Art Gallery of Annual Report 09-1008 09 Annual Report

2008/09 and 2009/10

ISSN 0726-5530 Chairman’s Report ...... 4 Art Gallery of Ballarat 40 Lydiard Street North Director’s Report ...... 6 Ballarat 3350 T 03 5320 5858 Association Report ...... 8 F 03 5320 5791 Women’s Association Report ...... 10 [email protected] www.artgalleryofballarat.com.au Volunteer Guides Report ...... 11 Acquisitions ...... 13 Outward Loans...... 33 Exhibitions ...... 39 Public Programs ...... 43 Education Visits and Programs ...... 46 Donations, Gifts, and Bequests ...... 51 Adopt an Artwork ...... 51 Gallery Staff and Volunteers ...... 53 Board Members ...... 54 Budget Summaries ...... 56

Cover image: detail of gallery facade, August 2009. Image left: Art Gallery of Ballarat facade undergoing restoration, July 2009. Photographs by Ian Wilson Photography. Vision

Utilising our exceptional collection of works of art, and the creative skills, energy and generosity of spirit of our staff and volunteers, we will create a space where all people who visit will be inspired by the arts.

Image: Restored facade of the Art Gallery of Ballarat, 2011. Photograph: Brenda Wellman 3 Chairman’s Report Art Gallery of Ballarat Board of Management

This Report is a ‘bumper’ edition, reporting as it does over 26 August 2008 to the public of Ballarat on a free entry basis. The insight, enthusiasm and creativity contributed by my to the Board ceased just after the end of the financial year two financial years (2008/09 and 2009/10). A glance at the An exhilarating two days followed, with over 6000 people fellow Board members and their ongoing support over with the change of governance model. Her extraordinary exhibitions schedule and list of acquisitions for this period streaming through the spaces, not only experiencing the this period have made possible the Gallery’s projects and dedication has assured the Gallery’s prominent position in reveals the strength and sense of purpose demonstrated by visual splendour of the Gallery collection but also singing, their results. The community is fortunate that our Gallery the heritage and education sectors: thank you Anne. Gallery Director Gordon Morrison. Any visitor to one of the debating, sculpting, hair art and much more. These were just has been able to draw upon their collective experience as 60+ shows presented over the 24 month period covered some of the means by which they could engage with the stewards of the Gallery and to these Board members I say Gordon Morrison’s leadership in the midst all these projects, by this report would not have failed to respond to the visual arts. ‘thank you’. I also acknowledge ex officio Board member, any one of which would have been a demanding on its experience in some way, whether it was to feel challenged, own, has been remarkable. Gordon has steered the Gallery Dr Loris Button - this was a momentous period of activity for delighted or simply inspired. In 2009 the Gallery celebrated its 125th year of existence as through this busy time, continuing to deliver a fabulous the Association and without her considered leadership as a collecting institution and the Mayor Cr Judy Verlin hosted program and the Gallery’s vision. Well done Gordon and a President, progress could not have been made at this pace. What is remarkable is that Gordon’s delivery of the Gallery a City reception where she paid tribute to the work of the sincere ‘thank you’ to the Gallery team, to the Association, programme occurred in a roller coaster period that Association’s previous stewardship of the Gallery and its friends and volunteers. included both a physical and an intangible ‘reconstruction.’ assets. Gallery Association President Loris Button spoke on Board members whose service ended over this period The first of these was a major restoration of the Gallery’s behalf of the Association, giving a fascinating insight into include Mr Brian Hay, Cr Cheryl Bromfield, Cr Peter Innes and Sari Baird wonderful high Victorian façade, jointly funded by the past Association luminaries. Ms Debbie Hill. I must single out one recently retired Board Chair Victorian government and the City of Ballarat. The result has member, Dr Anne Beggs-Sunter. Anne’s 13 years of service reinstated the Gallery as a magnificent tawny hued temple In 2009 of the Gallery’s collection prompted a to the arts in the centre of Ballarat’s prestige business Foundation-led initiative that resonated successfully and district. profoundly with the community. The Adopt an Artwork program has raised funds that have enabled us to restore The second ‘reconstruction’ involved the implementation frames on some of the Gallery’s signature pieces and of a new governance model. By the end of the 2009/10 also to carry out repair works on that had been financial year this work was all but complete and this is donated to the collection but which were in need of urgent the last Annual Report tabled by the Gallery under its conservation and repair. It is hard to adequately express our Board of Management model. All parties agreed on a more appreciation for the generosity of the donors whose funds appropriate model for the Gallery which was established have made possible the return of some much-loved works (just after the end of the financial year 2009/10) as a not for to a condition which displays their attributes. profit company with charitable status. In a neat parallel with the construction work on the façade, this architecture is All of the above would not have been possible without the expected to provide an enduring foundation that will serve financial support of the City of Ballarat. I believe the intensity the Gallery and its community over the next 125 years and of the City’s involvement and interest in the Gallery over beyond. the years covered by this report has been unparalleled and, on behalf of the Board, I express our appreciation to the In the early phases of this process, the Gallery was also asked Mayor Cr Judy Verlin, CEO Mr Anthony Schinck, and Council to consider its position on free entry and on a name change. executives including Mr George Sossi and his team, and

The Art Gallery of Ballarat opened its doors on Mr Ron Egeberg. Image: entry Launch of free the Art to Gallery 2008 of Ballarat, August 4 5 Director’s Report

2009/10 was the first complete year of ‘free entry’ and it has In Your Face! Cartoons about Politics and Society 1760-2010 The Adopt an Artwork Program, launched at the beginning of Permit me to conclude by thanking all of the members of been gratifying to see that the momentum gained in 2008 sought to celebrate a wonderful but little-known area in 2009, continued to gather strength during this period and I the Board and all members of staff for their work on behalf has been sustained, in terms not just of numbers of people the Gallery collection, presenting more than 300 cartoons, am delighted to be able to say that to date nearly $190,000 of the Gallery during the period. It has been a very good through the front door, but of the enjoyment of those who 95 percent of which came from this holding. The show has has been contributed to the conservation of a wide range year, with the promise of even better things to come. came. enabled a large part of this collection to be catalogued and of works of art. Some rooms of the gallery have been utterly new acquisitions to be made, including some wonderful transformed - the Oddie Gallery being a case in point. There Gordon Morrison, Director This was a time of very diverse exhibition programming. gifts from several artists. is now a full schedule of conservation treatments planned Early on the Art Gallery of Ballarat played host to two very for the next 12 months. This program may well be the most different touring exhibitions - the Hans Heysen Retrospective The past year has seen some wonderful new acquisitions successful sponsored art conservation project ever launched from the Art Gallery of South and Great Collections coming in from a range of sources including The Ferry in Australia. from Museums and Galleries NSW. We broke our convention Foundation, the Colin Hicks Caldwell, Maude Glover Fleay, about limiting the numbers of touring exhibitions because Joe White, and Hilton White Bequests. Significant gifts these two shows were simply too good to miss out on. also came through the Cultural Gifts Program. The Maude The latter exhibition, which only travelled outside NSW to Glover Fleay Bequest, which was given over in the main Ballarat, took as its core theme the question why do people to purchasing works by female artists, has now been collect things. With its mix of science, history and art, the exhausted. Its final acquisition is a magnificent work by the show proved extraordinarily popular with . Another award winning Pintupi artist, Yinarupa Nangala. aspect of this show was the connections that could be made between the loans and objects from this collection. This period has been a time of considerable change for the Of all the venues the exhibition toured to, Ballarat was the Gallery, particularly behind the scenes on the Governance only one that was given permission to add works from its front. I would particularly like to take this opportunity to own holdings. This was a testament to the diversity and acknowledge the extraordinary efforts of Board Chair Sari quality of our holdings. Baird. Sari’s attention to detail and ability to perceive the meaning and importance of legal documentation, while The Peter Blizzard: A retrospective exhibition was an keeping sight of the core goals of an art gallery, will stand extraordinarily important event in the history of this gallery, this institution in very good stead in coming years. I’d also honouring a prominent Australian sculptor whose career like to thank the Director Destination & Connections, George is linked with this community. The show and its catalogue Sossi for keeping up the momentum and for steering this were a fitting commemoration of an inspired life. governance change through Council.

Queen: the Unseen Archive was the principal pay exhibition for this period. Following on from the John Lennon: Imagine show of early 2009, its principal aim was to attract new audiences and gain a stronger media profile for the gallery. Image: The Oddie Gallery with paintings and frames after conservation treatment as part of the Adopt an Artwork program. Photograph by Ian Wilson Photography. 6 7 Association Report

On behalf of the Association it gives me great pleasure to members regularly attend exhibition openings where, as At the 2008 Annual General Meeting of the Association, As I conclude my term as President, I would like to report on this significant period in the life of the Association. well as celebrating the achievements of the artists, they are a vote was taken to continue discussions with the City acknowledge the very generous support I have received It has in fact been a period of significant anniversaries. entertained and enlightened by guest speakers of great wit of Ballarat regarding the move to a not for profit Board over the past two years from all members of the Association In 2008 it was 30 years since the Ballarat Fine Art Gallery and erudition. structure. Subsequently the recommendation to support Council and in particular the Executive group, which Association realised that the task of continuing to run and the move of the Board to a not for profit company limited comprised Vice-Presidents Debbie Hill, Claire Blake and maintain the Gallery had moved beyond its scope and We have once again had an impressive exhibitions program by guarantee was approved (at the 2009 Annual General Derek White, Secretary and Public Officer Anne Beggs- handed over the collection, the building and the fiscal with the Association hosting a number of those exhibitions. Meeting). This major task has been ongoing since before Sunter, Treasurer Brian Hay, and former President Garry responsibility for this outstanding cultural asset to the then Recent Acquisitions, Rarely Seen and the Gallery Women’s my time as President and has now moved to conclusion. Taylor. Brian has been joined in dealing with the large and City of Ballaarat. It is important to acknowledge the vision Association Celebrating 30 Years exhibitions enabled the We have been ably served in the long negotiation and growing role of Treasurer this year by Garry Taylor and Mary shown by the Council in providing significant infrastructure community to fully appreciate the generosity of our planning process by all Board members, but special mention Doyle. The Director Gordon Morrison and the Gallery team support to the Gallery. This support is most readily evident benefactors and fundraisers. Hans Heysen, a major touring for their tireless efforts to achieve this outcome is due here have all provided invaluable support along the way and I in the restoration of the façade and the upcoming extension show from the Art Gallery of , proved an to Board Chair Sari Baird and immediate past Association feel especially privileged to have had the opportunity to of the Function Hall and bringing the skylights up to important drawcard for the Gallery and has also enabled us President Garry Taylor. A small cohort of the current Board work with the many individuals who commit their time and museum standard. to see our own iconic Heysen Three Gums in the will continue as members for the first 12 months of the new energies to supporting this splendid gallery. context of the artist’s wider oeuvre. The Association also entity and the Association will be ably represented in this Two years on from the advent of free entry, Association hosted Peter Blizzard - A retrospective, In Your Face! Cartoons way by Garry Taylor and Colin Stephens. Grateful thanks Lorris Button, Association President membership numbers continue to rise slowly but about politics and society 1760-2010, Jeffrey Bren: The Dark are due to retiring Board members Anne Beggs-Sunter and steadily and in 2010 we have for the first time achieved Mirror and the inaugural Rick Amor Drawing Prize. All of these Claire Blake, while Jennifer Jones-O’Neill has kindly agreed to 1500 members. Front of house staff at the Gallery and splendid exhibitions are entirely ‘in house’ productions. We fill a casual vacancy left by Debbie Hill’s resignation. the Association Membership sub-committee all work should be extremely thankful that our small staff team have tirelessly to achieve and maintain this fantastic result. Many the dedication, talent and capacity to deliver such wonders.

Image: Art Gallery of Ballarat Association members, March 2010. 8 9 Women’s Association Report Volunteer Guides Report

2009 was a particularly vibrant and exciting year for the While 2010 was not quite so busy for the Guides, we have The Women’s Association meet at the Gallery on the first We also contributed to the Adopt an Artwork scheme by volunteer guiding group of the Art Gallery of Ballarat. At the had excursions to many places including the Immigration Monday of the month at 11am and have done so for over ‘adopting’ the John Mather painting Morning Walk By the beginning of 2009 the Volunteer Guides recruited a group of Museum and the National Gallery of Victoria in , 30 years. It is interesting to note that over the years our Yarra in early 2010. This has now been restored and is on trainee guides who built up their knowledge of the Gallery the Gallery, the Bendigo Art Gallery, Heide membership numbers have remained fairly stable. Whereas display. through regular education sessions, given by experienced Museum of Modern Art and the Castlemaine Art Gallery and we once held sumptuous luncheons, delicious dinners Guides who are always willing to pass on their wealth of Historical Museum. In 2009 a group went on an extended and elegant openings, the passage of time, government In November 2010 we celebrated 10 years of presenting our knowledge. The trainees also participated in lunchtime talks trip to Darwin which included visits to both private and regulations and changing fashions mean that such events Last Sunday of the Month concerts. These free concerts are and excursions in order to become fully trained Guides and public galleries in that part of the world. In 2010 we had an are no longer possible. However we still abide by our aims popular events in the local musical calendar and promote then joined the team who give their time to provide free overnight trip to the Yarra Valley, visiting artists, glassblowers which are to raise money for Gallery acquisitions and to the Gallery to our community in a very positive manner. tours of the Gallery. and jewellery makers. promote the Gallery. We present a wide variety of artists from students to professional musicians, solo artists, choirs and other The Guides have also offered special tours for temporary Every second year the Gallery Guides On the 25 August 2008 we hosted the launch of the interesting groups. exhibitions including the Hans Heysen, Great Collections, Organisation holds a conference and in 2009 the NGV illustrated children’s book Are we there yet? by local author Talking TAPA: Pasifika Bark Cloth in and In Your hosted over 250 volunteer guides from all over Australia. A Debbie Smith. A capacity crowd enjoyed the morning and The Women’s Association continues to promote music Face: cartoons about politics and social comment 1760 - contingent of 12 Ballarat guides was able to take advantage then the book went on sale at the Gallery shop. and the Gallery and are ever grateful to Gordon Morrison, 2010 exhibitions. These involve a lot of extra training to of this great opportunity to connect with other guiding Anne Rowland and the rest of the staff for their assistance, learn more about other forms of art beyond that of our groups. We were able to host a one day post-conference On 29 May 2009 we celebrated 30 years of service to the cooperation and friendship. own collection. During the Ballarat Heritage Weekend we tour for 25 guides from various states which gave us a Gallery and what a day it was. The opening was attended by provided three tours a day for what is proving to be a very wonderful opportunity to showcase our wonderful Gallery eight of our foundation members, together with past and Janet McCulloch, President popular event on the Ballarat calendar. It is always easy to a new audience. The feedback from the visitors was present members and many guests. All of our additions to when planning these extra services to the Gallery as the extremely positive. the Gallery collection were on display and the catalogue Guides are so willing to put up their hands to expand their was magnificent. After consultation with the Director we Image: Founding members of the Women’s Association at the opening of I would like to thank Gordon Morrison and his staff for all Celebrating 30 years, May 2009. Left to right: Win Menadue, Janet Cromie, knowledge and interact with our visitors. purchased a ceramic piece by John Dermer and presented it Dorothy Andre, Joan Shorten, Shirley Cochran, Eleanor Chisholm, the support they give to the Guides and also the Guides to the Gallery to continue our contribution. Betty Alexander, Leila Guymer. themselves for giving their time so willingly to provide a wonderful service to the visitors to the Gallery. Finally I would like to thank the Committee for their hard work behind the scenes - they are a great team.

