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Probable Deletions (PDF
LIST OF PROBABLE ENTRIES IDENTIFIED TO BE DELETED FROM ELECTORAL ROLL DISTRICT NO & NAME :- 7 THRISSUR LAC NO & NAME :- 69 KAIPAMANGALAM STATUS - S- SHIFT, E-EXPIRED , R- REPLICATION, M-MISSING, Q-DISQUALIFIED. LIST OF PROBABLE ENTRIES IDENTIFIED TO BE DELETED FROM ELECTORAL ROLL DISTRICT NO & NAME :- 7 THRISSUR LAC NO & NAME :- 69 KAIPAMANGALAM PS NO & NAME :- 1 Govt. ITI (SCDD) Chuloor East Bldg. Western Portion SL.NO NAME OF ELECTOR RLN RELATION NAME SEX AGE IDCARD_NO STATUS 4 Jibu F Sidhardhan M 34KL/09/066/291272 S 12 Simi K Soman F Soman F 28DBD1599638 S 17Nisha P S H Aji A F 32DBD1449511 S 20 Kunju Muhammed F Ismail M 67ZOZ0194688 S 24Jamal F Veeravu M 48ZOZ0200113 S 25Hajarabi H Jamal F 48DBD1115252 S 27Shakeer F Abdu M 33DBD1038165 S 28Thahir F Muhammed M 27ZOZ0188979 S 31 Semeena K B F Basheer F 20ZOZ0419432 S 33Mohanan F Raman M 47KL/09/066/291628 S 34Rathna F Mohanan F 44KL/09/066/291656 S 35 Unnikrishnan F Raman M 42DBD1118298 S 38 Sudha H Unnikrishnan F 31DBD1337229 E 39 Vibin Mohandas F Mohanan M 25ZOZ0036848 S 40Sreedevi H Binoy F 24ZOZ0119263 S 41Binoy F Mohanan M 24ZOZ0113688 S 42 Basheer F Kunjimon M 44DBD1155043 S 43 Abdul Kareem F Kunjimon M 35KL/09/066/291164 S 44Fayha H Basheer F 35DBD1184597 S 45 Shahina H Abdulkareem F 33BNT1184233 S 79 Rajendran F Sreedharan M 41KL/09/066/291061 S 101 Sanjith F Sathyadevan M 33KL/09/066/291090 S 124 Sudheer F Chandraprakasan M 38DBD1424282 S 126 Prathibha H Satheeshkumar F 36DBD1222231 S 127Smitha H Sajikumar F 35LJG1172139 S 153 Abdullakkutti F Moideenkutty M 46DBD1206622 S -
22/02/2018 GOVERNMENT of KARNATAKA Page No
22/02/2018 GOVERNMENT OF KARNATAKA Page No. : 1 DEPARTMENT OF PRE UNIVERSITY EDUCATION, BANGALORE FINAL SENIORITY LIST (PART - II) OF LECTURERS WORKING IN GOVT PU COLLEGES FOR THE PERIOD FROM 01-05-1998 TO 12-04-2012 ---------------------------------------------------------------------------------------------------- CU.NO SLNO U SUB NAME OF THE LECTURER Date of Date of Date of Date of Caste Birth Entry into Rep/Prom/ Eligiblity service Regularise ---------------------------------------------------------------------------------------------------- BLOCK - XVII FROM 28-08-1998 TO 01-12-2002 DIRECT RECRUITEES 7332 1 G CHE SATISHDATTA BIRKODI 20/07/1970 20/02/1999 20/02/1999 20/02/1999 7333 2 G CHE MOHAN KUMAR YA 22/07/1971 20/02/1999 20/02/1999 20/02/1999 7334 3 G MAT LATHA PV 05/01/1968 22/02/1999 22/02/1999 22/02/1999 7335 4 G MAT NAGARAJAPPA S 20/03/1969 22/02/1999 22/02/1999 22/02/1999 7336 5 G CHE VIJAYAKUMAR BR 06/03/1963 25/02/1999 25/02/1999 25/02/1999 SC 7337 6 G MAT KRISHNA P 20/05/1969 01/03/1999 01/03/1999 01/03/1999 7338 7 G MAT SUVARNA S MALGHAN 07/06/1968 05/03/1999 05/03/1999 05/03/1999 7339 8 G CHE PADMAVATHI T 26/06/1969 11/03/1999 11/03/1999 11/03/1999 SC 7340 9 G CHE PARAMESHWAR M 03/02/1972 11/03/1999 11/03/1999 11/03/1999 7341 10 G BIO PUSHPALATHA HD 25/06/1969 15/03/1999 15/03/1999 15/03/1999 SC 7342 11 G GEO ASHOK PARASAPPA TALAKERI 24/06/1969 17/03/1999 17/03/1999 17/03/1999 SC 7343 12 G BUS JAGADEESHA KM 22/06/1968 02/08/1999 02/08/1999 02/08/1999 7344 13 G BUS SHIVANNA H 20/03/1966 06/08/1999 06/08/1999 06/08/1999 -
Megastar: Chiranjeevi and Telugu Cinema After NT Ramo
