DOCSLIB.ORG

Boston Symphony Orchestra Concert Programs, Season 89, 1969-1970

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

SB' SYMPHONY FOUNDED IN 1881 BY HENRY LEE HIGGINSON EIGHTY-NINTH SEASON 1969-1970 Exquisite Sound From the palaces of ancient Egypt to the concert halls of our modern cities, the wondrous music of the harp has compelled attention from all peoples and all countries. Through this passage of time many changes have been made in the original design. The early instruments shown in drawings on the tomb of Rameses II (1292-1225 B.C.) were richly decorated but lacked the fore-pillar. Later the "Kinner" developed by the Hebrews took the form as we know it today. The pedal harp was invented about 1720 by a Bavarian named Hochbrucker and through this ingenious device it be- came possible to play in eight major and five minor scales complete. Today the harp is an important and familiar instrument providing the "Exquisite Sound" and special effects so important to modern orchestration and arrange- ment. The certainty of change makes necessary a continuous review of your insurance protection. We welcome the opportunity of providing this service for your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 PAIGE OBRION RUSSELL Insurance Since 1876 BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Assistant Conductor EIGHTY-NINTH SEASON 1969-1970 THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President FRANCIS W. HATCH PHILIP K. ALLEN Vice-President HAROLD D. HODGKINSON ROBERT H. GARDINER Vice-President E. MORTON JENNINGS JR JOHN L. THORNDIKE Treasurer EDWARD M. KENNEDY RICHARD P. CHAPMAN HENRY A. LAUGHLIN ABRAM T. COLLIER EDWARD G. MURRAY MRS HARRIS FAHNESTOCK JOHN T. NOONAN THEODORE P. FERRIS MRS JAMES H. PERKINS SIDNEY R. RABB TRUSTEES EMERITUS HENRY B. CABOT EDWARD A. TAFT PALFREY PERKINS RAYMOND S. WILKINS ADMINISTRATION OF THE BOSTON SYMPHONY ORCHESTRA THOMAS D. PERRY JR Manager JAMES J. BROSNAHAN HARRY J. KRAUT Associate Manager, Associate Manager, Business Affairs Public Affairs MARY H. SMITH MARVIN SCHOFER Concert Manager Press and Public Information program copyright © 1970 by Boston Symphony Orchestra Inc. SYMPHONY HALL BOSTON MASSACHUSETTS 8& » " the coolest thing next to a Summer popsicle Our sliver of a dress. In crunchy rayon. Cut like a cardigan. To wear over a bronzed body. In triple -flavors. Misses' sizes, $30. From our Summer Sportswear Collection. '- — m«« M»riijn > gfflaayif^.v><ii<»«»T.i»«n i ww gwffwmw**"' """' **"'"' BOSTON: At the start of The Freedom Trail, HO Tremont Street, 482-0260. CHESTNUT HILL • NORTHSHORE •SOUTH SHORE PLAZA • BURLINGTON M *>' BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Assistant Conductor EIGHTY-NINTH SEASON 1969-1970 THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC ABRAM T. COLLIER Chairman ALLEN G. BARRY Vice-Chairman LEONARD KAPLAN Secretary MRS FRANK ALLEN MRS JOHN L. GRANDIN JR ROBERT C. ALSOP STEPHEN W. GRANT OLIVER F. AMES SAMUEL A. GROVES LEO L. BERANEK FRANCIS W. HATCH JR DAVID W. BERNSTEIN MRS C. D. JACKSON MRS CURTIS BROOKS HOWARD W. JOHNSON GARDNER L. BROWN SEAVEY JOYCE MRS LOUIS W. CABOT GEORGE H. KIDDER MRS NORMAN L. CAHNERS LAWRENCE