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SPECTACULAR MOUNTAIN COURSES – THE FULL LOOP DISCOVERY, SIGHTSEEING, EXCURSIONS AND GOLF (7 × 18) 12 nights / 13 days; 7 × 18 holes golf rounds Golf Courses • Bad Ragaz • Andermatt Swiss Alps • Engadine • Crans Montana • Zuoz • Gstaad-Saanenland • Alvaneu Bad • Engelberg-Titlis Highlights • European Seniors Tour Venue Bad Ragaz • St. Moritz and the Engadine • Zermatt and the Matterhorn • European Tour Venue Crans Montana • Jungfraujoch (3’454m) by cog wheel train • Steamboat cruise on Lake Lucerne from Package includes • 7 × 18-holes rounds of golf CHF 3´750.– • Excursion to Jungfraujoch per person • Steamboat cruise on Lake Lucerne • 12 nights acc. dbl. B&B 3*/4*/5* • Rental Car Cat. D, shared by 2 SWITZERLANDS MOST SPECTACULAR AND TESTING ALPINE GOLF COURSES This tour is a truly unique trip to Switzerlands most spectacular and testing alpine golf courses, iconic mountain resorts such as St. Moritz, Zermatt, Crans Montana, Gstaad and Interlaken and a choice of the top highlights you can find in Switzerland: The Matterhorn, the Jungfraujoch and Lucerne. Golf Courses Hotels Attractions Both, Crans Montana and Bad Ragaz Depending on your budget and required Experience St. Moritz, the cradle of are venues of the European respec- level of comfort you have a choice modern tourism. Visit Zermatt and tively European Seniors Tour. But all ranging from typical, small and cosy 3* admire the Matterhorn, the king of all the 7 selected golf courses are truly hotels to luxurious 5* palaces. mountains. Ride up to the Jungfraujoch unique by their design and pristine «Top of Europe» (3’454m) by cogwheel locations. train and participate in a hole-in-one shootout. -
The Pomegranate Cycle
The Pomegranate Cycle: Reconfiguring opera through performance, technology & composition By Eve Elizabeth Klein Bachelor of Arts Honours (Music), Macquarie University, Sydney A PhD Submission for the Department of Music and Sound Faculty of Creative Industries Queensland University of Technology Brisbane, Australia 2011 ______________ Keywords Music. Opera. Women. Feminism. Composition. Technology. Sound Recording. Music Technology. Voice. Opera Singing. Vocal Pedagogy. The Pomegranate Cycle. Postmodernism. Classical Music. Musical Works. Virtual Orchestras. Persephone. Demeter. The Rape of Persephone. Nineteenth Century Music. Musical Canons. Repertory Opera. Opera & Violence. Opera & Rape. Opera & Death. Operatic Narratives. Postclassical Music. Electronica Opera. Popular Music & Opera. Experimental Opera. Feminist Musicology. Women & Composition. Contemporary Opera. Multimedia Opera. DIY. DIY & Music. DIY & Opera. Author’s Note Part of Chapter 7 has been previously published in: Klein, E., 2010. "Self-made CD: Texture and Narrative in Small-Run DIY CD Production". In Ø. Vågnes & A. Grønstad, eds. Coverscaping: Discovering Album Aesthetics. Museum Tusculanum Press. 2 Abstract The Pomegranate Cycle is a practice-led enquiry consisting of a creative work and an exegesis. This project investigates the potential of self-directed, technologically mediated composition as a means of reconfiguring gender stereotypes within the operatic tradition. This practice confronts two primary stereotypes: the positioning of female performing bodies within narratives of violence and the absence of women from authorial roles that construct and regulate the operatic tradition. The Pomegranate Cycle redresses these stereotypes by presenting a new narrative trajectory of healing for its central character, and by placing the singer inside the role of composer and producer. During the twentieth and early twenty-first century, operatic and classical music institutions have resisted incorporating works of living composers into their repertory. -