Jane Cowles, Volunteer Guides Convenor

Image: Guided tour, Heritage Weekend, May 2010. 10 11 AUSTRALIAN DRAWINGS Mornings and evenings 14, 1983 Acquisitions charcoal & pastel on paper Jeffrey Bren sheet: 76.2 x 56.6 cm, Study for Self portrait watching television, signed l.r.: Cress ‘83/M & E. 14 (circled) circa 1972 (pencil) ink on heavy paper, sheet: 28.1 x 38.1 cm ARCHIVES image: 22.8 x 33.4 cm [irreg] Palliser 7, 1974 Gift of Leon Bren, 2008 acrylic & pencil on paper, William Bradley sheet: 77.0 x 58.0 cm, image: 50.0 x 38.0 cm Carte-de-visite, H.R.H. The Duke of Edinburgh, Fred Cress signed l.r.: Cress 74 Palliser 7 (pencil) Prince Alfred, 1868 Group of 13 drawings black & white photograph, ink, Gift of the artist under the Rehearsals 1, 1988 card: 10.3 x 6.3 cm, Cultural Gifts Program, 2008 pastel & acrylic on paper, photograph: 9.0 x 5.6 cm sheet: 56.6 x 76.2 cm, image: 42.0 x 61.0 cm signed on photograph under portrait: Chantal 12, 1977 signed l.r.: Cress ‘88 “Rehearsals” 1 (pencil) 1868 Alfred (ink), printed base of card: compressed charcoal on paper W.BRADLEY. (royal insignia) 140, PITT image: 34.0 x 27.0 cm, sheet: 76.0 x 56.0 cm Ramkalli 9, 1982 ST. signed l.r.: Cress 77/’Chantal’ 12 (pencil) charcoal on paper, sheet: 76.2 x 57.0 cm Purchased, 2008 signed l.c.: Cress ‘82/”Ramkalli” 9 (pencil) Chantal 14, 1977 pastel, carbon pencil & compressed Ramkalli 29, 1982 charcoal on paper, image: 40.0 x 32.0 cm charcoal & pastel on paper sheet: 76.0 x 56.0 cm, signed l.r.: Cress 77 sheet: 76.2 x 57.0 cm, ‘Chantal’ 14 (pencil) signed l.c.: Cress ‘82/”Ramkalli” 29 (pencil)

Eldila 6, 1977 Rowdes 14, 1976 acrylic, conte & compressed charcoal on compressed charcoal, conte on paper paper, sheet: 75.2 x 52.2 cm image: 52.0 x 41.0 cm, sheet: 71.0 x 50.0 cm image: 54.0 x 44.0 cm, signed l.r.: Cress 77 signed l.r.: Cress ‘76 “Rowdes” 14 (pencil) ‘Eldila 6’ (pencil) Rowdes 44, 1981 Devir 92, 1980 compressed charcoal, acrylic on paper charcoal on paper, image: 26.0 x 20.0 cm sheet: 66.0 x 50.8 cm, signed l.r.: Cress 81 sheet: 57.8 x 38.4 cm, signed l.c.: Cress ‘80 (charcoal pencil)/”Rowdes” 44 (pencil) (charcoal pencil)/Devir 92 (pen)

Devir 117, 1981 charcoal on paper, image: 58.0 x 38.0 cm sheet: 76.0 x 56.4 cm, signed l.c.: Cress ‘81/ Devir 117 (pencil)

Mornings and evenings 3, 1983 Image: August Ahlborn, Kuest bei Amalfi charcoal & pastel on paper, (coast near Amalfi) (detail), 1833, sheet: 76.2 x 56.6 cm, oil on canvas. Purchased with funds from signed l.r.: Cress ‘83/M & E. 3 (circled) The Ferry Foundation, 2008 (pencil) 12 0908 13 09 Shay Docking Ivor Hele Kerrie Leishman Spectrum Books, 2006 Dennis Passalick AUSTRALIAN PAINTINGS Landscape of a Volcanic Plain, Group of four drawings Group of 11 drawings watercolour & pencil on paper Group of three drawings Mt Warrenheip, 1972 Gift of Marcia Rankin, 2009 Gift of the artist under the C sheet: 11.0 x 15.8 cm, image: 9.8 x 13.2 cm Purchased, 2008 Yvonne Audette pencil on paper, sheet: 24.8 x 18.2 cm ultural Gifts Program, 2008 signed l.l.: K.Leishman The Refugees, 1955 inscribed bottom edge: Landscape of a Nude, 1961 Study 1: Myself, Self Portrait in a Hostile oil on canvas, 120.0 x 133.0 cm Volcanic Plain. (Browns, reds, pinks, yellows) pencil on paper, sheet:28.0 x 38.0 cm Beazley’s Latest Fog of Indecision, Tightrope of Tolerance Begins to Fray, Landscape, 1991 signed l.r.: Audette 55-56, u.r.: Audette ‘72 Mt WarrenheipSD (pencil) signed l.l.: Hele 61 (pencil) 14 Sep 2006 21 Sep 2006 charcoal on paper, sight: 22.0 x 28.5 cm Gift of the artist under the Purchased with funds from the pencil on paper, sheet: 20.0 x 26.2 cm pencil & watercolour on paper Cultural Gifts Program, 2008 Maude Glover Fleay Bequest, 2009 Nude, not dated image: 19.0 x 25.4 cm, sheet: 21.4 x 24.0 cm, image: 18.2 x 21.8 cm Study 2: Myself, Self Portrait in a Hostile charcoal pencil on paper signed l.l.: K LEISHMAN (pencil) signed l.l.: K LEISHMAN (pencil) Landscape, 1991 Maurie Carter Peter Grziwotz sheet: 38.0 x 56.0 cm charcoal on paper, sight: 28.0 x 22.0 cm The picket line, 1947 Group of two drawings signed l.r.: Ivor Hele (charcoal pencil) High Rise Development Taking Over Suburbs Turn Down the Volume and We Might Listen, oil on canvas, 48.5 x 38.0 cm Purchased, 2009 in Sydney, 2006 09 Nov 2006 Study 3: Myself, Self Portrait in a Hostile signed l.r.: M.Carter (green), inscribed verso: Figure study, not dated pencil on paper, sheet: 19.8 x 26.0 cm pencil on paper, sheet: 25.8 x 21.8 cm Landscape, 1991 The/PICKET LINE/by/Maurie Carter/1947 Self Portrait, 2007 conte on paper, sheet; 38.0 x 56.0 cm image: 17.6 x 22.2 cm, image: 23.6 x 19.4 cm charcoal on paper, sight: 28.0 x 22.0 cm (pencil) pencil on rag paper, 11.0 x 7.0 cm signed l.l.: Ivor Hele (conte) signed l.l.: K.Leishman signed l.l.: K LEISHMAN (pencil) Purchased with funds from the inscribed verso: PETER GRZIWOTZ/SELF Jan Senbergs Colin Hicks Caldwell Bequest, 2009 PORTRAIT 2007/PENCIL ON RAG PAPER/11 Reclining figure, 1969 How Intolerance Can Turn the Tide, What My Mother Used to Say, 30 Sep 2006 Group of two drawings X 7 CM/MIDDLE pencil & chalk on paper 28 Sep 2006 acrylic on paper, sheet: 20.6 x 23.0 cm Gift of the artist under the Alexander Colquhoun sheet: 33.0 x 53.0 cm pencil & watercolour on paper image: 17.6 x 19.4 cm Cultural Gifts Program, 2008 Old Government House, Jolimont, 1920s Self Portrait, 2008 signed u.r.: Ivor Hele/69 (pencil) sheet: 24.2 x 24.8 cm [irreg] signed l.l.: K LEISHMAN (pencil) oil on wood panel, 22.5 x 32.5 cm biro on paper, mounted on rag paper image: 21.0 x 22.0 cm Lydiard Street North - Ballarat, 2007 signed l.r.: A.Colquhoun 24.50 x 19.5 cm signed l.l.: K LEISHMAN (pencil) Kevin Lincoln pastel on paper, sheet: 111.6 x 76.8 cm Purchased, 2008 inscribed verso: PETER GRZIWOTZ/SELF Self portrait 21 February 1984, 1984 image: 104.5 x 70.8 cm, PORTRAIT 2008/BIRO ON PAPER MOUNTED How to Fix a Broken Heart, 03 Feb 2007 charcoal on paper, sight: 71.0 x 58.0 cm signed l.r.: J.Senbergs.’07. (pencil), inscribed Dale Cox ON RAG PAPER/24.5 X 19.5 CM/RIGHT pencil & gouache on paper Purchased, 2008 l.l.: Lydiard Street-North-Ballarat. (pencil) Shift, 2008 PANEL sheet: 30.0 x 23.6 cm, image: 20.6 x 26.4 cm acrylic on canvas, 91.0 x 198.0 cm signed l.l.: K LEISHMAN (pencil) Felicity Morton Ballarat, 2007 signed l.l.: Dale Cox 2008 (grey paint) Pam Hallandal None are less visible, 2008 pastel & acrylic wash on paper Purchased with funds from the [baby in pusher], not dated Just as Marriage is Coming Back in Vogue, compressed charcoal on paper, triptych, sheet: 49.9 x 69.9 cm, image: 43.3 x 63.2 cm Colin Hicks Caldwell Bequest, 2008 charcoal, conte on paper 24 Aug 2006 each sheet: 76.2 x 56.7 cm signed l.r.: J.Senbergs.’07 (pencil), inscribed sight: 75.1 x 55.3 cm pencil on paper, sheet: 20.6 x 17.2 cm Purchased with funds from the l.l.: Ballarat. (pencil) Fred Cress signed l.r.: HALLANDAL image: 19.2 x 16.2 cm Maude Glover Fleay Bequest, 2008 Receiver of Secrets, 1986 Gift of Elizabeth Cross signed l.l.: K.LEISHMAN Michael Shannon acrylic on canvas,152.0 x 183.0 cm in memory of Ross Phillips, 2008 Baskets, 1973 Gift of the artist under the Raw Truths About the Great Divide, charcoal and crayon on paper Cultural Gifts Program, 2008 31 Aug 2006 sheet: 69.7 x 104.0 cm, signed l.l.: Shannon pencil on paper, correction fluid Purchased, 2008 Anthony Dattilo-Rubbo sheet: 18.6 x 28.8 cm, image: 16.6 x 26.0 cm KurrajongHeights, 1918 signed l.l.: K LEISHMAN (pencil) Emma van Leest oil on canvas, 38.0 x 43.0 cm All matter that exists, 2009 signed l.l.: A Dattilo-Rubbo Small Steps Towards Lasting Peace, finely cut archival paper (& underlined in paint), old label verso 14 Dec 2006 image: 100.0 x 68.2 cm Purchased with funds from pencil & watercolour on paper Purchased with funds from the The Ferry Foundation, 2008 sheet: 20.8 x 21.0 cm, image: 17.2 x 17.2 cm Maude Glover Fleay Bequest, 2009 signed l.l.: K LEISHMAN (pencil) 14 15 Douglas Dundas Jon Molvig Gareth Sansom Lorri Whiting AUSTRALIAN PRINTS Summer wind [study for mural for Central Australia, not dated Grave digger No.II, 1962 Samson Agonistes, 2007 [Composition], not dated S. S. Westralia], 1947 oil on plywood, 71.8 x 91.5 cm oil on composition board, 95.2 x 121.2 cm oil, enamel & collage on linen painted paper collage on canvas Loris Button oil & pencil on canvas board, signed l.l.: William Frater (green paint) signed & dated l.r.: Molvig 62 200.0 x 230.0 cm 96.0 x 116.0 cm Gathering Time, 2007 22.8 x 45.0 cm, signed l.r.: D R Dundas Gift of Dr. Sam Chazan under the Purchased with funds from the Donated through the Australian Gift of the artist, 2008 unique state linoprints on handmade plant Purchased with funds from Cultural Gifts Program, 2008 Colin Hicks Caldwell Bequest, 2008 Government’s Cultural Gifts Program by fibre & cotton rag papers with enamelled The Ferry Foundation, 2008 Gareth Sansom, 2009 James Wigley insect pins, 30 sheets, each sheet: 14.0 x Ginny Grayson Derek O’Connor The food queue, 1946 20.0 cm, installation size 102.0 x 115.0 cm Mary Evatt Silence 1, 2007 Square, 2008 Ernest Smith oil on canvas, 76.5 x 55.5 cm Purchased from the artist, 2008 Portrait of Moya Dyring (in a French town), oil on wood, 19.6 x 12.0 cm oil on board, 35.0 x 35.0 cm Boy at the beach, not dated signed l.r.: J W 1946 (black) 1930s Purchased from the artist, 2008 Purchased with funds from the oil on board, 34.0 x 26.0 cm, signed l.r.: E.S. Purchased with funds from the Fred Cress, Neil Leveson oil on canvas, 40.0 x 45.0 cm Maude Glover Fleay Bequest, 2009 Purchased, 2008 Colin Hicks Caldwell Bequest, 2009 After Tales of Hoffmann, 1988 Purchased with funds from the John Hopkins lithograph on butcher’s paper Maude Glover Fleay Bequest, 2008 Nebuchadnezzar’s Dream, 2007 Vic O’Connor Guy Stuart Heidi Yardley sheet: 50.0 x 57.8 cm, image: 34.0 x 50.0 cm oil on linen, 117.0 x 117.0 cm West Melbourne, circa 1945 Anakie Gorge 1, 2007 Untitled, 2008 signed l.r.: Cress ‘88, inscribed l.l.: Trial Proof Adrian Feint signed l.l.: Hopkins ‘07 (brown paint) oil on canvas, 50.5 x 44.0 cm oil on canvas, 183.0 x 91.5 cm oil on composition board, 15.0 x 14.0 cm “After Tales of Hoffmann” (pencil) Still Life, 1953 Donated through the Purchased with funds from the Purchased with funds from the Gift of Scott Livesey, 2008 Gift of the artist under the oil on board, 29.5 x 24.5 cm Australian Government’s Colin Hicks Caldwell Bequest, 2009 Colin Hicks Caldwell Bequest, 2008 Cultural Gifts Program, 2008 Purchased with funds from the Cultural Gifts Program in memory of Hilton White Bequest, 2009 Samuel and Isobel Hopkins, 2009 Josep Pintaric Edwin Tanner Fred Cress, Neil Leveson, Group of two paintings Nude No.11, Circa 1952 Australian Print Workshop John Firth-Smith Nan Hortin Gift of Sara Vidal under the oil on canvas, 81.5 x 63.5 cm Plays (later run as ‘Telling Tales’), 1988 Untitled, 1985 Form, circa 1946 Cultural Gifts Program, 2008 Purchased with funds from the lithograph on butcher’s paper oil on linen, 91.0 x 274.5 cm oil on composition board, 28.0 x 34.5 cm Colin Hicks Caldwell Bequest, 2008 sheet: 51.1 x 61.1 cm, image: 26.0 x 45.0 cm signed verso: Firth Smith ‘85/JOHN FIRTH Purchased with funds from the Best man, 1991 signed l.r.: Cress ‘88’, SMITH (charcoal) Colin Hicks Caldwell Bequest, 2009 oil on canvas, 51.0 x 61.0 cm Terry Taylor inscribed l.l.: Trial Proof “Plays” (pencil) Donated through the Australian signed l.r.: Pintaric Puco 1991 Prisoners, not dated Gift of the artist under the Government’s Cultural Gifts Program Deborah Johnston oil on canvas, 91.0 x 40.0 cm Cultural Gifts Program, 2008 by Peter Jopling, 2009 Shopping, 2008 Billabong, 1989 signed monogram l.r.: TT oil & charcoal on canvas, 91.6 x 91.6 cm oil on canvas, 110.7 x 200.6 cm Purchased, 2008 Murray Griffin Maude Glover Fleay signed l.r.: DJ/08 (charcoal) signed l.r.: Pintaric Puco 1989 Group of two prints Consider the lilies, not dated Purchased from the artist with funds from Dorothy Thornhill Purchased, 2008 oil on canvas, 76.2 x 45.9 cm the Elinor Morcom Bequest, 2008 Peter Powditch Autumn [study for mural for S. S. Westralia], signed l.r.: Glover/Fleay Arousal 28, 1985-1986 1947 The Journey No. 3, 1969 Gift of Jan Edwards, 2009 Kevin Lincoln mixed media on masonite oil & pencil on board, 40.8 x 40.9 cm linocut on paper, sheet: 38.3 x 48.4 cm Self portrait in mauve shirt, 2008 sight: 89.2 x 120.0 cm signed l.r.: D.THORNHILL (red paint) image: 34.7 x 45.8 cm Ivor Francis diptych on canvas, 96.5 x 325.5 cm Gift of Dr Sam Chazan under the Purchased with funds from signed l.r.: Murray Griffin, Whither going?,1939 Purchased with funds from the Cultural Gifts Program, 2008 The Ferry Foundation, 2008 l.c.: title, l.l.: 1/12 (pencil) oil on canvas on composition board Colin Hicks Caldwell Bequest, 2009 40.0 x 50.5 cm, signed l.r.: FRANCIS I/39 Edward Roper Wukun Wanambi The Journey No. 4, 1969 Purchased with funds from the Ted May Old Times, Woods Point Road, not dated Bamarrungu, 2006 linocut on paper, sheet: 50.5 x 38.2 cm Colin Hicks Caldwell Bequest, 2009 Eureka Translated, 2008 oil on canvas, natural ochres & pigment on bark image: 45.9 x 34.9 cm charcoal & acrylic on canvas, signed l.l.: ERoper (E & R combined), 137.0 x 68.0 cm signed l.r.: Murray Griffin, 183.5 x 229.0 cm, signedl.l.: Ted May 2008 inscription l.l.: OLD TIMES WOODS POINT Purchased with funds from the Colin Hicks l.c.: title, l.l.: 2/20 (pencil) Purchased from the artist with funds from ROAD Caldwell Bequest, 2008 Colin Hicks Caldwell Bequest, 2008 Gift of Mr & Mrs Andrew Ferry, 2008 16 17 Alun Leach-Jones Untitled, 1977 Heather Jane Shimmen AUSTRALIAN WATERCOLOURS DECORATIVE ARTS SCULPTURE Group of nine prints screenprint on paper Group of two prints Gift of the artist, 2008 sheet: 157.9 x 152.2 cm Purchased with funds from the Maryanne Coutts Garry Bish Paddy Freddy Puruntatameri image: 145.6 x 143.7 cm Maude Glover Fleay Bequest, 2008 Stills from February, 2008 Vase form (from the ‘Autumn Geometry’ Purukuparli, 1990 Atlantic, 1973 signed l.r.: A Leach-Jones, l.l.: A/P.2/5, gouache on paper, 4 frames, series), 1989 natural earth pigments on carved screenprint on paper, sheet: 30.7 x 75.3 cm inscribed l.l. of sheet: From the Lost II, 2008 20 sheets per frame, stoneware, glazed, ironwood, string, feathers, h: 279.0 cm, image: 26.9 x 69.0 cm, ‘Voyager Suite’ 1978 (all pencil) linocut print on circle of felt, overall: 181.7 x 171.2 cm, h: 28.0 cm, diam: 13.9 cm, diam at base: 20.0 cm signed l.r.: A Leach-Jones, l.l.: 4/60, on stretched canvas, diam: 51.0 cm [irreg] each frame: 90.7 x 85.6 cm, signed on base with seal, ‘B’ in circle Gift of Ralph Renard under the l.c.: ‘Atlantic’, l.l. of sheet: 1973 (all pencil) Untitled, 1977 sheet (sight): 18.6 x 14.0 cm Gift of David Thomas under the Cultural Gifts Program, 2008 screenprint on paper Lost III, 2008 Purchased from the artist, 2008 Cultural Gifts Program, 2008 Pueblo, 1973 sheet: 158.4 x 152.8 cm linocut print on circle of felt, Margaret Thomas screenprint on paper, sheet: 41.4 x 67.3 cm image: 145.6 x 143.7 cm on stretched canvas, diam: 51.0 cm [irreg] Maryanne Coutts Harold Hughan Bust of Homer, circa 1865 image: 24.8 x 52.1 cm signed l.r.: A Leach-Jones, l.l.: A/P.2/5 Study for ‘Wave’, 1998 Platter, circa 1977 painted plaster on wooden base signed l.r.: A Leach-Jones, l.l.: 20/60, (all pencil) Unknown artist, watercolour on paper, sheet: 19.2 x 28.6 cm stoneware, tenmoku glaze with bust: approx.55.0 x 34.0 x 21.5 cm, base: l.c.: ‘Pueblo’, l.l. of sheet: 1973 (all pencil) after Fred Kruger image: 15.0 x 23.0 cm approx., trailed decoration, diam: 39.0 cm, h: 5.0 cm H:15.0 cm, diam: 25.5 cm, inscribed in Alun Leach-Jones, Sweeney Reed, Album of the Kings and Queens of Victoria, signed l.r.: Coutts (pencil), signed on base with monogram plaster across back of shoulders: M S C Silver and Black, 1967 Macquarie University circa 1890 embossed papermark , l.r.: WATERFORD Gift of David Thomas under the THOMAS. 18… (last numbers illeg) screenprint on paper, sheet: 73.1 x 66.2 cm Sightings, 1977 glazed lithograph images, text page in Gift of the artist, 2008 Cultural Gifts Program, 2008 Purchased with funds from the image: 52.1 x 47.0 cm printed book, 19.9 x 20.3 cm closed tortoise-shell boards, 14.2 x 10.4 cm, each Maude Glover Fleay Bequest, 2009 signed l.r.: A Leach-Jones, l.l.: 8/20, Gift of the artist, 2009 section: 13.7 x 9.1 cm, INTERNATIONAL PAINTINGS Milton Moon l.c.: Silver and Black, l.l. of sheet: 1967 unfolded: 13.7 x 110.0 cm Group of two ceramics Murray Walker (all pencil) F. W. Niven and Co bookplate on last sheet: August Ahlborn Gift of David Thomas under the Buried at sea, Bass Strait, 2000 Album of Ballarat Views, circa 1890 Ex Libris/M. & R. Disney Davidson, text page Kuest bei Amalfi (coast near Amalfi), 1833 Cultural Gifts Program, 2008 plywood & paint on steel base Untitled (Pink Din), 1967 lithographs on 3 sheets of folded paper as Purchased with funds from the oil on canvas, sight: 100.0 x 78.0 cm plywood: 29.0 x 17.0 cm, screenprint on paper, sheet: 63.2 x 62.4 cm leporello, Joe White Bequest, 2008 signed l.r.: Wilh Ahlborn/1833 Large platter, circa 1985 h with base: 39.0 cm, image: 50.3 x 50.3 cm 18.9 x 14.4 cm, each page: 18.2 x 13.6 cm, Purchased with funds from stoneware, glazed, diam: 51.2 cm, h: 6.0 cm signed with monogram verso: signed l.r.: A Leach-Jones, unfolded: 18.2 x 150.1 cm Eugene von Guerard, Hamel & Ferguson The Ferry Foundation, 2008 inscribed on base: Milton/Moon MW in oval/2000/30 (black paint) l.l.: 11/20, l.c. Untitled (Pink Din), green paper imprint of Niven & Co. inside Cataracts near Launceston (), 1867 Purchased, 2008 l.l. of sheet: 1967 (all pencil) back board, bookplate inside front cover colour lithograph on paper Tea bowl, not dated under foldout section: sheet: 43.7 x 58.1 cm, image: 32.2 x 47.9 cm stoneware, glazed, Untitled, 1966 Ex Libris/M. & R. Disney Davidson printed signature l.l.: Eug.v. Guerard, stamp 7.0 x 12.5 cm (irregular h x w) screenprint on paper, sheet: 61.1 x 60.3 cm Purchased with funds from the l.c.: Hamel & Ferguson possible inscribed mark on base image: 52.4 x 53.0 cm Joe White Bequest, 2008 Purchased with funds from the signed l.r.: A Leach-Jones, l.l.: 11/50, Joe White Bequest, 2008 Petrus Spronk l.l. of sheet: Untitled 1966 (all pencil) Lutea’s Imaginary Mountainscapes, 2008 Murray Walker burnished & twice blackfired, Untitled, 1973 Kallista, 1964 10.7 x 15.0 cm screenprint on paper, sheet: 46.9 x 67.8 cm etching on paper, sheet: 31.2 x 59.7 cm, Purchased, 2008 image: 33.0 x 55.2 cm image: 21.3 x 26.4 cm signed l.r.: A Leach-Jones, signed l.r.: Murray Walker (pencil), Angela Valamanesh l.l.: 59/60, l.l. of sheet: Untitled 1973 printed signature l.r.: printed inscription Small bowl, late 1970s (all pencil) l.c.: Kanga, l.l.: Kallista .....[illeg] June 1964 stoneware, glazed, 5.7 x 15.0 cm (all back to front) signed on rim of base with seal, ‘A’ in oval Gift of Leon Bren, 2008 Gift of David Thomas under the Cultural Gifts Program, 2008