1 Whistling Fans and Conditional Loyalty hat can cinema tell us about the politics of our time? There can of Wcourse be little doubt that studies of the cinema, from Siegfried Kracauer's magnum opus on German cinema (2004) to M.S.S. Pandian's (1992) study of MGR, have attempted to answer precisely this question. The obscene intimacy between film and politics in southern India provides an opportunity for students of cinema to ask the question in a manner that those in the business of studying politics would have to take seriously. This chapter argues that this intimacy has much to do with the fan-star relationship. Chiranjeevi's career foregrounds the manner in which this relationship becomes one of the important distinguishing features of Telugu cinema, as also a key constituent of the blockage that it encounters. Earlier accounts of random by social scientists (Hardgrave Jr. 1979, Hardgrave Jr. and Niedhart 1975, and Dickey 1993: 148-72) do not ponder long enough upon this basic question of how it is a response to the cinema. As a consequence, their work gives the impression that the fan is a product of everything (that is, religion, caste, language, political movements) but the cinema. I will argue instead that the engagement with cinema's materiality—or what is specific to die cinema: filmic texts, stars and everything else that constitutes thjs industrial-aesthetic form—is crucial for comprehending random. STUDYING FANS Fans' associations (FAs) are limited to south Indian states.1 Historically speaking, however, some of the earliest academic studies of Indian 4 Megastar Whistling Fans and Conditional Loyalty 5 popular cinema were provoked, at least in part, by the south Indian occasion to discuss (mis) readings of audiences at some length in the star-politician and his fans (for example, Hardgrave Jr. -
42420Revised Seniority List of Itis.Pdf
Income Tax Department, Andhra Pradesh Telangana Region Date:03/12/2015 Revised Seniority List of Income Tax Inspectors (from 1986-87 to 2014-15) ANNEXURE - 8 S.NO Name of the ITI DR/PR Category Date of Birth Recruitment year 1 MAHABOOB SHARIFF PR UR 24/07/1934 1986-87 2 SITARAMA PANTULU AV PR UR 02/04/1939 1986-87 3 I S MAZHONIA DR UR 16/03/1945 1986-87 4 NAGENDRA RAO TPVK PR UR 01/04/1938 1986-87 5 SHARMA TVK PR UR 19/11/1937 1986-87 6 SANJEEV CH DR SC 29/05/1959 1986-87 7 N T R SATKOPACHARYULU PR UR 01/10/1935 1986-87 8 PRASAD RAO MSV PR UR 10/01/1936 1986-87 9 FAZAULLAH SA DR UR 23/12/1959 1986-87 10 K DAMODAR PILLAI PR UR 16/02/1934 1986-87 11 KAMESWARA RAO J PR UR 15/12/1937 1986-87 12 VENKATARAMANA R DR UR 24/12/1950 1986-87 13 NARAYANA RAO GV PR UR 30/07/1938 1986-87 14 ANJANEYULU KVSR PR UR 02/07/1937 1986-87 15 SUBBA RAO P DR UR 18/06/1958 1986-87 16 APPADORAI KV PR UR 31/12/1945 1986-87 17 B SATYANARAYANA MURTHY PR UR 04/04/1934 1986-87 18 VENKATANARAYANA B DR UR 14/08/1941 1986-87 19 S A KAREEM PR UR 01/07/1934 1986-87 20 RAMA MOHAN RAO CH PR UR 01/07/1936 1986-87 21 SOMLAL RATHOD DR ST 02/07/1949 1986-87 22 KOTILINGAM B PR UR 01/06/1948 1986-87 23 KRISHNA RAO P PR UR 01/07/1939 1986-87 24 RAMA MOHAN V DR SC 10/07/1960 1986-87 25 JAGANNNADHA SWAMY J PR UR 16/11/1944 1986-87 26 SHYAM SUNDER RAO V PR UR 02/01/1938 1986-87 27 NARAYANA RAO M DR UR 01/07/1957 1986-87 28 SRI HARI PRASAD P PR UR 04/11/1946 1986-87 29 SESHAIAH D PR UR 22/05/1943 1986-87 30 RASMI DR UR 14/08/1964 1986-87 31 RAJA SESHAIAH PR UR 01/07/1939 1986-87 32 -
