SF West History, Oct-Dec 2015
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The Big Bopper Died for Your Sins
Concordia Seminary - Saint Louis Scholarly Resources from Concordia Seminary Master of Divinity Thesis Concordia Seminary Scholarship 3-1-1970 The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth John Metzig Concordia Seminary, St. Louis, [email protected] Follow this and additional works at: https://scholar.csl.edu/mdiv Part of the Practical Theology Commons Recommended Citation Metzig, John, "The iB g Bopper Died For Your Sins: A Study of the Function of Rock as a Form of Religious Expression inn the World of Youth" (1970). Master of Divinity Thesis. 101. https://scholar.csl.edu/mdiv/101 This Thesis is brought to you for free and open access by the Concordia Seminary Scholarship at Scholarly Resources from Concordia Seminary. It has been accepted for inclusion in Master of Divinity Thesis by an authorized administrator of Scholarly Resources from Concordia Seminary. For more information, please contact [email protected]. TABLE OF CONTENTS Content Page I. THE• INTRODUCTION 1 II. THE PAPER . 3 III. THE FOOTNOTES BIBLIOGRAPHY 34 INTRODUCTION I'm not trying to cause a big sensation I'm just ttitkirtg 'bout my generation. -Peter Townshend (for The Who) 1 The problem with trying to write a paper on the subject of rock is that the field is so diverse and varied that it is all but impossible to describe everything in complete detail. Furthermore, the entire subject of the effects of rock on a listening audience varies considerably from listener to listener. The teen-ager just likes, the sound of the music and the feelings that the music brings out in him, while the adult still thinks of rock as a lot of noise no matter how many magazine articles they read or TV programs they see. -
The Temptations and the Four Tops
Nicole'a Macris Nicole'[email protected] 410-900-1151 For Immediate Release THE TEMPTATIONS AND THE FOUR TOPS coming to The Modell Lyric on October 26! Tickets go on sale Friday, April 26th at 10am (BalBmore, MD – April 19) The TEMPTATIONS and The FOUR TOPS together on one stage for one night only at The Modell Lyric on Saturday, October 26 at 7:30pm! THE TEMPTATIONS are notable for their success with Motown Records during the 60’s and 70’s and have sold 10’s of millions of albums, making them one of the most successful groups in music history! For over 40 years The Temptaons have prospered, with an avalanche of smash hits, and sold-out performances throughout the world! “The crowds are bigger, the sales are sizzling,” says one industry report. “The outpouring of affection for this super-group has never been greater”. Beyond their unique blend of voices and flashy wardrobe, The Temptaons became known for their sharp choreography known as “The Temptaon Walk” which became a staple of American style, flair, flash and class and one of the defining legacies of Motown Records. Millions of fans saw the Temptaons as cultural heroes. The group had thirty seven, Top 40 hits to their credit, including fi\een Top 10 hits, fi\een No 1 singles and seventeen No 1 albums spanning from the mid-1960’s to the late 80’s in addiBon to a quartet which soared to No. 1 on the R &B charts. The song Btles alone summon memories beyond measure to include; “The Way You Do The Things You Do,” “My Girl,” “Ain’t Too Proud To Beg,” “I Wish It Would Rain,” “I Can’t Get Next To You”, “Get Ready”, “Just My ImaginaDon (Running Away With Me),” “Ball of Confusion”, “Papa Was A Rollin’ Stone.” “Beauty is Only Skin Deep”, “Cloud Nine,” “Psychedelic Shack”, “Runaway Child”, “Since I Lost My Baby”, “Treat Her Like a Lady” to name a few…. -
Mill Valley Oral History Program a Collaboration Between the Mill Valley Historical Society and the Mill Valley Public Library
