMA VOCAL/INSTRUMENTAL IKSV XVI-XVII 2 IKSV XVI-XVII 2 -4- izFkek izFkeoÔZ] ijh{kk&2017 SECTION-B xk;u@Loj ok| le;% 3 ?k.Vs iw.kkZad&75] U;wuakd&25 1. What is Alankar? Explain with example. 7 Vhi%& [k.M&v vfuok;Z gSA [k.M&c esa ls dksbZ ik¡p iz’u gy 2. Write salient features of Raga. 7 3. Describe Raga Bhairav. 7 dhft;s A 4. Define swar and write its kinds. 7 [k.M&v 5. Define Aroh and Avaroh. 7 1- [kkyh LFkkuksa dh iwfrZ dhft;s%& 202020 6. What is Pakad? Explain. 7 1. vyadkj dks &&&&&Hkh dgrs gSa A 7. Describe Teental with its theka. 7 2- lIrd &&&&&izdkj ds gksrs gSa A 8. Complete following Alankars:- 7 3- jkx esa&&&&&vkSj vojksg gksrk gS A (a) RSNS,. GRSR, ______4- jkx Hkwikyh esa&&&&&Loj oftZr gS A (b) SRSRG, RGRGM, ______5- lk vkSj &&&&vpy Loj gSa A xx 6- jkx Hkwikyh dk xk;u le;&&&&gS A 7- dgjok rky esa&&&&&ek=k,¡ gksrh gSa A 8- jkx ;eu dk oknh Loj&&&&&gS A 9- rhurky esa &&&&&rkfy;k¡ gksrh gSa A 10- jkx ;eu&&&&FkkV dk jkx gS A 2- lR; vFkok vlR; fyf[k;s%& 20 1. xhr] ok| vkSj u`R; rhuksa dks laxhr dgrs gSa A 2- lIrd esa ’kq) Lojksa dh la[;k N% gS A 3- jkx Hkwikyh dk oknh Loj xkU/kkj gS A 4- fgUnqLrkuh laxhr esa FkkVksa dh la[;k 12 gS A 5- o.kZ pkj izdkj ds gksrs gSa A 6- jkx Hkwikyh lEiw.kZ tkfr dk jkx gS A 7- jkx ;eu dk xk;u le; izkr%dky gS A 8- nknjk rky esa vkB ek=k,¡ gksrh gSa A 9- oknh Loj dks jkx dk jktk Hkh dgrs gSa A 10- jkx dks xk;k tkrk gS A 2/- IKSV XVI-XVII 3 IKSV XVI-XVII 3 -3- -2- PRATHAMA FIRST YEAR, EXAM 2017 [k.M&c VOCAL/SWAR VADYA Time: 3 hrs. Max.M.75 Min.M.25 1. vyadkj fdls dgrs gSa \ mnkgj.k lfgr le>kb;s A 7 Note: Section-A is compulsory. Attempt any five questions from 2. jkx dh fo’ksÔrk,¡ fyf[k;s A 7 Section-B. 3- jkx HkSjo dk ’kkL=h; ifjp; nhft;s A 7 SECTION-A 4- Loj dks ifjHkkfÔr dhft;s rFkk blds izdkjksa dks 1- Fill in the blanks:- 20 crkb;s A 7 1. Alankar is also called______. 5- vkjksg&vojksg dh ifjHkkÔk fyf[k;s A 7 2. There are______kinds of Saptak. 6- idM+ fdls dgrs gSa \ le>kb;s A 7 3. There is______and Avaroh in raga. 7- rky rhurky dk Bsdk lfgr o.kZu dhft;s A 7 4. ______swaras are omitted in raga Bhupali. 8- fuEufyf[kr vyadkjksa dks iw.kZ dhft;s%& 7 5. Sa and ______are called achal swar. v& js lk fu+ lk] x js lk js] & & & & & & 6. The singing time of Raga Bhupali is______. c& lkjslkjsx] jsxjsxe] & & & & & & & & & 7. There are______matras in Kaharwa Taal. 8. Vadi swar of Raga Yaman is______. 9. There are______Taalis in Teental. 3/- 10. Raga Yaman is belongs to______.Thaat. 2- Write True or False:- 20 1. Geet, Vadya and Nritya all together are called Sangeet. 2. There are six shuddha swaras in Saptak. 3. Vadi swar of Raga Bhupali is Gandhar. 4. There are 12 Thaats in Hindustani system of music. 5. There are four kinds of Varna. 6. Jati of Rag Bhupali is Sampoorna. 7. Singing time of Raga Yaman is morning. 8. Taal Dadra has 8 matras. 9. Vadi swar is also called the king of Raga. 10. The Raga is sung. 4/- IKSV XVI-XVII 4 IKSV XVI-XVII 4 izFkek vfUreoÔZ] ijh{kk&2017 PRATHAMA FINAL YEAR, EXAM 2017 xk;u@Loj ok| VOCAL/SWAR VADYA le;% 3 ?k.Vs iw.kkZad&75] U;wuakd&25 Time: 3 hrs. Max.M.75 Min.M.25 lwpuk%& igyk iz”u vfuok;Z gS A ”ks’k esa ls dksbZ pkj iz”u gy dhft;s A Note: First question is compulsory. Attempt any four questions from lHkh iz”uksa ds vad leku gSa A the rest. All questions carry equal marks. *** *** 1- ¼v½ fjDr LFkkuksa dh iwfrZ dhft;s%& 05 1. (A) Fill in the blanks:- 05 (i) jkx ;eu dk oknh Loj&&&&&gS A (i) Vadi swar of Raag Yaman