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Kew PALACE Plan a Spring Day out at One of London’S Lesser-Known Royal Residences, 120 Years After It First Opened to the Public, Says Adrienne Wyper
SLUG HERE Left to right: The Queen’s Boudoir, lined with Dutch paintings; detail of the rug in the King’s Dining Room; the Clerk of the Kitchen’s Office Kew PALACE Plan a spring day out at one of London’s lesser-known royal residences, 120 years after it first opened to the public, says Adrienne Wyper t may be a little less than palatial, but this charm- It’s easy to envisage royal life here: the bedrooms are ing red-brick edifice in the beautiful grounds of restored to how they looked when they were occupied by Kew Gardens offers a fascinating insight into the daughters of King George III and Queen Charlotte. The lives of its former anointed inhabitants. Queen suffered from dropsy (swollen tissues due to excess Built on the banks of the Thames in 1631 for a fluid) and found it uncomfortable to lie down. Among Iwealthy silk merchant, the double-fronted ‘Dutch House’ the period furniture on display is the black horsehair was leased by Queen Caroline, wife of King George II, in chair she used for resting, in which she died in 1818. the 1720s. It was used as an intimate retreat, where the Below stairs, the enormous kitchens are preserved just royal family could escape from public life. In 1781 King as they were when Queen Charlotte died, with the lengthy George III bought the freehold, and it then became a original elm table, scarred by food preparation, as well refuge for him during his periods of ill health, as charted as the copper boilers and charcoal stoves. -
London Heathrow Fact Sheet J
Superbly connected to Heathrow Airport’s AT A GLANCE Terminal 4 via a covered walkway, • 398 guest rooms and suites Hilton London Heathrow Airport oers • Wireless internet access contemporary accommodation and • Three restaurants and a bar on site premium facilities. Whether staying for • LivingWell Health Club, pool, business or leisure, enjoy excellent links to steam room and sauna the capital and convenient air connections • Business Centre and 15 meeting rooms to the world. • 300-delegate capacity events suite • 6 minutes walk to Heathrow Terminal 4 • 30 minutes to central London from 2 0 1 9 2 0 1 8 2 0 1 7 2 0 1 6 2 0 1 5 Europe's Leading Europe's Leading Europe's Leading Europe's Leading Europe's Leading Terminal 4 Airport Hotel Airport Hotel Airport Hotel Airport Hotel Airport Hotel • Easy links to all Heathrow Terminals • Access to Piccadilly line 2 0 1 8 2 0 1 7 World's Leading World's Leading • Elisabeth Line coming soon Airport Hotel Airport Hotel HILTON LONDON HEATHROW AIRPORT Terminal 4, Heathrow Airport, Hounslow Middlesex, London, TW6 3AF United Kingdom T: +44 (0)20 8759 7755 | F: +44 (0)20 8759 7579 E: [email protected] heathrow.hilton.com OUR ROOMS EAT AND DRINK GUEST ROOMS DANCERS BAR Sleep easy in this contemporary 24m2 guest room with air conditioning and Enjoy cocktails, speciality beers and soundproofed windows. Take care of business at the large desk with wireless soft drinks while watching the world go internet access or relax in the easy chair. by from Dancers Bar, the focal point of this amazing atrium. -
2014-15 Sustainability Report
Historic Royal Palaces Sustainability Report 2014/15 Sustainability Report 2014/15 Sustainability information is reported freely by Historic Royal Palaces although publication is not required under the Royal Charter, contract with the Department of Culture, Media & Sports and Charity regulations we are governed by. This is the third year we are publishing our records and actions on the sustainability topic. However there are still limitations with the availability at a granular level and the accuracy of HRP’s sustainability data. We continue to work with all stakeholders to improve data gathering process and quality of information. Energy consumption figures are based on billed amounts and are therefore subject to adjustments in subsequent periods. 1. Our approach to sustainability Historic Royal Palaces is committed to the values of sustainability in the work it undertakes to help everyone explore the palaces and estates it looks after and in the management of its operations. Conservation is at the heart of HRP’s mission, so managing the palaces and the estate with as little environmental impact as possible is important to us. Through our conservation work, we give our buildings, interiors, collections, designed historic landscapes and natural landscapes, species and habitats a future as long and valuable as their past, for the benefit of future generations. We strive to embed sustainability in HRP’s work culture by launching initiatives that encourage good sustainability behaviours with staff (i.e. switching off electronic equipment, setting computers & printers settings to minimise paper waste, improving recycling facilities) and by ensuring that sustainability thinking forms part of project planning mandates and is delivered at a local level through the budgeting process (i.e. -
Event Planner Guide 2020 Contents
