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The World's Best Audio System
04.02.2014 SoundStage! Ultra | SoundStageUltra.com (UltraAudio.com) | The Overwhelming March of Technology: Anthem Statement M1 Mono Amplifiers TOP PRODUCTS FACEBOOK TWITTER BUYING GUIDES ADVERTISERS Home Features Equipment TWBAS Letters >> Network Back Cover The World's Best Audio System The Overwhelming March of Technology: Anthem Statement M1 Mono Amplifiers Follow SoundStageNetwork 4h Email @SoundStageNet Created on Tuesday, 15 January 2013 00:00 Written by Jeff Fritz Note: Measurements performed by BHK Labs can be found through this link. SoundStageNetwork 3 Feb @SoundStageNet Bias is a hard thing to overcome. Even admitting that you have biases, let alone identifying precisely what they are, can be difficult. But such an admission is the necessary first step to being able to control them. High-end audio is fraught with biased reviewers, and I’m no SoundStageNetwork 1 Feb @SoundStageNet exception. I’ve gravitated toward specific types The Best of CES 2014: The weather for this of audio products over the years, and lookingyear’s Consumer Electronics Show couldn’t back, the trend lines are clear. My taste in power amplifiers has been for physically large, heavy hardware. There’s something confidence- inspiring about peering through the top vents of a 150-pound amp and seeing a huge transformer -- you just know that the bass that amp will produce will be subterranean, and that the amp will grip your speakers like a vise. I "know" that about the amp before I listen to it -- that’s the definition of bias, and this one is built into my psyche. When I think back on my audiophile life, I can see where my biases were often based in fact, and confirmed by the accumulated experience of many audiophiles (could they all have had the same bias?). -
Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
Filing Taxes for a Good Cause Baylor and A.J
LADY BEARS TAKE ON LANGSTON HUGHES NOT GOING PRO? ATTEND THE ATHLETIC TEXAS WEDNESDAY PROJECT AND ALL JOB FAIR PAGE 3 PAGE 5 THAT JAZZ PAGE 7 ROUNDING UP CAMPUS NEWS SINCE 1900 THE BAYLOR LARIAT WEDNesdAY, FEBRUARY 13, 2008 Filing taxes for a good cause Baylor and A.J. Moore various different academies in accounting, said. returns in this location than any including finance, A.J. Moore This is the first year Baylor other.” Academy team up junior Josephine Wooten said. students have participated in Both Baylor students and to aid community When the students enter ninth the program, he said. A.J. Moore students have to grade, they decide what acad- “We wanted to get involved go through training to be able By Victoria Turner emy to join. A.J. Moore has been with VITA. We could either set to participate in the program. Reporter offering the Volunteer Income one up ourselves or we could Baylor students take an online Tax Assistant program dur- incorporate (ourselves) (in)to training program and a certifi- This spring, Baylor students ing tax season for the last four another VITA program,” Wilkin- cation exam that is required by are giving back to the Waco years. It provides free aid on tax son said. the IRS, Wilkinson said. community by helping people returns to low-income people. Ron Smith, academy of The A.J. Moore students with their taxes free of charge. “It’s a great service to the finance chairman at A.J. Moore, take a training program as one On Feb. -
1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-18-2007 Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984 Caree Banton University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Banton, Caree, "Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974-1984" (2007). University of New Orleans Theses and Dissertations. 508. https://scholarworks.uno.edu/td/508 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Between Two Giant Sounds: Jamaican Politics, Nationalism, and Musical Culture in Transition, 1974 – 1984 A Thesis Submitted to the Graduate Faculty of the University of New Orleans In partial fulfillment of the Requirements for the degree of Master of Arts In History By Caree Ann-Marie Banton B.A. Grambling State University 2005 B.P.A Grambling State University 2005 May 2007 Acknowledgement I would like to thank all the people that facilitated the completion of this work. -