is______. (ii) jkx HkSjo dk FkkV&&&&&& gS A (ii) Thaat of Raag Bhairav is______. (iii) >irky esa &&&&rkyh vkSj&&&&&[kkyh gksrh gS A (iii) Jhaptal has______Taali and______Khali. (iv) fgUnqLrkuh laxhr esa&&&&&FkkV gksrs gSa A (iv) There are______Thaats in Hindustani music. (v) vkB ek=k dk&&&&&rky gksrk gS A (v) ______Taal is of eight beats. ¼c½ lgh tksM+h cukb;s%& 05 (B) Match the pairs:- 05 (i) >irky & [kekt (i) Jhaptal - Khamaj (ii) ;eu & nksuksa fuÔkn (ii) Yaman - Both Nishad (iii) le~ & 10 ek=k,¡ (iii) Sam - 10 beats (iv) ÔkMo lEiw.kZ & x dk fpUg (iv) Shadav Sampoorn- Sign of cross(x) (v) [kekt & dY;k.k (v) Khamaj - Kalyan (C) Write True of False:- 05 ¼l½ lgh@xyr fyf[k;s%& 05 (i) Singing time of Raag Bhairav is morning. ( ) (i) HkSjo dk xk;u le; izkr%dky gS A ¼ ½ (ii) Thaat of Raag Khamaj is Khamaj. ( ) (ii) jkx [kekt] [kekt FkkV dk jkx gS A ¼ ½ (iii) Vadi swar of Yaman is Pancham and (iii) ;eu dk oknh i rFkk laoknh lk gS A ¼ ½ Samvadi swar is Shadja. ( ) (iv) jkx HkSjo ,d vkJ; jkx gS A ¼ ½ (iv) Rag Bhairav is an Aashraya Rag. ( ) (v) rky >irky ds rhu foHkkx gksrs gSa A ¼ ½ (v) Tal Jhaptal has 3 divisions. ( ) 2- jkx Hkwikyh vFkok dkQh dk ’kkL=h; ifjp; fyf[k;s A 15 2. Write theoritical description of Raag Bhoopali or Kaafi. 15 3- Hkkr[k.Ms Lojfyfi i)fr dks le>kb;s A 15 3. Explain Bhatkhande Notation system . 15 4- fuEufyf[kr rkyksa dk o.kZu dhft;s¼dksbZ nks½%& 15 4. Describe following taals (any two):- 15 nknjk] rhurky] ,drky Dadra, Teental, Ektal. 5- fuEufyf[kr esa ls fdUgha rhu dks le>kb;s%& 15 5. Explain any three from the following:- 15 y;] ek=k] foHkkx] le] vkorZu A Laya, Matra, Vibhag, Sum, Avartan. 6- laxhr dh ifjHkkÔk nsrs gq, mlds izdkjksa dks fyf[k;s A 15 6. Define Music and write its kinds. 15 7- FkkV rFkk jkx dh rqyuk dhft;s A 15 7. Compare Thaat and Raaga. 15 8- vius ok| dk lfp= o.kZu dhft;s A 15 8. Describe your musical instrument with sketch. 15 xx xx IKSV XVI-XVII 5 IKSV XVI-XVII 5 &2017 -4- e/;ek izFkeoÔZ]ijh{kk 2. Write notation of one Madhyalaya composition in any xk;u@Loj ok| Raga from your syllabus (except Yaman and Bhairav). le;% 3 ?k.Vs iw.kkZad&75] U;wuakd&25 3. Define (any five):- lwpuk%& izFke iz”u vfuok;Z gS A “ks’k iz”uksa esa ls dksbZ pkj iz”u gy Vadi, Samvadi, Meend, Ghaseet, Andolan, Kan, Naad. dhft;s AlHkh iz”uksa ds vad leku gSa A 4. Give theoritical description of any two ragas from *** following:- 1- ¼v½ lR; vFkok vlR; fyf[k;s%& Durga, Alhaiya Bilawal, Des. (i) jkx o`Unkouh lkjax [kekt BkB dk jkx gS A 5. Write life sketch and musical contribution of Pt. Vishnu (ii) Narayan Bhatkhande. ^/kekj* dh izLrqfr rky pkSrky esa dh tkrh gS A 6. Write theoritical description of any two taals with theka:- (iii) nknjk 6 ek=k dk rky gS A Jhaptal, Chautal, Tilwada. (iv) Øfed iqLrd ekfydk ds ys[kd ia- fo”.kq fnxacj iyqLdj gSa A 7. Write short notes (any two):- (v) ÔM~t] e/;e vkSj iape dh pkj&pkj J`fr;k¡ gksrh gSa A Dhrupad, Khayal, Tarana, Maseetkhani Gat. ¼c½ [kkyh LFkkuksa dh iwfrZ dhft;s%& 8. Define Shruti and establish seven Shuddha swaras on (i) oknh vkSj laoknh Lojksa dks NksM+dj ’ksÔ Lojksa dks 22 Shrutis. &&&&&dgk tkrk gS A xx (ii) laiw.kZ tkfr ds jkx esa Lojksa dh la[;k&&&&&gksrh gS A (iii) y{k.k xhr esa&&&&&dk o.kZu gksrk gS A (iv) &&&&&xr dks e/;@nzqr y; esa ctkrs gSa A (v) jkx o`Unkouh lkjax dh tkfr&&&&&gS A (vi) ’kq) _ÔHk dh LFkkiuk Jqfr Øekad ij&&&&&gksrh gS A (vii) /kSor dh&&&&&Jqfr;k¡ gksrh gSa A (viii) rky lwyrky&&&&& ek=k dk gS A (ix) ,drky