K. MILLER LEVIN H. CAMPBELL III LOUVILLE NILES ERWIN D. CANHAM HERBERT W. PRATT JOHN L COOPER NATHAN M. PUSEY ROBERT CUTLER MRS FAIRFIELD E. RAYMOND NELSON J. DARLING JR PAUL REARDON BYRON K. ELLIOTT DONALD B. SINCLAIR PAUL FROMM SIDNEY S. STONEMAN CARLTON P. FULLER JOHN HOYT STOOKEY MRS ALBERT GOODHUE ROBERT G. WIESE SYMPHONY HALL BOSTON MASSACHUSETTS 1493 . Geoffrey Beene's DOUBLE TAKE Look twice — his paired prints, here, dots next to checks, make a striking, young costume. French Shops, seventh floor Filene's Boston and Chestnut Hill* 1494 i BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Assistant Conductor first violins cellos bassoons Joseph Silverstein Jules Eskin Sherman Walt concertmaster Philip R. Allen chair Ernst Panenka Charles Munch chair Martin Hoherman Matthew Ruggiero Alfred Krips Mischa Nieland Max Hobart Karl Zeise contra bassoon Rolland Tapley Robert Ripley Richard Plaster Roger Shermont Luis Leguia Max Winder Stephen Geber horns Harry Dickson Hidenobu Tsuchida* James Stagliano Gottfried Wilfinger Jerome Patterson Charles Yancich Fredy Ostrovsky Ronald Feldman Harry Shapiro Leo Panasevich William Stokking Thomas Newell Noah Bielski Paul Keaney Herman Silberman basses Ralph Pottle Stanley Benson Henry Portnoi Sheldon Rotenberg William Rhein trumpets Alfred Schneider Joseph Hearne Julius Schulman Armando Ghitalla Bela Wurtzler Gerald Gelbloom Roger Voisin Leslie Martin Andre Come Raymond Sird John Salkowski Gerard Goguen second violins John Barwicki Clarence Knudson Buell Neidlinger trombones William Robert Olson Marshall William Gibson Michel Sasson Josef Orosz Ronald Knudsen flutes Kauko Kahila Leonard Moss Doriot Anthony Dwyer William Waterhouse Walter Piston chair tuba Ayrton Pinto James Pappoutsakis Chester Schmitz Amnon Levy Phillip Kaplan Laszlo Nagy timpani Michael Vitale piccolo Victor Manusevitch Everett Firth Lois Schaefer John Korman Christopher Kimber percussion oboes Spencer Larrison Charles Smith Ralph Ikuko Mizuno Gomberg Arthur Press John Holmes assistant timpanist violas Hugh Matheny Thomas Gauger Burton Fine Frank Epstein Charles S. Dana chair english horn Reuben Green Laurence Thorstenberg harps Eugene Lehner Bernard Zighera George Humphrey clarinets Ann Hobson Jerome Lipson Robert Karol Gino Cioffi librarians Bernard Kadinoff Pasquale Cardillo Vincent Mauricci Peter Hadcock Victor Alpert Earl Hedberg fb clarinet William Shisler Joseph Pietropaolo Robert Barnes bass clarinet stage manager Yizhak Schotten Felix Viscuglia Alfred Robison personnel manager William Moyer "member of the Japan Philharmonic Symphony Orchestra participating in a one season exchange with Carol Procter. To the prosperous, overworked man who'd like to get off the night shift. If we could talk more of you men into giving up part of your night-time investment work and getting to sleep earlier, we think we'd be doing a service to you and your families. And to your companies. You might think about giving us some of the mechanical chores: keeping books, collecting dividends, clipping cou- pons, keeping tax records. You may want to turn the whole thing over to us. Or use us as an advisor. But the important thing right now is to get