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Most Common Jewish First Names in Israel Edwin D
Names 39.2 (June 1991) Most Common Jewish First Names in Israel Edwin D. Lawson1 Abstract Samples of men's and women's names drawn from English language editions of Israeli telephone directories identify the most common names in current usage. These names, categorized into Biblical, Traditional, Modern Hebrew, and Non-Hebrew groups, indicate that for both men and women over 90 percent come from Hebrew, with the Bible accounting for over 70 percent of the male names and about 40 percent of the female. Pronunciation, meaning, and Bible citation (where appropriate) are given for each name. ***** The State of Israel represents a tremendous opportunity for names research. Immigrants from traditions and cultures as diverse as those of Yemen, India, Russia, and the United States have added their onomastic contributions to the already existing Jewish culture. The observer accustomed to familiar first names of American Jews is initially puzzled by the first names of Israelis. Some of them appear to be biblical, albeit strangely spelled; others appear very different. What are these names and what are their origins? Benzion Kaganoffhas given part of the answer (1-85). He describes the evolution of modern Jewish naming practices and has dealt specifi- cally with the change of names of Israeli immigrants. Many, perhaps most, of the Jews who went to Israel changed or modified either personal or family name or both as part of the formation of a new identity. However, not all immigrants changed their names. Names such as David, Michael, or Jacob required no change since they were already Hebrew names. -
Family-Based Youth Ministry 20 Years Later
EQUIPPING THE GENERATIONS FOR GOSPEL-CENTERED LIVING EDITORIAL Family-Based Youth Ministry 02 TIMOTHY PAUL JONES 20 Years Later Family-Based Youth Ministry, Twenty Years Later VOLUME 4 ISSUE 2 SPRING/SUMMER 2014 FEATURE ARTICLES Southern Seminary Editorial Board Chairman: R. Albert Mohler Jr. 06 TOM NETTLES An Encouragement to Use Catechisms Southern Seminary Editorial Board: Dan DeWitt, Dan Dumas, Adam 28 JOHN DAVID TRENTHAM W. Greenway, Timothy Paul Jones, James A. Smith Sr., Randy Adolescent Moral Development in Christian Perspective L. Stinson, Jeff K. Walters, Steve Watters, Stephen J. Wellum, 52 SHANE PARKER and Gregory A. Wills The Function of Short-Term Mission Experiences in Christian Formation Peer Review Board: Gregg Allison, Phillip Bethancourt, Nathan Finn, Hal 72 JAKE DUNLOW Pettegrew, Brian Richardson, Perceptions of Spiritual Formation in the 21st Century Stuart Scott, Jarvis Williams, John Mark Yeats 104 DAVID SCHROCK Managing Editor Perspectives on Christ-Centered Family Discipleship and Web Content Editor: Coleman M. Ford 116 APPRECIATIVE REFLECTIONS ON THE IMPACT OF Associate Editors: Garrick Bailey and “FAMILY-BASED YOUTH MINISTRY” Nick Weyrens JDFM FORUM Book Review Editor: Lilly Park 118 INTERVIEW WITH MARK DEVRIES - FAMILY-BASED Cover Illustration: Daniel Carroll YOUTH MINISTRY: THEN AND NOW Typographer: Brittany Loop 122 BOOK REVIEWS Editorial Office 134 EQUIPPING THE GENERATIONS and Subscription Services: The Southern Baptist Derek Brown, Organizing for Successful Ministry Theological Seminary, Kevin DeYoung, Two Questions that May Greatly Improve Your Norton Hall 192, 2825 Lexington Road, Church’s Ministry Louisville, Kentucky 40280 Brian Howard, What Works for us (and might work for you) in Editorial Email: Family Worship [email protected] Garrett Kell, Should I Tell My Spouse About Struggles with Sexual Purity? www.familyministrytoday.com David Mathis, Bring the Bible Home to Your Heart R. -
Transcript of Presentation