Megastar: Chiranjeevi and Telugu Cinema After N T Ramo Rao/ S.V
After NTR Telugu Mass Film and Cinematic Populism Tn the previous chapter, I discussed the critical importance of the •J. social history of the cinema hall. Now I will focus on films, which are, after all, the reason why the populace gathers before the screen. In my examination of the films of Chiranjeevi, I will ask if there is anything at all in these films that can give us insights into the 'excessive' responses we encountered in the previous chapter. While I have suggested that these responses are usefully located as cinephiliac, the task of demonstrating their relationship to the screen remains. In this chapter and the rest of the book, I examine the Telugu film 'genre' locally known as the mass film, which was, by far, the most influential and economically important genre in the Telugu film industry in the 1980s and 1990s. Chiranjeevi is closely identified with the mass film but all other major Telugu stars of his generation featured in films of this genre. The mass film is useful for opening up the question of how the cinema may be political. This question will be an important focus of my discussion of the genre. Furthermore, in the mid-1990s the mass film and its stars became a part of a major crisis in the Telugu film industry. The crisis was, in part, a result of the collapse of the mass film, as also its past success. The examination of the mass film allows us to see how populism and blockage dovetail and in turn implicate Telugu cinema's superstars. -
INDIAN OVERSEAS BANK Page 1 of 29 Clerical to Officer As on 31.12.2013
INDIAN OVERSEAS BANK Human Resources Development Department Page 1 of 29 No 763, Anna Salai , Chennai-600002 Clerical to Officer as on 31.12.2013 - Post :JM I - PROMOTEE Cycle No SL No UR or Reserved for Emp No Emp Name Recruitment Dt Caste_Category Reserved 1 1 UR 5490 MANOHAR ANANT NAGAP 21.03.1973 UR UR 1 2 UR 8022 SAMEER NATVARLAL AGARWAL 15.10.1973 UR UR 1 3 UR 5783 RAJENDRAN A 26.12.1974 UR UR 1 4 UR 8915 LATABEN HARSHADKUMAR BRAH 17.01.1975 SC UR 1 5 UR 8972 SHAILENDRAKUMAR SAXENA 08.02.1975 UR UR 1 6 UR 9404 PRADEEP KUMAR SANYAL 21.05.1975 UR UR 1 7 SC-1 9363 SRIDHAR SARKAR 26.05.1975 UR UR 1 8 UR 9402 SRIRAM V 16.06.1975 UR UR 1 9 UR 9681 GUNASEKARAN G 15.09.1975 SC UR 1 10 UR 5982 NARAMALA SIDDAIAH 06.10.1975 UR UR 1 11 UR 9902 TRIVEDI BHARAT H 20.11.1975 UR UR 1 12 UR 10010 NISIT KUMAR HALDAR 04.12.1975 UR UR 1 13 UR 43331 RAMPRAKASH M N 09.12.1975 UR UR 1 14 ST-1 10353 MENON RAMA KRISHNAKUMAR 29.03.1976 UR UR 1 15 SC-2 10462 MAN MOHAN SHARMA 03.05.1976 UR UR 1 16 UR 10643 NARASIMHAN R 21.06.1976 UR UR 1 17 UR 10726 SREEDHARAMOORTHY E 05.07.1976 UR UR 1 18 UR 10732 RAJASEKARAN A 05.07.1976 UR UR 1 19 UR 10823 ABRAHAM JOSEPH J 19.07.1976 UR UR 1 20 SC-3 43281 LUCIAN D SOUZA 19.07.1976 UR UR 1 21 UR 10855 GUPTA R K 29.07.1976 UR UR 1 22 UR 6216 NARSIAH G 01.09.1976 SC SC-1 1 23 UR 10938 MOHD BELLAL HUSSAIN 08.09.1976 UR UR 1 24 UR 11146 MITHLESH SHARMA 24.10.1976 UR UR 1 25 UR 11166 MEENAKSHI S 09.12.1976 UR UR 1 26 UR 11464 KAILASH CHANDRA BISWAS 14.02.1977 SC SC-2 1 27 SC-4 11103 BASKAR S 15.02.1977 UR UR 1 28 ST-2 11510 JAYARAMAN -
