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Faculty of Music Directory
Faculty of Music Calendar Contents Dean’s Welcome Statement 2 Schedule of Dates 3 Faculty of Music Staff Listing 4 Undergraduate Admission Information 9 Programs of Study 11 Degree Programs Diploma Programs Degree Course Requirements 13 Bachelor of Music in Education Bachelor of Music in History, Culture & Theory Bachelor of Music in Composition Bachelor of Music in Comprehensive Studies Bachelor of Music in Performance Artist Diploma Program Requirements 26 ACP Program Requirements 30 Undergraduate Course Offerings 31 Advanced Certificate in Performance Course Offerings 47 Opera Division 49 Financial Assistance 52 Bursaries and Scholarships Student Services & Resources 64 Counselling, Advice and Help Rules and Regulations 67 Important Notices Course Enrolment & Canceling Registration Course Marks Final Examinations Academic Standing & Grading Regulations Fees 74 University Policies 76 Appendix: Program Charts for students admitted prior 77 to the 2017-18 academic year 1 From the Dean Welcome to UofT Music 2019–2020. The 2018–2019 season marked the 100th anniversary of Music as a Faculty in the University of Toronto. An innovative ensemble of performers, composers, scholars, and educators, UofT’s Faculty of Music has long been a Canadian leader. We are excited to have you join as we step forward together into our second century. The Faculty has just passed the midpoint in the implementation of its Strategic Academic Plan 2016–2021, which can be found on the Faculty website. The Plan articulates our Mission of commitment “to being an internationally significant institution for artistic and academic excellence in music creation, performance, education, and research.” At UofT Music, “we affirm the transculturally transformative power of music in human experience and the capacity of the arts to build healthier societies. -
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: a QUESTION of NATIONALISM a Thesis Submitted in Partial Satis
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE CANADIAN MUSIC SINCE 1940: A QUESTION OF NATIONALISM A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Music by Ronald Frederick Erin August, 1983 J:lhe Thesis of Ronald Frederick Erin is approved: California StD. te Universi tJr, Northridge ii PREFACE This thesis represents a survey of Canadian music since 1940 within the conceptual framework of 'nationalism'. By this selec- tive approach, it does not represent a conclusive view of Canadian music nor does this paper wish to ascribe national priorities more importance than is due. However, Canada has a unique relationship to the question of nationalism. All the arts, including music, have shared in the convolutions of national identity. The rela- tionship between music and nationalism takes on great significance in a country that has claimed cultural independence only in the last 40 years. Therefore, witnessed by Canadian critical res- ponse, the question of national identity in music has become an important factor. \ In utilizing a national focus, I have attempted to give a progressive, accumulative direction to the six chapters covered in this discussion. At the same time, I have attempted to make each chapter self-contained, in order to increase the paper's effective- ness as a reference tool. If the reader wishes to refer back to information on the CBC's CRI-SM record label or the Canadian League of Composers, this informati6n will be found in Chapter IV. Simi- larly, work employing Indian texts will be found in Chapter V. Therefore, a certain amount of redundancy is unavoidable when interconnecting various components. -
John Beckwith Fonds CA OTUFM 10
University of Toronto Music Library John Beckwith fonds CA OTUFM 10 © University of Toronto Music Library 2020 Contents John Beckwith ................................................................................................................................................. 3 John Beckwith fonds .................................................................................................................................... 4 Series A : Compositions ...................................................................................................................... 4 Series B: Librettos, texts, performance records ........................................................................ 26 Series C: Other activities ................................................................................................................... 35 Series D: Other correspondence.................................................................................................... 39 Series E: Biographical ......................................................................................................................... 41 Series F: Recordings ........................................................................................................................... 43 John Beckwith fonds University of Toronto Music Library CA OTUFM 10 John Beckwith 1927- John Beckwith (born March 9, 1927 in Victoria, British Columbia) is a composer, pianist, author, and teacher. He moved to Toronto in 1945 to study piano with Alberto Guerrero at the Royal Conservatory. -