18 19 ARCHIVES S. Raphael Clint George Finey Albert Henry Fullwood Rebecca and Ikey, 1917 Six ‘jokes’ for Smith’s Weekly, 07 Jan 1928 [drawing], 1890s British Empire Films Pty Ltd, N.S.W. ink on paper, sight: 21.1 x 20.0 cm ink on paper (six pieces cut from the ink & pencil on card, sheet: 35.3 x 27.1 cm Printing Co. Pty Ltd signed l.r.: S. RAPHAEL CLINT (ink), same sheet) inscribed recto: REMUS (ink), Souvenir magazine, Eureka Stockade, 1949, stamped verso: Published 24-5-17 sheet: 19.7 x 20.7 cm, image: 17.7 x 12.9 cm, l.l.: Why [illeg] the climate so bracing printed booklet, 23.8 x 18.4 cm Purchased with funds from the sheet: 17.7 x 20.6 cm, image: 15.1 x 12.8 cm, you don’t even have to wear a belt (blue Purchased, 2009 Joe White Bequest, 2010 sheet: 19.5 x 20.4 cm, image: 16.9 x 12.8 cm, pencil), inscribed verso: A.H. Fullwood/41 sheet: 20.1 x 18.1 cm, image: 17.6 x 12.8 cm, Kenilworth Court/Putney/SW (blue pencil) Tom Carrington sheet: 17.8 x 18.1 cm, image: 15.2 x 12.9 cm, Purchased with funds from the Rudolph Jenny, engraver It’s Professor Hotchit, They caught him talking sheet: 19.4 x 18.0 cm, image: 16.8 x 12.8 cm Joe White Bequest, 2010 Melbourne Punch, publisher to a Newspaper Boy, circa 1945 signed u.l.: Finey (underlined, ink), Scrapbook collection of pages from ink on paper, sheet: 33.0 x 27.8 cm inscribed RHS: “ow did the foreman makes Dudley Gordon ‘Melbourne Punch’, 1867-1875 signed l.r.: Counihan, his money?/”Teachin Pommies to swear at Keith Young, OAM, 1949 wood engravings inscribed l.l. “Its Professor Hotchit, they a bob/a lesson.” (pencil) signed u.r.: Finey pencil, watercolour & gouache on brown Purchased, 2010 caught him talking to a newspaper boy” (underlined, ink), inscribed RHS: “Adjutant: paper, sheet: 40.3 x 29.4 cm (pencil), publishing annotations in pencil in why won’t he join?/Lieutenant: He wants singned l.l.: Dudley Gordon 49 (ink), London Punch, Bradbury & Evans various hands above image to be a jazzy drummer/or nothing” verso: [illeg]/Choir/master/Wesley Church/ group of two publications Purchased, 2009 (pencil), label verso: Smith’s Weekly/BLOCK Teacher piano/singing and organ/[illeg]/ Purchased, 2009 ORDER... (larger piece) signed u.r.: Finey adjudicator (pencil) George Dancey (underlined, ink), inscribed RHS: “Pommy: Gift of Amy Young through the Punch, vol 46, 1864 Referendum, circa 1911 Is there any pudding, sir?/cocky: Puddin, Central Highlands Regional Library bound volume, printed text & images ink on paper, sight: 30.0 x 23.6 cm blast yer! didn’t yer ave it in yer flaming Corporation, 2010 28.0 x 22.0 x 2.5 cm, label inside front cover: signed l.r.: G.H. Dancey (ink) soup?” (pencil), label verso: Smith’s Weekly/ Bound by/J.Walch & Sons/Hobart Town Purchased with funds from the BLOCK ORDER... (small piece) signed u.r.: Peter Grziwotz Joe White Bequest, 2010 Finey (underlined, ink), inscribed LHS: Group of two drawings Punch, vol.50, 1866 “what’s the meanin of adding a rider to/a Purchased, 2009 bound volume, printed text & images Ambrose Dyson verdict”/”includin the jockeys name in the 28.0 x 22.0 x 2.5 cm, label inside front cover: Group of three drawings result” (pencil) inscribed LHS: “what makes Marlena and Gorilla, 2009 Bound by/J.Walch & Sons/Hobart Town Purchased with funds from the you think he is mean”?/He got the man biro on paper, 30.0 x 21.0 cm Image: Spooner, The Foreign Affairs Department AUSTRALIAN DRAWINGS Joe White Bequest, 2010 who owns the next grave/to let him put London Punch Prepares a Traditional Refugee Welcome (detail), an inscription on his stone/with a finger Self portrait, 2009 Pictures of ‘Punch’, not dated 8 April 2006. Ink and watercolour on paper. Walter Burkitt Bushfires, 1940s pointing to his. (pencil) inscribed LHS: Man biro on paper, 30.0 x 21.0 cm Donated through the Australian Government’s printed book, cloth cover, embossed cover, Group of two drawings ink & paper on card, sheet: 39.8 x 14.4 cm, “which end will ah pitch em, son - the/ Cultural Gifts Program by John Spooner, 2010 30.0 x 24.0 x 3.0 cm Purchased with funds from the image: 30.3 x 8.7 cm, inscribed recto: stalks or flowers first” (pencil) Frank Hinder no.1 stamped in gold on spine Hilton White Bequest, 2010 BUSHFIRES, inscribed verso: Ambrose Purchased with funds from the [Queue], 1946 Gift of John Fry, 2009 Dyson (pencil) Joe White Bequest, 2010 ink on tracing paper, sheet: 21.3 x 34.4 cm, Quartz reef, [Creswick?], circa 1860 image: 15.9 x 31.2 cm, W. B. Withers ink on paper, inscribed l.l.: Quartz/Reef/ [man with mallet], 1940s Dale Fort signed l.r.: .46/F.C.HINDER (on case, ink) F. W. Niven and Co, publisher [illeg] (ink) ink on card, sheet: 29.9 x 10.6 cm, Thicket, 2009 Purchased, 2009 The History of Ballarat, from the first pastoral image: 25.5 x 7.5 cm, inscribed verso: charcoal, pastel & pencil on rag paper, settlement to the present time, 1887, Mount Emeu [sic] from Chepstow, 1860 Ambrose/Dyson/SALT (pencil) diptych, each sheet: 76.0 x 56.5 cm, Livingston Hopkins (Hop) printed book, 21.8 x 14.8 x 3.4 cm ink on paper, signed l.r.: Walter Burkitt/[illeg] overall: 76.0 x 113.0 cm, signed The “Fusion” coalition, 1909 Purchased, 2010 1860 (ink), inscribed l.r.: Mount Emeu/from [man with shovel], August 1945 l.r. RH sheet: Dale Fort 09 (black pencil) ink & white highlights on grey card Chepstow (ink) ink on card, sheet: 31.5 x 11.0 cm, image: Purchased with funds from the sheet: 38.0 x 29.8 cm, 29.5 x 8.4 cm, inscribed verso: Ambrose/ Elinor Morcom Bequest, 2009 signed l.r.: HOP (underlined) Dyson/”SALT”/P 21/VOL.10/No.12/ Purchased with funds from the August/1945 (pencil) Joe White Bequest, 2010 100920 21 Cody Joy Percy Leason [drawing], 1991 Fixing the dress, not dated [Television watchers], circa 1970 Garry Shead Peace by Piece, 2009 Group of three drawings ink, white highlights & paint spatter on ink, pencil & collage on paper ink on paper, sight: 19.0 x 21.5 cm Vietnam, 1966 ink on paper, 111.3 x 76.2 cm Purchased with funds from the paper, sheet: 26.5 x 32.0 cm, signed rhs: sheet: 32.2 x 23.4 cm, image: 30.6 x 21.4 cm signed l.l.: MOLNAR (ink) ink on paper, sheet: 43.3 x 37.6 cm, signed verso: Cody Joy ‘09 (ink), Joe White Bequest, 2010 Vane (ink), inscribed recto: POST 1 (circled) signed l.r.: LOW (ink), stamped verso: image: 42.4 x 36.0 cm, signed l.r.: Shead inscribed verso: PEACE BY PIECE (ink) 1991 pg.48 140 x 140 66% (pencil) Published/20-7-10 [illeg] Vic O’Connor 66 (ink), inscribed l.c.: VIETNAM (pencil), l.l.: Purchased, 2010 [Fishing], not dated Old friends, 1946 ...[illeg] 02 Number 21 August (pencil) ink & white highlights on paper [drawing], 1994 Alex McRae conte, wash on paper, sight: 12.0 x 18.0 cm Purchased with funds from the Roger Kemp sight: 17.6 x 21.0 cm, signed l.r.: Leason (ink) ink & paint spatter on paper [Storytelling], 1920s signed l.r.: V.G.O’Connor/C.46, inscribed Joe White Bequest, 2010 Group of three drawings sheet: 30.3 x 24.2 cm ink on paper, sight: 27.4 x 23.9 cm l.l.: “Old Friends” (pencil), verso: Bridget Donated through the Australian Protecting his reputation, circa 1930 signed l.r.: ALEX McRAE (ink) McDonnell Gallery label Spooner Government’s Cultural Gifts Program, 2010 ink on paper, sheet: 50.5 x 36.3 cm, [drawing], 1998 Gift from the Estate of John Button, 2009 Group of 36 drawings image: 46.0 x 32.0 cm, ink & white highlights on paper Will Mahony Donated through the Australian [Untitled], circa 1970 signed l.r.: Leason (ink) sheet: 29.6 x 20.9 cm, signed l.l.: Vane (ink), Group of two drawings Thea Proctor Government’s Cultural Gifts Program felt pen on paper, u.l.: Vane Lindesay (pencil), inscribed recto: Purchased with funds from the Nude, 1959 by John Spooner, 2010 sheet: 41.0 x 49.0 cm [irreg] Wife lock’t me out again, 1919 AUSTRALASIAN POST Feb 4 ‘98 Page 49 Joe White Bequest, 2010 felt pen & ink wash on paper ink on paper, sheet: 25.3 x 28.2 cm 61% (pencil) sight: 35.8 x 25.8 cm A friendly reminder from the U.N., [Untitled], circa 1970 signed l.l.: Leason (ink), inscribed verso: [Food pills, emotion pills], 1957 signed l.r.: Thea Proctor.59 20 June 2007 oil pastel & felt pen on paper “Wife lock’t me out again allas (k) He fixed another tail to the heifer, 1998 ink, wash & charcoal on paper Gift of Eileen Anderson, 2010 ink and watercolour on paper sheet: 38.5 x 45.0 cm night!”/”Yer lucky ol’ man, mine locked me ink & white highlights on paper sight: 10.2 x 20.0 cm sheet: 27.0 x 37.0 cm, image: 15.6 x 20.3 in.” (ink), sheet: 21.9 x 30.2 cm, signed l.l.: Vane (ink), stamped verso: 9 December 1957 Victoria Roberts signed l.r.: SPOONER (ink), [Untitled], circa 1970 stamped verso: Published/Dec.13, 19 lhs: Vane Lindesay (pencil), inscribed recto Group of four drawings verso: r.c. 20-6-2007 (pencil) ink on paper, sheet: 30.0 x 42.0 cm bottom edge: (title), Australasian Post 1998 Stare him in the eye, Adolf, 24 Feb 1943 Purchased with funds from the Mick Lindell (pencil) ink & wash on paper, sheet: 46.6 x 39.0 cm, Hilton White Bequest, 2010 An awkward moment for Prince John and his Clarence King [Spooner in the manner of Gillray], 2009 image: 41.6 x 26.7 cm, signed l.r.: MAHONY entourage, 5 December 2006 Why if we allow impartiality we’d risk having ink on paper, sheet: 27.2 x 37.0 cm Off the Map, not dated (ink) Miss February, not dated ink and watercolour on paper some old pawn of decadent democracy signed l.r.: Mikko, inscribed on image: collage & ink on paper, ink & watercolour on paper sheet: 27.0 x 37.0 cm, image: 18.0 x 21.8 cm getting on the program, John Henry Spooner/before abandoning sheet: 27.6 x 33.8 cm, signed u.l.: Vane Benjamin Edwin Minns sight: 32.0 x 24.7 cm signed u.r.: SPOONER (ink), inscribed u.r.: 24 May 1970, ink, conte and white the/’leaky boat of law’ in 1977/to become a (ink), inscribed u.r.: OFF THE MAP (felt pen), You say you have worked three hours, Jacky..., signed with initials l.r. (ink) 5/12/06 (pencil), verso l.h.s.: 5/12/2006 highlights on board, sight: 21.0 x 32.5 cm full time artist/cartoonist with The Age. various instructions (pencil) 1935 (pencil) signed l.l.: King (ink), inscribed on Gift of the artist, 2010 ink, wash & white highlights on paper Ms May, not dated green outer sheet: (title - felt pen) Littlewood sight: 28.3 x 21.4 cm, signed l.c.: B.E. MINNS ink & watercolour on paper And Then Ever So Quietly..., 1 July 2008 Purchased with funds from the Vane Lindesay [drawing from Salt], 1940s (ink), stamped verso: Published Apr.10.1935 sight: 34.7 x 24.7 cm ink and watercolour on paper Joe White Bequest, 2010 Group of seven drawings ink on paper, sheet: 33.7 x 46.0 cm, Purchased with funds from the signed with initials l.r. (ink) sheet: 27.0 x 37.0 cm, image: 14.9 x 22.1 cm Gift of the artist, 2010 image: 27.6 x 42.7 cm, Joe White Bequest, 2010 signed l.l.: SPOONER (ink), inscribed u.r.: Bernard Lawson signed u.l.: LITTLEWOOD (ink) [two flying nuns], circa 1985 Kevin and the Beanstalk...AND THEN KEVIN Chaise longue and cat, not dated [drawing], 1985 Purchased with funds from the George Molnar ink & wash on paper, sight: 20.0 x 12.4 cm EVER SO QUIETLY CREPT BACK TO HIS acrylic paint, pastel & charcoal pencil ink, white highlights & paint spatter on Joe White Bequest, 2010 Group of two drawings signed with initials l.r. (ink) GREEN BEAN STALK, on paper, sight: 25.7 x 37.0 cm paper, sheet: 22.8 x 26.5 cm, signed u.r.: Purchased with funds from the Joe White inscribed u.l.: 1-7-08 (pencil) possible date l.r., original mat inscribed Vane (ink), u.r.: Vane Lindesay (pencil) Bequest, 2010 S.O.S., not dated verso u.l.: B.Lawson (pencil) Group of two drawings ink & wash on paper, sight: 18.2 x 16.5 cm Gift of Eileen Anderson, 2010 [drawing], 24 June 1987 Purchased with funds from the consisted of four sheep stations, signed with initials l.r. (ink) ink on paper, sheet: 20.4 x 27.4 cm, Joe White Bequest, 2010 circa 1970 card: 29.3 x 29.0 cm, signed l.l.: Vane (ink) ink on paper, sight: 16.0 x 21.0 cm, Dr W. Kidston, not dated signed l.l.: MOLNAR (ink) ink on paper, sight: 43.4 x 23.5 cm signed l.r.: Low, inscribed u.r.: Dr.W.Kidston Q (ink) 22 23 An extremely rude interruption, Eating disorder, 13 February 1997 Now They Tell Us, 26 July 2008 [Sam Newman], 26 March 2009 The 102nd use of a dead cat skin, The Up Side of Climate Change, 11 January 27 October 2007 ink on paper, sheet: 27.0 x 35.0 cm, ink and watercolour on paper ink and watercolour on paper 18 February 2009 2008 ink and watercolour on paper image: 15.0 x 20.7 cm, signed l.l.: SPOONER sheet: 27.0 x 37.0 cm, image: 15.0 x 25.6 cm sheet: 37.0 x 27.0 cm, image: 29.0 x 18.7 cm ink and watercolour on paper ink and watercolour on paper sheet: 27.0 x 37.0 cm, image: 15.0 x 25.5 cm (ink), inscribed r.h.s.: LIZ DALTON PO BOX signer l.r.: SPOONER (ink), inscribed u.r.: signed l.r.: SPOONER (ink), verso u.r.: 26-3-09 sheet: 37.0 x 27.0 cm, image: 18.0 x 15.4 cm sheet: 27.0 x 37.0 cm, image: 15.0 x 21.9 cm signed u.r.: SPOONER (ink), inscribed u.l.: 206 Doncaster East 3109 (pencil), inscribed CARBON POLUTION REDUCTION SCHEME (pen) signed l.r.: SPOONER (ink), inscribed signer l.l.: SPOONER (ink) what people don’t realise, of course, being l.r.: Eating Disorder (imports) 389 (pencil) GREEN PAPER JULY 2008 (pencil), l.r.: APOLOGIES TO SIMON BOND (ink), the low rent fools that they are - WHAT verso l.r.: 26-7-08 (pencil) [Steve Bracks with wind turbines], inscription u.r.: 102nd (pencil), verso l.r.: [This Bank Economist - This Sacked THEY ALL DON’T REALISE IS THAT - HAMLET For all your problems just call Kevin, 29 Machr 10 August 2006 18-2-09 (pen) [Karl Marx], 14 October 1989 ON ICE (pencil), inscribed u.r.: THE LAST 2008 [Obese child in a cage], 15 January 2004 ink and watercolour on paper pencil and watercolour on paper LAUGH (pencil) ink and watercolour on paper ink and watercolour on paper sheet: 27.0 x 37.0 cm, image: 15.0 x 22.0 cm The Detention, 2 February 1999 sheet: 37.0 x 27.0 cm, image: 32.0 x 16.8 cm sheet: 27.0 x 37.0 cm, image: 15.0 x 25.6 cm sheet: 27.0 x 37.0 cm, image: 15.0 x 21.8 cm signed u.r.: SPOONER (ink), ink on paper signed u.r.: SPOONER (ink), inscribed r.h.s.: At the Economic Reformers Reunion, signed u.r.: SPOONER (ink), inscribed u.r. signed l.l.: SPOONER (ink), verso r.l.: 15-1-04 verso u.l.: 10-AUGUST-2006 (pencil) sheet: 27.0 x 37.0 cm, image: 15.0 x 21.2 cm E 43 Marx - 40 x 32 ST x P3 (pencil), 21 June 2008 PRODUCTIVITY, UNREGULATED TRADE - (pen) signed l.l.: SPOONER (ink), inscribed l.r.: verso l.r.: 14-10-89 (pen) ink and watercolour on paper FOR ALL YOUR PRODUCTIVITY PROBLEMS [Soldier shooting himself in the foot], The Detention E637 (pencil), verso u.l. sheet: 27.0 x 37.0 cm, image: 15.0 x 25.4 cm JUST CALL KEVIN - 5 - $70,000,000,000 Old Johnny Howard appeals against the light, 21 July 2006 22/2/99 (pen) Welcome to wonderland for every refugee, signed l.l.: SPOONER (ink) (pencil) 22 November 2007 ink and watercolour on paper 8 December 2003 ink and watercolour on paper sheet: 27.0 x 37.0 cm, image: 17.0 x 28.4 The Foreign Affairs Department Prepares a ink and watercolour on paper [AWB - Net Foreign Debt], 4 March 2006 [FTA - Quarantine], 30 September 2005 sheet: 27.0 x 37.0 cm, image: 15.0 x 22.0 cm signed l.r.: SPOONER (ink), inscribed l.r. 21- Traditional Refugee Welcome, sheet: 27.0 x 36.9 cm, image: 15.1 x 22.0 cm ink and watercolour on paper ink and watercolour on paper signed l.r.: SPOONER (ink), inscribed RHS: 07-2006 (pencil), inscribed l.r.: 8 April 2006 signed l.l.: SPOONER (ink), verso l.r.: 8-12-03 sheet: 27.0 x 37.0 cm, image: 23.0 x 25.3 cm sheet: 27.0 x 37.0 cm, image: 15.0 x 22.0 cm 5854 (pen) Government (pencil), Richard Westall (pencil) ink and watercolour on paper (pencil) signed l.l.: SPOONER (ink) signed u.l.: SPOONER (ink) verso l.l.: 22-11-2007 (pencil), sheet: 27.0 x 37.0 cm, image: 15.0 x 22.0 