2011 Annual Report
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Jackson Pollock & Tony Smith Sculpture
Jackson Pollock & Tony Smith Sculpture An exhibition on the centennial of their births MATTHEW MARKS GALLERY Jackson Pollock & Tony Smith Speculations in Form Eileen Costello In the summer of 1956, Jackson Pollock was in the final descent of a downward spiral. Depression and alcoholism had tormented him for the greater part of his life, but after a period of relative sobriety, he was drinking heavily again. His famously intolerable behavior when drunk had alienated both friends and colleagues, and his marriage to Lee Krasner had begun to deteriorate. Frustrated with Betty Parsons’s intermittent ability to sell his paintings, he had left her in 1952 for Sidney Janis, believing that Janis would prove a better salesperson. Still, he and Krasner continued to struggle financially. His physical health was also beginning to decline. He had recently survived several drunk- driving accidents, and in June of 1954 he broke his ankle while roughhousing with Willem de Kooning. Eight months later, he broke it again. The fracture was painful and left him immobilized for months. In 1947, with the debut of his classic drip-pour paintings, Pollock had changed the direction of Western painting, and he quickly gained international praise and recog- nition. Four years later, critics expressed great disappointment with his black-and-white series, in which he reintroduced figuration. The work he produced in 1953 was thought to be inconsistent and without focus. For some, it appeared that Pollock had reached a point of physical and creative exhaustion. He painted little between 1954 and ’55, and by the summer of ’56 his artistic productivity had virtually ground to a halt. -
Continuum 02 #3
THE LLLI ALUMNAE ASSOCIATION ContinuumVOL. 16, NO. 2 · 2003 Life too busy? It sure feels Find some negative space for positive renewal that way. And most every- one reports the same: o nothing, nothing, nothing more.” even makes it on the list—is “important, but “I’m overwhelmed.” “There’s This“D is a sign my colleague and I printed out not urgent.” In fact, with a never-ending list just too much to do.” “How and tacked up on our office wall at some point of things to do, it’s easy to lose sight of what’s can the days be flying by so last year. I stuck a copy on the first page of my important—really important—to me. When day planner too. Of course I bypass the wise I’m doing too much, time for reflection gets quickly?” “I never have any counsel more days than not. (Just today I agreed lost. I know I need to get back in balance— time to relax!” to teach a course—“just two and a half hours, and one good way is by doing nothing. Sound familiar? Chances just one night a week, just six weeks long, just It’s hard! How does life get so busy and another six for the advanced section...”) But I complicated? It just does. Mom, wife, daughter, are, you’ve made some of am beginning to make more conscious choices sibling, worker, volunteer, citizen—each role these comments yourself. to purposefully do less. requires an investment of time. So many It’s hard! My first empty-nest year just flew demands from the “outside,” yet the inside calls by. -
2019 Annual Report
Front Cover: Reporter Nathaniel Minor, Denverite reporter Donna Bryson and classical host Ray White // photos by Hart Van Denburg. Back Cover: Denverite reporter Esteban Hernandez // photo by Kevin Beaty. Indie 102.3 host Bruce Trujillo and classical host David Ginder // photos by Hart Van Denburg. A2019 NANNUALE REPORTW CHAPTER Bridges Broadcast Center 7409 South Alton Court Centennial, CO 80112 (303) 871-9191 cpr.org ©Colorado Public Radio 2019 All Rights Reserved. A new chapter in Colorado Public Radio history begins As my first year at Colorado Public Radio comes to and inspire Coloradans - from Fort Collins to the a close, I’m more honored than ever to be leading Four Corners. CPR – an organization that plays a critical role in the lives of Coloradans all across the state. This has been a year of growth and opportunity for Our Vision Colorado Public Radio, and we have