you down here to talk with our investment managers and let them show you how easy it is to help you out. Old Colony has a larger full-time investment staff than any other bank in New England. Won't you call on us? THE FIRST & OLD COLONY The First National Bank of Boston and Old Colony Trust Company 1496 I CONTENTS Program for April 24 and 25 1970 1499 Program notes Bach - Cantata no. 140 'Wachet auf, ruft uns die Stimme' 1511 by John N. Burk and Andrew Raeburn Mahler- Symphony no. 9 in D 1514 by John N. Burk Reviews of the Orchestra's recent tour 1529 The soloists 1531 The choruses 1532 Season summary 1544 Program Editor ANDREW RAEBURN 1497 I THE BOSTON COMPANY, INC. The "Financial Cabinet" specializing in advisory and management services for private capital. INVESTMENT, TRUST AND PERSONAL BANKING SERVICES Boston Safe Deposit and Trust Company INVESTMENT COUNSELING Boston • The Boston Company Investment Counsel, Inc. Houston • The Boston Company of Texas Los Angeles • Bailey and Rhodes Louisville • Todd-Boston Company, Inc. New York • John W. Bristol & Co., Inc. • Douglas T. Johnston & Co., Inc. San Francisco • Henderson-Boston Company, Inc. Seattle • Loomis & Kennedy, Inc. INVESTMENT RESEARCH AND TECHNOLOGY Boston • The Boston Company Investment Research and Technology, Inc. ECONOMIC AND FINANCIAL COUNSELING New York • Rinfret-Boston Associates, Inc. OIL AND GAS INVESTMENT COUNSELING Houston * The Boston Company of Texas REAL ESTATE INVESTMENT COUNSELING Boston • The Boston Company Real Estate Counsel, Inc. San Francisco • The Boston Company of the Pacific, Inc. MUTUAL FUND The Johnston Mutual Fund Inc. MANAGEMENT CONSULTING Boston • The Boston Consulting Group, Inc. London • The Boston Consulting Group Ltd. Milan • Gennaro Boston Associati, S.p.A. Tokyo • The Boston Consulting Group K.K. PERSONAL FINANCIAL STRATEGIES Boston • The Boston Company Financial Strategies, Inc. For a brochure describing these services, please write us at: 100 FRANKLIN STREET • BOSTON, MASSACHUSETTS 02106 (617) 542-9450 1498 ERRATUM AND ADDENDUM On Friday, April 24, the cello continuo in Bach ! s Cantata no. 140 was played by MARTIN HOHERMAN. On Friday and Saturday, April 24 and 25, the double bass continuo in Bach's Cantata no. 140 was played by HENRY PORTNOI. 1 EIGHTY-NINTH SEASON 1969-1970 Friday afternoon April 24 1970 at 2 o'clock Saturday evening April 25 1970 at 8.30 MICHAEL TILSON THOMAS conductor J. S. BACH Cantata no. 140 'Wachetauf, ruft uns die Stimme' Chorus Recitative (tenor) Aria (soprano and bass with violin solo) Chorale (tenor) Recitative (bass) Aria (soprano and bass with oboe solo) Chorale (tutti) BETHANY BEARDSLEE soprano ROBERT GARTSIDE tenor VERN SHINALL bass JOSEPH SILVERSTEIN violin RALPH GOMBERG oboe JULES ESKIN cello continuo MATTHEW RUGGIERO bassoon continuo JOHN ADAMS harpsichord continuo BERJ ZAMKOCHIAN organ continuo HARVARD GLEE CLUB and RADCLIFFE CHORAL SOCIETY Elliot Forbes conductor first performance by the Boston Symphony Orchestra in Boston intermission MAHLER Symphony no. 9 in D Andante comodo Im Tempo eines gemachlichen Landlers: etwas
Recommended publications
  • Commonwealth of Massachusetts Department of Conservation And