cm small sketches down RHS (pencil) Tattersall’s big surprise, 15 October 2003 signed u.r.: SPOONER (ink), inscribed u.r.: Brumby’s surplus conserve, 5 May 2004 In the immigration department we trust, 17 ink and watercolour on paper 8/4/06 (pencil) ink and watercolour on paper February 2005 Our prosperity, 25 October 2008 sheet: 27.0 x 37.0 cm, image: 15.0 x 21.8 cm sheet: 37.0 x 27.0 cm, image: 19.0 x 15.4 cm ink and watercolour on paper ink and watercolour on paper signed l.r.: SPOONER (ink) [The Labor Party Termites], 14 June 2003 signed l.r.: SPOONER (ink), inscription l.r.: sheet: 37.1 x 27.0 cm, image: 19.0 x 15.4 cm sheet: 27.0 x 37.0 cm, image: 15.0 x 25.6 cm ink and watercolour on paper OUR MAN AT THE BIG END OF TOWN signed l.l.: SPOONER (ink), signed l.r.: SPOONER (ink), inscribed u.r.: Textile Worker], 14 March 2009 sheet: 37.0 x 27.0 cm, image: 23.6 x 21.2 cm (pencil), inscription l.c.: BRUMBY’S SURPLUS verso l.l.: 17-2-2005 (pencil) 25-OCT-2008 (pencil) ink and watercolour on paper signed l.r.: SPOONER (ink), inscription u.r. CONSERVE (pencil), verso l.r.: 5-5-04 (pencil) sheet: 27.0 x 37.0 cm, image: 15.0 x 25.6 cm 2212 (pencil), verso u.c.: 14-6-2003 (pencil) Mr Howard and a Free Trade Expert..., Please explain, 23 August 2003 signed u.r.: SPOONER (ink), Clinton as Lincoln, 17 August 1998 1 December 2004 ink and watercolour on paper verso l.l.: 14-03-2009 (pencil) The place to be, 24 February 2005 pencil and watercolour on paper ink and watercolour on paper sheet: 27.0 x 37.0 cm, image: 26.2 x 21.0 cm ink and watercolour on paper sheet: 37.0 x 27.0 cm, image: 18.0 x 16.0 cm sheet: 27.0 x 37.0 cm, image: 15.0 x 22.0 cm signed l.r.: SPOONER (ink), inscribed l.l.: Blue [That in the depth of winter...], 22 January sheet: 27.0 x 37.0 cm, image: 15.0 x 22.0 cm signed l.l.: SPOONER (watercolour), signer l.r.: SPOONER (ink), inscribed l.r.: 1-12- grey tracksuit pantsuit uniform - green 2009 signed l.l.: SPOONER (ink), inscribed u.c.: inscribed u.r.: 228180295, inscribed l.r. : 2004 (pencil), verso u.c.: 1-12-2004 (pencil) grey blue eyes (pencil), verso u.l.: 23-8-2003 ink and watercolour on paper Victoria on the move, inscribed r.h.s.: Clinton as Lincoln (pencil) (pencil) sheet: 27.0 x 37.0 cm, Running Down Public Transport, The Place New ideas, 17 July 2006 image: 19.0 x 29.4 cm to be (all pencil), verso l.h.s.: 24-2-2005 Citizens Wong and Rudd Denounce a Leading ink and watercolour on paper Public private politician, 1 April 2005 signed l.r.: SPOONER (ink), inscribed u.r.: (pencil) Climate Warming Denier, sheet: 37.0 x 27.0 cm, image: 19.0 x 15.4 cm sheet: 37.0 x 27.0 cm, image: 23.0 x 21.0 cm 22-1-09 (pencil) 29 July 2008 unsigned, verso u.l.: 17-7-06 (pen) ink and watercolour on paper, unsigned, The Radical, 4 May 2002 ink and watercolour on paper inscribed u.l.: No 17 Dissent Autumn / ink and watercolour on paper sheet: 27.0 x 37.0 cm, image: 15.0 x 23.6 cm Winter 2005 (pencil), u.r.: Mark Carter sheet: 37.0 x 27.0 cm, image: 21.0 x 18.0 cm signer l.r.: SPOONER (ink), inscribed u.r.: 93477744 Ground Floor 60 Leicester St signed l.l.: SPOONER (ink), inscribed l.r.: headless chook - 29-July-08 - Senator Wong Carlton (pencil), l.r.: 1-4-05 (pencil) Keating (The Radical) E1216 (pencil), denounces a leading climate change verso l.r.: 4-5-02 (pencil) denier (pencil) 24 25 AUSTRALIAN PAINTINGS Criss Canning Max Dimmack Ted May Rosslynd Piggott, inscribed verso: names of AUSTRALIAN PRINTS Red Tulips with Kimono Backdrop, 1987 Country house, 1954 Homeland 30, 2008-2009 makers for parts & dates of production E.L.K. oil on canvas, 86.5 x 76.0 cm oil on board, 30.5 x 55.0 cm charcoal & acrylic on canvas, triptych Gift of the Australian Centre for Rick Amor Wake up to the stink, 2009 signed l.r.: Criss Canning, signed l.c.: M C Dimmack 54 each panel - 26.0 x 206.5 cm, 2 panels Contemporary Art and the Helen Gutting, 1977 spray enamel on board, 60.0 x 85.0 cm verso: BFAG exhibition sticker Purchased, 2009 signed l.r.: Ted May 2008, 1 panel signed l.r.: Macpherson Smith Trust, 2009. screenprint on paper, image: 65.5 x 44.3 cm signed & inscribed verso: Wake up to the Donated through the Australian Ted May 2009 Rosslynd Piggott is the fourth recipient signed l.r.: Rick Amor ‘77, inscribed l.l.: Stink/09/E.L.K. (felt pen) Government’s Cultural Gift Program by Douglas Dundas Gift of the artist, 2010 of the Helen Macpherson Smith Trust Serigraph Artist’s Proof, l.c.: Gutting (pencil) Purchased, 2009 Howard & Jill Plowright, 2010 Spring (study for mural for S.S.Westralia), Commission, a partnership between the Purchased, 2010 circa 1947 Ginger Riley Munduwalawala Helen Macpherson Smith Trust and the Garry Anderson James Cant oil on canvas board, sight: 23.4 x 44.2 cm Ngak Ngak, Garimala and the Ruined City, Australian Centre for Contemporary Art George French Angas [Ballarat East fire tower, Barkly Street], 1997 Abstract with aboriginal motif, 1947 Purchase with funds from the 1998 (ACCA). Extract: in 3 parts was first exhibited Group of two prints oil on composition board, 29.8 x 21.2 cm oil on canvas, 64.0 x 76.5 cm Colin Hicks Caldwell Bequest, 2010 acrylic on cotton duck, 83.0 x 91.0 cm at ACCA in 2008. Purchased with funds from the signed l.r.: ANDERSON 97 (red) signed l.r.: CANT 47 signed l.c.: GINGER RILEY (black), verso: Hilton White Bequest, 2010 Gift of the artist, 2009 Purchased with funds from the George Grant, after James Meek and AK4046/January 1998/in Melbourne (black Angeline Pwerle Ngala Colin Hicks Caldwell Bequest, 2010 Unknown photographer pen), label: details, price $6,500 Arlparra country, 2005 Klemsic, 1846-1847 Yvonne Atkinson The first house in Ballarat, post 1893 Gift from the Estate of John Button, 2009 synthetic polymer on linen, 91.0 x 61.0 cm lithograph on paper, handcoloured To The Pure, All things Are Pure, 1936 Juris Cerins oil on photograph, image: 10.6 x 14.9 cm, verso: 99K007/Angelina Ngala/ sheet: 36.4 x 54.4 cm, image: 23.2 x 32.0 cm oil on board (image verso) Dry creek bed, Fowler’s Gap, 2008 frame: 21.4 x 26.4 cm, inscription below Samuel Namunjdja Commissioned by Delmore (black pen) 54.8 x 42.4 cm (sight), oil on canvas, 80.0 cm x 119.5 cm image: FIRST HOUSE IN BALLARAT 1852 Gungura - the spiralling wind with goanna Gift from the Estate of John Button, 2009 View from Mount Lofty, looking over the verso: 54.4 x 41.8 cm (sight) verso, signed u.l., inscribed u.l.: DRY CREEK Purchased with funds from the tracks, 2009 plains of Adelaide, 1846-1847 signed & dated verso: Yvonne Atkinson BED FOWLERS GAP, 2008, inscribed u.r.: Hilton White Bequest, 2009 natural ochres on stringybark William Strutt lithograph on paper, hand coloured 1936, Lauraine Diggins label, JURIS CERINS (eucalyptus tetradonta), 101.5 x 22.5 cm The embarassed mother, a scrap from the sheet: 34.6 x 51.0 cm, image: 24.2 x 34.2 cm Thirty Victoria Street label Gift of Russell Davis, 2010 Roger Kemp label verso country, circa 1867 Purchased, 2010 Figures in flight, 1945-1955 Purchased with funds from the oil on canvas, image diam: 26.3 cm, George French Angas, J.W. Giles Edward Coleridge enamel on board, 92.0 x 122.0 cm Colin Hicks Caldwell Bequest, 2010 stretcher: 30.6 x 30.4 cm Group of three prints Phil Berry Group of two paintings Donated through the Australian Purchased with funds from the Purchased with funds from Punshon’s, 2010 Purchased, 2010 Government’s Cultural Gift Program, 2010 David Noonan Colin Hicks Caldwell Bequest, 2009 Hilton White Bequest, 2010 acrylic on canvas, 61.0 x 112.0 cm Villa Balthaus 1, 2004 signed top edge: PHIL BERRY ‘10, Ancient landscape: Lake Burrumbeet, Mount fabric painting, 74.0 x 59.0 cm, signed verso Yinarupa Nangala Lake Albert, 1846-1847 inscribed verso: list of owners of property Misery and the “Great” Dividing Range, 2009 The shearer, 1945 on frame: David Noonan 2004 (felt pen), Untitled, 2009 lithograph on paper, handcoloured, from National Trust oil on plywood panel, 24.5 x 120.0 cm oil on canvas, 85.2 x 67 cm, signed l.l.: label with photo of 2005 retrospective acrylic on linen, 153.0 x 122.0 cm varnish highlights, sheet: 37.0 x 55.6 cm, Purchased, 2010 signed l.r.: EC 09 (red), Grahame King 45 (red), title & date verso installation of this work Purchased with funds from the image: 24.3 x 34.0 cm verso: unfinished drawing Purchased with funds from Purchased with funds from the Maude Glover Fleay Bequest, 2010 Rupert Bunny The Ferry Foundation, 2009 Colin Hicks Caldwell Bequest, 2009 The Kapunda Copper Mine, 1846-1847 The Countess of Lautreppe, Altered landscape: Lake Burrumbeet, Mount Patrick Tjungurrayi lithograph on paper, handcoloured, circa 1900 Misery and intrusions on the “Great” Dividing Grahame King Rosslynd Piggott, Marcos Davidson, The soakage site of Kurra, 2008-2009 varnish highlights, sheet: 37.0 x 55.6 cm, oil on canvas, 81.0 x 65.0 cm Range, 2009 Medieval motifs, 1952 David Herbert, Peter Minson acrylic on linen, 91.0 x 122.0 cm image: 21.1 x 32.5 cm signed l.l. (faint): Rupert C W Bunny oil on plywood panel, 24.5 x 122.0 cm acrylic on composition board, triptych. 3 Extract: in 3 parts, 2008-2009 Purchased with funds from the Donated through the Australian signed l.r.: EC 09 (red), verso: red stamp for panels: a: 103.7 x 32 cm, b: 103.7 x 32 cm, oil & palladium leaf on linen, Rhodium- Colin Hicks Caldwell Bequest, 2009 The River Murray, near Lake Alexandrina, Government’s Cultural Gifts Program by marine plywood c: 103.4 x 32 plated fine silver parabolic disk, MDF shelf, 1846-1847 Charles Nodrum, 2010 Purchased with funds from the double-walled & mirrored glass, hand Emmanuel Wurrkidj lithograph on paper, handcoloured, Peggy Crombie Colin Hicks Caldwell Bequest, 2009 slumped mirror Fish Trap, 2009 varnish highlights, sheet: 37.0 x 55.6 cm, [still life], not dated mirror: 99.5 x 79.5 cm, linen: 90.5 x 60.5 cm, natural ochres on stringybark image: 23.0 x 32.2 cm oil on canvas board, sight: 18.5 x 24.3 cm shelf: 10.0 x 60.0 x 15.0 cm, glass H:14.2 cm, (eucalyptus tetradonta), 175.0 x 51.5 cm signed l.r.: P.Crombie (oil), u.r.: P.C. diam: 8.5 cm Purchased with funds from the Gift of Eileen Anderson, 2010 mirror & linen signed verso: Colin Hicks Caldwell Bequest, 2010 26 27 John Heaviside Clark, M. Dubourg, Repose (Field Sports of the Native Inhabitants Trial (Field Sports of the Native Inhabitants of Judy Horacek Ambrose Patterson Edward Orme, London, J.F. Dove of ), 1813 New South Wales), 1813 Group of three prints Bookplate - Francis Crossle, Group of three prints Group of ten prints aquatint on paper, hand coloured, image: aquatint on paper, hand coloured, image: Purchased, 2010 not dated Purchased with funds from the Purchased with funds from the 13.3 x 18.3 cm, plate: 18.2 x 23.2 cm, 13.4 x 18.6 cm, plate: 18.2 x 23.3 cm, etching on paper, sight: 12.4 x 9.0 cm, Joe White Bequest, 2009 Joe White Bequest and the sheet: 23.0 x 32.3 cm, below image: title, sheet: 23.0 x 32.2 cm, below image: title, Animal Impersonations, 1990 image: 10.2 x 7.1 cm, printed inscription: Robert Salzer Foundation, 2009 below framed border: Published & sold below framed border: Published & sold screenprint on paper, sheet: 25.0 x 18.3 cm, credo et amo/FRANCIS CROSSLE Hawaii, circa 1919, October 1st, 1813, by Edw.d Orme, Bond October 1st, 1813, by Edw.d Orme, Bond image: 17.3 x 12.1 cm, signed l.l.: horacek Gift of Robert Littlewood, 2009 colour linocut on paper, 21.0 x 33.0 cm Climbing Trees (Field Sports of the Native St. London., l.l.: J.H.Clark Del., l.r.: M.Dubourg St. London., l.l.: J.H.Clark Del., l.r.: M.Dubourg (ink), signed l.l.: horacek (pencil), inscribed signed: Ambrose Patterson Inhabitants of New South Wales), 1813 Sculpt. Sculpt. l.r.: 93/185, lower c.: Animal impersonations, Norman Lindsay, Charles Steele, aquatint on paper, hand coloured, image: l.r.: 1990 / 2004 Director-General of Recruiting Hawaii, circa 1919 18.5 x 13.3 cm, plate: 23.3 x 18.2 cm, Smoking out the Opossum (Field Sports of Warriors of New S. Wales (Field Sports of the Group of two prints colour linocut on paper, 21.0 x 33.0 cm sheet: 32.2 x 22.6 cm, below image: title, the Native Inhabitants of New South Wales), Native Inhabitants of New South Wales), Building Site Fantasy, 1994 Purchased, 2010 signed: Ambrose Patterson below framed border: Published & sold 1813, aquatint on paper, hand coloured, 1813, aquatint on paper, hand coloured, screenprint on paper, sheet: 25.3 x 18.7 cm, October 1st, 1813, by Edw.d Orme, Bond image: 18.6 x 13.2 cm, plate: 23.4 x 18.2 cm, image: 13.4 x 18.6 cm, plate: 18.0 x 23.3 cm, image: 17.3 x 12.1 cm, signed l.l.: horacek The Cause Of The War, 1918 Monterey cypress, circa 1920 St. London., l.l.: J.H.Clark Del., l.r.: M.Dubourg sheet: 32.2 x 22.6 cm [irreg], below image: sheet: 23.1 x 32.2 cm [irreg], below image: (ink), signed l.r.: horacek (pencil), inscribed printed broadsheet with illustrations colour linocut on paper, 28.5 x 22.0 cm Sculpt. title, below framed border: Published & title, below framed border: Published & l.l.: 50/250, lower c.: Building site fantasy, l.r.: overall: 76.0 x 50.8 cm, signed l.r.: Ambrose Patterson sold October 1st, 1813, by Edw.d Orme, sold October 1st, 1813, by Edw.d Orme, 1994, 2006 folded: 12.8 x 19.4 cmm Fishing No.1 (Field Sports of the Native Bond St. London., l.l.: J.H.Clark Del., l.r.: Bond St. London., l.l.: J.H.Clark Del., l.r.: stamped on address side: INVEST IN Inhabitants of New South Wales), 1813 M.Dubourg Sculpt. M.Dubourg Sculpt. Woman with Altitude, 1995 THE/7th WAR LOAN, address label: aquatint on paper, hand coloured, image: screenprint on paper, sheet: 25.8 x 19.0 cm, Mr D.J.Dixon/6 Rockbrook Rd/St KILDA, 13.2 x 18.4 cm, plate: 18.0 x 23.2 cm, The Dance (Field Sports of the Native Noel Counihan image: 17.7 x 13.5 cm, signed l.r.: Horacek post office stamp: 21.10.18 sheet: 23.1 x 32.2 cm [irreg], below image: Inhabitants of New South Wales), 1813 A sexless parson, 1931 (ink), signed l.l.: Horacek (pencil), inscribed title, below framed border: Published & aquatint on paper, hand coloured, linocut on paper, image: 23.7 x 16.6 cm, l.l.: 160/250, l.r.: 1995/2002 The Peril To Australia, 1918 sold October 1st, 1813, by Edw.d Orme, image: 18.6 x 13.4 cm, plate: 23.0 x 18.1 cm, frame: 58.7 x 43.3 cm, signed l.r.: Counihan printed broadsheet with illustrations Bond St. London., l.l.: J.H.Clark Del., l.r.: sheet: 32.2 x 23.2 cm, below image: title, (black pen), printed in image l.l.: C Kenneth Jack overall: 76.4 x 50.6 cm, M.Dubourg Sculpt. below framed border: Published & sold Purchased, 2009 Talbot - the Town Hall, not dated folded: 13.0 x 19.4 cm October 1st, 1813, by Edw.d Orme, Bond linocut on paper, sight: 22.6 x 29.1 cm, address label: Mr W.C.Hughler/Farmer/ Fishing No.2 (Field Sports of the Native St. London., l.l.: J.H.Clark Del., l.r.: M.Dubourg John Doyle image: 20.4 x 26.8 cm, signed l.r.: Kenneth PLEASANT HILLS/Sydney NSW Inhabitants of New South Wales), 1813 Sculpt. An Extraordinary Animal, Neither An Jack, inscribed l.l.: Talbot - The Town Hall, aquatint on paper, hand coloured, image: Opossum Nor a Kangaroo, But Having l.c.: 26/40 (pencil) Attributed to J. Lewis Marks 13.2 x 18.3 cm, plate: 18.0 x 23.2 cm, Throwing the spear (Field Sports of the Native Something of Both, 1835, Gift of Leslie van der Sluys, 2010 The Pleasures of Emigration - A Fishing Party, sheet: 22.8 x 32.2 cm [irreg], below image: Inhabitants of New South Wales), 1813 lithograph on paper, sheet: 36.2 x 28.8 cm, Circa 1830 title, below framed border: Published & aquatint on paper, hand coloured image: 32.5 x 26.7 cm, on stone l.l.: HB, Ludwig Lang, after , Sands & hand coloured woodcut on paper, with sold October 1st, 1813, by Edw.d Orme, image: 13.4 x 18.4 cm, plate: 18.2 x 23.2 cm, printed u.r. outside border: HB Sketches McDougall Ltd, Art Union of Victoria