DOCSLIB.ORG

MBA Seattle Auction

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
MBA Seattle Auction MBA Seattle Auction Fine Art, Asian, Silver, & 20th C. Auction Thursday - August 23, 2012 Fine Art, Asian, Silver, & 20th C. Auction 1: Frederick W. Southworth (1860-1946 WA) Untitled Seas USD 500 - 1,000 Frederick W. Southworth (1860-1946 WA) Untitled Seascape 1895 Oil/Canvas 36"x48". Loose, Unframed. Professionally cleaned. 1A: English "Tridanca" Schooner Ship Oil/Canvas 22.75"x USD 200 - 400 English "Tridanca" Schooner Ship Oil/Canvas 22.75"x29.5". 19th century. Loose, unframed. 2: Marcel Olis (20th Cent. NY) Untitled Mountain Scene USD 200 - 400 Marcel Olis (20th Cent. NY) Untitled Mountain Scene Oil/Canvas 14.25''x12.25''. In original carved gilt wood frame with Alex Fraser B.C. Gallery Label on verso. Needs cleaning. 3: Marcel Olis (20th Cent. NY) Untitled Steamship in Ha USD 200 - 400 Marcel Olis (20th Cent. NY) Untitled Steamship in Harbor Oil/Canvas 17''x14''. In original carved gilt wood frame with Alex Fraser B.C. Gallery Label on verso. (2) small punctures left side of painting, needs cleaning. 4: Marcel Olis (20th Cent. NY) Untitled Venetian Harbor USD 200 - 400 Marcel Olis (20th Cent. NY) Untitled Venetian Harbor Scene Oil/Board 8''x10''. In original carved gilt wood frame with Alex Fraser B.C. Gallery Label on verso. 5: Marcel Olis (20th Cent. NY) Untitled Expressionist H USD 100 - 300 Marcel Olis (20th Cent. NY) Untitled Expressionist Horse Oil/Board 8''x10''. In original carved gilt wood frame with Alex Fraser B.C. Gallery Label on verso. 6: Unsigned Impressionist Forest Scene Oil/Board 8''x10 USD 100 - 300 Unsigned Impressionist Forest Scene Oil/Board 8''x10''. In original card gilt wood frame. From the same estate as the Olis paintings. 7: Bernhard Uhle (1847-1930 PA) ''Cloud Shadows'' Oil/C USD 3,000 - 5,000 Bernhard Uhle (1847-1930 PA) ''Cloud Shadows'' Oil/Canvas 28''x34''. Unsigned. In original carved Newcomb Macklin style 2'' frame. Original title/collection label on verso accompanied by exhibition pamphlet page stating it was purchased from Atwater Kent in 1957. From the collection of George V. Curtis in New York City. 8: Robert D. Pasquoll (fl.1904-1926 UK) ''Henderson's Y USD 300 - 600 Robert D. Pasquoll (fl.1904-1926 UK) ''Henderson's Yard from Govan'' Oil/Board. Original artist's title label on verso. Bid Live Online at LiveAuctioneers.com Page 1 Fine Art, Asian, Silver, & 20th C. Auction 9: Robert Wesley Amick (1879-1969 CT) Untitled Washingt USD 300 - 600 Robert Wesley Amick (1879-1969 CT) Untitled Washington Square Scene 1914 0il/Board 8''x10''. Alex Fraser B.C. Gallery label on verso. 10: Herter Style American Aesthetic Movement Parlor Cab USD 500 - 1,000 Herter Style American Aesthetic Movement Parlor Cabinet. Gilt with Marquetry Inlay. Ebonized Wood with Bronze Oval Plaque in center panel. 44''x49''x15'' 11: Samuel Yellin Attr. Arts & Crafts Pair of Spiral, Curle USD 200 - 400 Samuel Yellin Attr. Arts & Crafts Pair of Spiral, Curled & Twisted Iron Andirons 29'' Tall. Unsigned. Normal rust and wear. 12: John Englehart (1867-1915 CA) Untitled Forest Scene USD 200 - 400 John Englehart (1867-1915 CA) Untitled Forest Scene Oil/Canvas 35''x22''. Loose, Unframed. 13: Ernest Etienne Narjot (1826-1898 CA) Untitled Irish USD 1,000 - 2,000 Ernest Etienne Narjot (1826-1898 CA) Untitled Irish Setter Dog Portrait 1889 Oil/Canvas 20"x24". Small slit puncture and some small scratches. Patch repair bottom center. 14: Christian Berthelsen (1839-1909 Danish) ''A Misty M USD 500 - 1,000 Christian Berthelsen (1839-1909 Danish) ''A Misty Morning at Vindeby with the Town Svendborg Beyond'' Oil/Canvas. Label with title on verso. Craquelure throughout. 15: Wu Binru (20th Cent. China) Horse Sumi 1985 Paintin USD 100 - 300 Wu Binru (20th Cent. China) Horse Sumi 1985 Painting on Paper 26''x13.5'' Image. Framed 16: Pair of Chinese Autumn Landscape Sumi Paintings on USD 100 - 300 Pair of Chinese Autumn Landscape Sumi Paintings on Silk 14.5''x10.5'' Each Image. Framed. 17: Antique Caucasian Oriental Rug 8'7''x4'10''. Wear a USD 200 - 400 Antique Caucasian Oriental Rug 8'7''x4'10''. Wear and tearing. Bid Live Online at LiveAuctioneers.com Page 2 Fine Art, Asian, Silver, & 20th C. Auction 18: Antique Shirvan Caucasian Oriental Rug 10'5''x5'1'' USD 200 - 400 Antique Shirvan Caucasian Oriental Rug 10'5''x5'1''. Slight wear and edge fray. 19: Antique Zejwa Caucasian Oriental Rug 5'6''x4'5''. O USD 200 - 400 Antique Zejwa Caucasian Oriental Rug 5'6''x4'5''. One mold spot near outer edge. Edge fray. 20: Antique Kazak Oriental Rug 5'x7'. Old repairs to bo USD 200 - 400 Antique Kazak Oriental Rug 5'x7'. Old repairs to border. Edge fray. 21: Antique Qasgahi Persian Oriental Rug 3'2''x5'. Slig USD 200 - 400 Antique Qasgahi Persian Oriental Rug 3'2''x5'. Slight mold spot center field. 22: Antique Shirwan Oriental Rug 3'4''x4'8''. Worn. USD 200 - 400 Antique Shirwan Oriental Rug 3'4''x4'8''. Worn. 23: Antique Sarouk Feraghab Persian Oriental Rug 3'4''x USD 200 - 400 Antique Sarouk Feraghab Persian Oriental Rug 3'4''x5'. Small tears center field. Even wear. 24: Antique Baku Shirvan Caucasian Oriental Rug 4'9''x9 USD 200 - 400 Antique Baku Shirvan Caucasian Oriental Rug 4'9''x9'7''. Old repairs in field. Even wear. 25: Chinese Coromandel Lacquered Panel Coffee Table 47' USD 200 - 400 Chinese Coromandel Lacquered Panel Coffee Table 47''x23.25''x15'' 26: Chinese Carved Rosewood Long Sofa Bench or Daybed 6 USD 400 - 800 Chinese Carved Rosewood Long Sofa Bench or Daybed 6'x2'x2'7'' Bid Live Online at LiveAuctioneers.com Page 3 Fine Art, Asian, Silver, & 20th C. Auction 27: Chinese Seated Empress (Emperor) Scroll Painting 38 USD 100 - 300 Chinese Seated Empress (Emperor) Scroll Painting 38''x17.5'' Image. Framed. 28: Edo Japanese Keiyaki Wood Uzu Rice Mortar 23''x19'' USD 300 - 600 Edo Japanese Keiyaki Wood Uzu Rice Mortar 23''x19''. Purchased from Kagedo Gallery. 29: Thomas Cooper Harmer (1865-1930 WA) Untitled Northw USD 200 - 400 Thomas Cooper Harmer (1865-1930 WA) Untitled Northwest Landscape Impressionist 1924 Oil/Canvas 16''x20''. Loose, Unframed. 30: Paul A. Grimm (1891-1974 CA) ''Drifting Clouds on t USD 1,500 - 2,500 Paul A. Grimm (1891-1974 CA) ''Drifting Clouds on the Desert'' Oil/Board 18''x24''. Original gilt carved wood 3.25'' frame. 31: Herbert Bolivar Tschudy (1874-1946 NY/MA) ''Morning USD 200 - 400 Herbert Bolivar Tschudy (1874-1946 NY/MA) ''Morning at Laguna, New Mexico'' Oil/Canvas 16''x20''. Loose, unframed. Some small paint chips, needs cleaning. 32: Gordon Nicholson Cope (1906-1999 CA/UT) Untitled Ut USD 1,000 - 2,000 Gordon Nicholson Cope (1906-1999 CA/UT) Untitled Utah Canyon Scene 1930 Oil/Masonite 18''x21''. Original gilt wood 3'' frame. 32A: Dodge Macknight (1860-1950 MA/CT) Untitled New Eng USD 750 - 1,500 Dodge Macknight (1860-1950 MA/CT) Untitled New England Dunes Landscape Watercolor/Paper 15"x22". Loose, unframed. 33: Quincy ''Water Edge'' Tahoma (1921-1956 NM/AZ) Unti USD 3,000 - 5,000 Quincy ''Water Edge'' Tahoma (1921-1956 NM/AZ) Untitled Horses Drinking at Well 1949 Gouache/Paper 25.25''x21''. Original frame with backing intact. Vibrant color with horses, hares, coyotes, mountains, birds, etc. in imagery. 34: Agnes Lawrence Pelton (1881-1961 CA/NY) ''Candido, USD 200 - 400 Agnes Lawrence Pelton (1881-1961 CA/NY) ''Candido, Taos'' Native Portrait 1919 Pastel/Paper 10''x8'' Bid Live Online at LiveAuctioneers.com Page 4 Fine Art, Asian, Silver, & 20th C. Auction 35: John French Sloan (1871-1951 NY/NM) ''One Worker's USD 3,000 - 5,000 John French Sloan (1871-1951 NY/NM) ''One Worker's Wife, One Worker's Son'' Illustration 1912 Ink/Paper 15.5''x11.25'' Image. Krushaar New York Gallery and Museum of Art New York labels on verso. Reframed. 36: Max Savey (b.1918 France) Untitled Workers in Hayfi USD 500 - 1,000 Max Savey (b.1918 France) Untitled Workers in Hayfield Oil/Canvas 7.5''x19''. Framed at Denman. 36A: Alexander Charles Robinson (1867-1952 NH/Europe) " USD 200 - 400 Alexander Charles Robinson (1867-1952 NH/Europe) "Bruges 1900" European Market Scene Watercolor/Paper 20.5"x28". Laid down on board. Loose, unframed. 37: W.& L.E. Gurley Brass Surveyor's Vernier Compass in USD 500 - 1,000 W.& L.E. Gurley Brass Surveyor's Vernier Compass in Original Fitted Box. Slight pitting on brass. 38: California Pottery Desert Scene Tile Top Mission Ta USD 300 - 600 California Pottery Desert Scene Tile Top Mission Table 23''x17''x16''. Top has (6) pottery tiles each 6''x6''. 39: Fokko Tadama (1871-1937 WA) Untitled Ship on Shore USD 750 - 1,500 Fokko Tadama (1871-1937 WA) Untitled Ship on Shore Oil/Canvas 30''x20''. In original 4'' piecrust impressive frame. 40: Eustace P. Ziegler (1881-1969 AK/WA) ''3 Mountainee USD 15,000 - 25,000 Eustace P. Ziegler (1881-1969 AK/WA) ''3 Mountaineers, Mt. McKinley'' Oil/Canvas 20''x16''. Professional cleaned in carved and gilt wood 3.75'' frame. Purchased at Braarud Fine Art with labels on verso. 41: Eustace P. Ziegler (1881-1969 AK/WA) Untitled Mt. M USD 7,500 - 15,000 Eustace P. Ziegler (1881-1969 AK/WA) Untitled Mt. McKinley Pack Train Oil/Canvas 18''x24''. Unsigned with inscription on stretcher, ''This is to validate this painting was done by my father, Eustace Paul Ziegler - Elizabeth Ziegler Stark, Ann Ziegler Cahan''. Professional cleaned and restretched in carved and gilt wood 4'' frame. Spanierman Gallery New York Label on Verso.
