Tad Morose Biography Update. September 2013

Total Page:16

File Type:pdf, Size:1020Kb

Tad Morose Biography Update. September 2013 Tad Morose Biography update. September 2013. TAD MOROSE was originally formed in 1991 by Christer "Krunt" Andersson, Per-Ola "Rossi" Olsson and Dan-Erik "Danne" Eriksson. Shortly thereafter Anders "Wispen" Westlund joined. During the summer of 1992, they played various gigs in their hometown of Bollnäs, Sweden. Wispen left in late 1992, and TAD MOROSE was left without a singer. The music then took off in a different direction. In March 1993, they entered the Wave Station Studio in Ljusne, Sweden and recorded their first and only demo tape. During those recording-sessions Danne´s friend Kristian "Krille" Andrén visited the studio, and began experimenting with lyrics and vocals. The result was so fantastic that they recorded it. Kristian was added to the line-up. Record labels, however, seemed unresponsive until mid August 1993 when Börje Forsberg, the president of Black Mark Production, heard the tape and immediately signed them. Around the same time, keyboard player Fredrik "Frippe" Eriksson joined the band and in mid September. The debut album "Leaving The Past Behind" was recorded. Like the demo, it was recorded by mastermind Uffe Pettersson and produced by TAD MOROSE. Leif Edling of Candlemass had been sent a copy of the demo which Borivoj Krgin, of the US magazine Metal Maniacs, promptly "stole" and subsequently reviewed. Thus, bundles of overseas fan mail began pouring in. "Leaving The Past Behind" was released on the first of November 1993 in Europe and shortly thereafter in Australia and Japan where it sold 3000 copies in a little less than a week! In Australia it reached no.13 in the Metal Labyrinth Top 20. In Germany, Rock Hard voted it Record of the Month in their November issue: "Very powerful, compact and melodic songs with a touch of progressive metal. An incredible mixture Of Metallica and Dream Theater". - Frank Albrecht of Rock Hard. In mid summer 1994, just two weeks before TAD MOROSE was scheduled to record the second album, Danne quit the band due to personal problems and musical differences. The recordings were postponed until a suitable, replacement could be found. Fortunately, the band recruited Peter Morén, a true soul mate. So, in mid October they once again entered the Wave Station Studio to record Sender Of Thoughts. Shortly thereafter Rossi was replaced by bassist Anders "Modden" Modd, leaving Christer as the only founding member. With this release, TAD MOROSE established themselves as one of the finest acts in Power Metal. TAD MOROSE hit the road in Germany, for the Black Mark-festivals, playing with bands like CEMETARY, MORGANA LEFAY and MEMENTO MORI. The crowds hailed the band, finally to be seen in a live-situation on the continent. Mike Wead, (King Diamond, Mercyful Fate, Memento Mori, Bible Black, and what not) was so impressed with the band`s live-performances, he offered to help the guys out producing their upcoming mini-album, "Paradigma", released in fall 1995. This release offered 5 tracks, showing that the band continued to develop their skills as songwriters, and making the music they know best - melodic heavy metal with progressive stuff here and there. Unfortunately, all was not as well as it seemed, and after the release of "Paradigma", singer Kristian Andrèn left the band to join Memento Mori. TAD MOROSE faced a creative downer in their career. No tours, no lust for song writing, and no singer. After a few auditions they found what they were looking for in Urban Breed. This was late 1995, and the honey of creativeness was flowing again. The new singer brought a lot of fresh ideas into the band. On the album "A Mended Rhyme", released in 1997. The band took their melody lines further, without losing the heaviness in the material. In August of 1998 Fredrik "Frippe" Eriksson left the band for personal reasons. Rather surprisingly, in October they enrol the services of Daniel Olsson. The band was moving once again in a more aggressive direction by adding a second guitarist and placing less of an emphasis on the keyboard driven material of the past, opting for a more streamlined harder edged sound. The new material was more raw and powerful and the band had a new found drive. Feeling unsupported by their label they negotiate and actually come to an agreement. They left Black Mark, took a few steps back to assess the situation. Almost a year and a half after the break with Black Mark they teamed up with Century Media. They decided to try a new studio located in Bollnäs, so