Adelaide Hall - Transcript In 1984 Francis Ford Coppola released “The Cotton Club”, a film that depicts the legendary Harlem Jazz Club, where in the 1920s and 30s privileged white patrons would come to enjoy the very best jazz musicians of the day. Little did he know that one of the performers portrayed in the film was alive and well and living in London, but on the film’s release, she was rediscovered at the age of 83 and her career reignited.
The artist was not just a phenomenal jazz singer, she was a pioneer who had blazed a trail for other jazz artists to follow. Her name was Adelaide Hall. Adelaide’s story starts in the early 20C. Harlem was thriving. Known by white New Yorkers as “America’s Black Capital” the population was flourishing and the area enticed the young Arthur and Elizabeth Hall to move from volatile Brooklyn and settle in this clean, well maintained part of town. Arthur was a pianist. One of 13 children, his grandfather was a formerly enslaved African American from Long Island. Elizabeth boasted Pennsylvanian Dutch and North American Shinnecock Indian blood, of which the family was deeply proud. The couple’s eldest daughter Adelaide, had been born on 20 October 1901 and her younger sister Evelyn had followed 2 years later.
Music was in Adelaide’s veins and even as a small child singing came naturally to her. She was close to her father who would call her to his study so she could sing to him. “Sing to the moon Adie”, he would say “And the stars will shine”.
At school her enthusiastic music teacher Miss Corlias, counted future jazz pianist Fats Waller amongst her pupils. Adelaide learnt the ukulele and she and Fats played in the orchestra together. As teenagers Adelaide and Evelyn formed an act “The Hall Sisters”. Evelyn was on piano and Adelaide sang and they became familiar faces in the local venues. Adelaide’s childhood was happy and carefree, but it ended overnight in 1916 with the sudden death of her beloved father. With finances hit hard. Adelaide had to mature overnight.
Worse was to come 2 years later when at the age of only 16 Evelyn died from complications of pneumonia. Grief stricken Elizabeth and Adelaide now only had each other. At her grandmother’s insistence Adelaide attended evening classes to learn needlework and dressmaking and the intention was that Adelaide would become seamstress.
It was not to be however, as at a school concert Adelaide was spotted by the musical impresario Lew Leslie. He later likened her performance to that of a whirling dervish, but he was struck by her voice and foresaw a glittering career for her.
In 1921 Adelaide auditioned for a new all black musical and became one of the chorus. The musical called Shuffle Along opened on Broadway to acclaim and a recognition of African American culture which would lead to what became known as “The Harlem Renaissance”.
The show launched the careers, not just of Adelaide, but of Josephine Baker, Paul Robeson and others and became such a hit that it caused "curtain time traffic jams" on West 63rd Street.