The Piano Music of Jean Coulthard: an Historical Perspective
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction Is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note wiU indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zed) Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 The Piano Music of Jean Couithard By Glenn David Colton B.Mus., Memorial University of Newfoundland, 1990 M.A. (Music Criticism), McMaster University, 1992 A dissertation submitted in partial fulfilment of the requirements for the degree of DOCTOR OF PHILOSOPHY (Musicology) in the Department of Music We accept this dissertation as conforming to the required standard fl$r. -
Something to Sing About: a Preliminary List of Canadian Staged Dramatic Music Since 1867"
Article "Something to Sing About: A Preliminary List of Canadian Staged Dramatic Music Since 1867" Mary I. Ingraham Intersections: Canadian Journal of Music / Intersections : revue canadienne de musique, vol. 28, n° 1, 2007, p. 14-77. Pour citer cet article, utiliser l'information suivante : URI: http://id.erudit.org/iderudit/019291ar DOI: 10.7202/019291ar Note : les règles d'écriture des références bibliographiques peuvent varier selon les différents domaines du savoir. Ce document est protégé par la loi sur le droit d'auteur. L'utilisation des services d'Érudit (y compris la reproduction) est assujettie à sa politique d'utilisation que vous pouvez consulter à l'URI https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal, l'Université Laval et l'Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. Érudit offre des services d'édition numérique de documents scientifiques depuis 1998. Pour communiquer avec les responsables d'Érudit : [email protected] Document téléchargé le 10 février 2017 08:38 Something to Sing About: A Preliminary List of Canadian Staged Dramatic Music Since 1867 Mary I . Ingraham National literatures are not passive reflections of naturally occurring phenomena, but integral components in the process of national development, consciously constructed pieces of the national culture, and creators of the world in which we live. The canon is chosen, not born. Sarah Corse It is the consumer, not the producer, who benefits by culture, the consumer who becomes humanized and liberally educated. -
Godfrey Ridout Fonds (Mus 54)
GODFREY RIDOUT FONDS (MUS 54) Accession 1987 16 acetate recordings of music by Godfrey Ridout Accession 1989 Inclusive dates : 1927-1972 Dimension: 38 cm of textual records Description: Box 1 (20 cm): Scrapbook (1972); hotel bills; concert programmes; newspaper clippings; brochures Box 2 (6 cm): Scrapbook (1962-1966); scrapbook (1964); scrapbook (1967) Box 3 (6 cm): Scrapbook (1927-1947); scrapbook (1951-1953); include photos Box 4 (6 cm): Scrapbook (1944-1947); scrapbook (1958-1961) GODFREY AND FREDA RIDOUT FONDS (MUS 54) Preliminary Processing Report Date of Accession: July 8, 1998 Inclusive Dates: 1927-1998 Description: Godfrey Ridout: awards; writings including programme notes for the Toronto Symphony’s concerts and articles in periodicals and newspapers; concert programmes; manuscripts of compositions and arrangements (Esther, Interlude for Organ, The Lost Child, Prelude in F, The Saint, Two Songs for Soprano and Oboe, etc.); annotated conductors’ scores; recordings of works (Kids’ Stuff, Tafelmusik, Jubilee, Pange lingua, No Mean City, etc.). Freda Ridout: correspondence, advertisement flyers; concert programmes; scrapbooks containing correspondence, concert programmes, newspaper clippings and a poster; scripts for CBC; agreement and other documents concerning her husband’s career; photographs of Godfrey and Freda Ridout and their family, of friends, and of various musical events; autographed and inscribed photographs of musicians such as Frances Adaskin, Sir Ernest MacMillan, Kathleen Parlow and Jean Létourneau. Restrictions: None Duplicates Removed: 2 cm Documents Transferred: printed books and scores; concert programmes; periodicals. Dimension: 60 cm of textual records. 12 audio tape cassettes. 76 audio tape reels. 133 photographs. 1 watercolor. Boxing: October 13-27, 1998; 76 folders; 8 boxes (upright, flat - small, flat - medium); cabinet. -
CV Academic Update June 2019
