Make-Up the Characters by Andy Moseley
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CV FIU Aug 2017
Patel, Alpesh Kantilal 2-Sep-17 CURRICULUM VITAE ALPESH KANTILAL PATEL DEPARTMENT OF ART AND ART HISTORY EDUCATION PhD University of Manchester Art History and Visual Studies Apr 2009 Manchester, England BA Yale University History of Art (with distinction) Sep 1997 New Haven, Connecticut FULL-TIME ACADEMIC EXPERIENCE Florida International University Associate Professor (with tenure), Aug 2017− Miami, Florida Contemporary Art and Theory Assistant Professor, Aug 2011− Contemporary Art and Theory Jul 2017 Affiliate Faculty, Jun 2013− Center for Women’s and Gender Studies present Affiliate Faculty, Aug 2014− African and African Diaspora Program present Other academic affiliations Cranbrook Academy of Art Critical Studies Fellow Sep−Dec Bloomfield Hills, Michigan 2016 University of Fine Arts Fulbright Scholar Jun−Aug Poznań, Poland 2016 Adam Mickiewicz University Fulbright Scholar, Fall 2015 Poznań, Poland Art History Department New York University Visiting Scholar, Sep 2010− New York City Center for Gender and Sexuality May 2011 NONACADEMIC EXPERIENCE New Museum of Executive Assistant, Director’s Office Jan 2002− Contemporary Art May 2005 Clinica Estetico and Assistant to Film Producer Ed Saxon Sep 2000− Magnet Entertainment Dec 2001 Patel, Alpesh Kantilal 2-Sep-17 Whitney Museum Special Projects Coordinator, Jan−Aug of American Art Director’s Office 2000 Whitney Museum Catalog Coordinator Jun 1999− of American Art (Film/Video Section), Jan 2000 2000 Biennial Exhibition Whitney Museum Curatorial Research Assistant, Dec 1998− of American Art “The American Century: Art and Culture, May 1999 1950−2000” Exhibition/Catalog RoseLee Goldberg Research Assistant for Author’s Sep 1998− Books: Laurie Anderson (Abrams, Mar 1999 2000) and Performance Art: Live (part-time Art since 1960 (Abrams, 1998) from Jan) Jack Tilton Gallery Codirector Jun-Aug 1998 From Sep 1997 to Sep 1998: Winter 1998 (part-time): Photography Traffic Coordinator, Photonica Winter 1998 (part-time): Curatorial Intern, Solomon R. -
The Factory, Manchester
THE FACTORY, MANCHESTER The Factory is where the art of the future will be made. Designed by leading international architectural practice OMA, The Factory will combine digital capability, hyper-flexibility and wide open space, encouraging artists to collaborate in new ways, and imagine the previously unimagined. It will be a new kind of large-scale venue that combines the extraordinary creative vision of Manchester International Festival (MIF) with the partnerships, production capacity and technical sophistication to present innovative contemporary work year-round as a genuine cultural counterweight to London. It is scheduled to open in the second half of 2019. The Factory will be a building capable of making and presenting the widest range of art forms and culture plus a rich variety of technologies: film, TV, media, VR, live relays, and the connections between all of these – all under one roof. With a total floor space in excess of 15,000 square meters, high-spec tech throughout, and very flexible seating options, The Factory will be a space large enough and adaptable enough to allow more than one new work of significant scale to be shown and/or created at the same time, accommodating combined audiences of up to 7000. It will be able to operate as an 1800 seat theatre space as well as a 5,000 capacity warehouse for immersive, flexible use - with the option for these elements to be used together, or separately, with advanced acoustic separation. It will be a laboratory as much as a showcase, a training ground as well as a destination. Artists and companies from across the globe, as well as from Manchester, will see it as the place where they can explore and realise dream projects that might never come to fruition elsewhere. -
CV—Alpesh K. Patel/ Page 1 of 6