Mill Valley Oral History Program A collaboration between the Mill Valley Historical Society and the Mill Valley Public Library David Getz An Oral History Interview Conducted by Debra Schwartz in 2020 © 2020 by the Mill Valley Public Library TITLE: Oral History of David Getz INTERVIEWER: Debra Schwartz DESCRIPTION: Transcript, 60 pages INTERVIEW DATE: January 9, 2020 In this oral history, musician and artist David Getz discusses his life and musical career. Born in New York City in 1940, David grew up in a Jewish family in Brooklyn. David recounts how an interest in Native American cultures originally brought him to the drums and tells the story of how he acquired his first drum kit at the age of 15. David explains that as an adolescent he aspired to be an artist and consequently attended Cooper Union after graduating from high school. David recounts his decision to leave New York in 1960 and drive out to California, where he immediately enrolled at the San Francisco Art Institute and soon after started playing music with fellow artists. David explains how he became the drummer for Big Brother and the Holding Company in 1966 and reminisces about the legendary Monterey Pop Festival they performed at the following year. He shares numerous stories about Janis Joplin and speaks movingly about his grief upon hearing the news of her death. David discusses the various bands he played in after the dissolution of Big Brother and the Holding Company, as well as the many places he performed over the years in Marin County. He concludes his oral history with a discussion of his family: his daughters Alarza and Liz, both of whom are singer- songwriters, and his wife Joan Payne, an actress and singer. -
In BLACK CLOCK, Alaska Quarterly Review, the Rattling Wall and Trop, and She Is Co-Organizer of the Griffith Park Storytelling Series
BLACK CLOCK no. 20 SPRING/SUMMER 2015 2 EDITOR Steve Erickson SENIOR EDITOR Bruce Bauman MANAGING EDITOR Orli Low ASSISTANT MANAGING EDITOR Joe Milazzo PRODUCTION EDITOR Anne-Marie Kinney POETRY EDITOR Arielle Greenberg SENIOR ASSOCIATE EDITOR Emma Kemp ASSOCIATE EDITORS Lauren Artiles • Anna Cruze • Regine Darius • Mychal Schillaci • T.M. Semrad EDITORIAL ASSISTANTS Quinn Gancedo • Jonathan Goodnick • Lauren Schmidt Jasmine Stein • Daniel Warren • Jacqueline Young COMMUNICATIONS EDITOR Chrysanthe Tan SUBMISSIONS COORDINATOR Adriana Widdoes ROVING GENIUSES AND EDITORS-AT-LARGE Anthony Miller • Dwayne Moser • David L. Ulin ART DIRECTOR Ophelia Chong COVER PHOTO Tom Martinelli AD DIRECTOR Patrick Benjamin GUIDING LIGHT AND VISIONARY Gail Swanlund FOUNDING FATHER Jon Wagner Black Clock © 2015 California Institute of the Arts Black Clock: ISBN: 978-0-9836625-8-7 Black Clock is published semi-annually under cover of night by the MFA Creative Writing Program at the California Institute of the Arts, 24700 McBean Parkway, Valencia CA 91355 THANK YOU TO THE ROSENTHAL FAMILY FOUNDATION FOR ITS GENEROUS SUPPORT Issues can be purchased at blackclock.org Editorial email: [email protected] Distributed through Ingram, Ingram International, Bertrams, Gardners and Trust Media. Printed by Lightning Source 3 Norman Dubie The Doorbell as Fiction Howard Hampton Field Trips to Mars (Psychedelic Flashbacks, With Scones and Jam) Jon Savage The Third Eye Jerry Burgan with Alan Rifkin Wounds to Bind Kyra Simone Photo Album Ann Powers The Sound of Free Love Claire -
Hampton by Hilton Franchise Disclosure Document Brazil