S.No. NAME FATHER NAME 1 JAGDISH KUMAR NANAK CHAND
S.No. NAME FATHER NAME 1 JAGDISH KUMAR NANAK CHAND 2 KEWAL KISHAN KALI DASS 3 ANIL KUMAR HARPAL SINGH 4 SUKHBIR SINGH CHANDER BHAN 5 VINOD KUMAR MISHRI LAL 6 MUKESH KUMAR GANPAT RAM 7 SRI RAM JAMINDAR 8 RAMJI LAL KALESHWAR 9 BABU LAL TOTA RAM 10 UTTAM KUMAR SHIV CHARAN 11 VED PARKASH RAM PARSAD 12 NEMI CHAND NARAIN LAL 13 RAJBIR SINGH PITAMBER SINGH 14 RAMESH CHAND OM PRAKASH 15 MAHESH OM PRAKASH 16 SURENDER SINGH ILAM CHAND 17 RAJ KUMAR RAM AVTAR 18 NET RAM GOKUL SINGH 19 ANIL KUMAR RAM CHANDER 20 AMAR NATH RAM NATH 21 VIRENDER SINGH RAM SINGH 22 GAJENDER DEV VASUDEV 23 PARVINDER DEV BASU DEV 24 BAL KISHAN MANGAL RAM 25 VINOD KUMAR OM PRAKASH 26 MAHINDER SINGH RAGHUVIR SINGH 27 RAJINDER SINGH LAL SINGH 28 MUKESH KUMAR RAJENDER PD 29 SATYAPRAKASH TRIKHA SINGH 30 GYANESHWAR PD DWARIKA PD 31 SANT KUMAR MITHAN LAL 32 BOBBY UMRAO SINGH 33 GURU PRASAD RAM BABU 34 SAHAB SINGH KALE RAM 35 NAWAL KISHOR JHANU MAL 36 PREM CHAND SHYAM LAL 37 MAHESH KUMAR VAID SHANKAR LAL VAID 38 PREM CHAND SHYAMI 39 VIRENDER KUMAR OM PRAKASH 40 JAI PARKASH DEVI RAM 41 SHRI PAL MULOO RAM 42 LUXMAN DASS MOHAN LAL 43 HARI NIWAS GANDEN LAL 44 RAM RATAN TIKA RAM 45 GURMEET SINGH GURBAKSH SINGH 46 VIJAY KUMAR BANWARI LAL 47 PREM CHAND DEEN DAYAL 48 CHHOTOO RANVIR SINGH 49 LALIT KUMAR ARJUN SINGH 50 RAMJI LAL NET RAM 51 BALWANT SINGH KUNDAN SINGH 52 PAWAN KUMAR CHANDU LAL 53 GANJEDER SODAN 54 OM PARKASH KISHORI LAL 55 GOPAL MANGE LAL 56 AMIT KUMAR LT SH BIRBAL 57 KISHAN LAL BALU RAM 58 MUKESH KUMAR MOOL CHAND 59 VINOD KUMAR BABU LAL 60 DEPUTY SINGH DEEP CHAND 61 MUKESH -
The Rhetoric of Masculinity and Machismo in the Telugu Film Industry
TAMING OF THE SHREW: THE RHETORIC OF MASCULINITY AND MACHISMO IN THE TELUGU FILM INDUSTRY By Vishnupriya Bhandaram Submitted to Central European University Department of Sociology and Social Anthropology In partial fulfillment of the requirements for the degree of Master of Arts Supervisors: Vlad Naumescu Dorit Geva CEU eTD Collection Budapest, Hungary 2015 Abstract Common phrases around the discussion of the Telugu Film Industry are that it is sexist and male-centric. This thesis expounds upon the making and meaning of masculinity in the Telugu Film Industry. This thesis identifies and examines the various intangible mechanisms, processes and ideologies that legitimise gender inequality in the industry. By extending the framework of the inequality regimes in the workplace (Acker 2006), gendered organisation theory (Williams et. al 2012) to an informal and creative industry, this thesis establishes the cyclical perpetuation (Bourdieu 2001) of a gender order. Specifically, this research identifies the various ideologies (such as caste and tradition), habituated audiences, and portrayals of ideal masculinity as part of a feedback loop that abet, reify and reproduce gender inequality. CEU eTD Collection i Acknowledgements “It is not that there is no difference between men and women; it is how much difference that difference makes, and how we choose to frame it.” Siri Hustvedt, The Summer Without Men At the outset, I would like to thank my friends old and new, who patiently listened to my rants, fulminations and insecurities; and for being agreeable towards the unreasonable demands that I made of them in the weeks running up to the completion of this document. -