in june 2000 they entered Studio Soundcreation to record the album "Undead". More alive than ever they presented their best and most elaborate musical achievement so far. The Undead album was released later that year. About the same time Black Mark released the “Reflections” album, which is a compilation album of TAD MOROSE songs previously released by Black Mark. The band spent the next year playing various shows around Sweden and started to write songs for the next album. “Matters of the Dark” was released in early 2002. This album continued on the heavier path set on the previous release “Undead” and was recorded at the same studio. In spring of 2002 the band set off for a European tour together with NWOBHM legends Demon and the German band Chinchilla. Various shows around Sweden followed and even saw the band performing 2 shows in 2 different cities at the same night! In June TAD MOROSE made their first show in the US at the Milwaukee Metal Fest. The band spent the later part of 2002 writing songs for the “Modus Vivendi” album which was recorded during the spring 2003. Again they chose Studio Soundcreation in Bollnäs. The album was mixed at Studio Fredman in Gothenburg, Sweden. In june TAD MOROSE headlined one of the stages at the famous Sweden Rock Festival in front of a huge crowd. This show is considered by the band to be one of the best shows so far. “Modus Vivendi” was released in the autumn of 2003 and was very well received by the fans and media around the world. This album is considered, by not only the band, to be their most “complete” album so far. In May 2004 TAD MOROSE toured Scandinavia together with Nocturnal Rites and Edguy and spent the summer playing various festivals and shows in Sweden. In September TAD MOROSE flew back to the US for a show at the classic BB King´s in New York with Edguy and for an appearance at the famous Prog Power Festival in Atlanta. That show in Atlanta is very special to the band and one of the best shows they have done so far. The response from the huge crowd was overwhelming to say the least, and the band was stunned by reaction from the fans. After arriving in Sweden the following week they played a show on the Sweden Rock Boat. This was the first time the band played on a cruise ship! TAD MOROSE spent the following winter writing songs for the next album, but things didn´t flow as usual and tensions within the band started to affect everything. However, in April 2005 TAD MOROSE headed back to USA for an exclusive show at the Chicago Powerfest and spent the following summer playing various shows around Sweden again and trying hard to write new songs. In the autumn of 2005 Tad Morose did their first show in Norway at the Scream Fest in Oslo. This was to be the last show they did with Urban Breed as their lead singer. Things had not been the same within the band after that Scandinavian Tour with Edguy. Urban had distanced himself more and more from the rest of the band and it had now come to the point that it just didn´t work out anymore. So Urban left the band in late 2005. TAD MOROSE immediately started to look for a new lead singer and they spent the rest of the winter listening to audition tapes and trying out singers. The band got a suggestion from Håkon Grav of Scream Magazine to get in touch with Joe Comeau (ex Overkill, Annihilator, Liege Lord) and so they did. After listening to Joe´s audition tape the choice was easy. Joe flew over to Sweden in mid 2006 for rehearsals and some club and festival shows such as the Karmoygeddon Festival in Norway. Joe´s powerful voice fitted the music very well and they spent the following year writing new material for the next album. But this period was a bit of a downer for the band and they seemed to get nothing done. They got sacked by Century Media and in the autumn of 2007 Danne Olsson all of a sudden decided to leave the band. During this time Anders had moved to another city due to job situations and was asked to join Wolf since they were looking for a bass player and Peter had joined Steel Attack since they needed a new drummer. They were both still in TAD MOROSE but nothing was happening at the time and they wanted to play, not just sit around waiting for something to happen. By this time it nearly came to the end of TAD MOROSE, it was just not fun anymore. Too many problems and everything just seemed impossible, and the more they tried the harder it got. But they finally decided that giving up was not an option. They felt they had so much more to give. So after a period of pure vacuum the band started to look for a new guitar player.