esa&&&&&foHkkx gksrs gSa A (x) ,drky esa&&&&&[kkyh gksrh gS A 2/- IKSV XVI-XVII 6 IKSV XVI-XVII 6 -2- -3- 2- vius ikB~;Øe ds fdlh ,d jkx dh e/;y; jpuk dks Lojfyfi MADHYAMA FIRST YEAR, EXAM 2017 esa fyf[k;s ¼;eu] HkSjo dks NksM+dj½ A VOCAL/SWAR VADYA 3- ifjHkkÔk fyf[k;s%& ¼dksbZ ik¡p½%& Time: 3 hrs. Max.M.75 Min.M.25 oknh] laoknh] ehaM] ?klhV] vkanksyu] d.k] ukn Note: First question is compulsory. Attempt any four questions from 4- fuEufyf[kr jkxksa esa ls fdUgha nks dk ’kkL=h; ifjp; fyf[k;s%& the rest. All questions carry equal marks. nqxkZ] vYgS;k fcykoy] nsl *** 5- ia- fo”.kq ukjk;.k Hkkr[k.Ms dk thou ifjp; ,oa lakxhfrd 1. (A) Write True or False:- ;ksxnku fyf[k;s A (i) Raga Vrindavani Sarang belongs to Khamaj Thaat. 6- fdUgha nks rkyksa dk ’kkL=h; ifjp; ,oa Bsdk fyf[k;s%& (ii) Dhamar is performed in taal Choutal. >irky] pkSrky] fryokM+k (iii) Taal Dadra has 6 beats. 7- laf{kIr fVIi.kh fyf[k;s%& ¼dksbZ nks½%& (iv) Pt. Vishnu Digambar Paluskar is the author of /kzqin] [;ky] rjkuk] elhr[kkuh xr ‘Kramik Pustakm Malika.’ 8- J`fr dh ifjHkkÔk nhft;s rFkk 22 Jqfr;ksa ij 7 ’kq) Lojksa (v) Shadja, Madhyam and Pancham have four dh LFkkiuk dhft;s A Shrutis each. 3/- (B) Fill in the blanks:- (i) Swaras other than Vadi and Samvadi are called ______swars. (ii) Total number of swaras in Sampoorna jati is____. (iii) Lakshan Geet has description of______. (iv) ______Gat is played in medium Drut tempo. (v) Jati of Raag Vrindavani Sarang is______. (vi) Shuddha Rishabh is established at shruti number______. (vii) Dhaiwat has ______shrutis. (viii) Taal Sooltal has______beats. (ix) Ektal has______divisions. (x) Ektal has ______Khalies. 4/- IKSV XVI-XVII 7 IKSV XVI-XVII 7 -4- e/;ek vafreoÔZ] ijh{kk&2017 2. Write theoritical description of the following(any two):- xk;u@Loj ok| Hameer, Bageshree, Asawari, Bheempalasi. 3. Explain the notation system of Pt. Bhatkhande in detail. le;% 3 ?k.Vs iw.kkZad&75] U;wuakd&25 4. Write short notes on any two from the following:- lwpuk%& izFke iz”u vfuok;Z gS A “ks’k iz”uksa esa ls dksbZ pkj iz”u gy (a) Taan Toda (b) Poorv Raga-Uttar Raga (iii) Sandhi Prakash Rag. dhft;s AlHkh iz”uksa ds vad leku gSa A 5. Write Thah and Dugun of any two talas from the following:- *** (a) Ektal (b) Jhaptal (c) Teevra (d) Deepchandi. 1- ¼v½ lgh tksM+h cukb;s %& 6. Describe the merits and demerits of Vocalist or Instrumentalist. (i) /kekj & lkr ek=k 7. Write notation of any one madhyalaya composition from your (ii) dsnkj & xkU/kkj oknh syllabus with two tans/Todas. (Except Yaman and Bhairav). (iii) pkSrky & 4 foHkkx 8. Write the life sketch and musical contribution of any one (iv) :id & dY;k.k FkkV of the following in brief:- (v) fcgkx & 6 foHkkx (a) Amir Khusro (b) Tansen ¼c½ [kkyh LFkkuksa dh iwfrZ dhft;s%& (c) Maan Singh Tomar. (i) fryokM+k esa &&&&&& ek=k ij [kkyh gksrh gS A xx (ii) jkx dsnkj dk oknh Loj&&&&&& gS A (iii) jkx HkSjoh dh tkfr &&&&&& gS A (iv) jkx dsnkj dk xk;u le; &&&&&& gS A (v) jkx HkSjoh&&&&& FkkV dk jkx gS A ¼l½ lR; vFkok vlR; fyf[k;s%& (i) jkx dsnkj vkSMo tkfr dk jkx gS A (ii) vkM+k pkSrky 14 ek=k dk rky gS A (iii) cM+s [;ky dks foyafcr [;ky Hkh dgrs gSa A (iv) jkx fcgkx dk xk;u le; izkr%dky gS A (v) jkx fcgkx esa _ÔHk Loj dksey yxrk gS A