(slide 1) Presiding at Communion in a Contemporary Service Before getting to the specific topic of presiding at communion in a contemporary service, allow me to do something that I think will help our discussion and time together. Let me take a look at the word “ethos” and then apply it to this activity we call “worship.” Please be patient for just a few minutes and the relevance of everything to our topic today will become apparent. In addition, I ask for your patience for me to answer your specific questions. I will do so. (slide 2) Here is a dictionary definition for the word “ethos”: ethos is the distinguishing character, sentiments, moral nature, or guiding beliefs of a person, group, or institution. If I would try to summarize this definition, (slide 3) here’s how I would do so: it’s the what and why of how something or someone exists and acts. Thus, an ethos is the defining marks in terms of perspective and practices. As you can see in the dictionary definition, a person, a group, or an institution can have an ethos. (slide 4) And, according to worship historian James White, a way of worship can have an ethos, too. As White was working on a scheme to label and distinguish different ways of worship among Protestants, “ethos” is the term he settled on to point to what’s at the heart of a distinctive way of worship. A distinctive tradition of worship, according to White, has a “dominant ethos” that characterizes it. By that he wants to point to the core character, sentiments, and guiding beliefs of a way of worship. -
Battle Belongs Phil Wickham
Battle Belongs Phil Wickham INTRO: VERSE 1: When all I see is the battle, You see my victory When all I see is the mountain, You see a mountain moved And as I walk through the shadow, Your love surrounds me There's nothing to fear now for I am safe with You CHORUS 1: So when I fight, I'll fight on my knees With my hands lifted high Oh God, the battle belongs to You And every fear I lay at Your feet I'll sing through the night Oh God, the battle belongs to You TURN: VERSE 2: And if You are for me, who can be against me? For Jesus there's nothing impossible for You When all I see are the ashes, You see the beauty When all I see is a cross, God, You see the empty tomb BRIDGE: Almighty fortress, You go before us Nothing can stand against the power of our God You shine in the shadow, You win every battle Nothing can stand against the power of our God BRIDGE (last time): Almighty fortress, You go before us Nothing can stand against the power of our God You shine in the shadow, You win every battle Page 1 Nothing can stand against the power of our God CHORUS 2: So when I fight, I'll fight on my knees With my hands lifted high Oh God, the battle belongs to You And every fear I lay at Your feet I'll sing through the night Oh God, the battle belongs to You TAG: Oh God, the battle belongs to You Oh God, the battle belongs to You OUTRO: Page 2 Lion And The Lamb 90.0 BPM in 4/4 Leeland Mooring, Brenton Brown, Brian Johnson INTRO: VERSE 1: He’s coming on the clouds, Kings and kingdoms will bow down Every chain will break, as broken hearts declare His praise -
CHRIST's GLORIOUS RETURN? Report of an Address Delivered by Evangelist R
7j2 WORLD EVENTS IN \THE LI,OHT 'OF :PRC)FHEsCY Vol. 47, No. 17 WARBURTON, • VICTORIA, AUSTRALIA, APRIL 23, 1932 Price Sport & General Photo An impressive service for the victims of the recent submarine disaster being held on board H.M.S. Adamant over the spot where the M2 was located. It is a blessed thought that Christ's glorious return will put an end to death and all sorrow. eAre YOU Preparink, for CHRIST'S GLORIOUS RETURN? Report of an address delivered by Evangelist R. Allan Anderson, in Holloway Hall, London. E are standing upon the This is a fascinating thought, but pare. And yet how little do we hear threshold of eternity. The it is weighty with solemn majesty and from the pulpits of the land about W day of God's vengeance is impressive influence. The shortness the coming of the King! Someone hastening on apace. Soon amid the of life, the solemnity of death, the asks why this is so. Let D. L. rocking earth and the convulsions of fear of hell, or the hope of glory, Moody, the great evangelist of the nature the King of kings will appear sometimes stagger feeble mentality. last century, reply. in all His glory. Are you preparing But greater than all these stands the for His glorious return? fact of the matchless Christ, the MR. MOODY SAID: Nothing can equal the fact that glorious Christ, the Holy One of Is- "I WAS in the church fifteen years Christ is coming back again. "This rael, the Eternal Son of God. -
Annual Report Two Thousand & Fourteen Hillsong Church, Australia Hillsong Church Annual Report 2 Index