    Commonwealth of Massachusetts Department of Conservation And

    Commonwealth of Massachusetts Department of Conservation and Recreation Request for Proposals for Mobile Food Concession Operation at the Cambridge Esplanade, Charles River Reservation, Cambridge MA For Annual Fourth of July Event RFP # DCR 2015 416 Table of Contents I. Introduction ......................................................................................................................................... 2 II. Proposal Process ................................................................................................................................. 3 III. Description of the Premises and Applicable Information ................................................................... 5 IV. Submission Requirements for Proposal .............................................................................................. 7 A. Mandates ............................................................................................................................................................ 7 B. Description of Entity and Related Experience ................................................................................................... 8 C. Description of Services to be Provided .............................................................................................................. 9 D. Financial and Budget Information ................................................................................................................... 10 E. Compensation to the Commonwealth .............................................................................................................
  • Boston Symphony Orchestra Concert Programs, Summer

    Boston Symphony Orchestra Concert Programs, Summer

    m^^^^j^^fjSjmggU ^^If0jisdii^ Accompanist to Boston Symphony Orchestra Berkshire Festival • Berkshire Music Center and to these Tanglewood 1971 artists Leonard Bernstein • Arthur Fiedler • Byron Janis • Ruth Laredo Seiji Ozawa • Gunther SchuIIer • Michael Tilson Thomas • Earl Wild BOSTON SYMPHONY ORCHESTRA WILLIAM STEINBERG Music Director MICHAEL TILSON THOMAS Associate Conductor NINETIETH ANNIVERSARY SEASON 1970-1971 TANGLEWOOD 1971 SEIJI OZAWA, GUNTHER SCHULLER Artistic Directors LEONARD BERNSTEIN Advisor THIRTY-FOURTH BERKSHIRE FESTIVAL THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. TALCOTT M. BANKS President ABRAM T. COLLIER HENRY A. LAUGHLIN PHILIP K. ALLEN Vice-President MRS HARRIS FAHNESTOCK EDWARD G. MURRAY ROBERT H. GARDINER Vice-President THEODORE P. FERRIS JOHN T. NOONAN JOHN L. THORNDIKE Treasurer FRANCIS W. HATCH MRS JAMES H. PERKINS ALLEN G. BARRY HAROLD D. HODGKINSON IRVING W. RABB RICHARD P. CHAPMAN E. MORTON JENNINGS JR SIDNEY STONEMAN EDWARD M. KENNEDY TRUSTEES EMERITUS HENRY B. CABOT PALFREY PERKINS EDWARD A. TAFT THE BOARD OF OVERSEERS OF THE BOSTON SYMPHONY ORCHESTRA INC. ERWIN D. CANHAM Chairman HENRY B. DEWEY LAWRENCE K. MILLER VERNON ALDEN Vice-Chairman RICHARD A. EHRLICH FRANK E. MORRIS LEONARD KAPLAN Secretary/ BYRON K. ELLIOTT MRS STEPHEN V. C. MORRIS HAZEN H. AYER ARCHIE C. EPPS III JOHN T. G. NICHOLS MRS FRANK G. ALLEN PAUL FROMM LOUVILLE NILES ROBERT C. ALSOP CARLTON P. FULLER DAVID R. POKROSS LEO L. BERANEK MRS ALBERT GOODHUE MRS BROOKS POTTER DAVID W. BERNSTEIN MRS JOHN L. GRANDIN HERBERT W. PRATT MRS CURTIS B. BROOKS STEPHEN W. GRANT MRS FAIRFIELD E. RAYMOND J. CARTER BROWN SAMUEL A. GROVES PAUL C. REARDON MRS LOUIS W.
  • Sensory Winter Illumination Experience at the Iconic DCR Hatch Shell

    Sensory Winter Illumination Experience at the Iconic DCR Hatch Shell

    FOR IMMEDIATE RELEASE MEDIA CONTACTS: Stephanie Janes, [email protected], 617-419-0445 Kelsey Pramik, [email protected], 617-532-0942 The Esplanade Association Celebrates 20TH Anniversary with Multi- Sensory Winter Illumination Experience at the Iconic DCR Hatch Shell Boston-based creative studio MF Dynamics to debut “Hatched: Breaking through the Silence,” a projection- mapping and sonic public art work during 300+ outdoor showings on the Esplanade Jan. 22 to Feb. 21, 2021 January 4, 2021 – Boston, MA – To mark the 20th Anniversary of the Esplanade Association’s successful public- private partnership with the Massachusetts Department of Conservation and Recreation (DCR), the Esplanade Association (EA) will present “Hatched: Breaking through the Silence,” a four week illumination and sound experience to provide a family-friendly and physically-distant celebration at the famed Hatch Memorial Shell. “Hatched” will cut through the darkness of the winter months, offering a public space for joy and optimism in the New Year. The work is an original 15-minute visual and sound performance led by Boston-based creative Maria Finkelmeier of MF Dynamics and is shaped specifically for the 80-year-old amphitheater itself. LINK TO DIGITAL ASSETS Hatched is free and open to the public, taking place nightly from January 22 – February 21, 2021. Viewers will be able to tune in to the original synchronized soundtrack on their personal devices while watching the illuminations. The work, made possible by collaborations with LuminArtz and projector sponsor Epson, will begin nightly at 5pm and re-start every 20 minutes until 9pm ET, offering over 300 opportunities to enjoy the work in the open-air landscape of the historic Hatch Shell Oval Lawn.
  • Boston Symphony Orchestra Concert Programs, Season