EVENT PLANNER GUIDE 2020 CONTENTS WELCOME TEAM BUILDING 17 TRANSPORT 46 TO LONDON 4 – Getting around London 48 – How we can help 5 SECTOR INSIGHTS 19 – Elizabeth Line 50 – London at a glance 6 – Tech London 20 – Tube map 54 – Financial London 21 – Creative London 22 DISCOVER – Medical London 23 YOUR LONDON 8 – Urban London 24 – New London 9 – Luxury London 10 – Royal London 11 PARTNER INDEX 26 – Sustainable London 12 – Cultural London 14 THE TOWER ROOM 44 – Leafy Greater London 15 – Value London 16 Opening its doors after an impressive renovation... This urban sanctuary, situated in the heart of Mayfair, offers 307 contemporary rooms and suites, luxurious amenities and exquisite drinking and dining options overseen by Michelin-starred chef, Jason Atherton. Four flexible meeting spaces, including a Ballroom with capacity up to 700, offer a stunning setting for any event, from intimate meetings to banquet-style 2 Event Planner Guide 2020 3 thebiltmoremayfair.com parties and weddings. WELCOME TO LONDON Thanks for taking the time to consider London for your next event. Whether you’re looking for a new high-tech So why not bring your delegates to the capital space or a historic building with more than and let them enjoy all that we have to offer. How we can help Stay connected Register for updates As London’s official convention conventionbureau.london conventionbureau.london/register: 2,000 years of history, we’re delighted to bureau, we’re here to help you conventionbureau@ find out what’s happening in introduce you to the best hotels and venues, Please use this Event Planner Guide as a create a world-class experience for londonandpartners.com London with our monthly event as well as the DMCs who can help you achieve practical index and inspiration – and contact your delegates. -
British Pa Inters Their Story and Their
H rTP S BRIT ISH PA INT ERS T H EIR ST O RY A ND T H EIR A RT J E . DGC UMBE ST A LEY A UT H OR OF WA TT EA U A ND H I S SCH OOL ET C . WIT H TWENTY -FO UR EXAMPLES IN C OLOUR O F T H EIR WO RK P RE FA C E “ BRI TI SH P A I NT E RS : Their Story and their Art l o f o f is a presentation, in popu ar form , the Story — - British Painting a well worn but never wearying t o Story , which for ever offers fresh charms young o ld and , and stirs in British hearts feelings of patriotism and delight . In a work o f the size of this volume it is im possible to d o more than lightly sketch the more sa lient features o f the glorious panorama o f seven hundred years . My purpose , in this compilation , —t o is threefold . First bring into stronger light the painting glories o f the earlier artists o f Britain many people are unfamiliar with the lives and s o f work of the precur ors Hogarth . Secondly to t reat especially o f the persons and art of painte rs Whose works are exhibited in o u r Public Galleries pictures in private holding are often inaccessible t o o f and the generality people, besides, they — co nstantly changing locality this is true of T — the Royal Collections . hirdl y t o vindicate the a of t o cl im Britain be regarded as an ancient , vii BRIT I S H P A I NT E RS consistent , and renowned Home of the Fine Arts and to correct the strange insular habit o f self depreciation, by showing that the British are supreme as a tasteful and artistic people . -
Gunnersbury Park and Museum Improvements
1 Gunnersbury Park and Museum Introduction Vision Ealing and Hounslow Councils are planning a major programme of works Gunnersbury Park and Museum will become a vibrant to restore and develop Gunnersbury Park and Museum. community hub and a leading visitor destination. It will be a place of enjoyment, discovery and learning by Gunnersbury 2026 is a masterplan that aims to renovate and restore the engaging local, national and international audiences entire site by 2026, which is the centenary of Gunnersbury becoming a public park. This will involve restoring heritage features, fi nding uses for drawn to its historic landscape and building set within an key buildings and new sports and community facilities. extensive parkland offering a wide range of facilities and an inspiring programme of events and activities. In order to make such a large project manageable, it will be undertaken in phases, beginning with the Heritage Lottery Fund(HLF) project. Heritage Lottery Funded (HLF) Projects: 3 10 11 12 1 1. Large Mansion (Gunnersbury Park House) & Museum (See boards 5, 9 6, & 7) 2 5 4 2. Gunnersbury Park Improvements (See boards 8, 9 and 10) 8 Future phases of works: 3. Gunnersbury House (small mansion) - commercial / community 7 options under investigation 4. East and West Stables - commercial / community options under investigation 5. Japanese Garden - future community garden project 6 6. Potomac Lake - community wildlife and fi shing project under discussion Gunnersbury 2026 Masterplan 7. Sports facilities - community sports hub options under investigation Future phases of works 8. Children’s Playground - refurbishment through planned maintenance Proposed Heritage Lottery funded projects area N programme (completed) Improvement to entrances as a part of proposed Heritage Lottery funded projects 9. -
Annual Review 2016/17