Annual Report Two Thousand & Fourteen Hillsong Church, Australia 2 Annual Report Hillsong Church Index Chairperson’s Report 4 The Church I Now See 5 Lead Pastor’s Report 6 General Manager’s Report 7 History 8 Church Services 10 Programs & Services 12 Children 14 Youth 16 Women 18 Young at Heart 20 Pastoral Care 22 Volunteers 24 Creative Arts 26 Worship 28 Conferences 30 Missions 32 Education 34 Local Community Services 36 Overseas Aid & Development 42 The Hillsong Foundation 46 Two Thousand & Fourteen Two Our Board 48 Financial Reports 51 “I see a church Governance 58 that beckons WELCOME HOME to every man, woman and child that walks through the doors.” – Brian Houston (The Church I Now See) 3 Chairperson’s Report Brian & Bobbie Houston As we reflect on the year past, we can truly thank God for His We have now been holding Hillsong Conference since 1986 unwavering goodness and love for humanity. God specialises with the mission: Championing the cause of local churches in lifting people out of tragedy and pain, rebuilding hope and everywhere. With over 22,000 attendees and 19 Christian restoring us to a friendship with Him. denominations represented we celebrate the diversity of the expressions of our faith and gather around the common We as a church are privileged to play our role in seeing lives understanding that a healthy local church can make a positive impacted through the Gospel of Jesus Christ. At Hillsong impact in its community. Church, hundreds of people make a decision to follow Christ each week, a foundational step on a journey of personal It is with this understanding we are enthusiastic about freedom and understanding. -
Gospel with a Groove
Southeastern University FireScholars Selected Honors Theses Spring 4-28-2017 Gospel with a Groove: A Historical Perspective on the Marketing Strategies of Contemporary Christian Music in Relation to its Evangelistic Purpose with Recommendations for Future Outreach Autumn E. Gillen Southeastern University - Lakeland Follow this and additional works at: http://firescholars.seu.edu/honors Part of the Christianity Commons, Liturgy and Worship Commons, Marketing Commons, Music Commons, and the Practical Theology Commons Recommended Citation Gillen, Autumn E., "Gospel with a Groove: A Historical Perspective on the Marketing Strategies of Contemporary Christian Music in Relation to its Evangelistic Purpose with Recommendations for Future Outreach" (2017). Selected Honors Theses. 76. http://firescholars.seu.edu/honors/76 This Thesis is brought to you for free and open access by FireScholars. It has been accepted for inclusion in Selected Honors Theses by an authorized administrator of FireScholars. For more information, please contact [email protected]. GOSPEL WITH A GROOVE: A HISTORICAL PERSPECTIVE ON THE MARKETING STRATEGIES OF CONTEMPORARY CHRISTIAN MUSIC IN RELATION TO ITS EVANGELISTIC PURPOSE WITH RECOMMENDATIONS FOR FUTURE OUTREACH by Autumn Elizabeth Gillen Submitted to the Honors Program Committee in partial fulfillment of the requirements for University Honors Scholars Southeastern University 2017 GOSPEL WITH A GROOVE 2 Copyright by Autumn Elizabeth Gillen 2017 GOSPEL WITH A GROOVE 3 Abstract Contemporary Christian Music (CCM) is an effective tool for the evangelism of Christianity. With its origins dating back to the late 1960s, CCM resembles musical styles of popular-secular culture while retaining fundamental Christian values in lyrical content. This historical perspective of CCM marketing strategies, CCM music television, CCM and secular music, arts worlds within CCM, and the science of storytelling in CCM aims to provide readers with the context and understanding of the significant role that CCM plays in modern-day evangelism. -
February 2004