Load more

Recommended publications
  • Oral History Interview with Edward B. Thomas, 1983 April 28-May 10
    Oral history interview with Edward B. Thomas, 1983 April 28-May 10 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a tape-recorded interview with Edward B. Thomas on April 28 & May 10, 1983. The interview took place in Seattle, Washington, and was conducted by John Olbrantz for the Archives of American Art, Smithsonian Institution. Interview DATE: APRIL 28, 1983 [Tape 1] JOHN OLBRANTZ: Ed, can you tell me a little bit about your background, where you were born, your early childhood experiences, your parents, who your father was, who your mother was, how they came to live in this part of the country? EDWARD THOMAS: Well, I was born in Cosmopolis, Washington, and many times when I've come through customs, when I was much younger and especially at the Mexican border, they would say, "Where were you born?" and I'd say, "Cosmopolis, Washington," they'd say, "Look, bud! Don't get funny with us." (laughter) But there actually is such a place as Cosmopolis, Washington. Nobody had any particular influence upon me, I would say, in my younger years as far as becoming interested in art, and particularly teaching art. I had a very severe illness when I was four and five years old and was confined to bed a lot, and so people brought me tablets and color crayons and pencils and stuff like that.
    [Show full text]
  • Contemporary American Painting and Sculpture
    AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J.
    [Show full text]
  • 2636-011 Seattle Art Museum Records
    UNlVERSllY U BRARIJES w UNIVERSITY of WASHI NGTON Spe ial Colle tions 2764 Seattle Art Museum Records Inventory Accession No: 2636-011 Special Collections Division University of Washington Libraries Box 352900 Seattle, Washington, 98195-2900 USA (206) 543-1929 This document forms part of the Preliminary Guide to the Seattle Art Museum Records. To find out more about the history, context, arrangement, availability and restrictions on this collection, click on the following link: http://digital.lib.washington.edu/findingaids/permalink/SeattleArtMuseum2636/ Special Collections home page: http://www.lib.washington.edu/specialcollections/ Search Collection Guides: http://digital.lib.washington.edu/findingaids/search Seattle Art Museum Acc. #?.636-11 Modern Art Department CONTAINER LIST _ Box EXHIBITION FILES 1 LIST OF EXHIBITIONS FROM FILE DRAWER, APRIL 1975 through 1976 May 8 - June B, 1975: University of Washington Masters Theses Exhibition Organized by the Seattle Art Museum and the University of Washington Participants: Bob Magruder, V'lou Oliveira - ceramics Tim Ely, Larry Stair & Dennis Evans - design Margie Ogle, Jeanne Ilgen - metal jewelry Alan Bradley, Peggy Cooley, Jo David, Isabel Hamilton, Steve McClelland, Ithipol Thangchalok - painting Carl Chew, Brad Keil, Barbara McAusland, Sherry Markovitz, M~ke Peterson - printmaking Francie Allen, Stuart Branston, Tom Duchscher, Jim Feroe, Dave Gallagher, Kim Hoffman, Margaret Hays - sculpture Carol Wood, Pat Spatk, Sherry Charles, Melinda PhilJips - textiles May 8 - June 22, 1975: Prints from the Untitled Press Organized by the Wadsworth Atheneum, Hartford, Connecticut Participants: Cy Twombly, Brice Marden, David Bradshaw, Bob Petersen, Robert Whitman, Robert Rauschenberg, Hisachika Taka Hashi April 1 - May 6, 1975: Selections From Seattle Art Museum Permanent Collection Organized by the Seattle Art Museum.