2/- IKSV XVI-XVII 8 IKSV XVI-XVII 8 -2- -3- 2- fuEu jkxksa dk ’kkL=h; o.kZu dhft;s¼dksbZ nks½%& MADHYAMA FINAL YEAR, EXAM 2017 gehj] ckxsJh] vklkojh] Hkheiyklh VOCAL/SWAR VADYA 3- Hkkr[k.Ms Lojfyfi i)fr dks foLrkjiwoZd le>kb;s A Time: 3 hrs. Max.M.75 Min.M.25 4- fuEufyf[kr esa ls fdUgha nks ij fVIi.kh fyf[k;s%& Note: First question is compulsory. Attempt any four questions from v& rku rksM+k c& iwoZjkx&mÙkjjkx l& laf/kizdk’k jkx the rest. All questions carry equal marks. 5- fuEufyf[kr rkyksa esa ls fdUgha nks rkyksa dks Bkg ,oa *** nqxqu esa fyf[k;s%& 1. (A) Match the perfact pairs:- v& ,drky c& >irky l& rhozk n& nhipUnh (i) Dhamar- Seven beats 6- xk;d vFkok oknd ds xq.k&nksÔksa dk o.kZu dhft;s A (ii) Kedar - Gandhar Vadi 7- ikB~;Øe ds fdlh ,d jkx esa e/;y; jpuk dks nks rkuksa@ (iii) Chautal - 4 Vibhagas rksM+ksa lfgr Lojfyfic) dhft;s ¼;eu o HkSjo NksM+dj½ A (iv) Rupak - Kalyan Thaat 8- fuEu esa ls fdlh ,d dk laf{kIr thou ifjp; nsrs gq, (v) Bihag - 6 Vibhagas. lakxhfrd ;ksxnku fyf[k;s%& (B) Fill in the blanks:- v& vehj [kqljks (i) In Tala Tilwada Khali is on_____ matra. c& rkulsu (ii) Vadi swar of Rag Kedar is_____. l& eku flag rksej A (iii) Jati of Rag Bhairavi is_____. 3/- (iv) The singing time of Raga Kedar is_____. (v) Raga Bhairavi belongs to_____Thaat. (C) Write True or False:- (i) Raga Kedar is a raga of Audav Jaati. (ii) There are 14 matras in Ada Choutal. (iii) Bada Khyal is also known as Vilambit Khyal. (iv) The singing time of Raga Bihag is morning. (v) Rishabh swar is Komal in Raga Bihag.
4/- IKSV XVI-XVII 9 IKSV XVI-XVII 9 fon izFkeoÔZ] ijh{kk&2017 VID FIRST YEAR, EXAM 2017 xk;u@Loj ok| VOCAL/SWAR VADYA izFke iz’u i= Paper-I le;% 3 ?k.Vs iw.kkZad&75] U;wuakd&25 Time: 3 hrs. Max.M.75 Min.M.25 lwpuk%& dksbZ ik¡p iz”u gy dhft;s A lHkh iz”uksa ds vad leku gSa A Note: Attempt any five questions. All questions carry equal marks. *** *** 1- fVIi.kh fyf[k;s ¼dksbZ rhu½%& 1. Write short notes (any three):- v& dEiu c& vko`fÙk (a) Vibration (b) Frequency l& Mksy n& miLoj (c) Beat (d) Overtone 2- Mk;Vksfud ,oa VsEiMZ Ldsy dks le>kb;s A 2. Explain Diatonic and Tempered scale. 3. Compare Hindustani and Karnatic swar-saptak. 3- fgUnqLrkuh ,oa dukZVd Loj lIrdksa dh rqyuk dhft;s A 4. Explain the Lakshan and kinds of Gamaka. 4- xed ds y{k.k rFkk izdkjksa dks le>kb;s A 5. Give general introduction of Indian Classification 5- Hkkjrh; ok| oxhZdj.k dk lkekU; ifjp; nhft;s A of musical instruments. 6- jkx ds xzg vkfn nl y{k.kksa dk o.kZu dhft;s A 6. Describe ten Lakshanas of Raga such as grah etc. 7- vius ok| dk ,sfrgkfld fooj.k nhft;s A 7. Give historical description of your musical instrument. 8- fuEu esa ls fdlh ,d ds thou ifjp; ,oa lakxhfrd 8. Write the life sketch and musical contribution of any one:- ;ksxnku dks fyf[k;s%& (a) Baba Ustad Alauddin Khan v& ckck mLrkn vykmíhu [kk¡ (b) Ustad Abdul Karim Khan c& mLrkn vCnqy djhe [kk¡ (c) Pt. Bhaskar Bua Bakhale. l& iafMr HkkLdj cqvk c[kys A xx xx IKSV XVI-XVII 10 IKSV XVI-XVII 10 fon izFkeoÔZ] ijh{kk&2017 VID FIRST YEAR, EXAM 2017 xk;u@Loj ok| VOCAL/SWAR VADYA f}rh; iz’u i= Paper-II le;% 3 ?k.Vs iw.kkZad&75] U;wuakd&25 Time: 3 hrs. Max.M.75 Min.M.25 lwpuk%& dksbZ ik¡p iz”u gy dhft;s A lHkh iz”uksa ds vad leku gSa A Note: Attempt any five questions. All questions carry equal marks. *** *** 1- ,drky] lwyrky rFkk /kekj dk ’kkL=h; ifjp; nsrs gq, 1. Giving theoritical description write thah and tigun of Ektal, mudh Bkg ,oa frxqu fyf[k;s A Sooltaal and Dhamar. 