VOLUME 31/1 FEBRUARY 2004 “Do you not give the horse his strength or clothe his neck with a flowing mane?” Job 39:19 faith in focus Volume 31/1, February 2004 CONTENTS Editorial Whose party are you going to? Uncovering a very present danger 3 It was some years ago that a minister was overhearing several colleagues at a minister’s conference speaking about several high-powered revival meetings Not satisfied with Jesus? When faith is not alone 7 they had experienced. They spoke in glowing terms of how warmly they felt and how much everyone there shared a wonderful spiritual unity. Sons of encouragement 8 This minister shared with them his own experience of a meeting he had come World News 9 from the night before he flew over. He detailed the feelings he had when over Breakthrough 40,000 sang the same songs, held hands, and came away with a truly The lesson in life 11 unforgetable event. Missions in focus His colleagues now were completely captivated by his story. This was something Growing the church in Karamoja extraordinary. And to hear all this from this man who otherwise you would think Prayer points RCNZ food aid to Malawi 12 was the last to be open to such a move of the Spirit! They had to ask him who was the cause for this incredible time. Which special person’s meeting was it? Surfing the Net The upside & downside of the Internet 15 “Oh,” the minister replied, “it was a Paul McCartney concert.” Naturally, those ministers felt somewhat taken in. -
Pentecostal Pastorpreneurs and the Global Circulation of Authoritative Aesthetic Styles
Culture and Religion An Interdisciplinary Journal ISSN: 1475-5610 (Print) 1475-5629 (Online) Journal homepage: http://www.tandfonline.com/loi/rcar20 Pentecostal pastorpreneurs and the global circulation of authoritative aesthetic styles Miranda Klaver To cite this article: Miranda Klaver (2015) Pentecostal pastorpreneurs and the global circulation of authoritative aesthetic styles, Culture and Religion, 16:2, 146-159, DOI: 10.1080/14755610.2015.1058527 To link to this article: http://dx.doi.org/10.1080/14755610.2015.1058527 Published online: 14 Jul 2015. Submit your article to this journal Article views: 335 View related articles View Crossmark data Citing articles: 1 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rcar20 Download by: [Vrije Universiteit Amsterdam] Date: 30 October 2017, At: 06:47 Culture and Religion, 2015 Vol. 16, No. 2, 146–159, http://dx.doi.org/10.1080/14755610.2015.1058527 Pentecostal pastorpreneurs and the global circulation of authoritative aesthetic styles Miranda Klaver* Faculty of Theology and Religious Studies, VU University Amsterdam Amsterdam, The Netherlands This article argues that the rise of ‘pastorpreneurs’ in global neo- Pentecostalism calls for an aesthetic perspective on religious authority and leadership in the context of new media. Different from mainline churches, religious leadership in neo-Pentecostal (In many parts of the world, neo-Pentecostal or new Pentecostal churches have emerged since the 1980s. They are usually independent churches, organized in loose national or transnational networks, Anderson 2004) churches is not legitimised by denominational traditions and the ordination of clergy but by ‘pastorpre- neurs’, (Twitchell uses the term pastorpreneurs to describe megachurch pastors who by using marketing techniques and other entrepreneurial business skills create stand-alone religious communities that challenge top- down denominationalism (2007:3). -
INDUSTRY Q&A: Steve Mcpherson, Manager, Hillsong Music Publishing
WHAT’S INSIDE: INDUSTRY Q&A: Q&A with Steve McPherson, Manager, Steve McPherson, Manager, Hillsong Music Publishing Hillsong Music Publishing News By CCM Magazine Managing Editor, Celebrations Kevin Sparkman and Milestones Church bodies creating their own musical elements, Radio Movement arrangements, and even songs, isn’t really that new of a concept. One of the first congregations Appearances to embark on publishing and making their in Film/TV songs known the globe over, Australia’s Hillsong Church blazed the trail and Steve McPherson has Top Adult been there from the start. With a keen sense of Contemporary Songs ministry on a localized level, initially serving at Hillsong in youth ministry and on worship teams, Top Gospel Songs McPherson has taken his twenty-five year-plus career to now serve the Church through music on Top Rock Songs a worldwide scale. We take a few moments to chat with McPherson about the music, milestones, and Overall Chart Toppers ministry, as well as a little more about him on a personal level (Ever wondered what a guy like him Top Artists jams to while cruising the Sydney streets?) on Social Media Steve McPherson (Continued on page 3) Movement NEWS the current cover artists for the Jun. 15th with hip hop artist Blake Whitely and edition of CCM Magazine. speaker Clayton Jennings. Hillsong UNITED’s sixth studio album John Butler, former Wonder debuted VP of Promotions at at No. 1 and No. 5 on Curb Records, began the iTunes Christian his role as the head and Overall charts. of Christian Music Garnering immediate at Spotify in late April. -