Recommended publications
  • Project Arcadia (BG) Genre: Heavy Metal / Power Metal Label: Nightmare Records Album Titel: a Time of Changes Spielzeit: 45:53 VÖ: 09.09.2014
    Band: Project Arcadia (BG) Genre: Heavy Metal / Power Metal Label: Nightmare Records Album Titel: A Time Of Changes Spielzeit: 45:53 VÖ: 09.09.2014 Project Arcadia haben ihr erstes Album "From The Desert Of Desire" vor fünf Jahren veröffentlicht. Seither hat sich einiges bei den Bulgaren verändert. Besetzungswechsel gab es an einer Gitarre und den Drums. Mit dem schwedischen, derzeit in den USA lebenden, Sänger Urban Breed (ex-Tad Morose, ex-Bloodbound, Trail Of Murder) wurde auch der Posten am Mikrophon neu besetzt. Das neue Album beinhaltet sauber auf den Punkt gespielten Heavy Metal, welcher leidenschaftlich und mit viel Melodie dargeboten wird. Satte, authentisch klingende Drums und ein stets präsenter, aber nicht zu aufdringlicher Bass, sorgen für eine sichere Rhythmus Sektion. Mal schnelle Double Bass Figuren, mal ein stampfend, mit viel Power gespieltes Schlagzeug, hin und wieder aber auch mal zurückhaltend, dem jeweiligen Themen der Songs angemessen bedienend. Schön zu hören in der Ballade "I Am Alive" oder dem gefühlvollem "The Ungrateful Child". Frische knackige Riffs, klasse Solis, die in ihrer Länge genau dosiert sind, geben jedem Song seinen ganz eigenen Charakter. Schöne einprägsame Refrains, prägnante Melodien und kurze Bridges, die prima arrangiert sind, ohne dabei den Spielfluss aus den Augen zu verlieren. Zum Glück wurde hier auf unnötig lange Zockerei verzichtet. Hier muss man sich nichts mehr beweisen und man scheint zu wissen was man kann. Dass die Herren ihre Hausaufgaben gemacht haben, steht außer Frage. Urban Breed liefert einen Gesang, der viel Volumen in sich trägt, gleichzeitig aber auch sehr gefühlvoll sein kann und auch in höheren Tonlagen besteht.
    [Show full text]
  • Music Globally Protected Marks List (GPML) Music Brands & Music Artists
    Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please
    [Show full text]
  • The History of Rock Music: 1976-1989
    The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc.
    [Show full text]
  • Black Sabbath the Complete Guide
    Black Sabbath The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 17 May 2010 12:17:46 UTC Contents Articles Overview 1 Black Sabbath 1 The members 23 List of Black Sabbath band members 23 Vinny Appice 29 Don Arden 32 Bev Bevan 37 Mike Bordin 39 Jo Burt 43 Geezer Butler 44 Terry Chimes 47 Gordon Copley 49 Bob Daisley 50 Ronnie James Dio 54 Jeff Fenholt 59 Ian Gillan 62 Ray Gillen 70 Glenn Hughes 72 Tony Iommi 78 Tony Martin 87 Neil Murray 90 Geoff Nicholls 97 Ozzy Osbourne 99 Cozy Powell 111 Bobby Rondinelli 118 Eric Singer 120 Dave Spitz 124 Adam Wakeman 125 Dave Walker 127 Bill Ward 132 Related bands 135 Heaven & Hell 135 Mythology 140 Discography 141 Black Sabbath discography 141 Studio albums 149 Black Sabbath 149 Paranoid 153 Master of Reality 157 Black Sabbath Vol. 4 162 Sabbath Bloody Sabbath 167 Sabotage 171 Technical Ecstasy 175 Never Say Die! 178 Heaven and Hell 181 Mob Rules 186 Born Again 190 Seventh Star 194 The Eternal Idol 197 Headless Cross 200 Tyr 203 Dehumanizer 206 Cross Purposes 210 Forbidden 212 Live Albums 214 Live Evil 214 Cross Purposes Live 218 Reunion 220 Past Lives 223 Live at Hammersmith Odeon 225 Compilations and re-releases 227 We Sold Our Soul for Rock 'n' Roll 227 The Sabbath Stones 230 Symptom of the Universe: The Original Black Sabbath 1970–1978 232 Black Box: The Complete Original Black Sabbath 235 Greatest Hits 1970–1978 237 Black Sabbath: The Dio Years 239 The Rules of Hell 243 Other related albums 245 Live at Last 245 The Sabbath Collection 247 The Ozzy Osbourne Years 249 Nativity in Black 251 Under Wheels of Confusion 254 In These Black Days 256 The Best of Black Sabbath 258 Club Sonderauflage 262 Songs 263 Black Sabbath 263 Changes 265 Children of the Grave 267 Die Young 270 Dirty Women 272 Disturbing the Priest 273 Electric Funeral 274 Evil Woman 275 Fairies Wear Boots 276 Hand of Doom 277 Heaven and Hell 278 Into the Void 280 Iron Man 282 The Mob Rules 284 N.