2- fuEufyf[kr esa ls fdUgha nk s jkx tksfM+;ksa dh rqyukRed O;k[;k 2. Write comparative description of any two raag pair of the dhft;s%& following:- v& Hkwikyh&ns’kdkj c& tkSuiqjh&vklkojh l& dsnkj&dkeksn (a) Bhoopali-Deshkaar (b) Jounpuri-Aasawari (c) Kedar-Kamod 3- ikB~;Øe ds fdlh ,d jkx esa ,d foyafcr jpuk] nks vkyki 3. Write a vilambit composition in Bhatkhande notation system rFkk nks rku@rksM+ksa lfgr Hkkr[k.Ms Lojfyfi esa fyf[k;s A with 2 aalap and 2 taan/toda in any one raag from your 4- xed rFkk frjksHkko&vkfoHkkZo dks le>kb;s A syllabus. 5- ikB~;Øe ds fdlh ,d jkx esa /kzqin vFkok xr¼rhurky ls i`Fkd 4. Explain Gamak and Tirobhav-aavirbhav. rky esa½ Hkkr[k.Ms Lojfyfi esa fyf[k;s A 5. Write a Dhrupad or Gat(other than teental) in Bhatkhande 6- fdUgha ik¡p ij fVIi.kh fyf[k;s%& notation system in any one raag from your syllabus. rksM+k] d`Uru] cksy vkyki] eqdhZ] lwr] ehaM] >kyk A 6. Write short notes on any five of the following:- 7- ikB~;Øe ds fdlh ,d jkx esa e/;y; jpuk ik¡p rku@rksM+ksa Toda, Krintan, Bol Aalap, Murki, Soot, Meend, Jhala. lfgr Hkkr[k.Ms Lojfyfi esa fyf[k;s A 7. Write a madhyalaya composition with 5 taan/toda in 8- fdlh ,d foÔ; ij yxHkx 400 ’kCnksa esa fucU/k fyf[k;s%& Bhatkhande notation system in any one raag from your syllabus. v& ’kkL=h; laxhr o yksdlaxhr 8. Write an essay on any one topic in about 400 words:- c& laxhr dk nSfud thou esa egRo (a) Classical music and Folk music. l& vkidk fiz; laxhr dykdkj A (b) Importance of music in daily life. xx (c) Your favourite Musician. xx IKSV XVI-XVII 11 IKSV XVI-XVII 11 fon vafreoÔZ] ijh{kk&2017 VID FINAL YEAR, EXAM 2017 xk;u@Loj ok| VOCAL/SWAR VADYA izFke iz’u i= Paper-I le;% 3 ?k.Vs iw.kkZad&75] U;wuakd&25 Time: 3 hrs. Max.M.75 Min.M.25 lwpuk%& dksbZ ik¡p iz”u gy dhft;s A lHkh iz”uksa ds vad leku gSa A Note: Attempt any five questions. All questions carry equal marks. *** *** 1- ia- ’kkjaxnso dh prq%lkj.kk fof/k dks le>kb;s A 1. Explain the method of Chhatuhsarana of Pt. Sharangdev. 2- fgUnqLrkuh laxhr ds 32 FkkVksa dh fuekZ.k fof/k dks 2. Explain the method of deriving 32 Thaats of Hindustani le>kb;s A music. 3- :idkyfIr o mlds Hksnksa dks le>kb;s A 3. Explain Roopkalapti and its kinds. 4- FkkV&jkx oxhZdj.k dks foLrkj ls le>kb;s A 4. Explain Thaat-Rag Classification in detail. 5- oh.kk ij iafMr vgkscy dh ’kq)&fod`r Lojksa dh LFkkiuk 5. Explain the method of establishing Shuddha and Vikrit swra fof/k dks le>kb;s A by Pandit Ahobal on Veena. 6- xkU/koZ ,oa xku dks le>kb;s A 6. Explain Gandharva and Gaan. 7- fVIi.kh fyf[k;s%& 7. Write short notes:- v& ’kq)&Nk;kyx c& ewPNZuk l& e/;e xzke (a) Shuddha-Chhayalag (b) Moorchhana 8- fuEufyf[kr esa ls fdlh ,d dk thou ifjp; fyf[k;s%& (c) Madhyam Gram. v& mLrkn vyh vdcj [kk¡ 8. Write life sketch of any one:- c& ia- iUukyky ?kksÔ (a) Ustad Ali Akbar Khan l& mLrkn cM+s xqyke vyh [kk¡ A (b) Pt. Pannalal Ghosh xx (c) Ustad Bade Gulam Ali Khan. xx IKSV XVI-XVII 12 IKSV XVI-XVII 12 fon vafreoÔZ] ijh{kk&2017 VID FINAL YEAR, EXAM 2017 VOCAL/SWAR VADYA xk;u@Loj ok| Paper-II f}rh; iz’u i= Time: 3 hrs. Max.M.75 Min.M.25 le;% 3 ?k.Vs iw.kkZad&75] U;wuakd&25 Note: Attempt any five questions. All questions carry equal marks. *** lwpuk%& dksbZ ik¡p iz”u gy dhft;s A lHkh iz”uksa ds vad leku gSa A *** 1. Write a madhyala laya composition in Bhatkhande notation with 1- vkids ikB~;Øe ds fdlh jkx esa ,d e/;y; jpuk ik¡p rkuksa@rksM+ksa five taans/todas in any raag prescribed in your syllabus. lfgr Hkkr[k.Ms Lojfyfi esa fyf[k;s A 2. Write the theka of Jhaptal, Ektal and Teental in 3/2 Laya (Aad 2- >irky] ,drky ,oa rhurky ds Bsdksa dks vkM+ y; ¼3@2½ eas Laya). fyf[k;s A 3. Write theoritical description of any two of the following Raags:- 3- fuEufyf[kr jkxksa esa ls fdUgha nks jkxksa dk ’kkL=h; ifjp; fyf[k;s%& Chhayanat, Jaijaywanti, Puriya Dhanashri. Nk;kuV] tStSoUrh] iwfj;k /kukJh 4. Write one Vilambit composition in any Raag in Bhatkhande 4- vkids ikB~;Øe ds fdlh jkx esa ,d foyafcr jpuk dks nks vkyki Notation of your syllabus along with 2 Alap and 2 Tanas. rFkk nks rkuksa lfgr Hkkr[k.Ms Lojfyfi esa fyf[k;s A 5. Explain Staff Notation system in brief. 