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Murió Mark Blum
Reporta las noticias al instante desde tu móvil Expreso 3E 662 126 27 21 nuevo canal de WhatsApp Sábado 28 de Marzo de 2020 STELAR ESPECIAL/EXPRESO El pozo de los deseos reprimidos por Álvaro Cueva El actor estadunidense ‘Making The Cut’ también apareció en exitosas series uando los señores ESPECIAL/EXPRESO de Amazon Prime de televisión como Video dicen glo- bal, se lo toman ‘The Sopranos’ Cmuy en serio. Si no me y ‘Mozart in the cree, échele un ojo a su estreno de este viernes. Jungle’ ¡Es increíble! Se llama ‘Making the Cut’ y es, pa- ra acabar pronto, la rein- vención del reality show. Mark Blum falleció por complicaciones derivadas del coronavirus Covid-19. ¿A qué me refiero cuando le digo esto? A Amazon Prime Video estrenó ‘Making the Cut’. que hasta antes de esta joya, todas las casas pro- reúne lo mejor de todos en toda la historia de ductoras del mundo, in- los reality shows de su los programas de moda. cluyendo Netflix, cuando tipo que se habían hecho Cuando usted mire este hacían esta clase de pro- antes con lo mejor de la título, se divertirá como Murió gramas, las producían tal comunicación de 2020. loco, se involucrará, se y como se habían estado ¿Y de qué tipo de reality emocionará, aprenderá transmitiendo desde los show estamos hablando? y viajará por el mundo años 90. De un reality show de entero sin salir de casa. Es decir, partiendo de diseño de modas, pero Por si todo esto que le un lenguaje de televisión de diseño de modas a lo acabo de decir no fuera abierta vieja, de cable, de bestia, con lo mejor de lo suficiente, la gente que Mark Blum, antena directa al hogar. -
Fences Study Guide
Pacific Conservatory Theatre Student Matinee Program Presents August Wilson’s Fences Generously sponsored by Franca Bongi-Lockard Nancy K. Johnson A Study Guide for Educators Welcome to the Pacific Conservatory Theatre A NOTE TO THE TEACHER Thank you for bringing your students to PCPA at Allan Hancock College. Here are some helpful hints for your visit to the Marian Theatre. The top priority of our staff is to provide an enjoyable day of live theatre for you and your students. We offer you this study guide as a tool to prepare your students prior to the performance. SUGGESTIONS FOR STUDENT ETIQUETTE Note-able behavior is a vital part of theater for youth. Going to the theater is not a casual event. It is a special occasion. If students are prepared properly, it will be a memorable, educational experience they will remember for years. 1. Have students enter the theater in a single file. Chaperones should be one adult for every ten students. Our ushers will assist you with locating your seats. Please wait until the usher has seated your party before any rearranging of seats to avoid injury and confusion. While seated, teachers should space themselves so they are visible, between every groups of ten students. Teachers and adults must remain with their group during the entire performance. 2. Once seated in the theater, students may go to the bathroom in small groups and with the teacher's permission. Please chaperone younger students. Once the show is over, please remain seated until the House Manager dismisses your school. 3. Please remind your students that we do not permit: - food, gum, drinks, smoking, hats, backpacks or large purses - disruptive talking. -
The 200 Plays That Every Theatre Major Should Read
The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986) -
After Kiyozawa: a Study of Shin Buddhist Modernization, 1890-1956
After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 ABSTRACT After Kiyozawa: A Study of Shin Buddhist Modernization, 1890-1956 by Jeff Schroeder Department of Religious Studies Duke University Date:_______________________ Approved: ___________________________ Richard Jaffe, Supervisor ___________________________ James Dobbins ___________________________ Hwansoo Kim ___________________________ Simon Partner ___________________________ Leela Prasad An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Religious Studies in the Graduate School of Duke University 2015 Copyright by Jeff Schroeder 2015 Abstract This dissertation examines the modern transformation of orthodoxy within the Ōtani denomination of Japanese Shin Buddhism. This history was set in motion by scholar-priest Kiyozawa Manshi (1863-1903), whose calls for free inquiry, introspection, and attainment of awakening in the present life represented major challenges to the -