    Boston Symphony Orchestra Concert Programs, Season

    // BOSTON T /?, SYMPHONY ORCHESTRA THURSDAY B SERIES EIGHTY-SEVENTH SEASON 1967-1968 wgm _«9M wsBt Exquisite Sound From the palace of ancient Egyp to the concert hal of our moder cities, the wondroi music of the harp hi compelled attentio from all peoples and a countries. Through th passage of time man changes have been mac in the original design. Tl early instruments shown i drawings on the tomb < Rameses II (1292-1225 B.C were richly decorated bv lacked the fore-pillar. Lato the "Kinner" developed by tl Hebrews took the form as m know it today. The pedal hai was invented about 1720 by Bavarian named Hochbrucker an through this ingenious device it b came possible to play in eight maj< and five minor scales complete. Tods the harp is an important and familij instrument providing the "Exquisi* Sound" and special effects so importai to modern orchestration and arrang ment. The certainty of change mak< necessary a continuous review of yoi insurance protection. We welcome tl opportunity of providing this service f< your business or personal needs. We respectfully invite your inquiry CHARLES H. WATKINS & CO. Richard P. Nyquist — Charles G. Carleton 147 Milk Street Boston, Massachusetts Telephone 542-1250 OBRION, RUSSELL & CO. Insurance of Every Description EIGHTY-SEVENTH SEASON 1967-1968 BOSTON SYMPHONY ORCHESTRA ERICH LEINSDORF Music Director CHARLES WILSON Assistant Conductor THE TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA INC. HENRY B. CABOT President TALCOTT M. BANKS Vice-President JOHN L. THORNDIKE Treasurer PHILIP K. ALLEN E. MORTON JENNINGS JR ABRAM BERKOWITZ EDWARD M. KENNEDY THEODORE P.
  • Boston Symphony Orchestra Concert Programs, Season 118, 1998-1999

    Boston Symphony Orchestra Concert Programs, Season 118, 1998-1999

    BOSTON SYMPHONY ORCHESTRA 1 I O Z AWA ' T W E N T Y- F I F 1 H ANNIVERSARY SEASO N 1 1 8th Season • 1 998-99 Bring your Steinway: < With floor plans from acre gated community atop 2,100 to 5,000 square feet, prestigious Fisher Hill you can bring your Concert Jointly marketed by Sotheby's Grand to Longyear. International Realty and You'll be enjoying full-service, Hammond Residential Real Estate. single-floor condominium living at Priced from $1,100,000. its absolutefinest, all harmoniously Call Hammond Real Estate at located on an extraordinary eight- (617) 731-4644, ext. 410. LONGYEAR at Jisner Jiill BROOKLINE Seiji Ozawa, Music Director 25TH ANNIVERSARY SEASON Bernard Haitink, Principal Guest Conductor One Hundred and Eighteenth Season, 1998-99 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Harvey Chet Krentzman, Vice-Chairman Ray Stata, Vice-Chairman Harlan E. Anderson Deborah B. Davis Edna S. Kalman Vincent M. O'Reilly Gabriella Beranek Nina L. Doggett George Krupp Peter C. Read James E Cleary Nancy J. Fitzpatrick Mrs. August R. Meyer Hannah H. Schneider John F. Cogan, Jr. Charles K. Gifford, Richard P. Morse Thomas G. Sternberg Julian Cohen ex-ojficio Mrs. Robert B. Stephen R. Weiner William F. Connell Avram J. Goldberg Newman Margaret Williams- William M. Crozier, Jr. Thelma E. Goldberg Robert P. O'Block, DeCelles, ex-qfficio Nader F Darehshori Julian T. Houston ex-ojficio Life Trustees Vernon R.
  • Cds by Composer/Performer