YOU to thank. This year we’ve built on our commitment to Your belief and support allows CPR not just to To inform, entertain, and deliver essential news and music, knowing that survive, but thrive and become an even more vital inspire all Coloradans. communities need impartial news they can trust, resource for our state. Thank you for your and music that both excites and soothes the soul. continued support. You make what we do possible. From expanding our newsroom and broadening Thank you, our news programming to live broadcasts, local performances and partnerships - we’ve made Stewart Vanderwilt investments in our services to further inform President & CEO A Letter from Virginia Berkeley, Board of Directors Fiscal Year 2019 Chair of the Board of Directors Virginia Berkeley, Chair in Philip E. -
" the West That Got Into His Bones:" Key Perspectives on Clyfford Still At
Seton Hall University eRepository @ Seton Hall Theses 2009 " The esW t that Got into His Bones:" Key Perspectives on Clyfford Still at the Inauguration of His Museum Elen M. Woods Follow this and additional works at: https://scholarship.shu.edu/theses Recommended Citation Woods, Elen M., "" The eW st that Got into His Bones:" Key Perspectives on Clyfford Still at the Inauguration of His Museum" (2009). Theses. 115. https://scholarship.shu.edu/theses/115 "The West that Got into His Bones:" Key Perspectives on Clyfford Still at the Inauguration of His Museum Elen M. Woods August 2009 Advisor: Dr. Janet Marstine Seton Hall University Elen Woods Table of Contents Introduction............................................................................................ 3 Chapter 1-Conventions of the Single Artist Museum ......................................... 9 Chapter 2-Philosophies of Art .................................................................... 15 Chapter 3-Artist Gifts .............................................................................. 21 Chapter 4-"Big Sky" ............................................................................... 31 Chapter 5-Perpetuating an Artist's Legacy ................................................... 36 Conclusion .............................................................................................. 38 Bibliography ......................................................................................... 41 Appendixes........................................................................................... -
Annual Report
2018 ANNUAL REPORT DPL_AnnualReport_2018.indd 1 5/24/19 9:24 AM DPL_AnnualReport_2018.indd 2 5/24/19 9:24 AM The Denver Public Library connects people with information, ideas and experiences to provide enjoyment, enrich lives and strengthen our community. INSIDE THIS REPORT 03 From Denver Public Library Leadership 04 Program Stories 10 Financials 12 Denver Public Library Friends Foundation 16 Supporters 21 Locations DPL_AnnualReport_2018.indd 2 5/24/19 9:24 AM DPL_AnnualReport_2018.indd 3 5/24/19 9:24 AM DPL_AnnualReport_2018.indd 4 5/24/19 9:24 AM Denver Public Library A Message from Executive Team Library Leaders Michelle Jeske City Librarian Denise Boothby Chief of Staff In 2018, some four million customers walked through our doors Rachel Fewell coming from all walks of life and all corners of the globe. Some Central Library Administrator came to research their perfect job, check out a book or learn a new skill. Susan Kotarba Director of Neighborhood Services Behind each statistic is a person with their own dreams and goals. In this year’s Annual Report, several customers share their stories Zeth Lietzau about how the library helped them on their journey. Director of Collections, Technology and Strategy Bridget Molloy, founder of Bridget’s Botanicals, used our BizBoost Erika R. Martinez service to help her find her ideal customer. Adriana Villalpando, Director of Communications and age 30, earned a high school diploma through our free Career Community Engagement Online High School program. At the graduation ceremony, the mother of five said, “Nothing can hold me back now.” And lastly, Ron Miller the first day after four-year-old Andrew found his forever home Director of Finance & Facilities with adoptive parents Matt and Amy Daley, his mom took him to the Woodbury Branch Library where he found his forever love: Bria Ward Director of Human Resources books. -