ALPESH KANTILAL PATEL CURRICULUM VITAE EDUCATION UNIVERSITY OF MANCHESTER, Manchester, England PhD in ART HISTORY AND VISUAL STUDIES, April 2009 Dissertation: “Queer Desi Visual Culture across the Brown Atlantic (US/UK)” MPHIL in DRAMA/SCREEN STUDIES (upgraded to PHD in 2006) YALE UNIVERSITY, New Haven, Connecticut BA in HISTORY OF ART with distinction in major, September 1997 ACADEMIC POSITIONS FLORIDA INTERNATIONAL UNIVERSITY, Miami, FL Assistant Professor of Contemporary Art and Theory, August 2011-present Director, Master in Fine Arts in Visual Arts, July 2012-present NEW YORK UNIVERSITY, New York, NY, Fall 2010-Spring 2011 Visiting Scholar, Center for Study of Gender and Sexuality FELLOWSHIPS, SCHOLARSHIPS, BURSARIES, STUDENTSHIPS, GRANTS, AND OTHER HONORS NATIONAL ENDOWMENT OF ARTS SUMMER INSTITUTE: Re-envisioning American Art History: Asian American Art, Research, and Teaching at Asian/Pacific/American Institute at New York University, July 2012 CITY OF MIAMI BEACH CULTURAL ARTS COUNCIL, Junior Anchor Grant to develop year-round programming for Miami Beach Urban Studios (MBUS), October 2012. $30,000 with matching grant FLORIDA INTERNATIONAL UNIVERSITY, Office of Engaged Creativity Grant, 2011-12 COLLEGE ART ASSOCIATION (CAA), Professional Development Fellowship, finalist, 2008 HIGHER EDUCATION FUNDING COUNCIL FOR ENGLAND (HEFCE), Overseas Research Studentship, 2006-8 UNIVERSITY OF MANCHESTER SCHOOL OF ARTS, HISTORIES AND CULTURES Skills Awareness for Graduate Education (SAGE) grant, to fund organization of postgraduate conference, -
Leading Artists Commissioned for Manchester International Festival
Press Release LEADING ARTISTS COMMISSIONED FOR MANCHESTER INTERNATIONAL FESTIVAL High-res images are available to download via: https://press.mif.co.uk/ New commissions by Forensic Architecture, Laure Prouvost, Deborah Warner, Hans Ulrich Obrist with Lemn Sissay, Ibrahim Mahama, Kemang Wa Lehulere, Rashid Rana, Cephas Williams, Marta Minujín and Christine Sun Kim were announced today as part of the programme for Manchester International Festival 2021. MIF21 returns from 1-18 July with a programme of original new work by artists from all over the world. Events will take place safely in indoor and outdoor locations across Greater Manchester, including the first ever work on the construction site of The Factory, the world-class arts space that will be MIF’s future home. A rich online offer will provide a window into the Festival wherever audiences are, including livestreams and work created especially for the digital realm. Highlights of the programme include: a major exhibition to mark the 10th anniversary of Forensic Architecture; a new collaboration between Hans Ulrich Obrist and Lemn Sissay exploring the poet as artist and the artist as poet; Cephas Williams’ Portrait of Black Britain; Deborah Warner’s sound and light installation Arcadia allows the first access to The Factory site; and a new commission by Laure Prouvost for the redeveloped Manchester Jewish Museum site. Manchester International Festival Artistic Director & Chief Executive, John McGrath says: “MIF has always been a Festival like no other – with almost all the work being created especially for us in the months and years leading up to each Festival edition. But who would have guessed two years ago what a changed world the artists making work for our 2021 Festival would be working in?” “I am delighted to be revealing the projects that we will be presenting from 1-18 July this year – a truly international programme of work made in the heat of the past year and a vibrant response to our times. -
Valuing Older People (VOP) – Culture Champions Scheme Evaluation
Valuing Older People (VOP) – Culture Champions Scheme Evaluation 1. Introduction The Audience Agency was asked by the Valuing Older People (VOP) team to undertake the evaluation of the VOP Culture Champions scheme. This report illustrates the results from the evaluation. It introduces the scheme and the context within which it was developed. It reviews the role of the Culture Champions and their networks. It then moves onto a review of the events that have been organised as part of the scheme and the impact these have had on the success of the scheme itself. This evaluation will then review the scheme’s impact in terms of: • Encouraging older people in Manchester to engage with culture • Developing suitable provision at the cultural organisations involved in the scheme • Offering personal development opportunities for the Culture Champions Finally, the evaluation reviews improvements and development for the scheme suggested by the Culture Champions themselves. 1.1 Methodology We used three key methodologies to collect perspectives from stakeholders and participants in the project. • Surveys. We sent each Culture Champion a paper survey to fill in at home. With each paper survey we included a pre-stamped envelope for them to return the surveys free of cost. We sent all key contacts at participating cultural organisations a brief survey by email. At each Cultural Tour we asked all Culture Champions to fill in a survey at the end of the tour. • 1-2-1 interviews We conducted 1-2-1 interviews over the phone with a random sample of Culture Champions. • Focus group The VOPCO working group commissioned Big Art People to deliver a focus group with Culture Champions. -