    Cds by Composer/Performer

    CPCC MUSIC LIBRARY COMPACT DISCS Updated May 2007 Abercrombie, John (Furs on Ice and 9 other selections) guitar, bass, & synthesizer 1033 Academy for Ancient Music Berlin Works of Telemann, Blavet Geminiani 1226 Adams, John Short Ride, Chairman Dances, Harmonium (Andriessen) 876, 876A Adventures of Baron Munchausen (music composed and conducted by Michael Kamen) 1244 Adderley, Cannonball Somethin’ Else (Autumn Leaves; Love For Sale; Somethin’ Else; One for Daddy-O; Dancing in the Dark; Alison’s Uncle 1538 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 1 Aebersold, Jamey: Favorite Standards (vol 22) 1279 pt. 2 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 1 Aebersold, Jamey: Gettin’ It Together (vol 21) 1272 pt. 2 Aebersold, Jamey: Jazz Improvisation (vol 1) 1270 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 1 Aebersold, Jamey: Major and Minor (vol 24) 1281 pt. 2 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 1 Aebersold, Jamey: One Dozen Standards (vol 23) 1280 pt. 2 Aebersold, Jamey: The II-V7-1 Progression (vol 3) 1271 Aerosmith Get a Grip 1402 Airs d’Operettes Misc. arias (Barbara Hendricks; Philharmonia Orch./Foster) 928 Airwaves: Heritage of America Band, U.S. Air Force/Captain Larry H. Lang, cond. 1698 Albeniz, Echoes of Spain: Suite Espanola, Op.47 and misc. pieces (John Williams, guitar) 962 Albinoni, Tomaso (also Pachelbel, Vivaldi, Bach, Purcell) 1212 Albinoni, Tomaso Adagio in G Minor (also Pachelbel: Canon; Zipoli: Elevazione for Cello, Oboe; Gluck: Dance of the Furies, Dance of the Blessed Spirits, Interlude; Boyce: Symphony No. 4 in F Major; Purcell: The Indian Queen- Trumpet Overture)(Consort of London; R,Clark) 1569 Albinoni, Tomaso Concerto Pour 2 Trompettes in C; Concerto in C (Lionel Andre, trumpet) (also works by Tartini; Vivaldi; Maurice André, trumpet) 1520 Alderete, Ignacio: Harpe indienne et orgue 1019 Aloft: Heritage of America Band (United States Air Force/Captain Larry H.
  • Boston Symphony Orchestra Concert Programs, Season 86

    Boston Symphony Orchestra Concert Programs, Season 86

    \ / y) r BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON % TUESDAY EVENING "CAMBRIDGE" SERIES f « ^2Z£* mil -~%J '/ Uflii'li J~<2>r~ ^if/ :x to 4\\v& • u v x^ I > > I'm ,,J h '7>>'/'v'-^S;j#i /^^^^^i#AV /*/* ^ r \j '^. ~- ( \^r. EIGHTY-SIXTH SEASON 1966-1967 Mozart The Boston Symphony "Jupiter" Symphony Leinsdorf Eine Kleine Nachtmusik under Boston Symphony Orchestra The complexities of Mozart's"Jupiter" Sym- Erich Leinsdorf phony impose severe demands on both conductor and orchestra. Leinsdorf and the Boston Symphony respond with a virtuoso performance marked by discipline and polish. Recorded with it, the delightful "Eine Kleine Nachtmusik." Equally impressive, in the Romantic idiom, is their recording of Tchaikovsky's First Piano Concerto with Artur Rubinstein. Enjoy these fine perform- RCA Victor ances on RCA Victor Red Seal albums. The most trusted name in sound EIGHTY-SIXTH SEASON, 1966-1967 CONCERT BULLETIN OF THE Boston Symphony Orchestra ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot President Talcott M. Banks Vice-President John L. Thorndike Treasurer Philip K. Allen E. Morton Jennings, Jr. Abram Berkowitz Henry A. Laughlin Theodore P. Ferris Edward G. Murray Robert H. Gardiner John T. Noonan Francis W. Hatch Mrs. James H. Perkins Andrew Heiskell Sidney R. Rabb Harold D. Hodgkinson Raymond S. Wilkins TRUSTEES EMERITUS Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator Sanford R. Sistare Harry J. Kraut Press and Publicity Assistant to the Manager Andrew Raeburn Assistant to the Music Director SYMPHONY HALL BOSTON [3] Learn investment analysis in your spare time? That's one way of doing it .
  • William Steinberg Conducting the Pittsburgh Symphony Orchestra - Till Eulenspiegel's Merry Pranks, Op

    William Steinberg Conducting the Pittsburgh Symphony Orchestra - Till Eulenspiegel's Merry Pranks, Op