Marlene H. Dortch, Secretary Federal Communications Commission 445 12Th Street, SW Washington, DC 20554 Re: WC Docket No. 12
Marlene H. Dortch, Secretary Federal Communications Commission 445 12th Street, SW Washington, DC 20554 Re: WC Docket No. 12-375 Comments re Second Further Notice of Proposed Rulemaking Dear Ms. Dortch, Attached, you will find a list of 20,286 people that have signed a Change.org petition in support of prison phone reform. These supporters believe that recent FCC action to reduce the cost of prison phone calls was a crucial first step towards affordable access for our nation’s inmates, but that meaningful reform cannot be achieved without addressing sheriffs’ commissions. Across the country, sheriffs’ departments exploit loopholes that generate hundreds of millions of dollars in commissions, ultimately taking money from people that can least afford this added cost. Study after study demonstrates that the easier time inmates have remaining connected with the outside world, the greater chance they have of successfully reintegrating into society once they are released. Instead of contributing to this important goal, sheriffs’ departments continue to receive commissions for providing telecommunications services to inmates. They even went so far as to threaten to eliminate this vital service if their commissions are cut. This claim only serves to underscore the need to act. Given the outpouring of public support shown by this Change.org petition, it is clear that the public is tired of an outdated commissions system. The FCC has a clear mandate to act, and should move to eliminate commissions as soon as possible. Sincerely, Robert Raben Executive Director, The Silent Sentence Coalition Petition Text While you pay a relatively fair market price for phone calls, the 1.57 million inmates across the U.S. -
Abstract Expressionism 101
ABSTRACT EXPRESSIONISM 101 WHAT IS ABSTRACT EXPRESSIONISM? Abstract Expressionism refers to an American art movement that emerged after World War II during the 1950s. The artists who are generally considered Abstract Expressionists experimented with new approaches to painting in a number of unique ways. They “broke free” from traditional painting methods (like keeping the canvas on an easel, or painting with traditional tools like brushes). Although Abstract Expressionist artists’ paintings look very different, their work tends to share several key characteristics. W H A T M A K E S A P A I NT I N G Abs T R A C T Ex PRE ssio N is T ? IMAGERY Abstract Expressionist artwork does not generally contain realistic looking images of objects or figures. Instead, in Abstract Expressionist artwork, shapes, colors, and lines combine to create the “image.” Many Abstract Expressionists wanted people to be able to react to the artwork without the interference of associations with recognizable imagery. Clyfford Still, PH-1123, 1954. SCALE Many Abstract Expressionist artists wanted to immerse the viewer in a total experience of their art. Making art that was very large in scale helped Abstract Expressionist artists draw the viewer’s focus into the artwork to achieve this goal. Creating art that could be experienced, not just seen, was important. Barnett Newman, Cathedra, 1958. A L L - O V E R Co MP osi T io N Abstract Expressionist artists commonly covered the entire surface of their paintings. They “broke the boundaries” of the canvas by stretching the paint all the way to, and sometimes over, the edge of the canvas. -
Jacques Benedict, Denver Architect Denver Benedict, Jacques