    [Show full text]
  • 2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
    2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson,
    [Show full text]
  • Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
    db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J.
    [Show full text]
  • GALLOWS END Nemesis Divine (Heavy Metal)
    GALLOWS END Nemesis divine (Heavy Metal) Année de sortie : 2010 Nombre de pistes : 10 Durée : 59' Support : CD Provenance : Reçu du label La classe à tous les étages ! Telles les vagues sur les rochers, les scandinaves n’arrêtent pas de nous envoyer leurs groupes de Speed Heavy Melodique (Power Metal comme on dit aujourd’hui) ! WOLF, CRYONIC TEMPLE, HAMMERFALL, CRYONIC, NOCTURNAL RITES, AXENSTAR, CELESTY pour ne citer qu’eux, ont réussi à se faire un nom et à trouver de bons labels selon les époques ! Il est vrai que le style est un peu en perte de vitesse depuis trois ou quatre ans, et que trop de groupes tuent un style, surtout si il y a du moyen en grande proportion ! Pour les suédois de GALLOWS END je peux vous assurer que vous aurez le meilleur ! Agressivité, mélodies, puissances, inspiration, production, chanteur …bref tout est réuni pour faire de Nemesis Divine un des grands albums de 2010 ! Nemesis Divine, Soul Collector et l’énorme Kingdom Of The Damned (un hit de plus à mettre sur la compilation du Heavy Mélodique) débutent l’album et vous réveillent immédiatement ! Cet album sort du lot c’est sûr ! No return et son riff à la ACCEPT calme ce début fougueux, mais reste tout aussi accrocheur ! Sur les douze titres s’il y en a au dessus du lot, je n’arrive pas à en trouver en dessous de « Très bons » ! Même le long titre épique « à la IRON MAIDEN » qui termine l’album, est excellent ! Le groupe possède plusieurs cordes à son arc ce qui est très bon signe pour la suite ! Et puis quand on voit la magnifique pochette (il s’agit en
    [Show full text]
  • 17 € Underground Power Records 2020
    You can find the Underground Power Records LIST 2 – 2020 for download or print as .pdf on the starting site: www.underground-power.de Next days we will have the copies of the mighty SNAKEPIT Book 1 -5 incl. Jag Panzer 7” (You will find them below under MAGAZINES) and also of the LEGEND 12” – Before the Fjords With all the Corona Shit and the new fantastic Underground Power Records Release “SIREN” we are nearly 24/7 on the working desk, so please be patient – we will need a few days to answer ! Brandnew Underground Power Records Vinyl releases ! ANGEL SWORD - Neon City (NEW*LIM.250 BLACK V.*HEAVY LOAD*ACCEPT) - 17 € Underground Power Records 2020 - Brandnew Vinyl Edition of this Classic Heavy Metal Masterpiece from Finnland ! Limited Edition of 250 copies in Black Vinyl + Insert ! Brandnew 2nd Album with the finest in Heavy Metal / Hard Rock from FINLAND ! Razorsharp Riffs, twin guitars, powerful, remarkable and melodic voice and fantastic songs with great hooks! Triumphant, anthemic expert songcraft with catchy as sin Riffs and infectious melodies, Lyrics to help exist in the cold, Neon City For Fans of Heavy Load, Accept, Thin Lizzy, Manilla Road, Motörhead or Freeways ANGEL SWORD - Neon City (NEW*LIM.100 GREEN V.*HEAVY LOAD*ACCEPT) - 20 € Underground Power Records 2020 - Brandnew Vinyl Edition of this Classic Heavy Metal Masterpiece from Finnland ! Limited Edition of 100 copies in Smoke Green Vinyl + Insert ! Brandnew 2nd Album with the finest in Heavy Metal / Hard Rock from FINLAND ! Razorsharp Riffs, twin guitars, powerful, remarkable