text, sheet: 19.0 x 15.0 cm, Bond St. London., l.l.: J.H.Clark Del., l.r.: sheet: 23.1 x 32.2 cm, below image: title, No.383, l.l.: blind stamp A summer evening in the Pentland Hills, 1876 image: 17.7 x 14.1 cm M.Dubourg Sculpt. below framed border: Published & sold Purchased, 2010 colour lithograph on paper, Purchased, 2010 October 1st, 1813, by Edw.d Orme, Bond sight: 39.4 x 57.8 cm, Hunting the Kangaroo (Field Sports of the St. London., l.l.: J.H.Clark Del., l.r.: M.Dubourg Dale Fort signed in print l.l.: Ls Buvelot 1876, l.r.: Native Inhabitants of New South Wales), Sculpt. Hash Wednesday, 1989 L.Lang Lith., on bottom edge: SANDS & 1813, aquatint on paper, hand coloured etching, aquatint, soft ground & drypoint, McDOUGALL CHROMO LITHOGRAPHERS, image: 13.2 x 18.3 cm, plate: 18.0 x 23.1 cm, on zinc plate, sheet: 56.3 x 76.4 cm, inscribed verso: Summer evening in sheet: 23.2 x 32.2. cm, below image: title, plate: 30.5 x 45.0 cm, signed l.r.: Dale Pentland Hills/L.Buvelot 1867 (pencil) below framed border: Published & sold Fort 1989, inscribed l.l.: A/P, l.c.: ‘Hash Purchased with funds from the October 1st, 1813, by Edw.d Orme, Bond Wednesday’ (all pencil), paper embossed Hilton White Bequest, 2010 St. London., l.l.: J.H.Clark Del., l.r.: M.Dubourg l.r.: WHATMAN Sculpt. Gift of the artist, 2009 28 29 AUSTRALIAN WATERCOLOURS INTERNATIONAL PRINTS Thomas Rowlandson, Rudolf Ackermann SCULPTURE Linton Nabekeyo DECORATIVE ARTS Group of three prints Mimih spirit, 2010 Rick Amor James Gillray, Purchased, 2010 Eddie Aing-Mirra Kerry kurrajong (Brachychiton diversifolius) with David Pottinger Austral Arcady, 1979 Hannah Humphrey Mimih spiit, 2009 ochre pigments and fixative Group of two objects gouache on paper, sheet: 39.6 x 56.8, Group of four prints Doctor Syntax Sketching the Lake, 1817 kurrajong (Brachychiton diversifolius) with 152.5 x 9.3 cm, with stand Purchased, 2009 image: 34.2 x 53.0 cm, signed l.r.: Rick Amor Purchased, 2010 plate 18 from Combe’s “The Tour of Doctor ochre pigments and fixative Purchased with funds from the ‘79 (black ink), on backing board of frame Syntax in Search of the Picturesque” H: 206.5 cm, with stand Maude Glover Fleay Bequest, 2010 Brown and white echo vessel, 2007 (now removed): inscribed SENATOR JOHN Ci-deviant Occupations - or - Madame Talian aquatint on paper, handcoloured sheet: Purchased with funds from the combination of porcelains fired to 1280 BUTTON (underlined, orange pen), A gift/ & the Empress Josephine dancing naked 14.1 x 23.2 cm, image: 11.0 x 18.8 cm Maude Glover Fleay Bequest, 2010 Pamela Namunjdja degrees, 19.5 x 23.0 x 24.0 cm from sister/Muriel on becoming/Leader of before Barras in the winter of 1797- A Fact printed l.l.: Drawn & Etched by Rowlandson, Mimih spirit, 2009 signed base: D Pottinger/07 (black pen) Opposition in/the Senate Feb.1981 (black (37), 20 Feb 1805 l.c.: Dr. SYNTAX SKETCHING THE LAKE., Penny Byrne beach hibiscus (Hibiscus tiliaceus) with felt pen), AUSTRAL ARCADY/RICK AMOR ‘79 engraving on paper, sheet: 46.8 x 63.9 cm, u.r.: Pl.16., u.c.: London: Pub. Feb.y 1 1817, Swat, 2009 ochre pigments and fixative Brown, yellow and white static porcelain (red felt pen) plate: 31.4 x 45.5 cm at R.Ackermann’s Repository of Arts, PVA, timber polyfilla, acrylic paint, epoxy 259.0 x 3.3 cm, with stand vessel, 2009 Gift from the Estate of John Button, 2009 101, Strand. resin, 27.0 x 116.0 x 17.0 cm Purchased with funds from the Nerikomi stained porcelain, combination Fashionable Contrasts: or The Duchess’s little Purchased with funds from the Maude Glover Fleay Bequest, 2010 of porcelains fired to 1280 degrees Rah Fizelle Shoe yielding to the Magnitude of the Duke’s Doctor Syntax Sketching after Nature, 1817 Maude Glover Fleay Bequest, 2009 20.0 x 12.5 x 13.0 cm Snow in Umbria, not dated Foot (20), 24 January 1792 plate 19 from Combe’s “The Tour of Doctor Ewa Pachucka watercolour on paper, sheet: 34.4 x 43.4 cm engraving on paper, sheet: 29.0 x 39.7 cm, Syntax in Search of the Picturesque” Gloreen Campion Body (Man), 1977 Avital Sheffer signed l.r.: Rah Fizelle, inscribed verso: Snow image: 25.0 x 35.4 cm, inscribed in aquatint on paper, handcoloured Echidna, 2009 jute and hemp, 136.0 x 70.0 x 74.0 cm Mother Tongue I, 2009 in Umbria (ink), verso original backing print l.l.: Pub.d Jan.y 24th 1792/by sheet: 14.3 x 23.2 cm, image: 10.8 x 18.2 cm pandanus with ochre pigments and fixative Purchased with funds from the hand formed, glazed & printed, multiple board - ‘snowscene, Umbria, Italy’ (pencil) H.Humphrey/N.18 Old Bond Street, title printed l.l.: Drawn & Etched by 23.0 x 42.5 x 16.0 cm Maude Glover Fleay Bequest, 2009 fired earthenware, 60.0 x 53.0 x 25.0 cm Gift of Dianne Olston in memory of Robert bottom edge: FASHIONABLE CONTRASTS; Rowlandson., l.c.: Dr. SYNTAX PAINTING Purchased with funds from the Purchased with funds from the Edgar Olston, 2010 or The Duchess’s little Shoe yielding to the A PORTRAIT./Published May 1, 1820, at Maude Glover Fleay Bequest, 2010 Agnes Wilinggirra Maude Glover Fleay Bequest, 2009 Magnitude of the Duke’s Foot R.Ackermann’s, 101, Strand. Fish trap, 2009 Weaver Hawkins Joy Garlbin twined pandanus (Pandanus spiralis) Barry Singleton Salome, not dated Lubber’s Hole,-alias-The Crack’d Jordan (17), Doctor Syntax Painting a Portrait, 1820 Mimih spirit (double faced), 2009 H: 157.0 cm, diam: 34.0 cm Large vessel, 2009 ink & watercolour on paper, 41.0 x 36.5 cm 1 November 1791 plate 40 from Combe’s “The Second Tour of kurrajong (Brachychiton diversifolius) with Gift of Craig & Vicki Coltman stoneware, shino glaze, window dip, iron inscribed l.r.: R engraving on paper, sheet: 32.8 x 25.5 cm, Doctor Syntax in Search of Consolation” ochre pigments and fixative in memory of William Coltman, 2010 brushwork decoration mark on base Purchased, 2009 plate: 27.8 x 21.2 cm aquatint on paper, handcoloured H: 276.5 cm, with stand H: 30.0 cm diam: 23.5 cm sheet: 14.7 x 23.9 cm, image: 11.6 x 18.9 cm Purchased with funds from the Ash Keating Purchased, 2010 Lloyd Rees National Conveniences (25), printed l.l.: Drawn by Rowlandson., Maude Glover Fleay Bequest, 2010 EurEco, 2009 The landing at Sydney Cove, 1985 25 January 1796 l.c.: DOCTOR SYNTAX/SKETCHING hand appliqued flag, woven polyester Barry Singleton watercolour, conte on paper, 46.0 x 62.0 cm engraving on paper, sheet: 42.0 x 31.2 cm, AFTER NATURE./Pub.d April 1818, at Kay Lindjuwanga fabric, 114.3 x 228.6 cm Large jar, 2009 signed l.r.: Lloyd Rees/17.9.85 (pen), framer’s plate: 36.0 x 25.6 cm R.Ackermann’s, 101, Strand., u.r.: Pl.17. Mimih spirit, 2005 printed label: Abel Flag Poles & Flags glazed stoneware, H:26.5 cm, diam: 23.5 cm stamp on backing sheet of frame kurrajong (Brachychiton diversifolius) with Gift of the artist, 2010 stamp on base Gift from the Estate of John Button, 2009 James Gillray, S.W. Fores Norbertine von Bresslern-Roth ochre pigments & fixative Anonymous donation, 2010 Bologna-Sausages, or Opposition Flux’d (13), [moorhens], circa 1930 H: 257.0 cm, with stand 12 December 1788 woodcut on tissue, sheet: 19.8 x 25.5 cm Purchased with funds from the engraving on paper, hand coloured [irreg], image: 16.1 x 22.1 cm, Maude Glover Fleay Bequest, 2010 sheet: 28.4 x 40.7 cm, plate: 24.8 x 35.3 cm signed l.r.: Bresslern-Roth (pencil), Purchased, 2010 l.l.: part of the word ‘handdruck’ (pencil) Jack Maranbarra Transfer from Creswick Museum, 2009 Fish trap, 2009 jungle vine (Malaisia scandens) H: 206.0 cm, diam: 28.0 cm Gift of Craig & Vicki Coltman in memory of William Coltman, 2010 30 31 Castlemaine Art Gallery & Historical The Gold Museum, Outward Loans Museum Zonta Club of Ballarat Loan: 5 Mar – 18 Nov 2008 Loan: 10 Sep 2008 – 28 Mar 2009 Deborah Klein: Out of the past 1995-2007 Walking in their Shoes Castlemaine Art Gallery & Historical 10 Oct 2008 – 28 Feb 2009 Museum Olive Bishop, A Dish, 1980, Heide Museum of Modern Art 5 Apr – 18 May 2008 earthenware Loan: Feb – Aug 2008 Art Gallery of Ballarat Marguerite Mahood, Vintage, 1926, A single mind, Rick Amor 30 May – 6 Jul 2008 colour linocut 22 Mar – 13 Jul 2008 Warrnambool Art Gallery Hilda Rix Nicholas, Just awakened, not Rick Amor 19 Jul – 24 Aug 2008 dated, pencil, charcoal on paper Group of three works ICON Museum of Art 1st Runner, 1983, ink on paper 10 Sep – 18 Oct 2008 Jewish Museum of Australia Sir painting, Deborah Klein, Vorticist 2, 2004, Loan: 19 Sep 2008 – 1 Apr 2009 circa 1974, oil on canvas oil and acrylic on canvas Speaking for the Ordinary Man: Charles Unicorn at Mulberry Hill, 1984, Aisen: tinsmith, socialist, oil on canvas National Gallery of Australia folk artist Loan: 3 Jun – 17 Oct 2008 19 Oct 2008 – 1 Mar 2009 National Gallery of Victoria Richard Larter: a retrospective Charles Aisen Loan: 14 Feb – 24 Sep 2008 3 Jul – 17 Sep 2008 Group of four works Preserving the past, enriching the future: Richard Larter Fifty-three American hostages in Iran, Hugh Williamson’s legacy Group of two paintings 1975-1980, painted metal, wire, steel 14 Mar – 24 Aug 2008 First Hand Panorama Way, 1970, wool, plastic Bruce Armstrong, Tyger, 1984, redgum oil on board Russia’s exchange of gold for technical Robert Clinch Sweet Reason Season, 1978, synthetic knowledge, 1975-1980, painted Group of two works polymer paint on canvas metal,ceramic, glass, steel wool, paper Arpeggio, 2004, Russia. Past and present, 1975-1980, lithograph on paper Ivan Dougherty Gallery, College of painted metal, wire chain, wire, steel Gracenotes, 2001, watercolour, Fine Arts, University of NSW wool, wire mesh, copper tube, painted gouache and dry brush on paper Loan: 22 Jul – 27 Oct 2008 timber frame Alison Clouston, Nuclear death mask, Colour in Art – Revisiting 1919 The Red Coat, 1975-1980, painted c 1983, wood, rubber, aluminium cans, 22 Aug – 27 Sep 2008 metal, ceramic, leather, stones, wire, leather, chain, slate, lead Roland Wakelin, Colour note - plastic figures Mandy Martin, E.Z. works 1, 1986, oil Landscape, 1918, oil on cardboard on canvas Gareth Sansom, Friendship’s Road, 1984, oil, acrylic and enamel paint, collage on four masonite panels Tim Maguire, Black Melancholy Sits, circa1986, oil on canvas Image: Bruce Armstrong, Tyger, 1984, redgum. Hugh Williamson Emerging Artists Prize, 1984 32 0908 33 Art Gallery of South Australia Art Gallery of South Australia Creswick Museum Ruby Lindsay, Cecil Palmer, Museum of Contemporary Art Loan: 20 Sep 2008 – 12 Mar 2009 Loan: 14 Oct 2008 – 28 Feb 2011 Loan: 19 Nov 2008 – 29 Dec 2009 Loan: 24 Dec 2008 – 27 May 2009 The Drawings of Ruby Lindsay, 1920, Loan: 17 Feb – 24 Jun 2009 Advancing to Victory Hans Heysen Misty Moderns: Australian Tonalists Ruby and Will printed book I Walk the Line: New Australian Drawing 20 Oct 2008 – 12 Feb 2009 Art Gallery of South Australia 1915-1950 24 Jan – 27 Apr 2009 Will Dyson 17 Mar – 24 May 2009 William Lionel Wyllie, The Battle of 14 Nov 2008 – 15 Feb 2009 McClelland Gallery Ruby Lindsay Group of nine works James Morrison, Mt. Hesperus, 2007, Villers Bretonneux, 1918, oil on canvas Mornington Penisula Regional Gallery 16 Nov 2008 – 1 Feb 2009 Group of 15 works Anyhow its cleansing! (Labour Party), papier maché and ink 23 Apr – 21 Jun 2009 National Gallery of Australia Another fairy story drawing, not dated, circa1915, pen and ink, white highlight Albury Regional Art Gallery Art Gallery of Ballarat 20 Feb – 26 Apr 2009 pen and ink on paper Doctor Tiddle, M.H.R., not dated, Castlemaine Art Gallery & Historical Loan: Sep 2008 – Sep 2010 11 Jul – 4 Oct 2009 Hazelhurst Regional Gallery Cut-out doll and costumes in box, watercolour, pencil pen and ink, Museum Step Right Up! The circus in Australian Art Tasmanian Museum & Art Gallery 9 May – 21 Jun 2009 not dated, paper, cardboard, pencil, white highlight Loan: 28 Feb – 3 Jun 2009 Albury Regional Art Gallery 4 Dec 2009 – 21 Feb 2010 University of Queensland Art Museum watercolour, pen and ink Dr. Robert Lindsay, not dated, The Art of the Mount Alexander 10 Oct 2008 – 4 Jan 2009 National Gallery of Australia 17 Jul – 13 Sep 2009 Decorated capital A, not dated, brush and ink, watercolour, pencil Goldfields 1852-1872 The Arts Centre Melbourne 30 Apr – 4 Jul 2010 Newcastle Regional Art Gallery pen, brush and ink on paper Lieut. Daryl Lindsay, France, circa1916, 28 Mar – 3 May 2009 19 Feb – 31 May 2009 Queensland Art Gallery 9 Oct – 29 Nov 2009 Decorated capital N, not dated, watercolour, pencil S.T. Gill Hawksbury Regional Art Gallery 31 Jul – 24 Oct 2010 Colin Colahan, Elizabeth Street, pen, brush and ink on paper , circa1907, Group of three works on paper 19 Jun – 26 Jul 2009 Newcastle Regional Art Gallery Melbourne, circa1929, Domestic landscape sene – “They went pen and ink, pencil, white highlight Diggers hut, Forest Creek, circa 1854, Bathurst Regional Art Gallery 19 Nov 2010 – 30 Jan 2011 oil on canvas mounted on board softly through the gate”, not dated, New deal, not dated, brush and ink, watercolour on paper 7 Aug – 20 Sep 2009 Hans Heysen Archibald Douglas Colquhoun, pen, brush and ink on paper pencil, white highlight On road from Forest Creek to Bendigo, Mornington Peninsula Regional Gallery Group of two works The Old Mill, Normandy, undated, Head of a woman, not dated, Spanish dancer, circa 1926, linocut circa 1854, 24 Oct – 29 Nov 2009 Autumn morning, 1928-1930, oil on board pen and ink on paper Thunder on the left, not dated, watercolour on paper Tweed River Art Gallery watercolour on cardboard Polly Hurry, Woman spinning, 1944, oil Landscape, not dated, pen and ink, pencil, white highlight Pensioners on guard, Forest Creek, circa 10 Dec 2009 – 17 Jan 2010 The three gums, 1915-1920, on canvas watercolour on paper We make deserts of your civilization or 1854, watercolour on paper Mosman Art Gallery oil on canvas Percy Leason, One of my first studies in Landscape, not dated, civilize your deserts, not dated, pen and 20 Feb - 26 Mar 2010 Eltham, circa 1924, oil on board ink, pencil, charcoal, white highlight Carrick Hill Horsham Art Gallery Heide Museum of Modern Art oil on canvas over board The Minuet - design for a fan, circa 1915, Will Dyson, David Allen & Son Ltd, Loan: 1 Mar – 6 Oct 2009 30 Apr - 20 Jun 2010 Loan: 22 Oct 2008 – 1 Apr 2009 watercolour on paper Vote Labour. You could not make War Nora Heysen: Light and Life Port Pirie Regional Art Gallery The art of existence, Les Kossatz Old man with pipe, not dated, without us, you cannot make Peace Carrick Hill 1 Apr – 28 Jun 2009, 23 Jul – 1 Sep 2010 22 Nov – 9 Mar 2009 pen, brush and ink on paper without us!, not dated, , Hand balance Les Kossatz, Untitled - Medals 3, 1996, Portrait study of Will Dyson, not dated, lithograph on paper 11 Jul – 6 Sep 2009 oil on canvas oil on canvas pencil on paper Nora Heysen, Motherhood, 1941, Time and youth, circa 1915, pen and ink Mornington Penisula Regional oil on canvas Blacktown Arts Centre Two figures in masquerade costume, Gallery Loan: 6 Oct 2008 – 28 Feb 2009 not dated, watercolour on paper Loan: 4 Feb – 12 May 2009 National Gallery of Victoria in conjuction with Dream Merchant: Will Dyson in costume, not dated, Jeffrey Smart: The question of portraiture Loan: 24 Mar 2009 – 28 Feb 2010 Contemporary Works after pen and ink 4 Mar – 13 Apr 2009 John Brack Retrospective Norman Lindsay Sketch book, not dated, ink and pencil Jeffrey Smart Ian Potter Centre: NGV Australia 7 Nov 2008 – 31 Jan 2009 Ruby Lindsay, David Allen & Son Group of two works 24 Apr – 9 Aug 2009 Norman Lindsay Mothers! Make the world fit for me: Vote The Listeners, 1965, oil on canvas Art Gallery of South Australia Illustration for ‘Tom O’Bedlam’ Labour, circa 1910, Drawing 1 for The Listeners, 1965, 2 Oct 2009 – 31 Jan 2010 Not dated, watercolour, compressed lithograph on paper pencil on paper John Brack, The sewing machine, 1955, charcoal on paper oil on canvas