Member Association AFTRA / AEA / SAG Hassan El-Amin Height
Member Association A.F.T.R.A. / A.E.A. / SAG Hassan El-Amin Height: 6’ Weight: 212lb Theatres Roles Directors Resident Ensemble Players August: Osage County Bill Fordham Jackson Gay Murder on the Orient Express Samuel Ratchett Sanford Robbins The Crucible Thomas Putnam Ben Barnes Lettice and Lovage Mr. Bardolph Steve Tague Woman in Mind Andy Jackson Gay Minor Fantastical Kingdom Bernard Mark Lamos Inherit the Wind Rev. Brown Sanford Robbins Fences Troy Maxson Cameron Knight The MountainTop Martin Luther King Jr. Walter Dallas From the Author Of Dax Jade King Carroll A Flea in her Ear Dr. Finache Mark Lamos Twelfth Night Antonio Maria Aitken God of Carnage Michael Novak Kate Buckley Clybourne Park Albert/Kevin Lee E. Ernst The Bells Jim Theresa Rebeck The Elephant Man Dr. Carr Gomm Sanford Robbins Dallas Theatre Center Christmas Carol Jacob Marley Joe Ferrell In the Beginning God / Ensemble Kevin Moriarty It’s a Bird, It’s a Plane, It’s Superman! Perry White Kevin Moriarty Death of a Salesman Uncle Ben Amanda Dehnert Henry IV Northumberland Kevin Moriarty God of Carnage Michael Joe Ferrell King Lear Earl of Kent Kevin Moriarty The Odd Couple Roy Kevin Moriarty Fly (2013) Pirate Jeffery Seller A Raisin in the Sun Bobo Tre Garrett Clybourne Park Albert/Kevin Joel Ferrell Sherlock Holmes King of Bohemia Kevin Moriarty Les Misérables Priest Liesl Tommy Driving Miss Daisy Hoke Colburn Joel Ferrell The Kennedy Center August Wilson 20TH Century Fences Gabriel Kenny Leon Two Trains Running Hambone Isreal Hicks Jitney Booster Gordon Davidson The -
Community in August Wilson and Tony Kushner
FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER By Copyright 2007 Richard Noggle Ph.D., University of Kansas 2007 Submitted to the Department of English and the Faculty of the Graduate School of the University of Kansas In partial fulfillment of the requirements for the degree of Doctor of Philosophy ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date defended ________________ 2 The Dissertation Committee for Richard Noggle certifies that this is the approved version of the following dissertation: FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER Committee: ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date approved _______________ 3 ABSTRACT My study examines the playwrights August Wilson and Tony Kushner as “political” artists whose work, while positing very different definitions of “community,” offers a similar critique of an American tendency toward a kind of misguided, dangerous individualism that precludes “interconnection.” I begin with a look at how “community” is defined by each author through interviews and personal statements. My approach to the plays which follow is thematic as opposed to chronological. The organization, in fact, mirrors a pattern often found in the plays themselves: I begin with individuals who are cut off from their respective communities, turn to individuals who “reconnect” through encounters with communal history and memory, and conclude by examining various “successful” visions of community and examples of communities in crisis and decay. -
TRU Speak Program 021821 XS
THEATER RESOURCES UNLIMITED VIRTUAL BENEFIT PLAYBILL TRU SPEAK Hear Our Voices! An evening of awareness to benefit THEATER RESOURCES UNLIMITED executive producer Bob Ost associate producers Iben Cenholt and Joe Nelms benefit chair Sanford Silverberg plays produced by Jonathan Hogue, Stephanie Pope Lofgren, James Rocco, Claudia Zahn assistant to the producers Maureen Condon technical coordinator Iben Cenholt/RuneFilms editor-technologists Iben Cenholt/RuneFilms, Andrea Lynn Green, Carley Santori, Henry Garrou/Whitetree, LLC video editors Sam Berland/Play It Again Sam’s Video Productions, Joe Nelms art direction & graphics Gary Hughes casting by Jamibeth Margolis Casting Social Media Coordinator Jeslie Pineda featuring MAGGIE BAIRD • BRENDAN BRADLEY • BRENDA BRAXTON JIM BROCHU • NICK CEARLEY • ROBERT CUCCIOLI • ANDREA LYNN GREEN ANN HARADA • DICKIE HEARTS • CADY HUFFMAN • CRYSTAL KELLOGG WILL MADER • LAUREN MOLINA • JANA ROBBINS • REGINA TAYLOR CRYSTAL TIGNEY • TATIANA WECHSLER with Robert Batiste, Jianzi Colon-Soto, Gha'il Rhodes Benjamin, Adante Carter, Tyrone Hall, Shariff Sinclair, Taiya, and Stephanie Pope Lofgren as the Voice of TRU special appearances by JERRY MITCHELL • BAAYORK LEE • JAMES MORGAN • JILL PAICE TONYA PINKINS •DOMINIQUE SHARPTON • RON SIMONS HALEY SWINDAL • CHERYL WIESENFELD TRUSpeak VIP After Party hosted by Write Act Repertory TRUSpeak VIP After Party production and tech John Lant, Tamra Pica, Iben Cenholt, Jennifer Stewart, Emily Pierce Virtual Happy Hour an online musical by Richard Castle & Matthew Levine directed -