    [Show full text]
  • Weirdo Canyon Dispatch 2014
    Review: Roadburn Saturday 12th After spending Thursday fighting Doom upstarts Windhand captivated a full exhaustion and experiencing prog heaven on Main Stage audience while Papir played Friday, Day Three of Roadburn was the day some more laid-back jams in a sweltering things got seriously nuts. As fun as seeing Stage 01, but yours truly was still reeling established acts is, discovering your new from Circle's psychotic set, and it wasn't favourite band here is a huge part of the until YOB kicked into their performance experience, and this day’s lineup was jam- of the album The Great Cessation that my packed with artists from both sides. energy returned. But that'll happen when you park yourself underneath the UK band 11Paranoias started off in towering monolith of a P.A. beside the sensational fashion with a soaring hybrid of stage. YOB is extraordinary, their sound doom and space rock, sounding dreamy yet thick enough to seem tactile. crushing in a revelatory performance. On the Main Stage, Noothgrush grushed its neeth as well as you'd expect. Led by Kimi Kärki of Reverend Bizarre, the Kosmische project E- Musikgruppe Lux Ohr began tentatively, but ever-so-slowly built momentum, with magnificent improvisation atop a hypnotic synth arrangement. As intense as Indian is on record, it pales in comparison to the live experience, and it felt like the guys were about to level the Patronaat with their distinct, malevolent doom. It was shattering, and when I left early the lineup was the longest for a Patronaat show I'd ever seen.
    [Show full text]
  • KW 44 – 46 Stefan Kleist Ihre Ansprechpartner Sales Director T.: +49 40 89085 111 M.: +49 175 2930 111 E.: [email protected]
    KW 44 – 46 Stefan Kleist Ihre Ansprechpartner Sales Director T.: +49 40 89085 111 M.: +49 175 2930 111 E.: [email protected] KATALOG-MARKETING MAILORDER Sonja Osbild Oliver Kirchner Deputy Head Of Senior Label Manager Label Management Sales & Marketing E-Commerce Catalogue Marketing T +49 40 89085 198 T +49 40 89085 256 M +49 175 2930 198 M +49 175 2930 256 E [email protected] E [email protected] ELEKTROMÄRKTE UND FACHHANDEL Henning Stoltenberg Axel Bartelt Stefan Bendzko Area Sales Manager Area Sales Manager Area Sales Manager Gebiet: Nord Gebiet: Ost Gebiet: Nord / West M +49 175 2939 043 M +49 175 2939 042 M +49 175 2939 020 E [email protected] E [email protected] E [email protected] Sonja Wasmus Torsten Marx Martin Gottschalk Area Sales Manager Telesales Sales Manager Area Sales Manager Gebiet: Deutschlandweit Gebiet: Süd Gebiet: Ost T +49 40 68992 771 M +49 175 2939 022 M +49 171 3765 477 E [email protected] E [email protected] E [email protected] ÖSTERREICH L.E.H. UND BUCHHANDEL AMAZON Jimmy Haider Raimond Hoppe Jochen Ivens Key Account Manager Key Account Manager Senior Key Account Manager M +43 664 392 30 13 M +49 175 2939 041 M +49 175 2930 464 E [email protected] E [email protected] E [email protected] CUSTOMER SERVICE Marie Schliemann Director Customer Service T +49 40 89085 100 Marlis Juergens Robert Behrendt Laura von der Fecht Backoffice Manager Backoffice Manager Assistant Customer Service T +49 40 89085 100 T +49 40 89085 100 T +49 40 89085 100 E [email protected] E [email protected] E [email protected] Sonja Mihelcic VMI Manager T +49 40 89085 220 F.: +49 40 89085 9220 E [email protected] INHALT MUSIC → S.