Lucia Di Lammermoor
LUCIA DI LAMMERMOOR An in-depth guide by Stu Lewis INTRODUCTION In Gustave Flaubert’s Madame Bovary (1857), Western literature’s prototypical “Desperate Housewives” narrative, Charles and Emma Bovary travel to Rouen to attend the opera, and they attend a performance of Lucia di Lammermoor. Perhaps Flaubert chose this opera because it would appeal to Emma’s romantic nature, suggesting parallels between her life and that of the heroine: both women forced into unhappy marriages. But the reason could have been simpler—that given the popularity of this opera, someone who dropped in at the opera house on a given night would be likely to see Lucia. If there is one work that could be said to represent opera with a capital O, it is Lucia di Lammermoor. Lucia is a story of forbidden love, deceit, treachery, violence, family hatred, and suicide, culminating in the mother of all mad scenes. It features a heroic yet tragic tenor, villainous baritones and basses, a soprano with plenty of opportunity to show off her brilliant high notes and trills and every other trick she learned in the conservatory, and, to top it off, a mysterious ghost haunting the Scottish Highlands. This is not to say that Donizetti employed clichés, but rather that what was fresh and original in Donizetti's hands became clichés in the works of lesser composers. As Emma Bovary watched the opera, “She filled her heart with the melodious laments as they slowly floated up to her accompanied by the strains of the double basses, like the cries of a castaway in the tumult of a storm. -
Avant Première Catalogue 2018 Lists UNITEL’S New Productions of 2017 Plus New Additions to the Catalogue
CATALOGUE 2018 This Avant Première catalogue 2018 lists UNITEL’s new productions of 2017 plus new additions to the catalogue. For a complete list of more than 2.000 UNITEL productions and the Avant Première catalogues of 2015–2017 please visit www.unitel.de FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CATALOGUE 2018 Unitel GmbH & Co. KG Gruenwalder Weg 28D 82041 Oberhaching/Munich, Germany CEO: Jan Mojto Editorial team: Franziska Pascher, Dr. Martina Kliem, Arthur Intelmann Layout: Manuel Messner/luebbeke.com All information is not contractual and subject to change without prior notice. All trademarks used herein are the property of their respective owners. Date of Print: February 2018 © UNITEL 2018 All rights reserved Front cover: Alicia Amatriain & Friedemann Vogel in John Cranko’s “Onegin” / Photo: Stuttgart Ballet ON THE OCCASION OF HIS 100TH BIRTHDAY UNITEL CELEBRATES LEONARD BERNSTEIN 1918 – 1990 Leonard Bernstein, a long-time exclusive artist of Unitel, was America’s ambassador to the world of music. -
La Sonnambula 3 Content
Florida Grand Opera gratefully recognizes the following donors who have provided support of its education programs. Study Guide 2012 / 2013 Batchelor MIAMI BEACH Foundation Inc. Dear Friends, Welcome to our exciting 2012-2013 season! Florida Grand Opera is pleased to present the magical world of opera to the diverse audience of © FLORIDA GRAND OPERA © FLORIDA South Florida. We begin our season with a classic Italian production of Giacomo Puccini’s La bohème. We continue with a supernatural singspiel, Mozart’s The Magic Flute and Vincenzo Bellini’s famous opera La sonnam- bula, with music from the bel canto tradition. The main stage