    [Show full text]
  • The Galleries
    THE GALLERIES ART at the convention center A SELF-GUIDED TOUR Enriching Your Visit: Taking the Tour The Public Art Program Washington State Convention Center features approximately The Washington State Convention Center (WSCC) public 100 works of art on public display around four levels of its North and South Gallerias. Several other works are located in art program, perhaps the largest of its kind in the nation, its office and convention lobby areas. Areas of the facility that was established to provide an environment that enriches may not be available to the public due to convention- the experience of all who visit the meeting facility. With well related activities are clearly noted. over 100 works on display, art has been a popular feature since the facility opened in 1988. Initially, art was incorporated into This self-guided, self-paced tour booklet was designed to the original building design with assistance from the state’s direct you to the many different areas where artworks are cur- Percent for the Arts Program. Since then, due to a commit- rently on display. A few of the works listed inthis booklet are ment to provide civic benefits to our community, the WSCC has located outside of the WSCC. offered an ever-changing collection, readily accessible at no This self-tour begins on Level 1 just south of the Convention charge to meeting attendees and the general public. Place entrance. The indicated route will direct you back to the south escalators for easy access to the next level. All areas of In 1997, the board established the WSCC Art Foundation at this tour are also accessible by elevator.
    [Show full text]
  • 2016 Annual Report
    MoNAMuseum of Northwest Art 2016 ANNUAL REPORT Annual Report 2016 D.indd 24 9/25/17 11:07 AM 3 From the President MISSION STATEMENT 4 Board & Staff The Museum of Northwest Art connects people with the art, diverse cultures and environments of the Northwest. 5 Exhibitions Visitor Testimonials VISION STATEMENT 10 The Museum of Northwest Art enriches lives in our diverse community by fostering essential 11 Acquisitions conversations and encouraging creativity through exhibitions and educational activities that explore the art of the Northwest. 12 MoNA Store COLLECTIONS & EXHIBITIONS 13 Education MoNA collects and exhibits contemporary art from across the Northwest, including Alaska, British Columbia, California, Idaho, Montana, Oregon and Washington. 15 Year in Review 17 Supporters 22 Volunteers Annual Report 2016 D.indd 1 9/25/17 11:07 AM 17,283 visits 42,866 website visits 100% visited for free 427 155 members volunteers 1,404 32 students visited with permanent collection 76 school tours acquisitions monamuseum.org 2 Annual Report 2016 D.indd 2 9/25/17 11:07 AM FROM THE PRESIDENT It is my great pleasure to share with you some of the successes achieved in 2016, made possible by your generous support. Because of you, more members of our community have experienced Northwest art in all of its facets through museum visits, program participation, and attendance at MoNA events and celebrations. MoNA’s commitment to providing free museum admission has fostered a broader and more engaged audience, making the museum accessible to more first-time visitors than ever before. MoNA, with your support, continues to fund significant investments in programming and collections.