Vidya Is the New Item Girl
| | MONDAY 20 FEBRUARY 2012 HANS TALKIES 11 Vidya is the TOLLYWOOD TALK Samantha is new item girl super busy f Vidya Balan's sari-clad, am honoured," added the 33-year- traditional look is reminis- old actress.Vidya is currently gear- Icent of the evergreen ing up for her next film fter blockbuster hit Rekha, the similarity is meant "Kahaani", directed by Sujoy A‘Dookudu’, the demand for to be! The actress says she has Ghosh. The movie is scheduled south siren Samantha is going to always been inspired by for release on March 9. new heights. She has a host of Rekha, be it her looks, The sensuous performance in movies in her kitty. Her diary her attitude or her body songs `Ooh La La', `Naak Mukka' this year is already chock-a-block of work. At a recent from her last release, 'Dirty Pic- with Telugu, Tamil and Hindi award function in Mumbai, ture', has helped Vidya Balan own movies. Now, the talk doing the two actresses looked her first item-song. Vidya will be rounds in the Tinsel town is that quite similar, and Vidya seen doing a lavani number in the actress may have decided not only feels flaterred with the Sharman Joshi starrer, `Ferrari Ki to sign any new projects. compliment. Sawaari', yet to be released. Ask She is currently doing a Gau- "This is the biggest her if this is the fall-out of `Dirty tham Vasudev Menon’s movie ti- compliment. I am in- Picture', and Vidya says: "May be tled ‘'Neethanae En spired by Rekha. -
VIA MAR Entertainment Home
VIA MAR Entertainment Home: Via Mar Entertainment is a unit of MB Corporation, a company that produces films which have been changing the way filmmaking industry works since 1982. Var Mar Entertainment and its highly professional team excel in all aspects of production. About us: -About the Company Founded by producer and actor Manchu Vishnu, Via Mar Entertainment is a full-service commercial and film production company located in Los Angeles, CA. The company makes outstanding feature films and web series in various languages. Via Mar Entertainment is run by a team of experienced commercial producers and creatives whose combined skills contribute to the high quality our company provides in terms of production services. Our team is what gives us a market edge and what makes our production innovative and unique. Via Mar’s parent company, Mohan Babu Corporation, has over 35 years of experience in filmmaking in India. The films produced by this company include Dynamite, Singam 123, Current Theega, Anukshanam, Rowdy, Pandavulu Pandavulu Tummeda, Doosukeltha, Denikaina Ready, Vastadu Naa Raju, and others. The reputed production house has also produced a range of television shows such as O Inti Katha, Intilo Ramiah Veedilo Krish, HAPPY DAYS, Lakshmi talk show, Aam Aha Kma Kahaa, and Tirumala Mahathyam. Via Mar Entertainment is now ready to follow in the steps of its parent company, exploring the arena of world cinema with equal success, by launching web series and feature films in English, Telugu, Tamil, and Hindi languages. Via Mar Entertainment has a clear vision: we wish to present meaningful stories that will inspire and motivate audiences. -
Pa N O R a M a O F S O U T H C I N E M a Vol 1 Issue 1 October 2009 Rs.50 01