5- LVkQ uksVs’ku i)fr dks la{ksi esa le>kb;s A 6. Write definition of Tihai and explain its types with examples. 6- frgkbZ dh ifjHkkÔk fyf[k;s ,oa mlds izdkjksa dks mnkgj.k lfgr 7. Write short notes (any two):- le>kb;s A (a) Harmony-Melody (b) Biyad - Kuaad 7- laf{kIr fVIi.kh fyf[k;s¼dksbZ nks½%& (c) Utility of notation in Music. v& gkeZuh & esyksMh c& fcvkM+&dqvkM+ 8. Write an essay in approx 400 words on any one topic:- l& laxhr esa Lojfyfi dh mi;ksfxrk A (a) Importance of Practice in Music. 8- fdlh ,d foÔ; ij yxHkx 400 ’kCnksa esa fuca/k fyf[k;s%& (b) Description of a music programme listen by you. v& laxhr esa lk/kuk dk egRo (c) Classical music and Film music. c& vkids }kjk lqus x;s laxhr dk;ZØe dk o.kZu xx l& ’kkL=h; laxhr vkSj fQYe laxhr A xx IKSV XVI-XVII 13 IKSV XVI-XVII 13 dksfon izFkeoÔZ] ijh{kk&2017 KOVID FIRST YEAR, EXAM 2017 xk;u@Loj ok| VOCAL/SWAR VADYA izFke iz’u i= Paper-I le;% 3 ?k.Vs iw.kkZad&100 lwpuk%& dksbZ ik¡p iz”u gy dhft;s A lHkh iz”uksa ds vad leku gSa A Time: 3 hrs. Max.M.100 *** Note: Attempt any five questions. All questions carry equal marks. 1- ia- ’kkjaxnso dh prq%lkj.kk dks foLrkj ls le>kb;s A *** 2- dY;k.k jkxakx dh fo’ksÔrkvksa dk mnkgj.k lfgr 1. Explain the Chatuhsarana of Pt. Sharangdev in detail. o.kZu dhft;s A 2. Describe the characteristics of Kalyana raganga with 3- ^lk js x e i* dk 110 ok¡ izLrkj D;k gksxk \ le>kb;s A examples. th 4- ?kjkus ls vki D;k le>rs gSa \ Xokfy;j ?kjkus dh 3. What will be the 110 prastar of ‘Sa re ga ma pa’? Explain. fo’ksÔrkvksa ij izdk’k Mkfy;s A 4. What do you mean by Gharana? Throw light on the 5- dkO; vkSj laxhr ds laca/k dks foLrkjiwoZd le>kb;s A characteristics of Gwalior Gharana. 6- flrkj vFkok ’kgukbZ dh mRifÙk ,oa fodkl dk foLrkj 5. Explain the relationship between Kavya and Sangeet in detail. ls o.kZu dhft;s A 6. Describe the origin and development of Sitar or Shehnai in 7- lsfu;k ?kjkus ds fdUgha nks dykdkjksa dk ifjp; nhft;s A detail. 8- fVIi.kh fyf[k;s ¼dksbZ nks½%& 7. Give introduction of any two artists of Senia Gharana. v& FkkV ,oa ewPNZuk 8. Write short notes any two:- (a) Thaat and Murchhana c& rr~ vkSj forr~ (b) Tat and Vitat l& NUn vkSj rky A (c) Chhand and Taal. xx xx IKSV XVI-XVII 14 IKSV XVI-XVII 14 dksfon izFkeoÔZ] ijh{kk&2017 -2- xk;u@Loj ok| ¼ ¼ ¼ ¼ ¼ l& fnfj fnj nk· jknk ·jk fnfj¼ nk fnfj nk jk nk · nk jk nk jk]
f}rh; iz’u i= ¼ f}rh; iz’u i= ¼ f}rh; iz’u i= ¼ nk jk nk fnfj nk nk· ·jk nk nk jk nk · nk jk nk fnfj]¼ le;% 3 ?k.Vs iw.kkZad&100 le;% 3 ?k.Vs iw.kkZad&100 ¼ ¼ ¼ ¼