Est. 1970 + Vol ume 47 + Number 1 + Winter 2018 Illustration of proposed Summer White House. Photo: Denver Public Library, Western History and Genealogy Department Current day view, Photo: Shannon Schaefer Jacques Benedict, Denver Architect By Mike McPhee, Guest Writer his favorite designers. Benedict’s timing was not planned, but it was perfect. Colorado has been blessed with many fine architects, both commercial and resi- But why would such a gifted, creative person, given the finest education avail- dential. In the Denver metro area, names like Burnham Hoyt, Frank Edbrooke and able in the Western world, come out to a “cow town” such as Denver in 1909, giv- the Fisher brothers stand out. Each had their favorite or most notable buildings. But ing up the job of a lifetime in New York City designing portions of the New York however popular they became, none of them evolved into a brand name in the way Public Library, the Frick Mansion and the Manhattan Bridge? There are theories, that Jacques Benedict designs have. some more plausible than others. Whatever the actual reason for his relocation to “It’s a Benedict building” has grown into a sought-after descriptions of elegance the frontier, his contributions to the area during the first half of the 20th Century and taste in Denver homes today, signifying not only the most pleasing of propor- were enormous. tions but also tasteful ornamentation in the Beaux-Arts style that dominated archi- Jules Jacques Benoit Benedict was born in Chicago in 1879, the second of four tecture at the turn of the 20th Century. -
Clyfford Still in the 1930S: the Formative Years of a Leading Abstract Expressionist
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 12-16-2014 12:00 AM Clyfford Still in the 1930s: The Formative Years of a Leading Abstract Expressionist Emma Richan The University of Western Ontario Supervisor Professor John Hatch The University of Western Ontario Graduate Program in Visual Arts A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Emma Richan 2014 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Modern Art and Architecture Commons Recommended Citation Richan, Emma, "Clyfford Still in the 1930s: The Formative Years of a Leading Abstract Expressionist" (2014). Electronic Thesis and Dissertation Repository. 2662. https://ir.lib.uwo.ca/etd/2662 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. ! ! CLYFFORD STILL IN THE 1930S: THE FORMATIVE YEARS OF A LEADING ABSTRACT EXPRESSIONIST ! (Thesis format: Monograph) ! by Emma Richan ! ! Graduate Program in Visual Arts, Art History ! A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts ! The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada ! ! © Emma Richan 2014 ! !ii Abstract In 2011, Clyfford Still’s painting 1949-A-No.1 sold for $61.7 million at Sotheby’s auction house. This painting was one of four up for auction by the artist that night, fetching a total of $114 million to build the Clyfford Still Museum in Denver to house his entire estate. -
2015/16 Annual Report
2015/16 ANNUAL REPORT 2015/16 BOARD OF TRUSTEES 2015/16 Daniel L. Ritchie, Chairman & CEO William Dean Singleton, Secrectary/Treasurer IMPACT Robert Slosky, First Vice Chair Margot Gilbert Frank, Second Vice Chair Dr. Patricia Baca Joy S. Burns Isabelle Clark Navin Dimond L. Roger Hutson Mary Pat Link David Miller Robert C. Newman Hassan Salem Richard M. Sapkin Martin Semple 1,224,554 Tara Smith Jim Steinberg GUESTS Ken Tuchman ANNUAL INCREASE OF 32% Tina Walls Lester L. Ward Dr. Reginald L. Washington Judi Wolf Sylvia Young GROWTH IN ENGAGEMENT 2015/16 HONORARY TRUSTEES FY2016 VS FY2015 Jeannie Fuller M. Ann Padilla Cleo Parker Robinson 2015/16 HELEN G. BONFILS FOUNDATION 82% +57% BOARD OF TRUSTEES TOTAL PAID CAPACITY OFF-CENTER ATTENDANCE Martin Semple, President BEST EVER 14,149 Jim Steinberg, Vice President Judi Wolf, Secrectary/Treasurer Lester L. Ward, President Emeritus David Miller +11% +1,426% Daniel L. Ritchie BROADWAY SHAKESPEARE IN THE PARKING William Dean Singleton SUBSCRIBED SEATS LOT PARTICIPATION Robert Slosky Dr. Reginald L. Washington 83,255 9,158 2015/16 EXECUTIVE MANAGEMENT Scott Shiller, President & CEO (through May 2016) +514% +21% Clay Courter, Vice President, DPS SHAKESPEARE COLORADO NEW PLAY SUMMIT Facilities & Event Services FESTIVAL WORKSHOPS PAID ATTENDANCE John Ekeberg, Executive Director, SERVED 3,381 1,661 Broadway Vicky Miles, Chief Financial Officer Jennifer Nealson, Chief Marketing Officer Kent Thompson, Producing Artistic Director, +26% +18% Theatre Company Charles Varin, Managing Director, EDUCATION PARTICIPATION EVENT SERVICES Theatre Company 105,908 HOSTED EVENTS David Zupancic, Director of Donor 291 Development Trustees & management as of June 30, 2016 $150,000,000 ECONOMIC IMPACT* Cover: DCPA Education’s Musical Mayhem Summer 2 Performance *3.5 x $1 in ticket sales Photo by Adams VisCom CHAIRMAN’S LETTER By nearly all accounts, fiscal year 2016 was one for the record books. -
