Benjamin Schmid & Ariane Haering
Benjamin Schmid & Ariane Haering Romantic Duos year, Felix Mendelssohn and his close friend and Benjamin Schmid & Ariane Haering one-time piano teacher, Ignaz Moscheles, teamed up to write the Fantasy and Variations on the The clear-cut division of labour in Western music “Gypsy March” from Carl Maria von Weber’s La is something of an anomaly when one considers Preziosa, for two pianos and orchestra. Robert and human musical behaviour in general. By far, the Clara Schumann, at the time of their marriage in majority of the world’s music is collaborative, 1840, both contributed to what would become the interactive and participatory, blurring distinctions song collection Gedichte aus Liebefrühling (‘Love’s between composer, performer, and audience. The Spring’, published as op. 37 for Robert and op. Western art tradition, as well as several other art 12 for Clara). Another famous case is that of the traditions such as Arabic and North Indian art music, F-A-E Sonata (1853), written as a gift to Joseph feature far clearer delineations between differing Joachim by Albert Dietrich, Robert Schumann, and roles in the musical ‘assembly line’. In Western art Johannes Brahms. As with the Chopin-Franchomme music, for instance, there is a class of musicians collaboration, composers would often solicit the who are composers; these individual composers assistance of a renowned instrumentalist in joint- produce their own ‘works’; these works are then composition, usually when there were doubts as to performed by an expert class of performers for the technical capabilities of particular instruments. consumption by a passive, receptive audience.
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