1 Nr Artiest Album
NR ARTIEST ALBUM 1 PEARL JAM TEN 2 U2 THE JOSHUA TREE 3 METALLICA METALLICA (THE BLACK ALBUM) 4 PINK FLOYD THE DARK SIDE OF THE MOON 5 MICHAEL JACKSON THRILLER 6 NIRVANA NEVERMIND 7 PINK FLOYD THE WALL 8 METALLICA MASTER OF PUPPETS 9 FLEETWOOD MAC RUMOURS 10 QUEEN A NIGHT AT THE OPERA 11 GUNS N' ROSES APPETITE FOR DESTRUCTION 12 DIRE STRAITS BROTHERS IN ARMS 13 EAGLES HOTEL CALIFORNIA 14 PINK FLOYD WISH YOU WERE HERE 15 THE BEATLES SGT. PEPPER'S LONELY HEARTS CLUB BAND 16 QUEEN INNUENDO 17 MEAT LOAF BAT OUT OF HELL 18 BRUCE SPRINGSTEEN BORN IN THE USA 19 PRINCE & THE REVOLUTION PURPLE RAIN 20 MARILLION MISPLACED CHILDHOOD 21 RADIOHEAD OK COMPUTER 22 GUNS N' ROSES USE YOUR ILLUSION 1 23 THE BEATLES ABBEY ROAD 24 QUEEN LIVE AT WEMBLEY '86 25 U2 THE UNFORGETTABLE FIRE 26 METALLICA ...AND JUSTICE FOR ALL 27 PAUL SIMON GRACELAND 28 AC/DC BACK IN BLACK 29 BON JOVI SLIPPERY WHEN WET 30 DIRE STRAITS LOVE OVER GOLD 31 BRUCE SPRINGSTEEN THE RIVER 32 RED HOT CHILI PEPPERS CALIFORNICATION 33 NIRVANA MTV UNPLUGGED IN NEW YORK 34 ROLLING STONES STICKY FINGERS 35 PRINCE SIGN OF THE TIMES 36 COLDPLAY A RUSH OF BLOOD TO THE HEAD 37 LED ZEPPELIN LED ZEPPELIN IV 38 REM AUTOMATIC FOR THE PEOPLE 39 U2 ACHTUNG BABY 40 BRUCE SPRINGSTEEN BORN TO RUN 1 NR ARTIEST ALBUM 41 GUNS N' ROSES USE YOUR ILLUSION 2 42 DEEP PURPLE IN ROCK 43 METALLICA RIDE THE LIGHTNING 44 GREEN DAY AMERICAN IDIOT 45 AC/DC HIGHWAY TO HELL 46 LIVE THROWING COPPER 47 U2 RATTLE AND HUM 48 IRON MAIDEN THE NUMBER OF THE BEAST 49 SIMPLE MINDS NEW GOLD DREAM 50 GOLDEN EARRING THE NAKED TRUTH 51 -
Livin' a Boss' Life
REAL, RAW, & UNCENSORED WEST COAST RAP SHIT TURF TALK BEEDA WEEDA CLYDE CARSON MAC MALL DAMANI & MORE BAY AREA AMBASSADOR - LIVIN’ AE BOSS’40 LIFE * WEST COAST DJs SOUND OFF ON MIXTAPE DRAMA * THE GAME’S BROTHER BIG FASE100 * BUMSQUAD’S LATIN PRINCE & MORE // OZONE WEST Publisher EDITOR’S NOTE Julia Beverly Editor-IN-Chief N. Ali Early Music Editor Randy Roper Art Director Tene Gooden Contributors D-Ray DJ BackSide Joey Colombo Toby Francis Wendy Day Street Reps Anthony Deavers Bigg P-Wee Dee1 Demolition Men DJ E-Z Cutt DJ Jam-X DJ K-Tone DJ Quote MUST BE DREAMIN’ DJ Strong & DJ Warrior John Costen Kewan Lewis Lisa Coleman Maroy been living in Atlanta a good decade and I still haven’t gotten completely accus- Rob J Official tomed to it, nor have I embraced it all the way. What can I say? I’m a Bayboy to the Rob Reyes heart. Anyone who knows me, knows that I rep the Bay – all day, every day. I went Sherita Saulsberry I’vehome for Xmas and all I could think about was what kind of Bay Tees I was gonna snatch so I could have William Major the option of reppin’ my soil every day for two weeks straight (that’s 14, but who’s counting?). Took Moms in there and scooped about eight of ‘em REAL QUICK (already had 6). Alas, I didn’t leave my heart in San Francisco ala Tony Bennett. It’s somewhere in Tha Rich! But I gotta love the A and I gotta give JB props for bringing me on board, ‘cause without the move from Orlando this opportunity may have never cracked off. -
Rodrigo Y Gabriela Announce U.S. Tour Dates, Including the Fox Theatre on June 1
Media Contact: Haley Sheram / Alison Wentley BRAVE Public Relations 404.233.3993 [email protected] [email protected] Rodrigo y Gabriela announce U.S. tour dates, including the Fox Theatre on June 1 Tickets on sale Friday, February 15 at 10 a.m. ATLANTA (February 14, 2019) – Guitar virtuosos Rodrigo y Gabriela are thrilled to announce plans for a major American tour. The headline dates begin May 4 at Austin, Texas' ACL Live at the Moody Theater and then continues into early June, including a stop at Atlanta’s Fox Theatre on Saturday, June 1. In addition, the renowned Mexican acoustic rock guitar duo will make a series of top-billed festival appearances, among them Cleveland, Ohio's LaureLive (June 9). The new tour dates follow a previously announced European tour, set to visit Germany, Belgium, Luxembourg, Ireland, England and France through April. For complete details and ticket information, please visit rodgab.com/tour-dates. Tickets go on sale this Friday at 10 a.m. at FoxTheatre.org, the Fox