    [Show full text]
  • Candlemass Epicus Doomicus Metallicus Mp3, Flac, Wma
    Candlemass Epicus Doomicus Metallicus mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Epicus Doomicus Metallicus Country: UK, Europe & US Released: 2016 Style: Doom Metal, Heavy Metal MP3 version RAR size: 1299 mb FLAC version RAR size: 1544 mb WMA version RAR size: 1688 mb Rating: 4.9 Votes: 268 Other Formats: DTS AU ADX AAC MPC AA XM Tracklist Hide Credits 1 Solitude 5:37 2 Demons Gate 9:13 3 Crystal Ball 5:23 4 Black Stone Wielder 7:36 5 Under The Oak 6:56 A Sorcerer's Pledge 6 8:18 Vocals – Cille Svenson Companies, etc. Manufactured By – MPO Phonographic Copyright (p) – Black Dragon Records Copyright (c) – Black Dragon Records Recorded At – Thunderload Studios Credits Bass Guitar – Leif Edling Cover [Concept], Artwork – Candlemass Drums – Matz Ekstroem* Engineer, Co-producer – Ragne "Valhalla Warrior" Wahlquist* Guitar [Solo] – Klas Bergwall Painting [Back Cover] – Eric Larnoy Performer – Christian Weberyd Photography By [Back Cover Picture] – Ulf Magnusson Producer – Candlemass Rhythm Guitar – Mats Bjoerkman* Songwriter, Lyrics By, Arranged By – Leif Edling Vocals – Johan Langquist Notes • Recorded in Thunderload Studios. Fabriqué en france par M.P.O. ℗ & © Black Dragon Records 1986 Barcode and Other Identifiers Matrix / Runout (Variant 1): BDCD 013 MPO 01 @ Matrix / Runout (Variant 2): BDCD 013 MPO 01 @ Matrix / Runout (Variant 2 Mould Ring): COMPACT DISC MPO FRANCE 04 Other (Variant 2): EV 300 Other versions Category Artist Title (Format) Label Category Country Year Leviathan Epicus Doomicus Records , LA 19882-1 Candlemass
    [Show full text]
  • Bands, Frequency, Data 9.25.12
    Band How Often Played? Year Formed City (State, County, Province…) Country 1 Nightwish 14 1996 Kitee Finland 2 Amaranthe 11 2008 Gothenburg Sweden 3 Firewind 11 1998 Thessaloniki Greece 4 Iron Maiden 11 1975 London England 5 Primal Fear 11 1997 Esslingen Baden-Württemberg Germany 6 Lullacry 10 1998 Helsinki Finland 7 Megadeth 10 1983 Los Angeles California United States 8 Charon 9 1992 Raahe Finland 9 Trivium 9 2000 Orlando Florida United States 10 Avenged Sevenfold 8 1999 Huntington Beach California United States 11 Deathstars 8 2000 Stockholm Sweden 12 Dream Evil 8 1999 Gothenburg Sweden 13 Sentenced 8 1989 Muhos/Oulu Finland 14 Skid Row 8 1986 Toms River New Jersey United States 15 The Cult 8 1983 Bradford West Yorkshire England 16 The Slot 8 2002 Moscow Russia 17 Bullet For My Valentine 7 1998 Bridgend Wales 18 Epica 7 2002 Reuver Limburg Netherlands 19 In Flames 7 1990 Gothenburg Sweden 20 Riot 7 1975 New York City New York United States 21 Staind 7 1995 Springfield Massachusetts United States 22 Bayside 6 2000 Queens New York United States 23 Entwine 6 1995 Lahti Finland 24 Eye Empire 6 2009 Florida/Georgia/Ohio United States 25 HIM 6 1991 Helsinki Finland 26 Park Lane 6 27 Racer X 6 1985 Los Angeles California United States 28 Rammstein 6 1994 Berlin Germany 29 Ratt 6 1976 San Diego California United States 30 Scattershock 6 1989 Berkeley California United States 31 Sevendust 6 1994 Atlanta Georgia United States 32 Bad Religion 5 1979 Los Angeles California United States 33 Black Veil Brides 5 2006 Cincinnati Ohio United States 34 Bloodbound 5 2004 Bollnäs Sweden 35 Close Your Eyes 5 2005 Abilene Texas United States 36 Coheed & Cambria 5 1995 Nyack New York United States 37 Dead Letter Circus 5 2004 Brisbane Queensland Australia 38 Dokken 5 1976 Los Angeles California United States 39 Danger, Ltd.
    [Show full text]