Clyfford and Patricia Still Archives Collection
Finding Aid for Clyfford and Patricia Still Archives Collection An archival collection in the Clyfford Still Archives at the Clyfford Still Museum Date range: late 1800s – 2005 (estimated) Bulk dates: 1930 – 1980 Finding aid created by Farrah Cundiff, 2020 Copyright Clyfford Still Archives, Clyfford Still Museum, Denver, CO, USA © Clyfford Still Museum 1 Summary Bulk creators: Still, Clyfford Elmer (1904-1980) (primary) Still, Patricia Anne Garske (1919-2005) Other creators: Knox, Diane Still (1939- ) Campbell, Sandra L. Still (1942- ) Still, Lillian Augusta Battan (1907-1977) Various other family and professional relations Extent: 450-500 linear feet total (approximately 450 boxes and 25 linear feet of library shelving) approximately 500,000 items in total 23,500 photographs (negatives, slides, prints, and contact prints) 1,228 files of correspondence and ephemera from artists, museums, and other prominent entities of the art world between approximately 1930 and 2000 500 files of clippings and art reproductions from newspapers, magazines, and books 11 boxes of exhibition ephemera and exhibition planning materials 10 boxes of art documentation 10 files of personal papers and family letters 23 boxes of diary notes, logs, and personal manuscripts 12 boxes of photocopied and compiled correspondence highlights 961 books and serials (plus duplicate copies) 150 music albums on vinyl and shellac phonographic disc 36 hours of audio recordings on magnetic audiotape approximately 300 painting tools and supplies approximately 50 personal possessions Abstract: Considered one of the most important painters of the 20th century, Clyfford Still (1904–1980) was among the first generation of Abstract Expressionist artists who developed a new and powerful approach to painting in the years immediately following World War II. -
The Magazine of the Colorado Symphony
T HE M A GAZI NE OF THE COLORADO SYMPHONY Get the facts about ACTIVE RETIREMENT LIVING at Wind Crest FREE BROCHURE Request your FANTASTIC FREE BROCHURE, written by the retirement experts. This comprehensive brochure is packed with information about the carefree lifestyle at Wind Crest, Highlands Ranch’s premier continuing care retirement community for seniors 62-plus. Request your FREE brochure today! Call 1-877-460-5331 or visit WindCrestRetirement.com. Highlands Ranch WindCrestRetirement.com Wind Crest, Inc., a nonprofi t organization, is solely responsible for fulfi lling fi nancial responsibilities to residents under the contract. Wind Crest is within 13964114-CPAP the network of communities developed and managed by Erickson Living.® Need some me time? (You find the time. Here’s the place.) Non metallic Pantone 4515 + Black (C-40%, M-50%, Y-50%, K-100%) Pantone Gray 5C + Black (C-40%, M-50%, Y-50%, K-100%) WhiteCOMPLIMENTARY + Black (C-40%, M-50%, Y-50%, K-100%) MOUNTAIN CONCIERGE DESIGN SERVICE Mountain Project? We can Help! Make an appointment with one of our Interior design services from talented and qualified designers. inception to realization. 303.296.9514 303.566.8635 [email protected] [email protected] DENVER’S ULTIMATE HOME SHOPPING EXPERIENCE. 5445 North Bannock Street (Near I-25 & 58th), Denver, CO • TheShowroom.com Non metallic Pantone 4515 + Black (C-40%, M-50%, Y-50%, K-100%) THE MAGAZINE OF THE COLORADO SYMPHONY CONTENTS 6 Virtual Music Hour 8 How You Can Help 10 Colorado Symphony Musicians 12 Colorado Symphony Board of Trustees 14 Colorado Symphony Staff 16 A 21st Century Symphony 22 Colorado Symphony Welcomes Lyle Wong 28 Community Support 45 Ticketing Options COMING SOON coloradosymphony.org 4 COLORADOSYMPHONY.ORG THE COLD WAR WAS FOUGHT ON ICE.