Theatre Ticket Office, and 855- 285-8499. Ticket prices start at $34.25, plus applicable fees. Single-event access to the Marquee Club presented by Lexus will be available for purchase on top of your show ticket. Marquee Club passes are $55 per person and include an enhanced pre-show through post-show experience with complimentary food and non-alcoholic beverages. The upcoming world tour celebrates Rodrigo y Gabriela's hugely anticipated fifth studio album, METTAVOLUTION, due to arrive via ATO Records on Friday, April 26; pre-orders are available now HERE, with the first 500 pre-orders receiving an exclusive autographed postcard from Rod and Gab themselves. -
Audible Treats Is a Brooklyn-Based Entertainment Marketing and Publicity Firm Specializing in Print and Online Media Coverage
Audible Treats is a Brooklyn-based entertainment marketing and publicity firm specializing in print and online media coverage. We work closely with clients to create customized, effective marketing and publicity campaigns that help our clients meet their objectives. Audible Treats’ affordable pricing and outstanding delivery guarantees a strong ROI and is what has kept customers coming back since 2004. Online Marketing and Media Buys: We construct targeted digital marketing campaigns that build buzz and awareness for your project. We identify the sites that will provide the most impact for your music, game, or movie, and administer every aspect of a new media advertising campaign. Online and Print Publicity: We secure feature articles, interviews, event coverage, and reviews in digital and print outlets large and small. We also orchestrate contests, design unique viral applications including iPhone and Facebook apps, and create unique crossover promotions. Cross-Media Marketing: We are the bridge that connects the worlds of gaming, music, and movies. Uniquely pitching your content to our extensive network of journalists and tastemakers, we allow your product to be embraced across the spectrum of lifestyle and entertainment segments. Content Distribution and Placement: We service and secure exclusive placement for audio and video streams to major online outlets, blogs, and virally seed message boards and online community sites. WHY WORK WITH AUDIBLE TREATS? WHAT CLIENTS HAS AUDIBLE TREATS WORKED WITH? Put simply, no one can match our ability to at once execute an The Audible Treats team is proud to have worked with innovative, eye-catching campaign and circulate promotional companies such as Sony/BMG Music, Universal Music Group, assets to a vast network of online & print media outlets. -
Nile Rodgers in New York City, 1991
Nile Rodgers in New York City, 1991 68 MUSICAL EXCELLENCE Nile Rodgers HE CREATES A DISTINCTIVE SOUND ON THE RECORDS HE WRITES, PRODUCES, ARRANGES, AND PLAYS ON. BY ROB BOWMAN Nile Rodgers’ influence on popular music over the past forty years is nearly unfathomable. As a guitarist, songwriter, producer, arranger, and funkster extraordinaire, Rodgers has left his imprint on a stun- ningly wide array of genres including disco, R&B, rock, mainstream pop, hip-hop, and EDM. Looking over the breadth of his career, a case could easily be made that no single individual has had a greater impact on the sound of pop, from the late 1970s to the present day. ¶ Alongside his partner, bass player wunderkind Bernard Edwards, Rodgers wrote and produced hit after hit for Chic, Sister Sledge, and Diana Ross, tearing up both the dance floor and the radio. After Chic broke up and Rodgers and Edwards went their separate ways, Rodgers broke free of the disco moniker and reinvented himself, producing, arranging, and playing guitar on David Bowie’s come- back album, Let’s Dance (1983), and Madonna’s breakout album, 69 Like a Virgin (1984). Along the way he took INXS and Chic in their prime then Duran Duran to new heights with “Original Sin” with Rodgers and and “The Reflex,” respectively, and produced albums by Bernard Edwards Mick Jagger, Jeff Beck, the B-52s, and David Lee Roth. center stage, 1979 He played key guitar parts on Steve Winwood’s “High- er Love” and Michael Jackson’s HIStory. More recent- ly he cowrote and played guitar on Daft Punk’s “Get Lucky,” winning two Grammy Awards in the process.