CHRIS PAUL HARMAN Department of Music Research, Schulich School of Music, McGill University 555 Sherbrooke Street West, Montreal, QC, H3A 1E3 CANADA Phone (office): (514) 398-5540 [email protected] EDUCATION University of Birmingham (UK) Ph.D. Composition, 2012 Portfolio of compositions and dissertation: “Studies in Instrumentation and Orchestration and in the Recontextualization of Diatonic Pitch Materials.” Advisor: Vic Hoyland. PROFESSION Associate Professor of Composition, Schulich School of Music, McGill University (2014-present) Assistant Professor of Composition, Schulich School of Music, McGill University (2005-2014) Autonomous Composer (1990-2005) RESEARCH Awards: 2017 Fellowship: Civitella Ranieri Foundation, Umbertide, Italy. 2007 Jules Léger Prize for New Chamber Music, Canada, for Postludio a rovescio. 2002 Prix de Composition Musicale de la Fondation Prince Pierre de Monaco shortlist, for Amerika. 2001 Jules Légér Prize for new chamber music, for Amerika. Honorary Mention, Gaudeamus International Music Week, Amsterdam, for Uta. 1999 Juno Award nomination, CARAS (Canadian Academy of Recording Arts and Sciences), Best Classical Composition, for Sonata for Viola and Piano. 1995 Juno Award nomination, Best Classical Composition, for Iridescence. 1994 Recommended Work, General Category, International Rostrum of Composers, Paris, for Concerto for Oboe and Strings. 1991 Selected Work, under-30 Category, International Rostrum of Composers, for Iridescence. 1990 Grand Prize, CBC Radio National Competition for Young Composers, for Iridescence. 1986 Finalist, CBC Radio National Competition for Young Composers, for Overture for String Orchestra. Works (selected): 2019 New work (two cellos) ca. 10 min. Partita No. 2 for Solo Violin - 10 min. 2018 White Lines (violin and piano) 14 min. ...with silver bells and cockle shells.. -
The Music of Walter Buczynski with Pianist Younggun Kim
Thursdays at Noon: The Music of Walter Buczynski with pianist Younggun Kim Thursday, October 11, 2018 at 12:10 pm Walter Hall, 80 Queen’s Park PROGRAM Sonata No. 30 Sonata No. 27 Sonata No. 18 In his 80th year, Walter Buczynski started his new sonata project - so far completing 35. On Sunday, April 28, 2019, at 2:30 pm, please join us for Celebrating Walter Buczynski, a concert featuring these latest piano sonatas performed by Ilya Poletaev, Gregory Oh, Younggun Kim, Matthew Li, Vadim Serebryany and Walter Buczynski. Follow @UofTMusic The Faculty of Music is a partner of the Bloor St. Culture Corridor Visit www.music.utoronto.ca bloorstculturecorridor.com We wish to acknowledge this land on which the University of Toronto operates. For thousands of years it has been the traditional land of the Huron-Wendat, the Seneca, and most recently, the Mississaugas of the Credit River. Today, this meeting place is still the home to many Indigenous people from across Turtle Island and we are grateful to have the opportunity to work on this land. Biographies Photo: bohuang.ca Walter Buczynski, composer and pianist, is one of Younggun Kim is a pianist known for his blazing Canada’s most esteemed musicians. Born in Toronto technical capacity and a lush sound supported by a in 1933, he studied theory at the Royal Conservatory natural phrasing sense (Timothy Gilligan, New York of Music in Toronto with Godfrey Ridout, and piano Concert Review), who has performed across North with Earl Moss and with the renowned Rosina Lhevinne America and Europe. -
Orchestral Music of the Canadian Centennial
! ! ORCHESTRAL MUSIC OF THE! CANADIAN CENTENNIAL ! ! ! ! ! ! Isaac !Page ! ! ! ! ! ! ! ! Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF! MUSIC May 2020 ! Committee: Emily Freeman Brown, Advisor Per Broman ! !ii ! ABSTRACT ! Emily Freeman Brown, Advisor ! In 1967, Canada celebrated its centennial anniversary of confederation. Celebrations were marked with many significant events in the decade leading up to the centennial, notably the adoption of a new Canadian flag, the construction of many cultural landmarks across the country, and Expo 67 in Montreal. In addition to these major cultural celebrations, there was a noticeable push to create and promote Canadian art. Approximately 130 compositions were written for the centennial year, with many commissions coming from Centennial Commission grants as well as the Canadian Broadcasting Corporation (CBC). Of those works, 51 were orchestral compositions that were intended to be performed by orchestras across the country. These works form an important collection that is ripe for study into compositional trends of the time. I believe that composers, writing for such a significant cultural event in Canada, attempted, consciously or not, to codify a Canadian musical identity. I will look into whether shared compositional traits could be considered signifiers of a general Canadian style by looking at previous scholarship on Canadian identity and how it can relate to music. Specific works will be analyzed by Applebaum, Eckhardt-Gramatté, Freedman, Glick, Hétu, Morel, Surdin, and Weinzweig. !iii ! ACKNOWLEDGMENTS ! Thank you to my parents, Carolyn Ricketts and Steven Page. I am very aware that I would likely not be where I am, and able to write a document like this, if both of my parents had not been musicians and had not continued to encourage me through my education. -
The Orchestral Music of Jean Coulthard