Pa n o r a m a o f s o u t h c i n e m a Vol 1 issue 1 october 2009 rs.50 01 01 www.southscope.in siddharth’s intoxicating signature style i am a technique in myself -Balakrishna Why sizzler ileana’s story unfolded follow us on shraddha das will never do that? Panorama of south cinema Publisher Chief Executive Officer Executive Director Editor- in- Chief Assistant Editor Features Editor Features Writer Editorial Coordinators Tamil Nadu & Kerala Karnataka Mumbai Creative Director Visualiser Senior Graphic Designers Graphic Designers Production Head Creative Consultant Branding & Marketing Director Marketing Managers Moorthy Sreenivasulu Allu Sirish Ramakanth T Vanaja Banagiri Mona Ramavat Karthik Pasupulate Vrinda Prasad Sridevi Sreedhar Aravind G Anil Merani Raj Shekar B Jaya Prakash K P Suresh K Palvai, Suresh CH Ravi Kumar K V, Vamshi Vulavapati Krishna P Priya Gazdar Ayyar S, [email protected] Tvishi Zaveri, [email protected] Raja Reddy M, [email protected] Saroj Kumar Biswal, [email protected] Raghu Kumar Gorthy, [email protected] Sanjay Kumar S, [email protected] Mohan Manoharan, [email protected] Ravanam Swaminaidu Vishnuvardhan Induri, Radhakrishna G [email protected] or SMS SCOPE to 56263 [email protected] Circulation National Manager Deputy Manager Regional Manager (Chennai) Consultant- Distribution Board of Advisors Subscriptions: Enquiries: www.southscope.in Southscope takes no responsibility for unsolicited photographs or material. ALL PHOTOGRAPHS, UNLESS OTHERWISE INDICATED, ARE USED FOR ILLUSTRATIVE PURPOSES ONLY Registered Office: #202, Shiva Sai Sannidhi, Dwarakapuri Colony, Punjagutta, Hyderabad 500 034. All rights reserved. Reproducing in any manner without permission prohibited. -
Adani Downsizes Data Park Plans to Only 1 of 200 MW
Follow us on: RNI No. APENG/2018/764698 @TheDailyPioneer facebook.com/dailypioneer Established 1864 Published From ANALYSIS 7 MONEY 8 SPORTS 11 VIJAYAWADA DELHI LUCKNOW FERTILISER DBT MOMENTUM OF ECONOMIC AT 34, MY DAYS ARE BHOPAL RAIPUR CHANDIGARH AN ILLUSION REFORMS WILL CONTINUE: FM NUMBERED: WARNER BHUBANESWAR RANCHI DEHRADUN HYDERABAD *Late City Vol. 3 Issue 18 VIJAYAWADA, TUESDAY NOVEMBER 24, 2020; PAGES 12 `3 *Air Surcharge Extra if Applicable SREE VISHNU TURNS TRUCK DRIVER FOR GAALI SAMPATH { Page 12 } www.dailypioneer.com TODAY HC seeks report on ALMANAC Adani downsizes data park Amaravati Month & Paksham: Ashwin & Krishna Paksha expenditure Panchangam PNS n VIJAYAWADA Tithi : Navami: 12:31 am (Next Day) Nakshatram: Shatabhisha: 01:05 pm plans to only 1 of 200 MW The Andhra Pradesh High Chief Minister YS Jaganmohan Reddy launches Project Abhaya on Monday. Time to Avoid: (Bad time to start SNV SUDHIR 5GW data parks in Vizag Court on Monday expressed any important work) n VIJAYAWADA p A 1GW Data Centre Hub can add an estimated region over a period of time at its displeasure at the State Rahukalam: 07:52 am – 09:15 am different places, but as per the Accountant General for not The proposed data centre park 20 percent to AP’s GDP, the total benefit being revised proposal by the submitting the expenditure of Women’s safety project Yamagandam: 10:39 am – 12:02 pm by integrated infrastructure about Rs 1.75 lakh-crore. Ahmedabad-based business Amaravati capital construc- Varjyam: 08:08 pm – 09:54 pm conglomerate Adani Enterp- house, the capacity of the data tion.