    William Steinberg Bolero, La Valse, Pavane Pour Une Infante Defunte mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Bolero, La Valse, Pavane Pour Une Infante Defunte Country: UK Released: 1959 Style: Impressionist MP3 version RAR size: 1841 mb FLAC version RAR size: 1290 mb WMA version RAR size: 1716 mb Rating: 4.8 Votes: 202 Other Formats: DTS APE MP1 AA AC3 XM AIFF Tracklist Hide Credits Bolero A1 –William Steinberg Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra Pavane Pour Une Infante Defunte B1 –W. Steinberg* Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra La Valse B2 –W. Steinberg* Composed By – Maurice RavelPerformer – The Pittsburgh Symphony Orchestra Companies, etc. Printed By – Garrod & Lofthouse Ltd. Other versions Category Artist Title (Format) Label Category Country Year William Steinberg Conducting William Steinberg The Pittsburgh Symphony Conducting The Orchestra / Maurice Ravel - Capitol P8475 Pittsburgh P8475 US 1959 Bolero, La Valse, Pavane Pour Records Symphony Orchestra Une Infante Defunte (LP, / Maurice Ravel Album, Mono) Related Music albums to Bolero, La Valse, Pavane Pour Une Infante Defunte by William Steinberg Mendelssohn - Bruch - Nathan Milstein, The Pittsburgh Symphony Orchestra, William Steinberg - Concerto In E Minor Op. 64, Concerto No.1 In G Minor, Op. 26 Beethoven / Steinberg Conducting The Pittsburgh Symphony Orchestra - Beethoven Symphony No. 7 Strauss : William Steinberg Conducting The Pittsburgh Symphony Orchestra - Till Eulenspiegel's Merry Pranks, Op. 28 / Death And Transfiguration, Op. 24 Milstein, Pittsburgh Symphony Orchestra, Steinberg, Tchaikovsky - Violin Concerto In D Major Steinberg Conducts The Pittsburgh Symphony Orchestra - Beethoven - Symphony No. 6 "Pastoral" William Steinberg Conducting The Pittsburgh Symphony Orchestra - Symphony No.
  • Navigating, Coping & Cashing In

    Navigating, Coping & Cashing In

    The RECORDING Navigating, Coping & Cashing In Maze November 2013 Introduction Trying to get a handle on where the recording business is headed is a little like trying to nail Jell-O to the wall. No matter what side of the business you may be on— producing, selling, distributing, even buying recordings— there is no longer a “standard operating procedure.” Hence the title of this Special Report, designed as a guide to the abundance of recording and distribution options that seem to be cropping up almost daily thanks to technology’s relentless march forward. And as each new delivery CONTENTS option takes hold—CD, download, streaming, app, flash drive, you name it—it exponentionally accelerates the next. 2 Introduction At the other end of the spectrum sits the artist, overwhelmed with choices: 4 The Distribution Maze: anybody can (and does) make a recording these days, but if an artist is not signed Bring a Compass: Part I with a record label, or doesn’t have the resources to make a vanity recording, is there still a way? As Phil Sommerich points out in his excellent overview of “The 8 The Distribution Maze: Distribution Maze,” Part I and Part II, yes, there is a way, or rather, ways. But which Bring a Compass: Part II one is the right one? Sommerich lets us in on a few of the major players, explains 11 Five Minutes, Five Questions how they each work, and the advantages and disadvantages of each. with Three Top Label Execs In “The Musical America Recording Surveys,” we confirmed that our readers are both consumers and makers of recordings.
  • MUSIC DIRECTORS 100 Years Of

    MUSIC DIRECTORS 100 Years Of

    TABLE OF CONTENTS “A Hero’s Journey: Fun & Games .......................6 Beethoven & Prometheus, Grades 4-8 . 2 Fan Mail ...........................7 Civil Rights: Remembering Youth Orchestra ....................8 Dr. Martin Luther King Jr., Grades 6-12 . 3 Children’s Chorus ...................8 See the Sounds. 4 Youth Chorus. .8 Conductor of the Orchestra ............5 Family Concerts ....................8 2017-18 Season Guide for Young Concert-goers MUSIC DIRECTORS 100 Years of NIKOLAI SOKOLOFF 1918-33 The Cleveland Orchestra!! 2017-2018 marks the 100th season of The Cleveland and dismissal pro cess (where every bus and corresponding Orchestra! You may not realize that by coming to school group gets a number) was established in 2000 to a Cleveland Orchestra Education Concert you are man age traffic and insure students’ safety. There are many part of a great Cleveland tradition! Students have more cars on the road today than there ARTUR RODZINSKI were in the 1930’s! 1933-43 been attending Cleveland Orchestra concerts since 1918! Ms. Lillian Bald win, the Orchestra’s first Ed u ca tion Director, pioneered the In the be gin ning, The Cleve land Or ches tra performed format of ‘educational concerts’ we concerts in com mu ni ty cen ters and sev er al area schools, know today. She developed extensive including East Tech and West Tech High Schools in study ma te rials so students could be Cleveland, Shaw High School in East Cleveland, and knowl edge able about the music they Lakewood High School. By 1920 audienc es be came too would hear at the concerts. (Instead large to accommodate in school settings and teachers and of read ing The Score as you are now, students be gan to trav el to hear The Cleve land Orchestra, ERICH LEINSDORF students read Ms.
  • Brahms, Johannes (B Hamburg, 7 May 1833; D Vienna, 3 April 1897)