Copyright by Charles Patrick Tyndall 2002
Copyright by Charles Patrick Tyndall 2002 The Dissertation Committee for Charles Patrick Tyndall Certifies that this is the approved version of the following dissertation: August Wilson’s Play Cycle: A Healing Black Rage for Contemporary African Americans Committee: Ann Daly, Supervisor Oscar G. Brockett Charlotte Canning Joni L. Jones Stacy Wolf August Wilson’s Play Cycle: A Healing Black Rage for Contemporary African Americans by Charles Patrick Tyndall, B.A., M.A. DISSERTATION Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY The University of Texas at Austin May 2002 Acknowledgements First and foremost, I would like to thank God, without whom I would not have been able to complete this endeavor. I must acknowledge my supervisor, Ann Daly, for her tireless devotion to this project. Thank you for helping me with my transition from student to scholar. You know I could not have done this without your support, tenacity, dedication, and humor. Thank you to my committee members, for making an insane process pretty painless. I appreciate the immense knowledge that you brought to this experience, both in and out of the classroom. I would like to acknowledge my family, especially: Mom, Dad, Chris, and Carl, for helping to shape me into the person I am today. Much thanks to my friends: Lana Williams, Richard Perry, C. Francis Blackchild, and Jacqueline E. Lawton, for enduring the madness with me! Much appreciation to the Department of Theatre and Dance at the University of Texas at Austin and the Drama department at the University of Arkansas – Fayetteville, where I currently teach, for all of the support offered to me. -
November-December Newsletter
The Offi cial Publication of the Montour Trail Council MONTOUR TRAIL-LETTER Volume 18 Issue 6 November/December 2007 Another MTC Groundbreaking It was another momentous day in the history of the Montour Trail when the ground was broken, or should I say, For your consideration a bridge tie was lifted, to mark the onset of construction for Phase 16. Participants in the event gathered at the east end Every mile is two in winter. of Valleybrook #3, that will be the trail-bridget that crosses Valleybrook Road just south of Chartiers Creek and Buckeye George Herbert Lane in Peters Township. Thanks go out to Tom Robinson, owner of TAR Outside Storage for allowing us to use his property for automobile parking and easy access to the site of Photo by Dennis Sims the ceremony. From Left to Right, Mark and Kinga Blum, Mingo Creek Const.; Patricia Moore, Peters Words were said by several area community Twp.; Scott Fergus, Washington County. leaders, including Congressman Tim Murphy, Matt Campion Matt Campion aide to Sen. John Pippy.; representing state Senator John Pippy of the 37th district which Rep. Tim Murphy, Mark Imgrund, Ed Taylor, and Ned Williams of the Montour Trail. Inside this issue: includes Peters Twp., Peters Twp. Councilwoman Patricia Moore and others. The owners of Mingo Creek Construction, Kinga and Mark Blum, the winning bidder Grounbreaking 1 for the project were introduced. Following the speeches, everyone gathered at the bridge for the “tie Tour the Montour lifting”. The dignitaries took turns cranking the come-along lifting the tie from its place. -
Geffen Lights out Cast FINAL
Media Contact: Zenon Dmytryk Geffen Playhouse [email protected] 310.966.2405 FOR IMMEDIATE RELEASE CAST ANNOUNCED FOR GEFFEN PLAYHOUSE WEST COAST PREMIERE OF LIGHTS OUT: NAT “KING” COLE NOW EXTENDED THROUGH MARCH 17 FEATURING DULÉ HILL AS NAT “KING” COLE ADDITIONAL CAST INCLUDES GISELA ADISA, CONNOR AMACIO MATTHEWS, BRYAN DOBSON, RUBY LEWIS, ZONYA LOVE, MARCIA RODD, BRANDON RUITER AND DANIEL J. WATTS PREVIEWS BEGIN FEBRUARY 5 - OPENING NIGHT IS FEBRUARY 13 LOS ANGELES (December 19, 2018) – Geffen Playhouse today announced the full cast for its production of Lights Out: Nat “King” Cole, written by Tony and Olivier Award nominee Colman Domingo (Summer: The Donna Summer Musical, If Beale Street Could Talk, Fear the Walking Dead) and Patricia McGregor (Place, A