season is completed with a timeless opera with Giuseppe Verdi’s La traviata. As our RHWIEWSRÁREPI[ILEZIEHHIHERI\XVESTIVEXSSYVWGLIHYPIMRSYV continuing efforts to be able to reach out to a newer and broader range of people in the community; a tango opera María de Buenoa Aires by Ástor Piazzolla. As a part of Florida Grand Opera’s Education Program and Stu- dent Dress Rehearsals, these informative and comprehensive study guides can help students better understand the opera through context and plot. )EGLSJXLIWIWXYH]KYMHIWEVIÁPPIH[MXLLMWXSVMGEPFEGOKVSYRHWWXSV]PMRI structures, a synopsis of the opera as well as a general history of Florida Grand Opera. Through this information, students can assess the plotline of each opera as well as gain an understanding of the why the librettos were written in their fashion. Florida Grand Opera believes that education for the arts is a vital enrich- QIRXXLEXQEOIWWXYHIRXW[IPPVSYRHIHERHLIPTWQEOIXLIMVPMZIWQSVI GYPXYVEPP]JYPÁPPMRK3RFILEPJSJXLI*PSVMHE+VERH3TIVE[ILSTIXLEX A message from these study guides will help students delve further into the opera. -
Ernst Kovacic Biography Biography Violin / Conductor Conductor
Ikon Arts Management Ltd Suite 114, Business Design Centre 52 Upper Street , London N1 0QH t: +44 (0)20 7354 9199 f: +44 (0)870 130 9646 [email protected] m Ernst Kovacic Biography www.ikonarts.com Violin / Conductor “‘One of the most creative and accomplished violinists worldwide” The Sunday Times Website www. ernstkovacic.com Contact Pippa Patterson Email pippa @ikonarts.com Vienna, with its fruitful tension between tradition and innovation, inspires the Austrian violinist and conductor Ernst Kovacic. A regular visitor to Britain, Ernst Kovacic has worked with all of the major UK orchestras, most recently appearing with the BBC Scottish Symphony Orchestra performing Gyorgy Ligeti’s Violin Concerto and later performing Tchaikovsky’s Violin Concerto with the Ulster Orchestra. Ernst Kovacic is a leading performer throughout Europe and the USA. His recent guest engagements include appearances with the Vienna Philharmonic and Vienna Symphony, Rotterdam Philharmonic Orchestra, Czech Philharmonic, Prague Symph ony, Detroit Symphony, Budapest Symphony, Netherlands Radio Philharmonic, Tivoli Symphony and the Radio Symphony Orchestras of Berlin, Bayerischer Rundfunk, Sudwestfunk, Hessischer Rundfunk, Norddeutscher Rundfunk and the Konzerthausorchester Berlin among many others. Ernst makes frequent international festival appearances. He gave a critically /acclaimed performance of the Schoenberg Violin Concerto at the BBC Proms and has appeared at the Edinburgh Festival, the major festivals of Berlin, Vienna and Salzburg, as well as the Ultima Oslo and Prague Autumn Festivals. Increasingly busy as a conductor, Ernst has been the artistic director of the Le opoldinum Chamber Orchesta in Wroclaw, Poland since 2007. He has directed the Scottish Chamber Orchestra, Ulster Orchestra, Northern Sinfonia, Camerata Salzburg, Deutsche Kammerphilharmonie, Klangforum, Ensemble Modern, Stuttgart Chamber Orchestra, Camera ta Bern, Camerata Nordica, Zagreb Philharmonic and the Taipei Symphony Orchestra. -
Maia Gachechiladze