HAMPTON BY HILTON FRANCHISE DISCLOSURE DOCUMENT BRAZIL HILTON WORLDWIDE MANAGE LIMITED a Limited Company Formed Under the Laws of England and Wales Maple Court, Central Park, Reeds Crescent Watford, Hertfordshire, WD24 4QQ UK +44 207 856 8000 Dated: July 31, 2019 {018316-999987 00275528.DOCX; 1} 2019 Brazil Hampton TABLE OF CONTENTS PART I THE FRANCHISOR AND ITS RELATED COMPANIES .......................................... 1 PART II FINANCIAL STATEMENTS ..................................................................................... 2 PART III LITIGATION ............................................................................................................ 2 PART IV THE LICENSE ......................................................................................................... 2 PART V THE IDEAL FRANCHISEE ...................................................................................... 3 PART VI OBLIGATION TO PARTICIPATE IN THE ACTUAL OPERATION OF THE FRANCHISE BUSINESS ......................................................................................... 3 PART VII INITIAL FEES AND ESTIMATED INITIAL INVESTMENT ........................................ 4 PART VIII PERIODIC AND OTHER FEES ..............................................................................11 PART IX FRANCHISEE INFORMATION ...............................................................................25 PART X TERRITORY ...........................................................................................................25 PART XI RESTRICTIONS -
Rock & Keyser Roll Final 3.13.21
ROCK and KEYSER ROLL Music In My Life My Life In Music Dedicated to all the venues, bookers, house and stage managers, sound and lighting techs, promoters, publicists, photographers and videographers and roadies who have supported me and the bands I have represented over the past four plus decades. It is an honor and a privilege to work with so many highly talented musicians. I am filled with gratitude for the road I have traveled, and look forward to many more years of helping to bring live music to the world! Cover photo J.C. Juanis Cover lettering Mike Dolgushkin © 2021 Music has always been my passion. As a young guy I remember riding the #37 bus downtown to stop at the record store to pick up the latest albums. From my hometown of Baltimore I listened to WCAO radio Top 40 hits, and watched The Buddy Deane Dance Party every day after school. My early musical heroes were Dion, Paul Anka, Neil Sedaka, Little Eva, Ray Charles, Chubby Checker, Gene Pitney, Roy Orbison, The Four Tops and, Stevie Wonder…. My parents were also music fans. Here are few photos from back in their day…. Debbie Reynolds ? My mom My dad (dark suit) watching Eddie Fisher at Grossinger’s Resort in the Catskills circa 1958 After dinner with Harpo Marx and his wife at their Hollywood home, Harpo serenaded circa 1963 My first foray into the music world happened on my last day of 4th grade at Liberty School #64. Dr. Carlin, the music teacher, came into our classroom. He told us that next year, in 5th grade, we could be in the school orchestra. -
White Rabbit (1967) Jefferson Airplane
MUSC-21600: The Art of Rock Music Prof. Freeze White Rabbit (1967) Jefferson Airplane LISTEN FOR • Surrealistic lyrics • Spanish inflections • Musical ambition contained in pop AABA form • Overarching dramatic arc (cf. Ravel’s Bolero?) CREATION Songwriters Grace Slick Album Surrealistic Pillow Label RCA Victor 47-9248 (single); LSP-3766 (stereo album) Musicians Electric guitars, bass, drums, vocals Producer Rick Jarrard Recording November 1966; stereo Charts Pop 8; Album 3 MUSIC Genre Psychedelic rock Form AABA Key F-sharp Phrygian mode Meter 4/4 LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro (12) • Bass guitar and snare drum suggest the Spanish bolero rhythm. • Phrygian mode common in flamenco music. • Winding guitar lines evoke Spanish music. • Heavy reverb in all instruments save drums. MUSC-21600 Listening Guide Freeze “White Rabbit” (Jefferson Airplane, 1967) Time Form Lyric Cue Listen For 0.28 A (12) “One pill makes you” • Vocals enter quietly and with echo, with only bass, guitar, and snare drum accompaniment. 0:55 A (12) “And if you go” • Just a little louder and more forceful. 1:23 B (12) “When men on” • Music gains intensity: louder dynamic, second guitar, drums with more traditional rock beat. 1:42 A (21) “Go ask Alice” • Vocal now much more forceful. • Accompaniment more insistent, especially rhythm guitar. • Drives to climax at end. LYRICS One pill makes you larger When the men on the chessboard And one pill makes you small Get up and tell you where to go And the ones that mother gives you And you’ve just had some -