    [Show full text]
  • Northwest Fine Art & Antique Auction
    Northwest Fine Art & Antique Auction August 27th, 2009 - 717 S 3rd St, Renton 14% Buyers Premium in Effect Auction Pick-up: Half Hour Following Auction or Friday, 08/28 & Tuesday, 09/01: Noon-5PM Lot Description 21 2 Boxes Loose Richard Lachman Cut Ink Drawings 1 Richard Kirsten "House of Many 22 3ea Richard Lachman Colored Ink Drawings Memories" Acrylic 22x16" 23 Box Richard Lachman Square Ink Drawings 2 Edna Crews "Snowcapped Forest" 24 4ea Richard Lachman Portrait Ink Drawings Watercolor 16x20.75" 25 Richard Lachman Large Sketchbook & 3 James Farr "Infinite Cycle of Renewal" Loose Ink Drawings 1973 Tempera 23.5x18.5" 26 Stack Richard Lachman Ink Drawings - 4 1997 S/N Abstract Etching Sketchbook Pages 5 Norman Lundin "Russian Landscape: 27 5x11' Oriental Rug Morning River" Charcoal/Pastel 26x37" 28 2 Carol Stabile Pastel Framed Paintings 6 K.C. McLaughlin "Exterior with 29 1969 Surrealist Mixed Media Painting Awnings" Dry Pigment 17x25" 34x30" - Signed Riote? 7 Edna Crews "Moonlit Meadow" 30 Signed F.W. Die? "Eye" Ink/Canvas 16x20" Watercolor 16.5x21.5" 31 Fred Marshall A.W.S. "Harbor - Puget 8 Edna Crews "Winter Meadow" Acrylic Sound" 1970 Watercolor 17x20.5" 31.5x23" 32 Fred Marshall Framed Watercolor 9 Richard Lachman "Cocktail Party" 1980 "Landscape with Deer" 16x21" Ink/Paper 16x22" 33 Flora Correa "Weeds Blowing" 1977 Collage 10 Richard Lachman "Dixy & Jaques" 24x12" Mixed Media 18x26" 34 Bonnie Anderson "Bucket of Lemons" Oil 11 Richard Lachman "Day Before Eden" 8x10" Mixed Media 18x26" 35 Bonnie Anderson "Lemon Drop Tree" Oil 12 Natalie McHenry Untitled – 38x14.25" "Marionettes" Watercolor 19x25" 36 Ray Hill Untitled - "Lake Scene" 1969 13 Edna Crews Untitled - "Mystic Bird" Watercolor 14x20" Oil/Board 40x30" 37 Signed S.
    [Show full text]
  • Northwest Modernism & Western Fine Art Thursday June 20Th @ 5:00PM
    Northwest Modernism & Western Fine Art Thursday June 20th @ 5:00PM 20% Buyers Premium In-House 25% Buyers Premium Online/Phone (425) 235-6345 SILENT AUCTIONS custom made Northwest Designer Craftsmen tansu chest with four drawers and door with Featuring a Large Silent Auction of metal pulls. Burned in mark on interior of Northwest Art & Native Books! drawer. Some scattered light surface wear. 5 Eames for Herman Miller Rosewood Lounge Lots 1,000’s End @ 8:00PM Chair & Ottoman. A vintage 670 & 671 set with black leather cushions. One of a pair Lot Description being offered. Chair 32''x33.5''x32'' and ottoman 17''x26''x22''. Original labels on 1 George Nakashima Studio Lounge Chair bottom dated Nov. 1 1978. Scattered wear to Rocker with Free Arm 32.5"x31"x34". A leather from use and one leather button is custom walnut rocking lounge chair with missing on chair seat. Overall excellent right free edge arm. Hickory wood spindles. condition. Charles and Ray Eames. Burned in mark on bottom with family name 6 Eames for Herman Miller "Time-Life" Stool on tape. Break to one spindle with scattered 15"x13". A vintage walnut stool or bench. light surface wear. Some light surface wear to top. Overall 2 Nakashima Style Free Edge Walnut Coffee excellent condition. Unmarked. Charles and Table 17.5"x79.5"x35". A long free edge Ray Eames. coffee table with trestle base. Unsigned. 7 Eames for Herman Miller Rosewood Lounge Some scattered light surface wear. From the Chair & Ottoman. A vintage 670 & 671 set same collection as the George Nakashima with black leather cushions.
