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2017 Magdalen College Record
Magdalen College Record Magdalen College Record 2017 2017 Conference Facilities at Magdalen¢ We are delighted that many members come back to Magdalen for their wedding (exclusive to members), celebration dinner or to hold a conference. We play host to associations and organizations as well as commercial conferences, whilst also accommodating summer schools. The Grove Auditorium seats 160 and has full (HD) projection fa- cilities, and events are supported by our audio-visual technician. We also cater for a similar number in Hall for meals and special banquets. The New Room is available throughout the year for private dining for The cover photograph a minimum of 20, and maximum of 44. was taken by Marcin Sliwa Catherine Hughes or Penny Johnson would be pleased to discuss your requirements, available dates and charges. Please contact the Conference and Accommodation Office at [email protected] Further information is also available at www.magd.ox.ac.uk/conferences For general enquiries on Alumni Events, please contact the Devel- opment Office at [email protected] Magdalen College Record 2017 he Magdalen College Record is published annually, and is circu- Tlated to all members of the College, past and present. If your contact details have changed, please let us know either by writ- ing to the Development Office, Magdalen College, Oxford, OX1 4AU, or by emailing [email protected] General correspondence concerning the Record should be sent to the Editor, Magdalen College Record, Magdalen College, Ox- ford, OX1 4AU, or, preferably, by email to [email protected]. -
CS Lewis, Colin Hardie, Charles Williams, and JRR Tolkien's
Volume 38 Number 2 Article 11 5-15-2020 Inklings and Danteans Alike: C.S. Lewis, Colin Hardie, Charles Williams, and J.R.R. Tolkien’s Participation in the Oxford Dante Society Jim Stockton Boise State University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Stockton, Jim (2020) "Inklings and Danteans Alike: C.S. Lewis, Colin Hardie, Charles Williams, and J.R.R. Tolkien’s Participation in the Oxford Dante Society," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 38 : No. 2 , Article 11. Available at: https://dc.swosu.edu/mythlore/vol38/iss2/11 This Notes and Letters is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract This note pulls together information about the Oxford Dante Society and compiles a useful timetable of the participation of three Inklings in its activities. -
From Virgins to Whores, Actresses and Portraits 1660-1737
ABSTRACT Title: ‘I Should go near to say he lies with her, yet She’s a Maid.’ From Virgins to Whores, Actresses and Portraits 1660-1737 Heidi L Castle-Smith, Ph.D., 2008 Directed By: Dr. Heather Nathans, Department of Theatre During the early part of the eighteenth century, a number of single, wealthy independent actresses emerged who seemed to fascinate the public and who appeared to deliberately use and cultivate that fascination to foster their careers, be they risqué or virtuous. Theatre historians have numerous contemporary accounts and scholarly speculations about the meaning of women’s bodies in the public marketplace of the theatre such as Samuel Pepys’s diaries, as well as the theatrical prologues and epilogues of the Restoration, which describe the fluid boundaries between on- and off-stage worlds, in the pursuit and conquest of female virtue, with portraits “painting” an ideal picture of the women. This dissertation uses another tool to understand their visual impact on the social marketplace and their own ability to manipulate their images through the study of their representation in portraiture. While live performance is fluid and thus difficult to analyze in any concrete way, portraiture offers a fixed point of reference. Unlike a written text, portraiture also captures the embodied qualities of the performer for the spectator. An exploration of these women’s portraits – portraits often presenting the actresses in characters they performed onstage – may provide clues to the created identity these actresses were presenting to the public. By shifting focus from the dramas to portraiture and painting where actresses play ‘star’ roles I hope to expand the discourse of Restoration theatre beyond the parameters of strictly literary terms, and to help illuminate and understand the visual presence of actresses and women during the Restoration period from 1660-1737. -
CS Lewis, Colin Hardie, Charles Williams, and JRR
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SWOSU Digital Commons (Southwestern Oklahoma State University) Volume 38 Number 2 Article 11 5-15-2020 Inklings and Danteans Alike: C.S. Lewis, Colin Hardie, Charles Williams, and J.R.R. Tolkien’s Participation in the Oxford Dante Society Jim Stockton Boise State University Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Stockton, Jim (2020) "Inklings and Danteans Alike: C.S. Lewis, Colin Hardie, Charles Williams, and J.R.R. Tolkien’s Participation in the Oxford Dante Society," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 38 : No. 2 , Article 11. Available at: https://dc.swosu.edu/mythlore/vol38/iss2/11 This Notes and Letters is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract This note pulls together information about the Oxford Dante Society and compiles a useful timetable of the participation of three Inklings in its activities. -
Vox Populi: Vernacular Politics in Early Modern Italy”, Advised by Walter Stephens and Eugenio Refini
VOX POPULI: VERNACULAR POLITICS IN EARLY MODERN ITALY by Catherine Alison Freddo A dissertation submitted to Johns Hopkins University in conformity with the requirements for the degree of Doctor of Philosophy Baltimore, Maryland December 2020 © 2020 Catherine Freddo All Rights Reserved Abstract This dissertation examines the rise of vernacular literary culture in Italy from the late thirteenth century to the early sixteenth century in light of concurrent political developments and reactions on the Italian peninsula. While the humanist shift from classical Latin to the use of the vernacular is often examined as a literary phenomenon, the timeline and trajectory of vernacular production evidence profound, if subtle, influences from the civic mentality of the intellectual community, particularly in Florence. This study is predominantly a work of cultural history which, in an effort to correct an oversight in the dominant historiography of civic humanism, considers the seminal function of the humanists' engagement with the vernacular. The time period studied extends from the comuni of the thirteenth and fourteenth centuries to the loss of political autonomy on the peninsula following the Italian Wars in the early fifteenth century. In broadening the conventional material and chronological parameters of the “Renaissance” and, more specifically, the questione della lingua, I construct a nuanced narrative of the innovations in civic and vernacular humanist thought which led to the ascent and formal codification of the Italian literary language