Vita Student at First Street Manchester Aspect Pack
Vita Student at First Street Manchester Aspect Pack To Be Used In Conjunction With The Brochure & Floorplans Introduction ‘Vita at First Street occupies a prime position within a £500m master-planned regeneration project in the heart of Manchester city centre’ The aim of this document is to give greater understanding of the location immediately surrounding a specific development. It includes various photographs taken of and around the plot and shows features that are important to potential investors and a greater level of detail that can’t be gained from a map alone. Each slide has a photo and a map which shows specifically what is being illustrated by identifying the plot and the direction of the photo. Map Key The plot for Vita at First Street The beginning of the green arrow on each map shows the point at which the photo was taken and the arrow head shows the direction in which it was taken . First Street Aerial View First Street North Plot Map Plot 1 – 4* Hotel (208 Rooms) Plot 2 – Cultural building – theatres, gallery, Plot 1A – Retail, food & beverage cinema (Cornerhouse & Library Plot 3 – Multi-storey car park Theatre Company) Plot 3A – Retail, food & beverage First Street North 3D Modelling VITA Plot 1 – 4* Hotel (208 Rooms) Plot 2 – Cultural building – theatres, gallery, Plot 1A – Retail, food & beverage cinema (Cornerhouse & Library Plot 3 – Multi-storey car park Theatre Company) Plot 3A – Retail, food & beverage First Street North 3D Modelling No1 FIRST STREET PLOT 1 VITA PLOT 2 PLOT 3 VITA Plot 1 – 4* Hotel (208 Rooms) Plot 2 – Cultural building – theatres, gallery, Plot 1A – Retail, food & beverage cinema (Cornerhouse & Library Plot 3 – Multi-storey car park Theatre Company) Plot 3A – Retail, food & beverage Main Entrance to Vita at First Street Photo showing the Vita at First Street plot taken from the same aspect as the main render used in the brochure. -
Cornerhouse Manchester
Audience Research: Cornerhouse Manchester Published by All About Audiences A summary of the findings of seven pieces of audience research: Cornerhouse Audience Profiling Report Cornerhouse Economic Impact Summary In-Depth Interviews with Audience Members Market Assessment Online Survey of Cornerhouse Website Users On-Site Survey with Visitors to Cornerhouse Manchester Single Spies Mystery Shopping Research The research and recommendations were used to inform Cornerhouse’s marketing and communications strategy. The Audience Agency is a not-for-profit organisation created out of the merger between All About Audiences, formerly Arts About Manchester, and Audiences London Plus in 2012. © The Audience Agency 2013 Cornerhouse Audience Research Executive Summary August 2010 Introduction This Executive Summary is based on the findings of seven individual research reports produced by All About Audiences for Cornerhouse in March 2010: Cornerhouse Audience Profiling Report Cornerhouse Economic Impact Summary In-Depth Interviews with Audience Members Market Assessment Online Survey of Cornerhouse Website Users On-Site Survey with Visitors to Cornerhouse Manchester Single Spies Mystery Shopping Research The research will be used to inform Cornerhouse’s marketing and communications strategy going forward. A similar research exercise was carried out in 2005 which has been used as a baseline for understanding how the venue’s audience has changed over time. Each report has its own executive summary. This report does not repeat these but seeks to draw out the main findings overall and to make recommendations for action, based on the research. Key Findings The overall messages from the research are very positive. Cornerhouse has a strong, distinctive brand and image that is easily recognisable. -
Plus Tate: Connecting Art to People and Places Plus Tate: Connectingtable of Contents Art to People and Places Contents
PLUS TATE: CONNECTING ART TO PEOPLE AND PLACES PLUS TATE: CONNECTINGTABLE OF CONTENTS ART TO PEOPLE AND PLACES CONTENTS TABLE5 INTRODUCTION OF CONTENTS 10 PLUS TATE ACROSS THE UK 12 ARNOLFINI 16 BALTIC CENTRE FOR CONTEMPORARY ART 20 CORNERHOUSE / HOME Front cover: Kenneth Martin Chance and Order VI (detail) screenprint on paper 1976 Tate 24 FIRSTSITE © The estate of Kenneth Martin 28 GLYNN VIVIAN ART GALLERY First published in 2015 by order of the Tate Trustees by 32 GRIZEDALE ARTS Tate Publishing, a division of Tate Enterprises Ltd, Millbank, SW1P 4RG www.tate.org.uk/publishing 36 THE HEPWORTH WAKEFIELD © Tate 2015 40 IKON 44 KETTLE’S YARD All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical or other means, now known or hereafter invented, 48 MIMA including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers or a licence from the Copyright Licensing 52 MOSTYN Agency Ltd, www.cla.co.uk 56 NEWLYN ART GALLERY & THE EXCHANGE Designed by Tate Design Studio 2015 60 NOTTINGHAM CONTEMPORARY Partner profiles written by Becky Schutt Coordinated by Amanda King 64 THE PIER ARTS CENTRE Printed by Westerham Press Ltd, UK 68 TATE Printed on paper certified by the Forest Stewardship Council 74 TOWNER ACKNOWLEDGEMENTS 78 TURNER CONTEMPORARY In making this publication, Tate is grateful to the many contributors from 82 WHITWORTH ART GALLERY the Plus Tate network for their readiness to participate and share -
18 Extraordinary Days of World Premieres and Special Events
1 page 48 Get involved 18 EXTRAORDINARY Take part in a show / Develop your talent / Join our creative community page 48 DAYS OF WORLD page 48 Become an MIF Member Priority booking / Festival Square PREMIERES AND Free gift / Special offers / The home of MIF Discounts in Festival Square / Exclusive invites SPECIAL EVENTS page 56 Interdependence Talks & discussions page 8 page 16 page 43 page 21 page 46 Experience online Access MIF19 opening event Live streams / Immersive Access performances / (AR/VR) / Podcasts / Venue access / Join Films / Long reads our access mailing list mif.co.uk/viewpoints page 54 #MIF19 Essentials mcrintfestival Book tickets / Plan your visit / Venue page 4 mifestival directory / Complete mifestival Festival calendar page 32 page 40 Book tickets at mif.co.uk manchesterintfest page 50 YOKO ONO WORLD PREMIERE Yoko Ono invites the people of Manchester to Cathedral Gardens gather together in Cathedral Gardens and send Thur 4 July, 6pm a message of peace to the world. Join thousands of diverse voices and a people’s orchestra of bells Admission free from home and abroad as the city rings and sings out for peace – and welcomes the world to Manchester. Watch live online mif.co.uk/live Yoko Ono has been among the world’s most #BELLSFORPEACE renowned and respected artists for more than 50 years. This new commission is the first major Get involved work she has created for the city of Manchester. Visit mif.co.uk/ getinvolved or email [email protected] Commissioned and produced by Manchester International Festival. Supported by Paul Hamlyn Foundation as part of My Festival. -
NEW ISLINGTON WHARF, ANCOATS, MANCHESTER Greater Manchester
NEW ISLINGTON WHARF, ANCOATS, MANCHESTER Greater Manchester Archaeological Investigation Oxford Archaeology North November 2005 CgMs Issue No: 2005-06/455 OA North Job No: L9605 NGR: SJ 8530 9825 Document Title: NEW ISLINGTON WHARF, ANCOATS, MANCHESTER Document Type: Archaeological Investigation Client Name: CgMs Issue Number: 2005-06/455 OA Job Number: L9605 National Grid Reference: SJ 8530 9825 Prepared by: Sean McPhillips Position: Project Officer Date: November 2005 Checked by: Ian Miller Signed……………………. Position: Senior Project Manager Date: November 2005 Approved by: Alan Lupton Signed……………………. Position: Operations Manager Date: November 2005 Document File Location Wilm/Projects/L9605/Moore’s Mill/Report Oxford Archaeology North © Oxford Archaeological Unit Ltd 2005 Storey Institute Janus House Meeting House Lane Osney Mead Lancaster Oxford LA1 1TF OX2 0EA t: (0044) 01524 848666 t: (0044) 01865 263800 f: (0044) 01524 848606 f: (0044) 01865 793496 w: www.oxfordarch.co.uk e: [email protected] Oxford