Historic Royal Places – Spines Format A4 Portrait Spine Width 35mm Spine Height 297mm HRP Text 20pt (Tracked at +40) Palace Text 30pt (Tracked at -10) Icon 20mm Wide (0.5pt/0.25pt) Annual Review 2016/17 1 2 06 Welcome to another chapter in our story Contents 07 Our work is guided by four principles 08 Chairman’s Introduction 09 Chief Executive – a reflection 10 The Year of the Gardens 14 Guardianship 20 Showmanship 26 Discovery 32 Independence 38 Money matters 39 Visitor trends 40 Summarised financial statements 42 Trustees and Directors 44 Supporters 46 Acknowledgments Clockwise from top left: The White Tower, Tower of London; the West Front, Hampton Court Palace; the East Front, Kensington Palace; the South Front, Hillsborough Castle; Kew Palace; Banqueting House. 4 This year, the famous gardens of Hampton Court Palace took Guardianship: Welcome to centre stage. Already a huge attraction in their own right, this Our work is We exist for tomorrow, not just for yesterday. Our job is to give year the historic gardens burst into even more vibrant life. these palaces a future as valuable as their past. We know how another Prompted by the 300th anniversary of the birth of Lancelot guided by four precious they and their contents are, and we aim to conserve ‘Capability’ Brown, we created a spectacular programme of them to the standard they deserve: the best. chapter in exhibitions, events and activities. A highlight was the royal principles Discovery: opening of the Magic Garden; our playful and spectacular We explain the bigger picture, and then encourage people to our story 21st century contribution to 500 years of garden history. -
Religion and the Investiture of the Monarch: the European Context
Religion and the investiture of the Monarch: The European context NSS researcher Barry Thorpe has found no other investiture of a European monarch with such overt religious, far less sectarian, associations as in the UK. Denmark Last coronation: 1849 In 1660 the coronation ritual was replaced with a ceremony of anointing, where the new king would arrive at the coronation site already wearing the crown, where he was then anointed. This rite was in turn abolished with the introduction of the Danish Constitution in 1849. Today the crown of Denmark is only displayed at the monarch's funeral, when it sits atop their coffin. The present Queen, Margrethe II, did not have any formal enthronement service; a public announcement of her accession was made from the balcony of Christiansborg Palace, with the new sovereign being acclaimed by her Prime Minister at the time (1972), Jens Otto Krag, then cheered with a ninefold "hurrah" by the crowds below. Liechtenstein No coronation Liechtenstein does not use a coronation or enthronement ceremony, although Prince Hans Adam II did attend a mass by the Archbishop of Vaduz, followed by a choral event. Luxembourg No coronation The Grand Duke of Luxembourg is enthroned at a ceremony held in the nation's parliament at the beginning of his or her reign. The monarch takes an oath of loyalty to the state constitution, then attends a solemn mass at the Notre-Dame Cathedral. Netherlands No coronation. Inauguration With the absence of any religious hierarchy within the Dutch Reformed Church, there is no senior religious prelate to crown the new monarch, unlike in Great Britain under the Archbishop of Canterbury. -
Microscopy and Archival Research: Interpreting Results Within the Context of Historical Records and Traditional Practice
Microscopy and archival research: interpreting results within the context of historical records and traditional practice Jane Davies 32 ISSUE 3 SEPT 2006 The analysis of paint samples is an invaluable tool in the armoury of historic paint research. However, powerful as the techniques of pigment, cross-sectional and instrumental analysis may be, they cannot always provide complete answers to the questions posed. Historical records relating to specific buildings and projects, as well as painters’ manuals recording traditional painting techniques can offer clues which are vital to solving analysis puzzles. Historical text records which are particular to buildings and/or paintings can provide definitive dates for paint schemes which could otherwise only be dated approximately if key ‘marker’ pigments with known dates of introduction or obsolescence are present. Reference sources may be useful in suggesting or guiding proposed research and conversely, sample analysis can lead to a reassessment of archive records and a refinement of their interpretation. The application of cross-sectional analysis to the or redecoration decisions. To fulfil this role, I look investigation of architectural paint was pioneered in to a broad range of clues, drawing from diverse the 1970s by Ian Bristow and Josephine Darrah. sources, such as standing structure archaeology and During my research degree I was fortunate enough archival research — using all pieces of evidence to study microscopy with Jo Darrah at the Victoria available. Paper based archives such as accounts, and Albert Museum.This training, together with my correspondence and diaries, and artists images, tend painting conservator’s understanding of artist’s to be site specific. -
Wren and the English Baroque
What is English Baroque? • An architectural style promoted by Christopher Wren (1632-1723) that developed between the Great Fire (1666) and the Treaty of Utrecht (1713). It is associated with the new freedom of the Restoration following the Cromwell’s puritan restrictions and the Great Fire of London provided a blank canvas for architects. In France the repeal of the Edict of Nantes in 1685 revived religious conflict and caused many French Huguenot craftsmen to move to England. • In total Wren built 52 churches in London of which his most famous is St Paul’s Cathedral (1675-1711). Wren met Gian Lorenzo Bernini (1598-1680) in Paris in August 1665 and Wren’s later designs tempered the exuberant articulation of Bernini’s and Francesco Borromini’s (1599-1667) architecture in Italy with the sober, strict classical architecture of Inigo Jones. • The first truly Baroque English country house was Chatsworth, started in 1687 and designed by William Talman. • The culmination of English Baroque came with Sir John Vanbrugh (1664-1726) and Nicholas Hawksmoor (1661-1736), Castle Howard (1699, flamboyant assemble of restless masses), Blenheim Palace (1705, vast belvederes of massed stone with curious finials), and Appuldurcombe House, Isle of Wight (now in ruins). Vanburgh’s final work was Seaton Delaval Hall (1718, unique in its structural audacity). Vanburgh was a Restoration playwright and the English Baroque is a theatrical creation. In the early 18th century the English Baroque went out of fashion. It was associated with Toryism, the Continent and Popery by the dominant Protestant Whig aristocracy. The Whig Thomas Watson-Wentworth, 1st Marquess of Rockingham, built a Baroque house in the 1720s but criticism resulted in the huge new Palladian building, Wentworth Woodhouse, we see today. -
Jewel Tower – Final Interpretation Plan
Jewel Tower FINAL Interpretation Plan Curatorial Department 2012/13 Contents 1. Introduction 1.1 Site summary and context of the plan 1.2 Project team 2. History of the site 2.1 Summary 2.2 History of the building and important associations 2.3 Description and features 2.4 Points of significance 3. Conservation management 3.1 Designations 3.2 Condition survey 3.3 Conservation issues 3.4 Parameters for new interpretation 4. Collections 4.1 Summary of collections 4.2 Collections conservation 5. Audiences 5.1 Visitor numbers 5.2 Analysis 5.3 Education visits 5.4 Neighbouring attractions 5.5 Target audiences 6. Existing interpretation and visitor experience 6.1 Audit of current interpretation 6.2 Guidebook 6.3 Events 6.4 Website 7. Interpretation proposals 7.1 Themes 7.2 Interpretation approach 7.3 The scheme 7.4 Maintenance 8. Appendices i) Future work ii) Copy of visitor questionnaire and results iii) Collections in store iv) Activity sheet v) Education visits at the Houses of Parliament vi) Site plan 2 1. INTRODUCTION 1.1 Site summary and context of the plan The Jewel Tower is a three storey building lying opposite the Houses of Parliament in the heart of London. It was built around 1365 to house Edward III’s personal treasure as part of the palace at Westminster, and is one of the few buildings from this complex to survive today. In the 17th century, the Jewel Tower became the record office for the Houses of Lords and from 1869, it was the home of the Weights and Measures office, which set standards used across the British Empire. -
Simon Thurley, ‘Kensington Palace: an Incident in Anglo-Dutch Architectural Collaboration?’, the Georgian Group Journal, Vol
Simon Thurley, ‘Kensington Palace: an incident in Anglo-Dutch architectural collaboration?’, The Georgian Group Journal, Vol. XVII, 2009, pp. 1–18 TEXT © THE AUTHORS 2009 KENSINGTON PALACE: AN INCIDENT IN ANGLO-DUTCH ARCHITECTURAL COLLABORATION? SIMON THURLEY illiam III was brought up in what is often The second was after the death of Charles II in Wtermed the ‘Golden Age’ of Dutch culture, in when William and Mary became next in line to the a country whose intellectual and artistic singularity throne of England after James II. In this period and creativity were recognised across Europe. William’s court, such as it was, was swelled by He came, as King, to a country that Voltaire saw as English visitors and his palaces were enlarged and having made, since , ‘greater progress in all the made more magnificent, both to entertain them, and arts than in all preceding ages’, and having the to reflect his increased status. These bursts of cultural influence to create in Europe the ‘Age of the architectural activity were triggered by the practical English’. The marriage of the two cultures in the requirements of a prince, rather than being the result person of King William was surely to hold great of a love of building and architectural display such as things for the state of English architecture. Yet, in that which drove his grandparents. In Jacob van reality, the English king who spent more on building der Does wrote of William’s grandfather, Frederik than any other in the seventeenth century led court Hendrik, that he was ‘possessed by such a passion architecture into a cul-de-sac.