34 35 The Ian Potter Museum of Art Myself in France, 1915, 1915, McClelland Gallery Queensland Art Gallery Loan: 29 Jul – 22 Dec 2009 ink and wash +Sculpture Park Loan: 30 Apr – 20 Oct 2009 Yvonne Audette Naples, circa 1937, brush and ink Loan: 21 Jan – 18 May 2010 American Impressionism and Realism: 29 Aug – 22 Nov 2009 (Rider being thrown from horse), John Ford Paterson: A family tradition A Landmark Exhibition from the MET Yvonne Audette, circa 1910, watercolour and pencil 21 Feb – 18 Apr 2010 30 May – 20 Sep 2009 The Refugees,1955, oil on canvas (Bobby, last Chinaman in Creswick), John Ford Paterson , A summer morning tiff, 1924, pencil Group of four paintings 1886, oil on canvas La Trobe University Museum of Art J Nankervis, shift boss, 1922, pencil The settler’s home, 1892, Loan: 15 Oct 2009 – 13 Jan 2010 Landscape near Bacchus Marsh, 1924, oil on canvas Canberra Museum and Gallery In Search of the Spiritual: Murray Griffin’s watercolour Landscape with cattle, 1894, 30 Apr – 6 Oct 2009 view of the supersensible world The Old Ferns, 1920, etching oil on canvas Mandy Martin: Paintings 1981-2009 Bundoora Homestead Arts Centre 6 Portrait of Isabel, not dated, pencil [Man on horseback in forest], 1895, 29 May – 16 Aug 2009 Nov – 13 Dec 2009 Portrait of the artist’s wife, 1924, oil on canvas Mandy Martin, E.Z. Works 1, 1986, Murray Griffin, The Journey No 4, 1969, pencil on board A summer day, 1906, oil on board oil on canvas colour linocut Rehearsal, not dated, watercolour Steeplechase, 1912, Castlemaine Art Gallery & Historical Mossgreen Gallery TarraWarra Museum of Art watercolour and crayon Museum Loan: 20 May – 27 Jul 2009 Loan: 21 Oct 2009 – 14 Apr 2010 Trees and Rocks, 1912, pen and ink Loan: 4 Mar – 18 Jun 2010 Wes Walters No. Murray The Griffin, Journey Image: 4 (detail), 1969, linocut on paper. Purchased, 2008 Joan Lindsay Archibald & Amalie Colquhoun 1 – 27 Jun 2009 21 Nov 2009 – 14 Mar 2010 Group of two watercolours 11 Apr – 16 May 2010 Wes Walters, Portrait of Joseph Brown George Baldessin, From Munakata, Ducks on a pond, not dated, Archibald Douglas Colquhoun, AO OBE, 1975, oil on canvas 1971, graphite, ink, wash & charcoal watercolour Flower study, circa 1933, Landscape with trees, not dated, oil on canvas Creswick Museum watercolour National Gallery of Australia Loan: 23 Dec 2009 – 9 Jun 2010 Rick Amor, Sir Daryl Lindsay painting, National Portrait Gallery Loan: 14 Jul 2009 – 25 Aug 2010 Daryl and Joan 1974, oil on canvas Loan: 6 Apr – mid Aug 2010 McCubbin: Last Impressions 23 Jan 2009 – 9 May 2010 George Bell, Sitting room, Mulberry Hill, Husbands & Wives: photographic National Gallery of Australia Daryl Lindsay 1927, oil on canvas portraits from 19th century Australia 14 Aug – 1 Nov 2009 Group of 18 works 6 May – mid Jul 2010 Art Gallery of (Three stockmen), not dated, Newcastle Regional Art Gallery Unknown photographer, 12 Dec 2009 – 29 Mar 2010 oil on canvas Loan: 13 Jan – 18 Jun 2010 Group portrait of The Rev Thomas Bendigo Art Gallery The Blacksmith’s Horse, 1931, CLASH: contemporary sculptural Williams and family, circa 1855, 24 Apr – 25 Jul 2010 oil on panel ceramics albumen paper photograph Frederick McCubbin Bacchus Marsh landscape, 13 Feb – 18 May 2010 Willetts, Ballarat Group of two paintings not dated, oil on canvas John Perceval, Angel with lute, 1959, Group of two photographs Interior, circa1911, oil on canvas Flower Piece, not dated, glazed stoneware Portrait of Dr Robert Lindsay, circa 1855, Sketch for ‘Interior’, circa 1911, oil on canvas photograph on cabinet card oil on board Werribee Gorge, 1930, oil on canvas Portrait of Jane Elizabeth Lindsay, Gondola, Venice, not dated, circa 1870, pen, brush and ink photograph on cabinet card 100936 37 The Naked and the Nude NextGen VCE Art & Design Exhibitions 13 Sep to 7 Dec 2008 14 Feb to 5 Apr 2009 Ian Potter Foundation Gallery Minnie Williamson, Helen Macpherson Smith Trust and Victor Gordon King Marijke Groothuis - Looking Deeper Galleries 20 Sep to 2 Nov 2008 Garry Anderson: Prelude to Venetian Mars & Victor Gordon King Galleries John Lennon – Imagine street scenes, Part 1 21 Feb to 13 Apr 2009 31 May to 6 Jul 2008 Ballarat in the Raw Timken Foundation Community, Mars Ian Potter Foundation Gallery 1 Oct to 7 Dec 2008 and Ian Potter Foundation Galleries Mars Gallery Deborah Klein: Out of the Past Framing Conflict: Iraq and 1995 - 2007 History of the Shrine of Afghanistan - Lyndell Brown and 31 May to 6 Jul 2008 Remembrance... Charles Green Ian Potter Foundation Gallery A Building with a soul An Australian War Memorial Travelling 4 Oct to 2 Nov 2008 Exhibition Wendy Stavrianos - Night’s Edge Minnie Williamson Gallery 25 Feb to 3 May 2009 14 Jun to 27 Jul 2008 William and Rene Ritchie Gallery Mars Gallery A Kaleidoscope of dancing threads 8 Nov to 14 Dec 2008 41st Ballarat National Photographic Juliette Bradley - Elemental Interplay Timken Foundation Community Exhibition 5 Jul to 17 Aug 2008 Gallery 28 Feb to 29 Mar 2009 Timken Foundation Community Function Hall Gallery History on Wheels - A Golden Age for daily transportation Apparitions - Recent works on paper Maryanne Coutts - Telling Tales 22 Nov 2008 to 28 Jan 2009 by Petra Nevistic 12 Jul to 31 Aug 2008 Victor Gordon King Gallery 10 Apr to 24 May 2009 Ian Potter Foundation Gallery Victor Gordon King Gallery Preserving the past, enriching the Duncan Lannan - The Black Annie future - Hugh Williamson’s Legacy Ascot Working - Lyndell Nicholls - Affair, Part 1 13 Dec 2008 to 1 Feb 2009 a photographic record of country life 2 Aug to 14 Sep 2008 Ian Potter Foundation Gallery in Central Victoria Mars Gallery 18 Apr to 17 May 2009 Joanne Sisson - Converging Views Timken Foundation Community Grampians Four: Four Artists: Four 20 Dec 2008 to 1 Feb 2009 Gallery Visions Timken Foundation Community 23 Aug to 5 Oct 2008 Gallery Shane Jones – Illusions Timken Foundation Community 25 Apr to 24 May 2009 Gallery LOOP: new Australian video art Mars Gallery 13 Dec 2008 to 26 Jan 2009 Mars Gallery 38 0908 39 Recent Acquisitions Reclaiming All Lionel… Queen: the Unseen Archive Education Window The Window 2 May to 28 Jun 2009 6 Jun to 5 Jul 2009 Oct to Nov 2009 20 Feb to 11 Apr 2010 Ian Potter Foundation Gallery Mars Gallery & Function Hall Lindsay Family Gallery Timken Foundation Community, Mars 2009 2008 and Ian Potter Foundation Galleries Jul - Sep Jul Maxwell McLeod Rarely Seen Hans Heysen Louise Tomlinson – Home Songs Galleries Creatures - Sculpture Upper Primary Aug Dale Harris 2 May to 28 Jun 2009 An Art Gallery of South Australia 10 Oct to 8 Nov 2009 and Secondary After school program Sep Jessica Schroeter Ian Potter Foundation Gallery Travelling Exhibition Timken Foundation Community Crouch manuscripts Sep - Oct Oct Studio 518 11 Jul to 4 Oct 2009 Gallery 2 Apr to 23 May 2010 Video Installation Schools Nov Kadda Re-Discovery: Cataloguing the rare Ian Potter Foundation Gallery Victor Gordon King Gallery participating in Ballarat International Dec Georgina Duckett book collection from Ercildoune Celebrating Ceramics Foto Biennale 30 May to 5 Jul 2009 Urban Art Agenda # 3 17 Oct 2009 to 17 Jan 2010 Talking TAPA: Pasifika Bark Cloth in Nov 2009 Victor Gordon King Gallery 18 Jul to 23 Aug 2009 Mars &and Victor Gordon King Queensland My school Years 5 and 6 Delacombe Jan Jennifer Snape Mars Gallery Galleries A Travelling Exhibition from Brisbane Feb NextGEN 2009 Art Gallery of Ballarat Women’s Multicultural Arts Centre Dec - Feb July Tegan Hamilton Association - Celebrating 30 Years Art in 9 x 5 Peter Blizzard – A Retrospective 24 Apr to 30 May 2010 Birds of a feather caged together Aug Laura Leviston 30 May to 12 Jul 2009 18 Jul to 23 Aug 2009 31 Oct 2009 to 26 Jan 2010 Ian Potter Foundation Gallery Upper Primary & Secondary After Sep Ballarat International Timken Community Gallery Timken Foundation Community Ian Potter Foundation Gallery & school program Foto Biennale Gallery Function Hall Colonial landscape in print Oct School drawings 24 Apr to 23 May 2010 2010 Nov Andrew Potter Great Collections Reflections: Survival and Beyond Mars Gallery Jan Dec Life Drawings A Museums & Galleries NSW 14 Nov to 13 Dec 2009 Bug blitz Touring Exhibition Timken Foundation Community 3PDC Jan - Apr 2010 24 Jul to 30 Aug 2009 Gallery 24 Apr to 30 May 2010 NextGen 2010 Jan - Mar NextGEN 2010 Lindsay Family, Minnie Williamson, Timken Foundation Community Feb – Mar Apr G Bryden Helen Macpherson Smith Trust, Victor Sandra Williams - Portraits Gallery Walk a while in my shoes and May R Thomas Gordon King and Hugh D.T. Williamson 20 Dec to 17 Jan 2010 BLX – LINK UP We will frock you Foundation Galleries Timken Foundation Community Brilliant Beads Ballarat Secondary College Gallery 5 Jun to 4 Jul 2010 Mar – Apr Rosslynd Piggott – Extract: in 3 parts Timken Foundation Community Mosaic Sculpture project An ACCA Touring Exhibition NextGen – VCE Art & Design 2010 Gallery Urquhart Park Primary School 22 Aug to 27 Sep 2009 23 Jan to 28 Mar 2010 May James A. Powell Gallery Minnie Williamson, Helen Macpherson A Natural Comparison: Kim Anderson Printmaking Smith Trust and Victor Gordon King 5 Jun – 11 Jul 2010 Year 6 Clunes Primary School Ballarat International Foto Biennale Galleries Victor Gordon King Gallery May – Jun 5 Sep to 4 Oct 2009 Talking Tapa Printmaking Mars, Timken Foundation Community, In your face: Cartoons about politics Group show Years 5 – VCE Victor Gordon King Galleries and and social comment 1760 - 2010 Jun – Jul Function Hall 12 Jun to 8 Aug 2010 Mixed media Cats Ian Potter Foundation and Mars Year 7 Sebastopol College Galleries 100940 41 Public Programs