Maia Gachechiladze Personal data Date of Birth: 03.12.1959 Place of birth: Tbilisi, Georgia Marital Status: married Contact details: Residence: 21 Chavchavadze ave., 0159 – Tbilisi, Georgia Phone: (+995 32)2 91 34 12 / home Cell-phone: (+995) 599 105657 E-mail: [email protected] Key qualifications: Drama production Opera production Event’s and concert’s staging Lecturer Professional Experience: Current job: From 2014 Meliton Balanchivadzes’ Kutaisi State Opera House & Music Hall 17 Tsminda Nino street, Kutaisi-4600, Georgia Phone: (+995 431)242432 Web: Kutaisiopera.ge Position: Director From 2013 Tbilisi State Conservatoire 8/10 Alexsander Griboedov Street Tbilisi-0108, Georgia Phone:(+995 32)2 987186 Web:conservatoire.edu.ge Position: Lecturer/Producer Responsibilities and duties: Teaching acting techniques to future opera singers Conducting operas From 2005 Tbilisi State Movie and Theater University 19 Shota Rustaveli Ave., Tbilisi, Georgia Phone: (+995 32) 2 999411 - 1 - e-mail: [email protected] Web:tafu.edu.ge Position: Lecturer Associated Professor Responsibilities and duties: Teaching acting techniques to future actors Conducting onstage performances 2011-2014 Meliton Balanchivadzes’ Kutaisi State Opera House & Music Hall Position: Director 2008-2012 Tbilisi State Conservatoire Associated Professor 2005-2010 The Georgian National Opera and Ballet Theater of Tbilisi Director 2000-2005 Tbilisi State Movie and Theater University Teacher 1984-2000 Tbilisi State Movie and Theater University Associate Director 1983-2007 Tbilisi State Conservatoire Teacher Different times was working as a Stage manager with L. Ioseliami, R. Mirtskhulava, T.Abashidze, T.Bukhbinder, M.Kuchukhidze, A. Kutateladze, G.Lortkipanidze and others at Tbilisi State Movie and Theater University. -
The Bernese Oberland
HOTELS ON THE ROUTE: ERMITAGE Wellness- & Spa-Hotel, Hotel Eden Spiez, BEATUS Wellness- & Spa-Hotel, Hotel Kirchbühl, Beausite Park Hotel 25 « » The Best of INCLUDED IN THE PACKAGE * 5 nights, 1 night in each of the following: 27 ERMITAGE Wellness- & Spa-Hotel*****, Gstaad-Schönried the Bernese Oberland 29 Hotel Eden Spiez****S 3 30 BEATUS Wellness- & Spa-Hotel*****, Merligen Activity, gourmet and wellness tour M E R L I G E N S P I E Z 32 Hotel Kirchbühl****, Grindelwald 2 G R I N D E L W A L D 31 Beausite Park Hotel****S, Wengen Daily sumptuous breakfast buffet and 4 or 5-course gourmet dinner 4 * W E N G E N Free use of the wellness and fitness facilities in the hotels 5 * * Boat trip across Lake Thun with apéritif and finger food * Luggage transfer from hotel to hotel (from Spiez to Merligen your 1 luggage and bike can be transferred by boat) G S T A A D - S C H Ö N R I E D * 1 hiking map of the Jungfrau region per reservation * Detailed route planner and digital map app for your smartphone * On request (with surcharge): 3-day e-bike- or CountryBike rental DETAILS FOR BIKE AND HIKING ROUTE PRICES PER PERSON IN DOUBLE ROOM Offer available from 17/05 – 29/09/2020. From 30/09 – 19/10/2020 a shorter Stage 1: Gstaad-Schönried – Spiez by bike (4 nights) version is available. 49,4 km 3:32 h 180 m 827 m easy CHF EUR 5 nights excluding bike rental 1'526.- 1.387,– Stage 2: Merligen – Grindelwald by bike 5 nights including CountryBike for 3 days 1'637.- 1.488,– 34,7 km 3:16 h 667 m 122 m medium 5 nights including e-bike for 3 days 1'712.- 1.556,– Stage 3: Alpiglen – Kleine Scheidegg on foot BEST OF Single room supplement 76.- 69,– 8,5 km 3:25 h 786 m 339 m medium © Interlaken Tourismus © Interlaken Tourismus Bernese Oberland Is there a destination you particularly like? Why not stay a little longer! We’ll 5 nights from gladly book an extra night’s stay for you. -
The Italian Girl in Algiers