    [Show full text]
  • Annual Report for the Year 2003–2004
    2003–2004 ANNUAL REPORT SAM Students with Sanislo Feast SAM CONNECTS ART TO LIFE CONTEMPORARY CHINESE ARTIST LI JIN’S A FEAST made a permanent impression on the fourth- and fifth-grade students at Sanislo Elementary School. Inspired by the fifty-nine- foot-long painting depicting food from a traditional Chinese dinner on a background of recipes written in Chinese calligraphy, the students set out to re-create their own version. Art teachers Ruth Winter and Carolyn Autenrieth designed the project to celebrate the diversity of cultures at their school. Students painted their favorite ethnic foods, and staff helped transcribe the recipes into the students’ original languages. On display at the Seattle Asian Art Museum last spring, the students’ work, Sanislo Feast, a fifty-foot-long art scroll portraying food and languages from seventeen different nations and cultures, reflected the heritage of Sanislo students and staff. Students, families and teachers commemorated the unveiling of their “masterpiece” with a special celebration at SAAM. cover: Li Jin, China, born 1958, A Feast, 2001, ink on Xuan paper, 39 3/8 x 708 5/8 in., Courtesy of the artist and CourtYard Gallery, Beijing right: Wolfgang Groschedel and Kunz Lochner, Equestrian armor for Philip II, ca. 1554, etched steel and gold, Patrimonio Nacional, Real Armería, Madrid SEATTLE ART MUSEUM TABLE OF CONTENTS 1 Director’s Letter 17 Betty Bowen Award 2 Board of Trustees 18 Reaching Out to Youth & Families 3 Broadening, Deepening, Diversifying 19 Teaching and Learning 4–5 One Museum, Three
    [Show full text]
  • Kimberly Trowbridge: Into the Garden
    TM Kimberly Trowbridge: Into the Garden Now on display. Kimberly Trowbridge, Light in the Cedars (Annunciation), 2020. Oil on linen on panel, 48"h x 60"w. Courtesy of Linda Hodges Gallery. Volume 30 March • April 2021 Number 2 www.ArtAccess.com style, and time period. However, the One artist capturing the falling water artwork placement feels intuitive and with a camera and the other painting the the groupings of artworks bring many rush of movement with a brush. questions to mind. The inclusion of Around the corner from the Tobey Clayton James was an unexpected, but paintings are several prints. All are delightful, surprise; almost like seeing a excellent examples of a variety of long-time friend. James studied at printmaking methods, but guests may be the Rhode Island School of Design surprised to encounter a print by Käthe and was later relocated to a camp for Kollwitz. The artwork is from 1899 and conscientious objectors in Oregon during titled “Uprising (Aufruhr)”. The print World War II. Both James and his wife features a group of people marching in Barbara Straker James were friends with unison with a floating figure above them, Morris Graves and they spent many appearing to encourage them to keep years in La Conner, Washington. Three moving forward. The viewer can assume of Clayton’s landscape paintings are on that they are member of the working display. James stopped making sculpture Fay Jones • “Land of Lotus-Eaters,” 1993, etching, 31.5 x 43 inches class, a group that was often a subject for Gift of the Washington Art Consortium through gift and turned to painting, but thankfully the of Safeco Insurance, a member of the Liberty Mutual Group Kollwitz.
    [Show full text]
  • View Brochure (PDF)
    A NORTHWEST SUMMER MAY 4–OCTOBER 15, 2006 6 EXHIBITIONS * 1 CELEBRATION A NORTHWEST SUMMER Public Opening Celebration Saturday, May 6, 10 a.m.–5 p.m. The Northwest offers a great way of life and remarkable history that deserves to be appreciated in a big way. Our special exhibit, A Northwest Summer, will do just that. To kick off the tribute, we’re hosting a fusion of art activities and entertainment that contribute to making this region special. Come join the celebration—enjoy an art activity, watch an Asian art demonstration, listen to live music and shop the eclectic, uniquely Northwest crafts of “I Heart Rummage.” For more information, check out seattleartmuseum.org. Director’s Welcome As we look forward—to the opening of above: Trimpin, U.S.A., born Germany 1951, drawing for Picnics, Rhythms and Vacations installation, 2006; cover: Trimpin, The Orange Piano, Lake Union, the Olympic Sculpture Park this fall and Seattle, 2003. Photo: Theo Bernardi. In this work, a hydrophone records underwater sound pollution, creating an audio signal, which becomes information played automatically by the piano. to the re-opening of the expanded downtown museum next spring—we have naturally looked back, reflecting on the amazing seventy-five years of growth that Trimpin: Picnics, Rhythms and Vacations the Seattle Art Museum has experienced. August 8–October 15, 2006 Milestones of that history are noted in the timeline, putting the past in context for Picnics, Rhythms and Vacations, 2006, a new installation by musician, sculptor and composer Trimpin, the celebrations in Volunteer Park this will be presented at the Seattle Asian Art Museum.