Midsummer Night’s Dream, Skeleton Crew), directed by Patricia McGregor and featuring Emmy Award nominee Dulé Hill (Bring in ‘da Noise, Bring in ‘da Funk; The West Wing; Psych) as Nat “King” Cole. This marks the West Coast premiere for the production, which made its world premiere in 2017 at People’s Light, one of Pennsylvania’s largest professional non-profit theaters. Under the auspices of the Geffen Playhouse, the production from People’s Light has been further workshopped, songs have been added and the play has continued to evolve. In addition to Hill, the cast features Gisela Adisa (Beautiful, Sister Act) as Eartha Kitt and others; Connor Amacio Matthews (In the Flow with Connor Amacio) as Billy Preston and others; Bryan Dobson (Jesus Christ Superstar, The Rocky Horror Show) as Producer and others; Ruby Lewis (Marilyn! The New Musical, Jersey Boys) as Betty Hutton, Peggy Lee and others; Zonya Love (Emma and Max, The Color Purple) as Perlina and others; Marcia Rodd (Last of the Red Hot Lovers, Shelter) as Candy and others; Brandon Ruiter (Sex with Strangers, A Picture of Dorian Gray) as Stage Manager and others; and Daniel J. -
Play Analysis THEA 2100 Spring 2019 Dr. Amy Cuomo Office
Play Analysis THEA 2100 Spring 2019 Dr. Amy Cuomo Office: 202C Martha Munro Phone: 678-838-4703 e-mail: [email protected] Office Hours Office Hours: M-TH 3:30-6 Martha Munro Class 11:00-12:15; Paff 204 Course Description The ability to effectively analyze theatrical texts is essential to scholars and practitioners alike. In this class, students will dissect a script into its basic components to better understand structure, style, theme, and other essential elements of theatre. Students will also survey representative historical genres, styles of theatrical texts, and methods of literary and dramatic criticism, as well as receive an introduction to theatre- specific research methods and resources. The course will emphasize academic analysis, but applications to theatrical production contexts will be encouraged. UWG Essential Information http://www.westga.edu/assetsDept/vpaa/Common_Language_for_Course_Syllabi.pdf Performance REQUIRED – Home – Townsend Center for the Performing Arts - February 20-24; W-S @7:30 p.m. Sun @ 2:30 p.m. She Kills Monsters – Townsend Center for the Performing Arts - April 15-20; T-S 7:30 p.m. NO SUNDAY PERFORMANCE! NOTE: If you are a theatre major you must attend strike and load in; failing to do so may result in a deduction of five points from your letter grade for each missed event. Course Den Available from UWG’s main page www.westga.edu through the link Online Learning. If you need help, contact [email protected] or 678-839-6248 or go to the After Hours Helpdesk available 24 hrs a day/ 7 days a week - go to http://help8.view.usg.edu and click on Request Support. -
IN the NEXT ROOM Or the Vibrator Play
47th Season • 447th Production JULIANNE ARGYROS STAGE / SEPTEMBER 26 - OCTOBER 17, 2010 David Emmes Martin Benson PRODUCING aRTISTIC DIRECTOR aRTISTIC DIRECTOR presents IN THE NEXT ROOM or the vibrator play BY Sarah Ruhl John Arnone David Kay Mickelsen Daniel Ionazzi Jim Ragland SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN ORIGINaL MUSIC/SOUND DESIGN Philip D. Thompson Jackie S. Hill Kathryn Davies* DIaLECT COaCH PRODUCTION MaNaGER STaGE MaNaGER DIRECTED BY Casey Stangl Jean and Tim Weiss HONORaRY PRODUCERS Original Broadway Production by Lincoln Center Theater, New York City, 2009. IN THE NEXT ROOM or the vibrator play was originally commissioned and produced by Berkeley Repertory Theatre, Berkeley, CA, Tony Taccone, Artistic Director/Susan Medak, Managing Director. IN THE NEXT ROOM or the vibrator play was developed at New Dramatists. IN THE NEXT ROOM or the vibrator play is presented by special arrangement with SAMUEL FRENCH, INC. In the Next Room • SOUTH COAST REPERTORY P1 CAST OF CHARACTERS (In order of appearance) Catherine Givings .......................................................................... Kathleen Early* Dr. Givings ...................................................................................... Andrew Borba* Annie ...................................................................................................... Libby West* Sabrina Daldry ................................................................................. Rebecca Mozo* Mr. Daldry ..........................................................................................