    Brahms, Johannes (B Hamburg, 7 May 1833; D Vienna, 3 April 1897)

    Brahms, Johannes (b Hamburg, 7 May 1833; d Vienna, 3 April 1897). German composer. The successor to Beethoven and Schubert in the larger forms of chamber and orchestral music, to Schubert and Schumann in the miniature forms of piano pieces and songs, and to the Renaissance and Baroque polyphonists in choral music, Brahms creatively synthesized the practices of three centuries with folk and dance idioms and with the language of mid­ and late 19th­century art music. His works of controlled passion, deemed reactionary and epigonal by some, progressive by others, became well accepted in his lifetime. 1. Formative years. 2. New paths. 3. First maturity. 4. At the summit. 5. Final years and legacy. 6. Influence and reception. 7. Piano and organ music. 8. Chamber music. 9. Orchestral works and concertos. 10. Choral works. 11. Lieder and solo vocal ensembles. WORKS BIBLIOGRAPHY GEORGE S. BOZARTH (1–5, 10–11, work­list, bibliography), WALTER FRISCH (6– 9, 10, work­list, bibliography) Brahms, Johannes 1. Formative years. Brahms was the second child and first son of Johanna Henrika Christiane Nissen (1789–1865) and Johann Jakob Brahms (1806–72). His mother, an intelligent and thrifty woman simply educated, was a skilled seamstress descended from a respectable bourgeois family. His father came from yeoman and artisan stock that originated in lower Saxony and resided in Holstein from the mid­18th century. A resourceful musician of modest talent, Johann Jakob learnt to play several instruments, including the flute, horn, violin and double bass, and in 1826 moved to the free Hanseatic port of Hamburg, where he earned his living playing in dance halls and taverns.
  • Boston Symphony Orchestra Concert Programs, Season 70, 1950-1951

    Boston Symphony Orchestra Concert Programs, Season 70, 1950-1951

    BOSTON SYMPHONY ORCHESTRA FOUNDED IN 1881 BY HENRY LEE HIGGINSON SEVENTIETH SEASON 1950-1951 BAYARD TUCKERMAN. J«. ARTHUR J. ANDERSON ROBERT J. DUNKLE, Ja. ROBERT T. FORREST JULIUS F. HALLER ARTHUR J. ANDERSON, Ja. HERBERT SEARS TUCKERMAN OBRION, RUSSELL & CO Insurance of Every Description "A Good Reputation Does Not Just Happen — It Must Be Earned." 108 Water Street Los Angeles, California Boston, Mass. 3275 Wilshire Blvd. Telephone Lafayette 3-5700 Dunkirk 8-3316 SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, commonwealth 6-1492 SEVENTIETH SEASON, 1950-1951 CONCERT BULLETIN of the Boston Symphony Orchestra CHARLES MUNCH, Music Director Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1951, BY BOSTON SYMPHONY ORCHESTRA, IflC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Jacob J. Kaplan . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. De Wolfe Howe John Nicholas Brown Charles D. Jackson Theodore P. Ferris Lewis Perry Alvan T. Fuller Edward A. Taft N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager T. D. Perry, Jr. N. S. SHniK, Assistant Managers [1225] ©®®®®®©®®®®®®®®®®®®®®®®®©®©©®®® ® © © © © Only © you can © © decide Whether your property is large or small, it rep- © resents the security for your family's future. Its ulti- mate disposition is a matter of vital concern to those © you love. © © To assist you in considering that future, the Shaw- © mut Bank has a booklet: "Should I Make a Will?" © It outlines facts that everyone with property should © know, and explains the many services provided by © this Bank as Executor and Trustee.