A Songbook May.2017
ARTIST TITLE SONG TITLE ARTIST 4:00 AM Fiona, Melanie 12:51 Strokes, The 3 Spears, Britney 11 Pope, Cassadee 22 Swift, Taylor 24 Jem 45 Shinedown 73 Hanson, Jennifer 911 Jean, Wyclef 1234 Feist 1973 Blunt, James 1973 Blunt, James 1979 Smashing Pumpkins 1982 Travis, Randy 1982 Travis, Randy 1985 Bowling For Soup 1994 Aldean, Jason 21875 Who, The #1 Nelly (Kissed You) Good Night Gloriana (Kissed You) Good Night (Instrumental Version) Gloriana (you Drive Me) Crazy Spears, Britney (You Want To) Make A Memory Bon Jovi (Your Love Keeps Lifting Me) Higher And Higher McDonald, Michael 1 2 3 Estefan, Gloria 1 2 3 4 Feist 1 Thing Amerie 1 Thing Amerie 1 Thing Amerie 1,2 Step Ciara & Missy Elliott 1,2,3,4 Plain White T's 10 Out Of 10 Lou, Louchie 10,000 Towns Eli Young Band 10,000 Towns (Instrumental Version) Eli Young Band 100 Proof Pickler, Kellie 100 Proof (Instrumental Version) Db Pickler, Kellie 100 Years Five For Fighting 10th Ave Freeze Out Springsteen, Bruce 1-2-3 Estefan, Gloria 1-2-3-4 Sumpin' New Coolio 13 Is Uninvited Morissette, Alanis 15 Minutes Atkins, Rodney 15 Minutes (Backing Track) Atkins, Rodney 15 Minutes Of Shame Cook, Kristy Lee 15 Minutes Of Shame (Backing Track) B Cook, Kristy Lee 16 at War Karina 16th Avenue Dalton, Lacy J. 18 And Life Skid Row 18 And Life Skid Row 19 And Crazy Bomshel 19 Somethin' Wills, Mark 19 You and Me Dan + Shay 19 You and Me (Instrumental Version) Dan + Shay 19-2000 Gorillaz 1994 (Instrumental Version) Aldean, Jason 19th Nervous Breakdown Rolling Stones, The ARTIST TITLE 19th Nervous Breakdown Rolling Stones, The 2 Become 1 Spice Girls 2 Becomes 1 Spice Girls 2 Faced Louise 2 Hearts Minogue, Kylie 2 Step DJ Unk 20 Good Reasons Thirsty Merc 20 Years And 2 Husbands Ago Womack, Lee Ann 21 Questions 50 Cent Feat. -
Playlist in 1969, Yale University Admitted Its First Women Undergraduates, Thus Ending 268 Years As an All-Male College
YALE NEEDS WOMEN Playlist In 1969, Yale University admitted its first women undergraduates, thus ending 268 years as an all-male college. Yale Needs Women (Sourcebooks, 2019) tells their story. Here is the playlist to go with it: 22 songs released between 1969 and 1972, plus a two-song prelude from 1967. A quick scan will show that male performers outnumber women on this playlist, perhaps an odd choice given the Yale Needs Women title. It’s a reflection of the times, however. The music industry needed women too. You can find this playlist on Spotify. Search anne.g.perkins, or use this link: https://open.spotify.com/playlist/4aXLc1veNkKCMqCWd0biKE To find out more about Yale Needs Women and the first women undergraduates at Yale, go to yaleneedswomen.com. Many thanks to Rick High, Lily and Mac Perkins-High, and David and Ginger Kendall for their help in creating this playlist. Sources for the liner notes below are at the end. PRELUDE: 1967 1. Aretha Franklin, RESPECT. Aretha Franklin was the first woman ever inducted into the Rock and Roll Hall of Fame, and “Respect” was her first song to hit #1. She was twenty-five years old, six years into an abusive marriage that she would end in 1969, a black woman in a nation where that status meant double discrimination. “All I’m askin’ is for a little respect.” 2. Country Joe and The Fish, I-FEEL-LIKE-I’M-FIXIN’-TO-DIE RAG. Released in November 1967, the I-Feel-Like-I’m-Fixin’-To-Die Rag became one of the country’s most popular Vietnam War protest songs, particularly after its performance at Woodstock in August 1969. -