Opera Box Teacher’s Guide table of contents Welcome Letter . .1 Lesson Plan Unit Overview and Academic Standards . .2 Opera Box Content Checklist . .8 Reference/Tracking Guide . .9 Lesson Plans . .11 Synopsis and Musical Excerpts . .32 Flow Charts . .38 Gioachino Rossini – a biography .............................45 Catalogue of Rossini’s Operas . .47 2 0 0 7 – 2 0 0 8 S E A S O N Background Notes . .50 World Events in 1813 ....................................55 History of Opera ........................................56 History of Minnesota Opera, Repertoire . .67 GIUSEPPE VERDI SEPTEMBER 22 – 30, 2007 The Standard Repertory ...................................71 Elements of Opera .......................................72 Glossary of Opera Terms ..................................76 GIOACHINO ROSSINI Glossary of Musical Terms .................................82 NOVEMBER 10 – 18, 2007 Bibliography, Discography, Videography . .85 Word Search, Crossword Puzzle . .88 Evaluation . .91 Acknowledgements . .92 CHARLES GOUNOD JANUARY 26 –FEBRUARY 2, 2008 REINHARD KEISER MARCH 1 – 9, 2008 mnopera.org ANTONÍN DVOˇRÁK APRIL 12 – 20, 2008 FOR SEASON TICKETS, CALL 612.333.6669 The Italian Girl in Algiers Opera Box Lesson Plan Title Page with Related Academic Standards lesson title minnesota academic national standards standards: arts k–12 for music education 1 – Rossini – “I was born for opera buffa.” Music 9.1.1.3.1 8, 9 Music 9.1.1.3.2 Theater 9.1.1.4.2 Music 9.4.1.3.1 Music 9.4.1.3.2 Theater 9.4.1.4.1 Theater 9.4.1.4.2 2 – Rossini Opera Terms Music -
The American Opera Series May 16 – November 28, 2015
The American Opera Series May 16 – November 28, 2015 The WFMT Radio Network is proud to make the American Opera Series available to our affiliates. The American Opera Series is designed to complement the Metropolitan Opera Broadcasts, filling in the schedule to complete the year. This year the American Opera Series features great performances by the Lyric Opera of Chicago, LA Opera, San Francisco Opera, Glimmerglass Festival and Opera Southwest. The American Opera Series for 2015 will bring distinction to your station’s schedule, and unmatched enjoyment to your listeners. Highlights of the American Opera Series include: • The American Opera Series celebrates the Fourth of July (which falls on a Saturday) with Lyric Opera of Chicago’s stellar production of George Gershwin’s Porgy and Bess. • LA Opera brings us The Figaro Trilogy, including Mozart’s The Marriage of Figaro, Rossini’s The Barber of Seville, and John Corigliano’s The Ghosts of Versailles. • The world premiere of Marco Tutino’s Two Women (La Ciociara) starring Anna Caterina Antonacci, based on the novel by Alberto Moravia that became a classic film, staged by San Francisco Opera. • Opera Southwest’s notable reconstruction of Franco Faccio’s 1865 opera Amleto (Hamlet), believed lost for over 135 years, in its American premiere. In addition, this season we’re pleased to announce that we are now including multimedia assets for use on your station’s website and publications! You can find the supplemental materials at the following link: American Opera Series Supplemental Materials Please note: If you have trouble accessing the supplemental materials, please send me an email at [email protected] Program Hours* Weeks Code Start Date Lyric Opera of Chicago 3 - 5 9 LOC 5/16/15 LA Opera 2 ½ - 3 ¼ 6 LAO 7/18/15 San Francisco Opera 1 ¾ - 4 ¾ 10 SFO 8/29/15 Glimmerglass Festival 3 - 3 ½ 3 GLI 11/7/15 Opera Southwest Presents: Amleto 3 1 OSW 11/28/15 Los Angeles Opera’s Production of The Ghosts of Versailles Credit: Craig Henry *Please note: all timings are approximate, and actual times will vary. -
Handel Arias