Transnational Pentecostal Connections: an Australian Megachurch and a Brazilian Church in Australia Introduction I Arrived at Th
Transnational Pentecostal Connections: an Australian Megachurch and a Brazilian Church in Australia Introduction1 I arrived at the Comunidade Nova Aliança (CNA) church on a Sunday, a little bit before the 7 pm service. From the street I could hear loud music playing. When I crossed the front door I unexpectedly found myself in a nightclub: the place was dark, lit only by strobe lights, and there was a stage with large projection screens on each side. People were chatting animatedly in the adjacent foyer. They were all young, mostly in their late teens. A young woman came to chat and asked if I were okay, if I knew anyone. Prompted by me, she took me to pastor Henrique and his wife, Denise, whom I had spoken to on the phone the previous Sunday. We exchanged pleasantries and they excused themselves because service was about to start. We all moved on to the audience seats and five young people climbed onto the stage. There were three young males (a guitar and a bass players, and a drummer) and two female singers. Pastor Henrique asked the crowd in Portuguese: “Who wants to be blessed by God?” Everyone raised their arms and replied “yes”. The band started playing worship music. For an hour there was one song praising Jesus after another. Songs were in Portuguese but real-time telecasts of the band and the song lyrics translated into English were beamed onto the screens beside the stage. Everyone was dancing and singing together with the band. Many raised their arms, some kept their eyes closed, others were crying with their hands on their hearts, a few dropped to their knees overwhelmed by emotion. -
[Article] Aboriginal Australian Pentecostals Taking the Initiative in Mount Druitt’S Urban Songlines TANYA RICHES Tanya Riches Is a Ph.D
[Article] Aboriginal Australian Pentecostals taking the initiative in Mount Druitt’s urban songlines TANYA RICHES Tanya Riches is a Ph.D. student at Fuller Theological Seminary, currently investigating worship and social engagement practices of Aboriginal-led congregations in Australia from a missiological frame. Her previous M.Phil. study addressed the global expansion of Australia's Hillsong Church, and is entitled Shout to the Lord! Music and Change at Hillsong: 1996–2007. A well- known singer/songwriter in Australia, Tanya seeks creative ways of illuminating the lived experiences of those at the margins of the worship community. Her first solo album, Grace, was released in 2012. It was composed ecumenically with Christian songwriters in Sydney, and was inspired by listening to the experiences of people with disability. She regularly tours regional and transnational Pentecostal communities, including, most recently, Sicily and Malaysia. In this article I outline a renegotiation of identity boundaries as observed within the musical performance of Initiative Church, an Indigenous-led urban Pentecostal church in the suburb of Mount Druitt, Sydney, Australia, which performs under the name “Mount Druitt Indigenous Choir.” The group’s engagement with its various “others” is evident from its appeal to traditional Indigenous eldership accountability, and its location within a Pentecostal Christian religious identity. Language use and integration of culturally charged identity- markers, however, provide a subversive method of communicating both resistance and reconciliation to dominant culture holders, as music becomes a common point of intersection between various “others”: local Dharug nation elders; nearby dominant-culture Pentecostal congregations; Australian mega-churches, such as Hillsong, that disseminate music; and their North American Pentecostal counterparts, such as Bethel Church in Redding, California.