le;% 3 ?k.Vs iw.kkZad&100 ¼ ¼ nk jk nk fnfj¼ nk jk nk fnfj nk jk nk fnfj fnfj fnfj nk· jknk 1- fuEufyf[kr esa ls fdlh ,d foÔ; ij yxHkx 600 ’kCnksa esa fucU/k ¼ ¼ ·jk] nk nk fnfj¼ nk jk · nk nkjk nk fnfj nk jk nk jk fyf[k;s %& 252525 ¼ n& nk fnfj nk nk · nk fnfj¼ nk nk · · jk nk fnfj¼ nk jk v& ’kkL=h; laxhr ,oa fp=iV laxhr A ¼ ¼ ¼ ¼ nk · jk nk · jk nk jk nk fnfj fnfj fnfj nk· jnk¼ ·jk nk c& laxhr esa lkSUn;Z rRo A ¼ ¼ ¼ ¼ ¼ ¼ ¼ nk fnfj nk jk nk fnfj nk jk nk fnfj fnfj fnfj nk· jnk ·jk¼ nk l& daB lk/kuk dk egRo A ¼ ¼ ¼ ¼ ¼ ¼ nk fnfj nk nk · jk nk jk nk fnfj fnfj fnfj nk· jnk ·jk¼ nk n& laLFkkxr f’k{k.k iz.kkyh ds xq.k ,oa nksÔ A Write an essay on any one of the following topics in about 3- fuEufyf[kr esa ls fdUgha nks jkxksa esa ik¡p&ik¡p mPpLrjh; vkyki fyf[k;s%& 101010 600 words:- Write five high standard Aalaps each in any two Ragas form the (a) Classical music and Film music. following. (b) Aesthetic elements in music. (c) Importance of voice culture. clar eq[kkjh] nslh] fcykl[kkuh rksM+h A (d) Merits and demerits of the Institutionalized system Basant Mukhari, Desi, Bilaskhani Todi. of music teaching. 2- fuEufyf[kr i|ak’k vFkok cksyksa esa ls fdlh ,d dks vius ikB~;Øe 4- fuEufyf[kr dks Lojfyfic) dhft;s%& 151515 ds jkx o rky esa Lojfyfic) dhft;s%& 2000 ¼v½ jkx vfgj HkSjo esa ,d vyadkfjd rku A Compose and write in notation any one of the following ¼c½ jkx iwfj;k dY;k.k esa ,d vojksgh rku A selecting anyRaga & Taal from your syllabus:- ¼l½ ikB~;Øe ds fdlh ,d jkx esa rhurky ds rhu vkorZu v& gfj rqe HkDru ds fgrdkjh dh ,d frgkbZ;qDr rku A ftldh frgkbZ 20 ek=k esa gks A vc jf[k;ks ykt gekjh A Write in notation the following:- izgykn HkDr dks fgj.; d’;i us (a) An alankarik taan in Rag Ahir Bhairav. d”V fn;k tc Hkkjh A (b) An Avarohi taan in Rag Pooriya Kalyan. ujflag :i cuk;s vlqj dh u[k ls nsg fcnkjh A (c) A Taan with tihai in any Raga from your syllabus in vFkok three Avartanas of teental Tihai should be of 20 matras. c& izHkw esjh uS;k dks ikj mrkjks 5- jkx ’kq) dY;k.k] lksguh vkSj f>a>ksVh esa ls fdUgha nks jkxksa dk eSa rks Mwcr gw¡ et/kkjks A foLr`r ’kkL=h; o.kZu dhft;s A 303030 Hkolkxj tynqLrj Hkkjh lw>r ukfg fdukjks Give detailed theoritical description of any two Ragas chp leUnj xksrk [kkos [ksoV gS Hk; Hkkjks A from Raga Shuddha Kalyan, Sohini and Jhinjhoti. xx 2/- IKSV XVI-XVII 15 IKSV XVI-XVII 15 dksfon vafreoÔZ] ijh{kk&2017 KOVID FINAL YEAR, EXAM 2017 xk;u@Loj ok| VOCAL/SWAR VADYA izFke iz’u i= Paper-I le;% 3 ?k.Vs iw.kkZad&100 Time: 3 hrs. Max.M.100 lwpuk%& dksbZ ik¡p iz”u gy dhft;s A lHkh iz”uksa ds vad leku gSa A Note: Attempt any five questions. All questions carry equal marks. *** *** 1- Jqfr vkSj Loj esa lEcU/k crkb;s rFkk izkphu ,oa vk/kqfud 1. Describe the relation between Shruti and Swar and explain the fo}kuksa ds vuqlkj Jqfr;ksa ij Lojksa dh fLFkfr le>kb;s A establishment of swaras on Shruties according to ancient and 2- tkfr dk lkekU; ifjp; nhft;s rFkk mlds izdkjksa dks modern scholars. le>kb;s A 2. Give general description of Jati and explain its kinds. 3- FkkV&jkx oxhZdj.k ij vius fopkj izdV dhft;s A 3. Express your views over Thaat-Raag classification. 4- fuEufyf[kr esa ls fdUgha nks ok|ksa dh mRifÙk ,oa fodkl ij 4. Throw light over evolution and development of any two izdk’k Mkfy;s%& v& ljksn c& fofp= oh.kk l& rkuiwjk n& ok;fyu¼csyk½ of the following instruments:- 5- laf{kIr fVIi.kh fyf[k;s ¼dksbZ nks½%& (a) Sarod (b) Vichitra Veena (c) Taanpura (d) Violin(Bela) v& jkx vkSj jl dk laca/k c& n’kfo/k jkx oxhZdj.k 5. Write short notes (any two):- l& o`Un oknu A (a) Relation between Raag and Rasa 6- xk;u ds t;iqj vFkok oknu ds eSgj ?kjkus dk o.kZu dhft;s A (b) Dashvidh Raag classification 7- fuEu esa ls fdUgha nks dk thou ifjp; ,oa ;ksxnku la{ksi esa (c) Orchestra (Vrind Vadan). fyf[k;s%& 6. Describe Jaipur Gharana of Vocal music or Maihar Gharana v& ia- ,l-,u- jkratudj of Instrumental music. c& ia- Hkhelsu tks’kh 7. Write life sketch and contribution of any two of the following:- l& MWk- izseyrk ’kekZ (a) Pt. S.N. Ratanjankar (b) Pt. Bhimsen Joshi n& mLrkn vCnqy gyhe tkQj A (c) Dr. Premlata Sharma (d) Ustad Abdul Halim Jafar. 