Concerts Musica: Amir Farid Meet the artist 27 Apr 2010 Musica: Freshwater Trio Godwin Bradbeer 29 Oct 2008 Musica: Ann Murphy and Discussion with reference to Laura Vaughan Man and eclipse, represented in Slava & Leonard Grigoryan 28 Aug 2010 The Naked and the Nude exhibition. 26 Aug 2009 16 Sep 2008 Musica: Seraphim Trio and Ballarat Seniors Festival concerts Lisa Harper-Brown Rosslynd Piggott 6, 13 and 20 Oct 2009 13 Oct 2010 Discussion and tour by Rosslynd of her exhibition Extract: in 3 parts. Ballarat Seniors Festival Guided tours 1 Sep 2009 Behind the Scenes tour Wed - Sun at 2pm 27 Oct 2009 New Members Educating Rita theatre performances Behind the Scenes Tours 30 & 31 Oct 2009 25 Aug 2008 29 Oct 2008 Gaudete - Damask and 29 Jun 2009 the Singers of the Black Book 31 Aug 2009 11 Dec 2009 26 Oct 2009 29 Mar 2010 Christmas Concert Image: Anne Rowland AGB Registrar, hosting a 19 Dec 2009 New Members Behind the Scenes tour

Earth Hour - Ballarat Acoustic Music Festival with Adam Simmons, VOX, Mark Ginsburg Band and Mirlyn. No mikes or amps, sustainably lit with solar power. 27 Mar 2010