Jefferson Airplane Crown of Creation Mp3, Flac, Wma
Jefferson Airplane Crown of Creation mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Crown of Creation Country: US Style: Acid Rock MP3 version RAR size: 1587 mb FLAC version RAR size: 1559 mb WMA version RAR size: 1405 mb Rating: 4.7 Votes: 458 Other Formats: ADX AC3 APE ASF MP2 XM MP4 Tracklist Hide Credits Lather A1 2:55 Written-By – Slick* In Time A2 4:07 Written-By – Balin*, Kantner* Triad A3 4:54 Written-By – Crosby* Star Track A4 3:09 Written-By – Kaukonen* Share A Little Joke A5 3:04 Written-By – Balin* Chushingura A6 1:17 Written-By – Dryden* If You Feel B1 3:30 Written-By – Blackman*, Balin* Crown Of Creation B2 2:52 Written-By – Kantner* Ice Cream Phoenix B3 2:59 Written-By – Cockey*, Kaukonen* Greasy Heart B4 3:25 Written-By – Slick* The House At Pooneil Corners B5 5:46 Written-By – Balin*, Kantner* Companies, etc. Recorded At – RCA Studios Mastered At – RCA Studios Pressed By – RCA Records Pressing Plant, Rockaway Manufactured By – Radio Corporation Of America Copyright (c) – RCA Credits Bass [Yggdrasil] – Jack Casady Bongos – Dan Woody* Congas – Tim Davis Design [Album], Art Direction – J. Van Hamersveld* Drums, Percussion [Steel Balls] – Spencer Dryden Effects [Sound] – Gene Twombly Engineer – Rich Schmitt Engineer [Featuring At The 8-Track] – Maurice Guitar – David Crosby Guitar, Vocals – Charles Cockey Humming [Nose Solo] – Gary Blackman Lead Guitar, Percussion [Electric Chicken] – Jorma Kaukonen Percussion [Talking Drum] – Bill Goodwin Photography By [Cover, Back Cover] – Hiro Photography By [Hiroshima Bomb] – USAF Piano, Organ – Grace Slick, Spencer Dryden Producer – Al Schmitt Rhythm Guitar – Marty Balin, Paul Kantner Vocals – Grace Slick, Jorma Kaukonen, Marty Balin, Paul Kantner, Spencer Dryden Notes © RCA, New York, N.Y. -
Addio a Paul Kantner, “The Brain” Dei Jefferson Airplane
Addio a Paul Kantner, “the brain” dei Jefferson Airplane È morto a 74 anni il chitarrista Paul Kantner, uno dei fondatori della band Jefferson Airplane. Lo riporta il San Francisco Chronicle. Protagonista della scena musicale della west coast americana, Kantner è stato stroncato giovedì 28 gennaio da un attacco di cuore a San Francisco, la città in cui era nato il 17 marzo 1941. Chi era Paul Kantner? Ecco cosa scrive sul sito ufficiale dei Jefferson Airplane Greg Gildersleeve (1998). Anche se non ha mai scritto o cantato come voce leader nessun brano di successo, Paul Kantner ha avuto un impatto maggiore di qualsiasi altro membro sui Jefferson Airplane/Starship. È suo il record della più lunga, ininterrotta appartenenza (19 anni) alla band, ed è stato a volte l’unico membro delle origini della band presente in eventi con JA. Il suo interesse per la fantascienza l’ha portato a trasformare i Jefferson Airplane nei Jefferson Starship, e, in tutto questo, ha presieduto alla democrazia sregolata e talvolta disordinata della band. Se Marty Balin era l’anima della band, e Grace Slick il suo volto, Paul Kantner potrebbe esserne considerato, the brain, il cervello. | 1 Addio a Paul Kantner, “the brain” dei Jefferson Airplane L’unico nativo di San Francisco tra gli iniziatori degli Airplane/Starship, Paul Lorin Kantner nasce il 17 marzo 1941, da Paul S. e Cora Lee (Fortier) Kantner. Paul aveva un fratellastro e una sorellastra parecchio più grandi. Quando Paul aveva otto anni, sua madre morì; e, ricorderà in seguito, non gli fu consentito di partecipare al suo funerale, ma fu portato al circo. -
Account 03 Account Provider
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