8- Loj&varjky ukius dh lsoVZ i)fr vkSj lsaV i)fr dks le>kb;s A 8. Explain Sevart and Cent system for measuring swar intervals. xx xx IKSV XVI-XVII 16 IKSV XVI-XVII 16 dksfon vafreoÔZ] ijh{kk&2017 xk;u@Loj ok| f}rh; iz’u i= le;% 3 ?k.Vs iw.kkZad&100 1- fuEufyf[kr esa ls fdlh ,d foÔ; ij yxHkx 600 ’kCnksa esa fucU/k fyf[k;s %& 252525 v& laxhr esa ok|ksa dh mi;ksfxrk A c& laxhr esa xq# dk egRo A l& yksdlaxhr o ’kkL=h; laxhrA n& laxhr o lekt A Write an essay on any one of the following topics (in about 600 words):- (a) Utility of instruments in Music. (b) Importance of Guru in music. (c) Folk music and Classical music. (d) Music and Society. 2- fuEufyf[kr esa ls fdlh ,d dks ikB~;Øe ds fdlh mi;qä jkx ,oa rky esa Lojfyfic) dhft;s %& 20 Compose and write in notation any one of the following in appropriate Raga and Tala from your syllabus. v& jke uke jl ihtS euok jke uke jl ihtS AA rft dqlax] lRlax cSfB fur gfj ppkZ lqu yhtS AA
c& vc eksjh lqu yhtks js cuokjh vkl rdr gw¡ frgkjh AA nqfu;k ds QUn tky] eksgs lclksa fudky vku iM+ks rqEgkjh ’kj.k ykt vc j[k yks gekjh AA 2/- IKSV XVI-XVII 17 IKSV XVI-XVII 17
-2- -2-
l& ¼ ¼ ¼ ¼ nk fnj nk jk nk nk fnj nk· jknk¼ ·jk 5- rky dgjok dks lokxqu ¼4 esa 5½] f=rky dks ikSu xqu¼4 esa 3½ rFkk ¼ ¼ ¼ ¼ ¼ ¼ fnj fnj nk· jnk ·jk¼ fnj nk fnj nk jk >irky dks Ms<+xqu¼2 esa 3½ esa fyf[k;s A 15 ¼ ¼ nk fnj nk jk nk nk fnj nk jk fnj¼ Write Taal Kaharva in Savagun (5 in 4), Trital in paungun(3 in ¼ ¼
nk fnj nkfnj fnj fnj¼ nk jk nk· jknk ·jk ¼ ¼ ¼ 4) and Jhaptal in Dedagun (3 in 2). ¼ xx ¼ n& nk fnj¼ nk nk fnj nk jk ¼ ¼
fnj fnj nk nk ¼ ¼ · jknk ·jk¼ nk ¼ ¼ fnj fnj nk fnj¼ fnj¼ nk jk ¼ ¼
nk· jnk ·jk¼ nk jk nk jk A
3- fuEufyf[kr esa ls fdUgha rhu jkxksa dk ’kkL=h; ifjp; fyf[k;s A 30 v& ’kq) lkjax c& jkxsJh l& dkSalh dkUgM+k n& e/kqoarh b& fea;k eYgkj A Write the theoritical description of any three Ragas from the following:- (a) Shuddha Sarang (b) Rageshree (c) Kaunsi Kanhada (d) Madhuvanti (e) Miya Malhar. 4- fuEufyf[kr esa ls fdUgha nks jkxksa esa ik¡p&ik¡p mPp Lrjh; vkyki fyf[k;s%& 10 v& njckjh dkUgM+k c& jkxsJh l& HkfV;kj n& e/kqekn lkjax Write five high standerd Alaps each in any two Ragas from the following:- (a) Darbari Kanhada (b) Rageshree (c) Bhatiyar (d) Madhumad Sarang. 3/- IKSV XVI-XVII 18 IKSV XVI-XVII 18 xhraktfy twfu;j fMIyksek] ijh{kk&2017 GEETANJALI JUNIOR DIPLOMA, EXAM 2017 lqxe laxhr LIGHT MUSIC le;% 3 ?k.Vs iw.kkZad&75] U;wuakd&25 Time: 3 hrs. Max.M.75 Min.M.25 lwpuk%& izFke iz”u vfuok;Z gS A “ks’k esa ls fdUgha pkj iz”uksa dks gy Note: First question is compulsory.Attempt any four questions from dhft;s A lHkh iz”uksa ds vad leku gSa A the rest. All questions carry equal marks. *** 1. Write True-False:- 1-1-1- lR;@vlR; fyf[k;s%& (a) All shuddha notes are used in raag Yaman. v& jkx ;eu esa lHkh Loj ’kq) yxrs gSa A (b) There are four vibhagas(divisions) in Rupak taal. c& :id rky esa pkj foHkkx gksrs gSa A (c)Flute is a string instrument. l& c¡klqjh ,d rr~ ok| gS A (d) Presence of Aroh-Avaroh is necessory in a thaat. n& FkkV esa vkjksg&vojksg dk gksuk vko’;d gS A (e) A Sher of a ghazal may have more than two lines. b& x+t+y ds ’ksj esa nks ls vf/kd iafä;k¡ gks ldrh gSa A (f) Dadra is a folk music taal basically played on Dholak. Q& nknjk ewyr%