Pure Poetry Recital 18 Apr 2010

Image: Pure Poetry Recital 2010

42 43 Lunchtime Talks Gordon Morrison, Director AGB: Yvettte Hiscock, AGB guide: Sunday Afternoon Concerts The year ahead Richard Larter Catherine Millward-Bason: 11 Mar 2009 11 Nov 2009 Women’s Association concert: Retrospective From the studio of Pat Gleeson 9 Jul 2008 Liz Cocks: Ballarat National Annual Edith Fry, Research Librarian Ballarat - piano recital Photography Exhibition Library and Anne Rowland, Registrar 27 Jul 2008 Raye Collins, Hugh D.T. Williamson 25 Mar 2009 AGB: Rare & old books Foundation Fellow in Painting 9 Sep 2009 Women’s Association concert: Conservation: Conservation and Caroline Hutterer, AGB guide: Musicians of Ballarat High School, Technical examination - New insights in Art & Gallipoli - a personal perspective Isobel Dowling: William Barak VCE students in solo recitals Australian paintings in the NGV and AGB 8 Apr 2009 23 Sep 2009 31 Aug 2008 collections 23 Jul 2008 Godwin Bradbeer: Painting experiences Bruce Walker: Working with gold leaf Women’s Association concert: Ballarat 22 Apr 2009 14 Oct 2009 Arts Foundation award recipients Dr Sheridan Palmer, Art Historian and 28 Sep 2008 Curator: Cultural Transformation in Carol Hall: The Vikings - Heritage of Robin Grow: Melbourne Art Deco post-war Melbourne Scandinavia 28 Oct 2009 Women’s Association concert: Women’s Association Concert: Women’s Association Concert: 13 Aug 2008 13 May 2009 Jazz in October - Graeme Vendy and The Ashbourne Quartet Mirlyn - guitar & cello duo Gordon Morrison, Director AGB Barrie Currie 31 May 2009 25 Oct 2009 Yvonne Horsefield: Ballarat Chinese Sister Helen Barnes: Painting and 10 Mar 2010 26 Oct 2008 Connections spirituality Women’s Association Concert: Students of Bron Sozanski 10 Sep 2008 27 May 2009 Erika Esau: Euchre in the Bush Women’s Association concert: La La La Coward - Lemke School of Music 8 Nov 2009 17 Mar 2010 - the French choir of Melbourne 28 Jun 2009 Elizabeth Cross, Curator and Doug Guy Bradley: Ercildoune 30 Nov 2008 Women’s Association Concert: Gordon Morrison, Director AGB: 10 Jun 2009 Hazel Bradshaw, Buninyong based Students of Bron Sozanski Christmas with St Cecilia Singers The Naked and the Nude photographer Students of Bron Sozanski 12 Jul 2009 29 Nov 2009 24 Sep 2008 Eleanor Rowland, AGB guide: 14 Apr2010 7 Dec 2008 Liturgical Art in the Protestant Church Women’s Association Concert: Women’s Association and Ballarat Arts Jan Harper: Plaster & paint 24 Jun 2009 Edward Coleridge: Tilting at Windmills: Women’s Association Concert: From the Studio of Pat Gleeson Foundation: Anna Marshall - soprano 8 Oct 2008 the identity and meaning of the real and Kristian Chong and a piano - 26 Jul 2009 28 Mar 2010 Val d’Angri: The Lindsay Doll painted landscape of Western Victoria and Remembering Katherine Kearns Michael Nichols, Education Officer AGB: 8 Jul 2009 the aesthetic value of intrusions thereon 29 Mar 2009 Women’s Association Concert: Students of Bron Sozanski Education looks at The Naked and the 28 Apr 2010 Ballarat High School presents ... 2 May 2010 Nude JD Mittmann, Famous when dead Students of Bron Sozanski 30 Aug 2009 22 Oct 2008 Gallery: Urban Art Agenda #3 Vida Pearson, Artist/Printmaker 5 Apr 2009 Women’s Association Concert: 22 Jul 2009 12 May 2010 Women’s Association Concert: Australian Youth Orchestra artists in Marijke Groothuis: Looking Deeper Women’s Association Concert: The Coda Saxophone Quartet residency 12 Nov 2008 Patrick Green, CEO, Museum Victoria: Petrus Spronk and Bridget Bodenham Suzuki Strings at the Gallery 27 Sep 2009 16 May 2010 A Day in Pompeii - 3PDCP 26 Apr 2009 12 Aug 2009 26 May 2010 Students of Bron Sozanski Women’s Association Concert: 11 Oct 2009 Celebrating ten years of music 30 May 2010 44 45 Catholic Cape Clear Primary School EUREKA TOURS Education Visits and Programs Lumen Christi Primary School Clunes Primary School Adelong Primary School Our Lady Help of Christians School Creswick Primary School Colleambally Central School St Alipius Parish Primary School Daylesford Alternative Currawa Primary School St Aloysius Primary School Donald Primary School Danebank, Sydney St Augustine’s, Creswick George Street, Hamilton Edwin North Primary School St Brendan’s, Dunstown Irymple Primary School Goulburn West Primary School St Columba’s Primary School Irymple South Primary School Heather Hill Primary School St Francis Xavier Primary School Jamieson Primary School Irymple South Primary School St James Primary School Kerang South Primary School Kerang Primary School St Mary’s, Clarke’s Hill Lal Lal Primary School Kerang South Primary School St Michael’s, Springbank Merrijig Primary School Lakeside Lutheran College St Patrick’s, Ballarat Mount Carmel Christian College Malvern Primary School St Patrick’s, Gordon Mount Egerton Primary School Mentone Girls Grammar St Thomas More Primary School Newlyn Primary School MLC School, Burwood NSW Independent Our Lady Help of Christians Primary Nhill Primary School Ballarat College Early Learning Centre School, Murtoa St Patrick’s College Ballarat Grammar School Early Tarwin Valley Primary School Urquhart Park Primary School Learning Centre Warbra Pre School Weeden Heights Primary School Ballarat Steiner School Warrenheip Primary School Yarra Valley Primary School Metropolitan Interstate Yenda Public School Beaconsfield Primary School Ascham Junior School Brighton Grammar School Colleambally Central EUREKA TOUR and Heather Hill Primary School Currawa Primary School GALLERY TOURS Metropolitan Interstate S.T. GILL WORKSHOP Ivanhoe East Primary School Danebank, Sydney Highview College Barham High School Ascham Junior School, Sydney Ivanhoe Primary School Edwin North Primary School SECONDARY SCHOOLS Country Loreto College, Marryatville SA Brighton Grammar School Loreto - Manderville Hall, Toorak Goulburn West Primary School Dept of Education and Training Apollo Bay P-12 College Donald Primary School Malvern Primary School Holbrook Public School Ballarat High School Bacchus Marsh Grammar PRIMARY SCHOOLS Holbrook Public School Menton Girls Grammar Holy Trinity, Wagga Wagga Ballarat Home Education Group Balmoral Secondary College Government Holy Trinity, Wagga Wagga Ringwood Primary School MLC School, Burwood Ballarat Secondary College Birchip Secondary College Ballarat Home Education Group Ivanhoe East Primary School Mount Clear College Camperdown College Ballarat North Early Learning Centre Sandringham Primary School Robe Primary School Surrey Hills Primary School Seymore College MLC School, Burwood NSW Sebastopol College Derrinallum High School Ballarat North Primary School Newlyn Primary School Yuille Park Community College Donald High School Ballarat Specialist School The Knox School Talbingo Public School Weeden Heights Primary School Whitton Public School Our Lady Help of Christians, Murtoa Catholic Gisborne Secondary College Black Hill Primary School Ringwood Primary School Damascus College Haywood & District Secondary College Buninyong Kinder Yarra Valley Primary School Yenda Public School Country Robe Primary School Loreto College Nhill Secondary College Dana Street Primary School Seymore College, Adelaide St Patrick’s College Rainbow Secondary College Delacombe Primary School Ballan Primary School Bullarto Primary School St Joseph’s, Wagga Wagga Independent St Ignatius, Geelong Elizabeth Watson Surrey Hills Primary School Ballarat Clarendon College Stawell Secondary College Jubilee Kindergarten Buninyong Pre School Campbell’s Creek Primary School Tarcutta Public School Ballarat Christian College Straughton Secondary College Pleasant Street Primary School Tarwin Valley Primary School Ballarat Grammar School Western District Camp Urquhart Park Primary School Warrenheip Primary School 46 47 THEMATIC TOURS EXHIBITION TOURS Great Collections SPECIAL PROGRAMS Poetry Project Education Week Ballan Primary School Captain Moonlight ‘Death Masks’ Ballarat Christian College Ying & Yang Visit the Gallery – with Artist Ballarat Clarendon College The Naked & the Nude Clunes Primary School Meet the Artist Talks Ballarat High School Ross Adams & Storyteller Anne E Stewart Ballarat Home Education Group Ballarat Grammar School Lal Lal Primary School Godwin Bradbeer Dana Street Primary School Ballarat North Primary School Donald High School Pleasant Street Primary School Maryanne Coutts Young Artists Gifted and Talented Pleasant Street Primary School Dana Street Primary School George Street PS, Hamilton St Alipius Primary School Shane Jones Programs St Aloysius Primary School Lal Lal Primary School Heywood & District Sec. College St Thomas More Primary School Duncan Lannan Young artists with Anna Schlooz St Mary’s School, Clarke’s Hill Loreto - Manderville Hall, Toorak Loreto - Manderville Hall, Toorak Warrenheip Primary School Rossalynd Piggott Air to Sky St Thomas More Primary School Mount Egerton Primary School Windermere Primary School various schools Sebastopol College – VCAL Next Gen Botanical Studies Artists In Schools Information Session Young artists with Viv McDermot VCE Studio Arts St Alipius Primary School Apollo Bay P-12 College Ballarat Steiner School Black Hill Primary School Behind the scenes tour - Issues in Art St Columba’s Primary School Bacchus Marsh Grammar Goulburn West Primary School National Gallery of Australia Alzeimer Dana Street Primary School – Studio Art St Francis Xavier College Ballarat Clarendon College Lumen Christi Primary School Visitors St Columba’s Primary School Bacchus Marsh Grammar St James Primary School Ballarat High School Pleasant Street Primary School St James Primary School Ballarat Clarendon College St Patrick’s Primary School Ballarat Secondary College St Alipius Primary School Strategic Partnership Program St Mary’s, Clarke’s Hill Ballarat Grammar School Warrenheip Primary School Balmoral Secondary College St Aloyius Primary School Regional Arts Meeting, host venue Young artists with Emily Moody Ballarat High School Yuille Park Community College Birchip P-12 School St Thomas More Primary School Black Hill Primary School Ballarat Secondary College Damascus College Lung Fish Early Childhood and Kindergarten Dana Street Primary School Damascus College PROGRAMS Daylesford Alternative School Buninyong Kindergarten Assoication Conference Delacombe Primary School Derrinallum High School Ballarat Clarendon College Early Donald High School St Columba’s Primary School Donald High School Learning Centre Loreto College, Marryatville SA Peter Blizzard Hans Heysen Gallery Launch Mount Clear College Ballarat Grammar School Early Mount Clear College Goulburn West Public School After School Art Programs Nhill Secondary College Learning Centre Sebastopol College Linton Primary School Bug Blitz 4 elements in art trail Bookmaking with Maggie Dannett Rainbow Secondary College Buninyong Kindergarten St Patrick’s College Our Lady Help of Christians School launch Comic art Sebastopol College Elizabeth Watson Kindergarten, Straughton College St Columba’s Primary School Drawing with Michelle Noyce Stawell Secondary College Beaufort Western District Camp St Francis Xavier College Student Professional Development Drawing with Emily Moody Straughton College Jubalee Kindergarten Copic marker workshop Printmaking with Trudie Nicholson University of Ballarat North Ballarat Kindergarten Queen: the Unseen Archive with Mark Wilkin – Visual Puppet making with Cameron Ross Western Plains Camp St Alipius Kindergarten Loreto College, Marryatville SA Communication and Design Sculptures with Cameron Ross Warbra Pre School Sebastopol College Ballarat Clarendon College Teachers Professional Development Ballarat Grammar School Christmas program Figure drawing Talking TAPA: Pasifika Bark Cloth in Loreto college Christmas Stories in the Gallery with In Your Face – preview Queensland Psychology student workshop Anne E Stewart Primary Teachers -Sculpture with Printmaking with Roze Elizabeth Ballarat Grammar School Pleasant Street Primary School Cameron Ross Caladonian Primary School Ballarat High School St Patrick’s Primary School Sculpting in clay Clunes Primary School Loreto college Studio Arts – issues and outcomes St Thomas More Primary School Catholic Education Week Warbra Primary School Biodiversity Bus Stop Stories from the Pacific with Yuille Park Community College Lumen Christi Primary School Anne E Stewart St Augustine’s Creswick St Alipius Primary School St James Primary School St James Primary School St Thomas More Primary School St Thomas More Primary School 48 49 Donations, Gifts and Bequests Adopt an Artwork

The Art Gallery of Ballarat welcomes Bequests may be made for either This a program gives individuals or gifts and donations of funds for general or specific purposes, or groups the opportunity to contribute acquisitions and other purposes such could be a work of art in which case towards the conservation treatment as the conservation of art works, the work would need to fit within and maintenance of artworks in the improvements to infrastructure and the collecting scope outlined in the Art Gallery of Ballarat Collection. programming. 10 years ago the Acquisitions Policy. A major bequest Gallery set up the Fine Art Gallery is one of the most effective ways of Contributions during 2008/09 Foundation (‘the Foundation’) to ensuring that your family name and and 2009/10 include: receive these donations, which are your connections with this Gallery tax deductible. The Gallery has also and community are remembered and Gold donations set up a Deductible Gift Fund under celebrated far into the future. $25,000 up to $100,000 the auspices of the City of Ballarat to Mrs L.D. Ridsdale receive similarly intended donations Peter Di Sciascio The last means of providing financial from Corporations and charitable assistance to the Gallery is through the Foundations. Silver donations sponsoring of exhibitions and other $5,000 up to $25,000 programs, including the production Anonymous Gifts to the Foundation entitle donors of catalogues. With over 30 shows Sari and Matthew Baird to be recorded as members at a range happening each year there is bound Carole Coltman of rankings, from Member, Fellow, to be something with a theme or Vicki and Craig Coltman Benefactor, Governor through to Life message that would link with the The Courier Governor. The Director is in a position mission of your business, allowing James and Sons to explain the privileges that pertain to for imaginative promotion of your McCain Foods each level. There are still opportunities company and a focus for corporate for naming rights to significant rooms celebration. Bronze donations within the Gallery. $1,000 up to $5,000 The Gallery would like to thank the Art Gallery of Ballarat Women’s Works of art can also be gifted following sponsors for their support Association to the Gallery under the Federal during 2008/09 and 2009/10: Pam Davies Government’s Cultural Gifts Program The Courier Emma and Bob House which allows a tax deduction for the The Ferry Foundation J.E. Nevett current market value of the work. Valerie Newman Image: James Peel, Eagle Crag in Borrowdale, These donations are of course subject Haymes Paints Garry and Sara Taylor 1880-90, oil on canvas. Purchased, 1892. Painting and frame conserved with funds donated to the guidelines and requirements of The Hugh Williamson Foundation Bill McGregor in memory of Leonard Darrell Ridsdale by his wife, the Acquisitions Policy of the Gallery. 2009. 50 51 Gallery Staff and Volunteers

Permanent Staff Casual Staff

Director Visitor Services Gordon Morrison Shannon Phillips - to Oct 2009 Amelia Blick - to Jun 2010 Registrar Mahney Head Anne Rowland Annette Walker Stephen Werner Business Support Officer Lorraine Peck - to Aug 2009 Volunteers Exhibition & Marketing Officers Ben Cox Library Susan Murphy Eva Albiers Research Registration Assistant Helen Nethercote Julie Collett - from Nov 2009

Retail Manager Sue Jackson

Weekend Supervisor Mary Doyle - to Jul 2008

Visitor Services Melissa Antonsen - to Sep 2008 Mark Moravec Andi Simkin James Zala

DEAT Education Officer Michael Nichols

Catholic Education Officer Pauline Doran Image: Hugh D. T. Williamson Gallery Photograph by Ian Wilson Photography 52 53 Board Members

As of 30 June 2010

Chair Dr Anne Beggs Sunter Ms Loris Button Mr Brian Hay Cr Peter Innes Mr Colin Stephens Mrs Sari Baird BA (Melb), Dip Lib (UNSW), Dip Ed BA, MA, PhD Association Council Representative Primary School Principal and Colin Stephens is a Ballarat based BA/LLB (Melb) LLM (Melb). (Melb), MA (Deakin), PhD (Melb). Loris Button is a practising artist and To Oct 2008 Councillor of the City of Ballarat antique and art collector. He is a past Sari Baird is a lawyer working in Anne Beggs Sunter is a Lecturer a Senior Lecturer at the University of City of Ballarat Representative President of the Association and a compliance management at the (Heritage) at the University of Ballarat. Ballarat. Her work is regularly shown in To Dec 2008 retired public servant and has served University of Ballarat. She is involved She is the Honorary Secretary. of the both solo and group exhibitions and on many community organisations. in several community organisations Ballarat Fine Art Gallery Association is represented in public collections Ms Debbie Hill Association Council Representative including as a member of the Board and has been involved with the throughout Australia. BVA (Fine Art) BA (Hons) of Directors, Sovereign Hill Museums Buninyong Historical Society, Ballarat Association Council Representative Debbie Hill is a practising artist and Mr Bruce Morgan Association and Chair of its Audit and Heritage Watch and the Organs of arts educator (secondary), with Bruce Morgan is Group General Risk Committee. Ballarat Goldfields. extensive community involvement Manager (Ballarat and Western Mr Garry Taylor City of Ballarat Representative Association Council Representative including as an Art Advisor to Region) of Fairfax Ltd. His community M Ed Ms Janet Dore St Patrick’s College, Ballarat. involvement includes being Patron of Garry Taylor is a Dip App Sc (Town Planning) (RMIT) Association Council Representative McCallum Disability Services as well as Principal. He was the President B APP Sc. (Planning) (Newcastle) To June 2010 serving on numerous regional boards of the Ballarat Fine Art Gallery Cr Cheryl Bromfield Janet Dore was CEO at the City of and committees. He was a founding Association until September 2008 Cheryl Bromfield has worked as a small Ballarat from 1995 until 1998, and member of the Committee for Ballarat and is a trustee of the Ballarat Fine Art business owner operator, as a lending General Manager, Newcastle City as well as the University of Ballarat. He Gallery Foundation. He is involved in manager in the finance industry and Council from 1999 until 2007. She Mr Peter Hiscock AM is currently a member of the Australian many educational and community in the corporate arena. She currently is currently the CEO of the Victorian Peter Hiscock is a retired Museum Press Council. organisations and is Chairman of the works as a Business Manager for Transport Accident Commission. Director with a long history of City of Ballarat Representative Ballarat Learning Exchange. Action Ads, where she specialises in City of Ballarat Representative involvement with museums. He Association Council Representative marketing, promotions and printing. is currently a Deputy Chairman of City of Ballarat Representative the Heritage Council of Victoria and Dec 2008 to Mar 2010 Chairman of the Emerald Tourist Cr Mark Harris Rail Board. His regional involvement Mark Harris’ works locally as a medical includes membership of the Board of practitioner in the emergency Ballarat Organs of the Goldfields and departments of the city’s hospitals. the Narmbool Trust (Sovereign Hill). His community involvement includes City of Ballarat Representative being a field emergency medical officer with State Displan and an active reserve medical officer. City of Ballarat Representative From Apr 2010

54 55 Budget Summary Budget Summary for the year ending 30th June 2009 for the year ending 30th June 2010

YTD ACTUALS YTD ACTUALS EXPENSE EXPENSE Employee Costs 792,790 1010 Collection Management 205,048 Internal Charges – Exp 16,164 1015 Public Programs 658,415 Materials and Contracts 464,320 1025 General Gallery Operating Costs 754,238 Other Expense 585,398 1030 Gallery Shop 289,909 TOTAL EXPENSE 1,858,673 1032 Café Gallery 3,658 TOTAL EXPENSE 1,911,269 REVENUE Grant Revenues (152,499) REVENUE Internal Charges – Inc (8,490) 1010 Collection Management (521,381)* Other Revenue (1,922,330)* 1015 Public Programs (186,811) Reimbursements (3,961) 1025 General Gallery Operating Costs (122,993) Statutory Fees, Charges and Fines (322,375) 1030 Gallery Shop (310,093) TOTAL REVENUE (2,409,655) TOTAL REVENUE (1,141,278)

REPORT TOTAL (550,982) REPORT TOTAL 769,991

*includes art acquisitions valued at $1,853,348 *includes art acquisitions valued at $501,381

56 0908 1009 57