Archaeological Unit Limited is a Registered Charity No: 285627 Disclaimer: This document has been prepared for the titled project or named part thereof and should not be relied upon or used for any other project without an independent check being carried out as to its suitability and prior written authority of Oxford Archaeology being obtained. Oxford Archaeology accepts no responsibility or liability for the consequences of this document being used for a purpose other than the purposes for which it was commissioned. Any person/party using or relying on the document for such other purposes agrees, and will by such use or reliance be taken to confirm their agreement to indemnify Oxford Archaeology for all loss or damage resulting therefrom. -
Key Title Information Cézanne at the Whitworth
Key title information Cézanne at the Whitworth £25.00 Product Details Accompanies the exhibition, Cézanne at the Whitworth at the Artist(s) Paul Cézanne Whitworth Art Gallery, Manchester (24 August 2019 – 1 March 2020), Author(s) Elizabeth Cowling, Yuval Etgar, Rosalind McKever, Karsten which marks Karsten Schubert’s bequest. Schubert, Richard Shone, Richard Thomson, Colin Wiggins, Edward This exhibition celebrates an extraordinary collection of drawings and Wouk prints by Paul Cézanne (1839–1906) that has been gifted and placed Publisher Ridinghouse on long-term loan to the Whitworth by gallerist, collector, author and ISBN 9781909932562 founder of Ridinghouse, Karsten Schubert. Format hardback This important act of generosity means that the Whitworth now holds Pages 78 the best collection of Cézanne works on paper in the United Kingdom, Illustrations 45 colour including a version of every print produced by the artist. Dimensions 270mm x 225mm Weight 820 These works will significantly expand the research potential of the Whitworth’s important collection of late nineteenth-century French and Dutch drawings by artists including Van Gogh, Seurat, Gauguin and Publication Date: Jan 2020 Pissarro – whose portrait of Cézanne is included in this publication. The exhibition will be the first in the UK since 1973 to focus exclusively on Cézanne’s drawings and prints, and also draws together other artistic copies: Raimondi’s copy of Raphael’s Judgement of Paris and, bringing us to the present day, Michael Landy’s Cézanne Bathers. With a lead essay by renowned Impressionist scholar Richard Thomson on the significance of the bequest to the Whitworth’s collection of nineteenth-century drawings, a biographical essay on Schubert by Richard Shone, an interview of Karsten Schubert by Yuval Etgar on the bequest, and an essay by Christopher Lloyd on how these works relate to Cézanne’s output as a draughtsman. -
Understanding the Potential Impact of the Factory on Public Engagement
Understanding the potential impact of The Factory on public engagement Leo Sharrock, Head of Data Strategy Roger Tomlinson, Consultant (independent) Anne Torreggiani, Chief Executive © The Audience Agency 1 Contents A. Summary ............................................................................................. 4 Opportunities ......................................................................................... 4 Risks .................................................................................................... 5 Conclusions ............................................................................................ 5 B. Introduction .......................................................................................... 8 Context ................................................................................................ 8 The Vision ............................................................................................. 8 Scope of this analysis ................................................................................ 9 Predicting impact ................................................................................... 10 Without precedent .................................................................................. 10 Framing the Challenge .............................................................................. 11 C. Opportunities ...................................................................................... 12 1. The Factory, with MIF modelled programme, will attract different