ALICE COOTE THE ENGLISH CONCERT HARRY BICKET HANDEL ARIAS HERCULES·ARIODANTE·ALCINA RADAMISTO·GIULIO CESARE IN EGITTO GEORGE FRIDERIC HANDEL A portrait attributed to Balthasar Denner (1685–1749) 2 CONTENTS TRACK LISTING page 4 ENGLISH page 5 Sung texts and translation page 10 FRANÇAIS page 16 DEUTSCH Seite 20 3 GEORGE FRIDERIC HANDEL (1685–1759) Radamisto HWV12a (1720) 1 Quando mai, spietata sorte Act 2 Scene 1 .................. [3'08] Alcina HWV34 (1735) 2 Mi lusinga il dolce affetto Act 2 Scene 3 .................... [7'45] 3 Verdi prati Act 2 Scene 12 ................................. [4'50] 4 Stà nell’Ircana Act 3 Scene 3 .............................. [6'00] Hercules HWV60 (1745) 5 There in myrtle shades reclined Act 1 Scene 2 ............. [3'55] 6 Cease, ruler of the day, to rise Act 2 Scene 6 ............... [5'35] 7 Where shall I fly? Act 3 Scene 3 ............................ [6'45] Giulio Cesare in Egitto HWV17 (1724) 8 Cara speme, questo core Act 1 Scene 8 .................... [5'55] Ariodante HWV33 (1735) 9 Con l’ali di costanza Act 1 Scene 8 ......................... [5'42] bl Scherza infida! Act 2 Scene 3 ............................. [11'41] bm Dopo notte Act 3 Scene 9 .................................. [7'15] ALICE COOTE mezzo-soprano THE ENGLISH CONCERT HARRY BICKET conductor 4 Radamisto Handel diplomatically dedicated to King George) is an ‘Since the introduction of Italian operas here our men are adaptation, probably by the Royal Academy’s cellist/house grown insensibly more and more effeminate, and whereas poet Nicola Francesco Haym, of Domenico Lalli’s L’amor they used to go from a good comedy warmed by the fire of tirannico, o Zenobia, based in turn on the play L’amour love and a good tragedy fired with the spirit of glory, they sit tyrannique by Georges de Scudéry. -
SB Saanen Bank AG
U.S. Department of Justice Tax Division Washll?(lora. D.C 20530 CDC:TJSawyer 5-16-4731 2014200744 July 22, 2015 Keith Krakaur, Esquire Gary DiBianco, Esquira Skadden, Arps, Slate, Meagher & Flom LLP Four Times Square .-. New York, NY 10036-6522 Re: SB Saanen Bank AO DOJ Swiss Bank Program - Category 2 Non-Prosecution Agreement Dear Mr. DiBianco: SB Saanen Bank AG submitted a Letter of Intent on December 23, 2013, to participate in Category 2 of the Department of Sustice's Program for Non-Prosecution Agreements or Non Targct Letters for Swiss Banks, as announced on August 29, 2013 (hereafter "Swiss Bank Program.,). This Non-Prosecution Agreement (.. Agreement") is entered into based on the representations of SB Saancn Bank AG in its Letter of Intent and information provided by SB Saanen AG pursuant to the terms of the Swiss BAnk Program. The Swiss Bank Program is incorporated by reference herein in its entirety in this AgRemcnt.1 Any violation by SB Saanen Bank AO of the Swiss Bank Program will constitute a breach of this Agreement On the undcrstandin~ specified below, the Department of Justice will not prosecute SB .-. Saanen Bank AG for any tax-related offenses under Titles 18 or 26, United States Code, or for any monetary transaction offenses under Title 3 J, United States Code, Sections 5314 and 5322, in connection with undeclared U.S. Related Accounts held by SB Saanen Bank AG during the Applicable Period (the "conduct''). SB Saanen Bank AO admits, accepts, and acknowledges responsibility for the conduct set forth in the Statement of Facts attached hereto as Exhibit A and agrees not to make ony public statement contradicting the Statement of Facts, This Agreement docs not provide any protection against prosecution for any offenses except as set forth above, and applies only to SB Saanen Bank AG and does not apply to any other entities or to any individuaJs.