    [Show full text]
  • Encyklopédia Kresťanského Umenia
    Marie Žúborová - Němcová: Encyklopédia kresťanského umenia americká architektúra - pozri chicagská škola, prériová škola, organická architektúra, Queen Anne style v Spojených štátoch, Usonia americká ilustrácia - pozri zlatý vek americkej ilustrácie americká retuš - retuš americká americká ruleta/americké zrnidlo - oceľové ozubené koliesko na zahnutej ose, užívané na zazrnenie plochy kovového štočku; plocha spracovaná do čiarok, pravidelných aj nepravidelných zŕn nedosahuje kvality plochy spracovanej kolískou americká scéna - american scene americké architektky - pozri americkí architekti http://en.wikipedia.org/wiki/Category:American_women_architects americké sklo - secesné výrobky z krištáľového skla od Luisa Comforta Tiffaniho, ktoré silno ovplyvnili európsku sklársku produkciu; vyznačujú sa jemnou farebnou škálou a novými tvarmi americké litografky - pozri americkí litografi http://en.wikipedia.org/wiki/Category:American_women_printmakers A Anne Appleby Dotty Atti Alicia Austin B Peggy Bacon Belle Baranceanu Santa Barraza Jennifer Bartlett Virginia Berresford Camille Billops Isabel Bishop Lee Bontec Kate Borcherding Hilary Brace C Allie máj "AM" Carpenter Mary Cassatt Vija Celminš Irene Chan Amelia R. Coats Susan Crile D Janet Doubí Erickson Dale DeArmond Margaret Dobson E Ronnie Elliott Maria Epes F Frances Foy Juliette mája Fraser Edith Frohock G Wanda Gag Esther Gentle Heslo AMERICKÁ - AMES Strana 1 z 152 Marie Žúborová - Němcová: Encyklopédia kresťanského umenia Charlotte Gilbertson Anne Goldthwaite Blanche Grambs H Ellen Day
    [Show full text]
  • The Weyerhauser Art Collection + MORE!
    The Weyerhauser Art Collection + MORE! December 11th @ 5PM - EARLY START! 16% Buyers Premium In-House 19% Online & Phone Bidding Online Bidding Through LiveAuctioneers 717 S Third St Renton, WA (425) 235-6345 SILENT AUCTION ITEMS 6 4pc Antique Chinese Pheasant Silk Rank Lot 1,000's END @ 8:00PM Badges 10.5"x11" and 11"x12" Sets. Two Mandarin square front chest plate and back Lot Description patch sets. Polychrome silk embroidery. Staining and some edge fray. Qing dynasty. 1 Antique Chinese Silk Embroidered Dragon 7 7pc Antique Chinese Silk Embroidery. Robe 40"x52". Depicts four panels of Includes a large forbidden stitch panel forward facing five-clawed dragons in gold 27"x14", a pair of blue and white forbidden thread. Forbidden stitch sleeves with stitch lotus panels 8"x9.5" each, a round blossoming lotus flowers. Some staining. shou symbol panel 8.5" diameter, a pheasant Late Qing dynasty. Mandarin square rank badge 8"x8", and a 2 3pc Antique Chinese Pheasant Rank Badges gold thread leopard Mandarin square rank 11"x12" Each Approx. Each Mandarin chest badge 11"x12". There is also half a square has gold thread with silk chest plate rank badge. All have edge fray embroidered blossoming flowers. Also a and some soiling. Qing dynasty. coral colored beaded moon at the top corner. 8 Antique Chinese Imperial Dragon Kesi Silk Scattered fray and some staining. Qing Round Rank Badge 11" Diameter. Depicts a dynasty. gold thread five-clawed dragon with 3 4pc Antique Chinese Pheasant Rank Badges flaming pearl. Light soiling. Qing dynasty. 11"x12" Each Approx.
    [Show full text]