THE ORCHESTRAL MUSIC OF JEAN COULTHARD: A CRITICAL ASSESSMENT by David Gordon Duke B.Mus,, University of British Columbia, 1971 M.A., University of North Carolina, 1973 A Dissertation Submitted in Partial Fulfilment of the A C C E P T B I) Requirements for the Degree of h ACJULl’Y O F G U A O IlA t E S I U D l£ $ d o c t o r o f P h ilo s o p h y in the School of Music We accept this dissertation as conforming /Vi , 7, to the required standard V -rr4- . « f "T" " — ------------------ Dr, Gordaiu Lazarevich, Supervisor (School of Music) Outside Member (Department of English) Dr. Harald Krebs, Departmental Member (School of Music) Dr, Erich Schwandt, Departmental Member (School of Music) Dr, Elizabeth Tumasonis, Ctujlside Member (Department of History of Art) Colin Miles, External Examiner (Director, B.C. Region, Canadian Music Centre) © DAVID GORDON DUKE, 1993 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photocopying or other means, without the permission of the author. ‘)t oi (.on) (hard. 4 0 1 t i l l UrtJcvu< Stl-w t, lViv;t l a n o o o v r r , HrUir.h < oiumbia. A p r il 2a, I'si V. itoin U May Courerht s ii.v prrminutni to Davit! o*r«.hm imla* tr> makr r.uch quotaUnm; arid reformer: i l« m,v pabliHhed mid unpublished muwicul rt-urm, nmnmioript partieellan, and puhltnhod and unpubiSt-.hrd writing} nr. -
Music, Art, and Film
Wilfrid Laurier University Press Music, Art, and Film Series Cultural Studies Cultural Studies is the multi- and interdisciplinary study of culture, defined anthropologically as a “way of life,” performatively as symbolic practice, and ideologically as the collective product of varied media and cultural industries. Wilfrid Laurier University Press invites submissions of manuscripts concerned with critical discussions on power relations concerning gender, class, sexual preference, ethnicity, and other macro and micro sites of political struggle. Environmental Humanities Features research that adopts and adapts the methods of the humanities to clarify the cultural meanings associated with environmental debate. It addresses the way film, literature, television, Web-based media, visual arts, and physical landscapes reflect how ecological relationships and identities are lived and imagined. Series editor Cheryl Lousley Film and Media Studies Critically explores cinematic and new-media texts, their associated industries, and their audiences. The series also examines the intersections of effects, nature, and representation in film and new media. Series editors Philippa Gates, Russell Kilbourn, and Ute Lischke Indigenous Studies The Indigenous Studies series seeks to be responsive and responsible to the concerns of the Indigenous community at large and to prioritize the mentorship of emerging Indigenous scholarship. Series editor Deanna Reder Life Writing This series includes autobiographical accounts, diaries, letters, and testimonials by (or told by) individuals whose philosophical or political beliefs have driven their lives. Life Writing also includes theoretical investigations in the field. Series editor Marlene Kadar Memory and Testimony Studies As a catalyst for interdisciplinary research and a space of confluence for scholars, artists, and community agencies working in the field of memory representation, this series undertakes comparative explorations in the contested interpretations of remembering and forgetting in relation to traumatic history. -
Ernest Macmillan and England John Beckwith
Document generated on 09/26/2021 8:26 p.m. Canadian University Music Review Revue de musique des universités canadiennes Ernest MacMillan and England John Beckwith Volume 19, Number 1, 1998 Article abstract The Canadian composer-conductor Ernest MacMillan wrote England, an Ode, URI: https://id.erudit.org/iderudit/1014604ar for chorus and orchestra, in a German prison camp in World War I, and was DOI: https://doi.org/10.7202/1014604ar awarded a D.Mus. by Oxford University for it, in absentia. The score is examined alongside background documents, including MacMillan's See table of contents unpublished memoirs, for its ambitious musical features, its conformity to the degree specifications, and the influences it suggests (MacMillan studied works by Debussy and Skryabin while incarcerated, and received advice from a Publisher(s) fellow-prisoner, the composer Benjamin Dale). The choice of text, a decidedly imperialistic poem by A. C. Swinburne, is measured against MacMillan's later Canadian University Music Society / Société de musique des universités association with Canadian cultural nationalism. canadiennes ISSN 0710-0353 (print) 2291-2436 (digital) Explore this journal Cite this article Beckwith, J. (1998). Ernest MacMillan and England. Canadian University Music Review / Revue de musique des universités canadiennes, 19(1), 34–49. https://doi.org/10.7202/1014604ar All Rights Reserved © Canadian University Music Society / Société de musique This document is protected by copyright law. Use of the services of Érudit des universités canadiennes, 1998 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit.